@book{arich-gerz_lesen_2001,
	location = {Konstanz},
	edition = {1. Aufl},
	title = {Lesen - beobachten: Modell einer Wirkungsästhetik mit Thomas Pynchons Gravity's Rainbow},
	isbn = {978-3-87940-758-3},
	series = {Texte zur Weltliteratur},
	shorttitle = {Lesen - beobachten},
	pagetotal = {178},
	number = {3},
	publisher = {{UVK}, Univ.-Verl. Konstanz},
	author = {Arich-Gerz, Bruno},
	date = {2001},
}

@book{battesti_thomas_2004,
	location = {Paris},
	title = {Thomas Pynchon: l'approche et l'esquive},
	isbn = {978-2-7011-2409-4},
	series = {Voix américaines},
	shorttitle = {Thomas Pynchon},
	pagetotal = {126},
	publisher = {Belin},
	author = {Battesti, Anne},
	date = {2004},
	note = {{OCLC}: ocm54079150},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@book{berressem_pynchons_1993,
	location = {Urbana},
	title = {Pynchon's poetics: interfacing theory and text},
	isbn = {978-0-252-06248-3 978-0-252-01919-7},
	shorttitle = {Pynchon's poetics},
	pagetotal = {273},
	publisher = {University of Illinois Press},
	author = {Berressem, Hanjo},
	date = {1993},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Subjectivity in literature},
}

@book{best_animations_1995,
	location = {Trier},
	title = {In/Animations: die Medien in den Romanen von Thomas Pynchon},
	isbn = {978-3-88476-154-0},
	series = {Schriftenreihe Literaturwissenschaft},
	shorttitle = {In/Animations},
	pagetotal = {186},
	number = {27},
	publisher = {{WVT}, Wiss. Verl. Trier},
	author = {Best, Andrea},
	date = {1995},
}

@book{brownlie_thomas_2000,
	location = {New York},
	title = {Thomas Pynchon's narratives: subjectivity and problems of knowing},
	isbn = {978-0-8204-4506-9},
	series = {Modern American literature},
	shorttitle = {Thomas Pynchon's narratives},
	pagetotal = {143},
	number = {v. 24},
	publisher = {Peter Lang},
	author = {Brownlie, Alan W.},
	date = {2000},
	keywords = {20th century, Criticism and interpretation, Pynchon, Thomas, Subjectivity in literature, History, Knowledge, Theory of, in literature, Narration (Rhetoric)},
}

@book{carswell_occupy_2017,
	location = {Athens},
	title = {Occupy Pynchon: politics after Gravity's Rainbow},
	isbn = {978-0-8203-5088-2},
	shorttitle = {Occupy Pynchon},
	pagetotal = {203},
	publisher = {The University of Georgia Press},
	author = {Carswell, Sean},
	date = {2017},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Government, Resistance to, in literature, Politics in literature},
}

@book{chambers_thomas_1992,
	location = {New York, {NY}},
	title = {Thomas Pynchon},
	isbn = {978-0-8057-3960-2},
	series = {Twayne's United States authors series},
	pagetotal = {229},
	number = {{TUSAS} 607},
	publisher = {Twayne Publishers},
	author = {Chambers, Judith},
	date = {1992},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@book{clerc_mason_2000,
	location = {Lanham, Md},
	title = {Mason \& Dixon \& Pynchon},
	isbn = {978-0-7618-1792-5},
	pagetotal = {248},
	publisher = {University Press of America},
	author = {Clerc, Charles},
	date = {2000},
	keywords = {History and criticism, Pynchon, Thomas, Biographical fiction, American, British in literature, Dixon, Jeremiah, Frontier and pioneer life in literature, In literature, Maryland, Mason \& Dixon, Mason, Charles, Pennsylvania, Scientists in literature},
}

