Volume 11 • Issue 1 • 2023 • Percival Everett


Articles

Introduction: Playing Metafictional Games with Percival Everett

Sascha Pöhlmann

Volume 11 • Issue 1 • 2023 • Percival Everett

Revising National Myths Through Queer Kinship in Percival Everett’s Wounded

Sarah Nolan-Brueck

Volume 11 • Issue 1 • 2023 • Percival Everett

“[O]ne is lost to understand what this has to do with the [Black] experience”: Percival Everett, André Alexis, and Racialized Authorial Expectations

Derek C. Maus

Volume 11 • Issue 1 • 2023 • Percival Everett

America’s Deserter: Forms of Racialised Mistreatment and Escaping the Need to Escape in Percival Everett’s American Desert

George Kowalik

Volume 11 • Issue 1 • 2023 • Percival Everett

Impossible Chess, Close Reading, and Inattention as Disability in Percival Everett’s Telephone

Martin Paul Eve

Volume 11 • Issue 1 • 2023 • Percival Everett

The Power of Patriarchy: Everett’s Work on the Dionysus Myth in Frenzy

Christa Buschendorf

Volume 11 • Issue 1 • 2023 • Percival Everett

Archive, Intertextuality and Genre in Percival Everett’s The Trees (2021)

Arin Keeble and Sheri-Marie Harrison

Volume 11 • Issue 1 • 2023 • Percival Everett

“I Heard You Went to Nam”: Home, Hospitality, and Legitimated Violence in Percival Everett’s Walk Me to the Distance

Keith Bernard Mitchell

Volume 11 • Issue 1 • 2023 • Percival Everett

Review

Review of Tore Rye Andersen, Planetary Pynchon: History, Modernity, and the Anthropocene (Cambridge University Press, 2023), 228 pp.

Jeffrey Severs

Volume 11 • Issue 1 • 2023 • Percival Everett

Regular Articles

Prefigurative Poetics: Language Writing’s New Sentence and the Politics of the New Left

Mathies G. Aarhus

Volume 11 • Issue 1 • 2023 • Percival Everett

Selling San Narciso: Pierce Inverarity as Insider-Innovator in The Crying of Lot 49

Fred Johnson

Volume 11 • Issue 1 • 2023 • Percival Everett

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