@book{collado-rodriguez_francisco_orden_2014,
	title = {El orden del caos: literatura, política y posthumanidad en la narrativa de Thomas Pynchon},
	isbn = {978-84-370-8551-7},
	shorttitle = {El orden del caos},
	pagetotal = {226},
	publisher = {{UNIVERSITAT} {DE} {VALÈNCIA}},
	author = {{Collado-Rodríguez, Francisco}},
	date = {2014},
	note = {{OCLC}: 1222924426},
}

@book{colvile_beyond_1988,
	location = {Amsterdam},
	title = {Beyond and beneath the mantle: on Thomas Pynchon's The crying of lot 49},
	isbn = {978-90-5183-057-6},
	series = {Costerus},
	shorttitle = {Beyond and beneath the mantle},
	pagetotal = {119},
	number = {new ser., vol. 68},
	publisher = {Rodopi},
	author = {Colvile, Georgiana M. M.},
	date = {1988},
	keywords = {Pynchon, Thomas, Crying of lot 49},
}

@book{cooper_signs_1983,
	location = {Berkeley},
	title = {Signs and symptoms: Thomas Pynchon and the contemporary world},
	isbn = {978-0-520-04537-8},
	shorttitle = {Signs and symptoms},
	pagetotal = {238},
	publisher = {University of California Press},
	author = {Cooper, Peter L.},
	date = {1983},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@book{coviello_vineland_2020,
	location = {New York},
	title = {Vineland reread},
	isbn = {978-0-231-18520-2 978-0-231-18521-9},
	series = {Rereadings},
	abstract = {"Vineland is hardly anyone's favorite Thomas Pynchon novel. Marking Pynchon's return after vanishing for nearly two decades following his epic Gravity's Rainbow, it was initially regarded as slight, a middling curiosity. However, for Peter Coviello, the oft-overlooked Vineland opens up new ways of thinking about Pynchon's writing and about how we read and how we live in the rough currents of history. Beginning with his early besotted encounters with Vineland, Coviello reads Pynchon's offbeat novel of sixties insurgents stranded in the Reaganite summer of 1984 as a delirious stoner comedy that is simultaneously a work of heartsick fury and political grief: a portrait of the hard afterlives of failed revolution in a period of stifling reaction. Offering a roving meditation on the uses of criticism and the practice of friendship, the fashioning of publics and counterpublics, the sentence and the police, Coviello argues that Vineland is among the most abundant and far-sighted of late-century American excursions into novelistic possibility. Departing from visions of Pynchon as the arch-postmodernist, erudite and obscure, he discloses an author far more companionable and humane. In Pynchon's harmonizing of joyousness and outrage, comedy and sorrow, Coviello finds a model for thinking through our catastrophic present"--},
	pagetotal = {142},
	publisher = {Columbia University Press},
	author = {Coviello, Peter},
	date = {2020},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Vineland},
}

@book{cowart_thomas_1982,
	location = {Carbondale},
	edition = {2. printing},
	title = {Thomas Pynchon: the art of allusion},
	isbn = {978-0-8093-0944-3},
	series = {Crosscurrents / modern critiques / new series},
	shorttitle = {Thomas Pynchon},
	pagetotal = {154},
	publisher = {Southern Illinois Univ. Press [u.a.]},
	author = {Cowart, David},
	date = {1982},
}

@book{cowart_thomas_2012,
	location = {Athens},
	title = {Thomas Pynchon and the Dark Passages of History},
	isbn = {978-0-8203-3709-8},
	abstract = {"Thomas Pynchon helped pioneer the postmodern aesthetic. His formidable body of work challenges readers to think and perceive in ways that anticipate - with humor, insight, and cogency - much that has emerged in the field of literary theory over the past few decades. For David Cowart, Pynchon's most profound teachings are about history - history as myth, as rhetorical construct, as false consciousness, as prologue, as mirror, and as seedbed of national and literary identities. In one encyclopedic novel after another, Pynchon has reconceptualized historical periods that he sees as culturally definitive. Examining Pynchon's entire body of work, Cowart offers an engaging, metahistorical reading of V.; an exhaustive analysis of the influence of German culture in Pynchon's early work, with particular emphasis on Gravity's Rainbow; and a critical spectroscopy of those dark stars, Mason \& Dixon and Against the Day. He defends the California fictions The Crying of Lot 49, Vineland, and Inherent Vice as roman fleuve chronicling the decade in which the American tapestry began to unravel. Cowart ends his study by considering Pynchon's place in literary history. Cowart argues that Pynchon has always understood the facticity of historical narrative and the historicity of storytelling - not to mention the relations of both story and history to myth. Thomas Pynchon and the Dark Passages of History offers a deft analysis of the problems of history as engaged by our greatest living novelist and argues for the continuity of Pynchon's historical vision."--Project Muse},
	pagetotal = {250},
	publisher = {University of Georgia Press},
	author = {Cowart, David},
	date = {2012},
	note = {{OCLC}: 1059003979},
}

@book{de_bourcier_pynchon_2012,
	location = {London New York},
	title = {Pynchon and relativity: narrative time in Thomas Pynchon's later novels},
	shorttitle = {Pynchon and relativity},
	pagetotal = {231},
	publisher = {Continuum},
	author = {De Bourcier, Simon},
	date = {2012},
	note = {{ISBN}: 9781441130099
Series: Continuum literary studies series},
}

@book{dugdale_thomas_1990,
	location = {New York},
	title = {Thomas Pynchon: allusive parables of power},
	isbn = {978-0-312-04630-9},
	shorttitle = {Thomas Pynchon},
	pagetotal = {214},
	publisher = {St. Martin's Press},
	author = {Dugdale, John},
	date = {1990},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@book{eddins_gnostic_1990,
	location = {Bloomington},
	title = {The gnostic Pynchon},
	isbn = {978-0-253-31907-4},
	pagetotal = {173},
	publisher = {Indiana University Press},
	author = {Eddins, Dwight},
	date = {1990},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Gnosticism in literature},
}

@book{eve_pynchon_2014,
	location = {Houndmills, Basingstoke, Hampshire ; New York, {NY}},
	title = {Pynchon and Philosophy: Wittgenstein, Foucault and Adorno},
	isbn = {978-1-137-40549-4},
	shorttitle = {Pynchon and Philosophy},
	pagetotal = {229},
	publisher = {Palgrave Macmillan},
	author = {Eve, Martin Paul},
	date = {2014},
	keywords = {Pynchon, Thomas, Adorno, Theodor W, Foucault, Michel, Literature, Philosophy, Wittgenstein, Ludwig},
}

@book{fowler_readers_1980,
	location = {Ann Arbor, Mich},
	title = {A reader's guide to "Gravity's rainbow"},
	isbn = {978-0-88233-405-9},
	pagetotal = {297},
	publisher = {Ardis},
	author = {Fowler, Douglas},
	date = {1980},
}

@book{freer_thomas_2014,
	location = {New York},
	title = {Thomas Pynchon and the American counterculture},
	isbn = {978-1-107-07605-1 978-1-107-42971-0},
	series = {Cambridge studies in American literature and culture},
	abstract = {"This volume explores the complex fiction of Thomas Pynchon within the context of 1960s counterculture"},
	pagetotal = {208},
	number = {169},
	publisher = {Cambridge University Press},
	author = {Freer, Joanna},
	date = {2014},
}

@book{grant_companion_2008,
	location = {Athens, Ga.},
	edition = {2. ed},
	title = {A companion to The crying of lot 49},
	isbn = {978-0-8203-1635-2 978-0-8203-1636-9},
	pagetotal = {188},
	publisher = {Univ. of Georgia Press},
	author = {Grant, J. Kerry},
	date = {2008},
}

@book{grant_companion_2008-1,
	location = {Athens},
	edition = {2nd ed},
	title = {A companion to "The crying of lot 49"},
	isbn = {978-0-8203-3207-9},
	publisher = {the University of Georgia press},
	author = {Grant, J. Kerry},
	date = {2008},
}

@book{grant_companion_2001,
	location = {Athens},
	title = {A companion to V},
	isbn = {978-0-8203-2250-6 978-0-8203-2251-3},
	pagetotal = {224},
	publisher = {University of Georgia Press},
	author = {Grant, J. Kerry},
	date = {2001},
	keywords = {History and criticism, Pynchon, Thomas, Psychological fiction, American, V},
}

@book{hagg_narratologies_2005,
	location = {Joensuu},
	title = {Narratologies of Gravity's rainbow},
	isbn = {978-952-458-611-5},
	pagetotal = {205},
	publisher = {Joensuun yliopisto},
	author = {Hägg, Samuli},
	date = {2005},
	note = {{OCLC}: 60839553},
}

@book{selmeci_schwarzkommando_1995,
	location = {Bielefeld},
	title = {Das Schwarzkommando: Thomas Pynchon und die Geschichte der Herero},
	isbn = {978-3-89528-122-8},
	series = {Aisthesis-Essay},
	shorttitle = {Das Schwarzkommando},
	pagetotal = {141},
	number = {6},
	publisher = {Aisthesis-Verl},
	author = {Selmeci, Andreas and Henrichsen, Dag},
	date = {1995},
}

@book{herman_gravitys_2013,
	location = {Athens},
	title = {Gravity's Rainbow, domination, and freedom},
	isbn = {978-0-8203-3508-7 978-0-8203-4595-6},
	pagetotal = {258},
	publisher = {The University of Georgia Press},
	author = {Herman, Luc and Weisenburger, Steven},
	date = {2013},
	keywords = {Pynchon, Thomas, Gravity's rainbow},
}

@book{hite_ideas_1983,
	location = {Columbus},
	title = {Ideas of order in the novels of Thomas Pynchon},
	isbn = {978-0-8142-0350-7},
	pagetotal = {183},
	publisher = {Ohio State University Press},
	author = {Hite, Molly},
	date = {1983},
}

@book{hohmann_thomas_1986,
	location = {New York},
	title = {Thomas Pynchon's Gravity's rainbow: a study of its conceptual structure and of Rilke's influence},
	isbn = {978-0-8204-0439-4},
	series = {American university studies Series 4, English language and literature},
	shorttitle = {Thomas Pynchon's Gravity's rainbow},
	pagetotal = {421},
	number = {48},
	publisher = {Lang},
	author = {Hohmann, Charles},
	date = {1986},
}

@book{hume_pynchons_1987,
	location = {Carbondale},
	title = {Pynchon's mythography: an approach to Gravity's rainbow},
	isbn = {978-0-8093-1357-0},
	series = {Crosscurrents/modern critiques},
	shorttitle = {Pynchon's mythography},
	pagetotal = {262},
	publisher = {Southern Illinois University Press},
	author = {Hume, Kathryn},
	date = {1987},
	keywords = {Pynchon, Thomas, Gravity's rainbow, Myth in literature},
}

@book{hurley_pynchon_2008,
	location = {Jefferson, N.C},
	title = {Pynchon character names},
	isbn = {978-0-7864-3458-9},
	pagetotal = {195},
	publisher = {{McFarland}},
	author = {Hurley, Patrick J.},
	date = {2008},
}

@thesis{kakela-puumala_other_2007,
	location = {Jokela},
	title = {Other side of this life death, value, and social being in Thomas Pynchon's fiction},
	pagetotal = {209},
	institution = {Tiina Käkelä-Puumala},
	type = {phdthesis},
	author = {Käkelä-Puumala, Tiina},
	date = {2007},
	note = {{OCLC}: 231172130},
}

@book{kharpertian_hand_1990,
	location = {Rutherford},
	title = {A hand to turn the time: the Menippean satires of Thomas Pynchon},
	isbn = {978-0-8386-3361-8},
	shorttitle = {A hand to turn the time},
	pagetotal = {176},
	publisher = {Fairleigh Dickinson Univ. Press [u.a.]},
	author = {Kharpertian, Theodore D.},
	date = {1990},
}

@book{kihara_yoshihiko__thomas_2001,
	location = {Kyōto},
	title = {Thomas Pynchon: Museifu shugi teki kiseki no Uchu トマス・ピンチョン: 無政府主義的奇跡の宇宙},
	isbn = {978-4-87698-415-2},
	shorttitle = {トマス・ピンチョン},
	pagetotal = {246},
	publisher = {京都大学学術出版会},
	author = {{Kihara, Yoshihiko 木原善彦}},
	date = {2001},
	note = {{OCLC}: 54593689},
	keywords = {Japanese},
}

@book{klose_how_2012,
	location = {Frankfurt am Main New York},
	title = {"How had it ever happened here?": a constructivist reading of Thomas Pynchon's The Crying of Lot 49 and its role in the Pynchon canon},
	shorttitle = {"How had it ever happened here?},
	pagetotal = {225},
	publisher = {P. Lang},
	author = {Klose, Yvonne},
	date = {2012},
	note = {{ISBN}: 9783631622964
Series Number: 7
Series: American culture},
}

@book{kolbuszewska_poetics_2000,
	location = {Lublin},
	title = {The poetics of chronotope in the novels of Thomas Pynchon},
	isbn = {978-83-7306-000-5},
	series = {Towarzystwo Naukowe Katolickiego Uniwersytetu Lubelskiego},
	pagetotal = {243},
	number = {202},
	publisher = {Tow. Naukowe Katolickiego Uniw. Lubelskiego},
	author = {Kolbuszewska, Zofia},
	date = {2000},
}

@book{hendin_vulnerable_1979,
	location = {Oxford},
	title = {Vulnerable people: a view of American fiction since 1945},
	isbn = {978-0-19-502319-0 978-0-19-502620-7},
	series = {Galaxy books},
	shorttitle = {Vulnerable people},
	pagetotal = {237},
	number = {583},
	publisher = {Oxford Univ. Press},
	author = {Hendin, Josephine G.},
	date = {1979},
}

@book{mackey_rainbow_1989,
	location = {San Bernardino, Calif},
	edition = {1. ed., 3. print},
	title = {The rainbow quest of Thomas Pynchon},
	isbn = {978-0-89370-142-0 978-0-89370-242-7},
	series = {The Milford series Popular writers of today},
	pagetotal = {68},
	number = {28},
	publisher = {Borgo Press},
	author = {Mackey, Douglas A.},
	date = {1989},
}

@book{madsen_postmodernist_1991,
	location = {Leicester},
	title = {The Postmodernist allegories of Thomas Pynchon},
	isbn = {978-0-7185-1369-6},
	pagetotal = {146},
	publisher = {Leicester Univ. Press},
	author = {Madsen, Deborah L.},
	date = {1991},
}

@book{malpas_thomas_2015,
	location = {Manchester},
	title = {Thomas Pynchon},
	isbn = {978-0-7190-9934-2},
	series = {Contemporary American and Canadian Writers},
	pagetotal = {244},
	publisher = {Manchester University Press},
	author = {Malpas, Simon and Taylor, Andrew},
	date = {2015},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@book{mattessich_lines_2002,
	location = {Durham [N.C.]},
	title = {Lines of flight: discursive time and countercultural desire in the work of Thomas Pynchon},
	isbn = {978-0-8223-2979-4 978-0-8223-2994-7},
	series = {Post-contemporary interventions},
	shorttitle = {Lines of flight},
	pagetotal = {291},
	publisher = {Duke University Press},
	author = {Mattessich, Stefan},
	date = {2002},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Counterculture, Desire in literature, Escape in literature, Time in literature, United States},
}

@book{dugdale_thomas_1990-1,
	location = {Houndmills, Basingstoke, Hampshire},
	title = {Thomas Pynchon: allusive parables of power},
	isbn = {978-0-333-49110-2 978-0-333-51509-9},
	shorttitle = {Thomas Pynchon},
	pagetotal = {214},
	publisher = {Macmillan},
	author = {Dugdale, John},
	date = {1990},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@book{mead_thomas_1989,
	location = {Elmwood Park, {IL}, {USA}},
	edition = {1st ed},
	title = {Thomas Pynchon: a bibliography of primary and secondary materials},
	isbn = {978-0-916583-37-8},
	shorttitle = {Thomas Pynchon},
	pagetotal = {175},
	publisher = {Dalkey Archive Press},
	author = {Mead, Clifford},
	date = {1989},
	keywords = {Pynchon, Thomas, Bibliography},
}

@book{mogultay_ruins_2018,
	location = {New York},
	title = {The ruins of urban modernity: Thomas Pynchon's "Against the day"},
	isbn = {978-1-5013-3950-9},
	shorttitle = {The ruins of urban modernity},
	pagetotal = {227},
	publisher = {Bloomsbury},
	author = {Mogultay, Utku},
	date = {2018},
}

@book{moore_style_1987,
	location = {Columbia, Mo},
	title = {The style of connectedness: gravity's rainbow and Thomas Pynchon},
	isbn = {978-0-8262-0625-1},
	shorttitle = {The style of connectedness},
	pagetotal = {312},
	publisher = {Univ. of Missouri Press},
	author = {Moore, Thomas},
	date = {1987},
}

@book{newman_understanding_1986,
	location = {Columbia, S.C},
	title = {Understanding Thomas Pynchon},
	isbn = {978-0-87249-485-5 978-0-87249-486-2},
	series = {Understanding contemporary American literature},
	pagetotal = {155},
	publisher = {Univ. of South Carolina Press},
	author = {Newman, Robert D.},
	date = {1986},
}

@book{plater_grim_1978,
	location = {Bloomington, Ind.},
	title = {The grim phoenix: reconstructing Thomas Pynchon},
	isbn = {978-0-253-32670-6},
	shorttitle = {The grim phoenix},
	pagetotal = {268},
	publisher = {Indiana Univ. Pr},
	author = {Plater, William M.},
	date = {1978},
}

@book{pohlmann_pynchons_2010,
	location = {Heidelberg},
	title = {Pynchon's postnational imagination},
	isbn = {978-3-8253-5771-9},
	series = {American studies},
	pagetotal = {381},
	number = {188},
	publisher = {Winter},
	author = {Pöhlmann, Sascha},
	date = {2010},
}

@book{price_christian_1989,
	location = {New York},
	title = {Christian allusions in the novels of Thomas Pynchon},
	isbn = {978-0-8204-0859-0},
	series = {American university studies},
	pagetotal = {264},
	number = {v. 89},
	publisher = {P. Lang},
	author = {Price, Victoria H.},
	date = {1989},
	keywords = {Pynchon, Thomas, In literature, Bible, Christianity in literature, Religion},
}

@book{rolls_thomas_2019,
	location = {Brighton},
	title = {Thomas Pynchon: the demon in the text},
	isbn = {978-1-912224-54-8 978-1-912224-55-5},
	series = {Writers \& their contexts},
	shorttitle = {Thomas Pynchon},
	pagetotal = {156},
	number = {no. 3},
	publisher = {{EER}, Edward Everett Root Publishers},
	author = {Rolls, Albert},
	date = {2019},
}

@book{schaub_pynchon_1981,
	location = {Urbana},
	title = {Pynchon, the voice of ambiguity},
	isbn = {978-0-252-00816-0},
	pagetotal = {165},
	publisher = {University of Illinois Press},
	author = {Schaub, Thomas H.},
	date = {1981},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Ambiguity in literature},
}

@book{schaub_pynchon_1985,
	location = {Buenos Aires, Argentina},
	title = {Pynchon: la voz de lo ambiguo},
	isbn = {978-950-18-0069-2},
	shorttitle = {Pynchon},
	pagetotal = {189},
	publisher = {Ediciones Tres Tiempos S.R.L.},
	author = {Schaub, Thomas H.},
	date = {1985},
	note = {{OCLC}: 23591805},
}

@book{schieweg_burde_2006,
	location = {Berlin Münster},
	title = {Die Bürde der Geschichte: der Untergang des Baedekerlandes im Werk von Thomas Pynchon},
	isbn = {978-3-8258-8175-7},
	series = {Nordamerika-Studien},
	shorttitle = {Die Bürde der Geschichte},
	pagetotal = {345},
	number = {Bd. 11},
	publisher = {Lit},
	author = {Schieweg, Larissa S.},
	date = {2006},
}

@book{seed_fictional_1988,
	location = {Basingstoke},
	title = {The fictional labyrinths of Thomas Pynchon},
	isbn = {978-1-349-08749-5},
	pagetotal = {268},
	publisher = {Macmillan},
	author = {Seed, David},
	date = {1988},
	note = {{OCLC}: 648203594},
}

@book{siegel_pynchon_1978,
	location = {Port Washington, {NY}},
	title = {Pynchon: creative paranoia in Gravity's Rainbow},
	isbn = {978-0-8046-9213-7},
	series = {National University Publications},
	shorttitle = {Pynchon},
	pagetotal = {138},
	publisher = {Kennikat},
	author = {Siegel, Mark Richard},
	date = {1978},
}

@book{sigvardson_immanence_2002,
	location = {Stockholm},
	title = {Immanence and transcendence in Thomas Pynchon's Mason \& Dixon: a phenomenological study},
	isbn = {978-91-22-01962-6},
	series = {Stockholm studies in English},
	shorttitle = {Immanence and transcendence in Thomas Pynchon's Mason \& Dixon},
	pagetotal = {158},
	number = {97},
	publisher = {Almqvist \& Wiksell International},
	author = {Sigvardson, Joakim},
	date = {2002},
}

@book{slade_thomas_1974,
	location = {New York},
	title = {Thomas Pynchon},
	isbn = {978-0-446-78523-5},
	pagetotal = {238},
	publisher = {Warner Paperback Library},
	author = {Slade, Joseph W.},
	date = {1974},
	note = {{OCLC}: 1207095},
}

@book{slade_thomas_1990,
	location = {New York Bern Frankfurt am Main Paris},
	title = {Thomas Pynchon},
	isbn = {978-0-8204-1031-9},
	series = {Worcester Polytechnic Institute studies in science, technology, and culture},
	pagetotal = {238},
	number = {5},
	publisher = {Lang},
	author = {Slade, Joseph W.},
	date = {1990},
}

@book{smith_thomas_2013,
	location = {New York},
	title = {Thomas Pynchon and the postmodern mythology of the underworld},
	isbn = {978-1-4331-2027-5 978-1-4539-0951-5},
	series = {Modern American literature: new approaches},
	pagetotal = {345},
	number = {v. 62},
	publisher = {Peter Lang},
	author = {Smith, Evans Lansing},
	date = {2013},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Gnosticism in literature, Mythology in literature, Voyages to the otherworld in literature},
}

@book{smith_pynchon_2005,
	location = {New York},
	title = {Pynchon and history: metahistorical rhetoric and postmodern narrative form in the novels of Thomas Pynchon},
	isbn = {978-1-135-49264-9},
	shorttitle = {Pynchon and history},
	abstract = {First Published in 2005. Routledge is an imprint of Taylor \& Francis, an informa company},
	pagetotal = {248},
	publisher = {Routledge},
	author = {Smith, Shawn},
	date = {2005},
	note = {{OCLC}: 862746072},
}

@book{stark_pynchons_1980,
	location = {Athens},
	title = {Pynchon's fictions: Thomas Pynchon and the literature of information},
	isbn = {978-0-8214-0419-5},
	shorttitle = {Pynchon's fictions},
	pagetotal = {183},
	publisher = {Ohio University Press},
	author = {Stark, John O.},
	date = {1980},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Knowledge and learning},
}

@book{tanner_thomas_1982,
	location = {London ; New York},
	title = {Thomas Pynchon},
	isbn = {978-0-416-31670-4},
	series = {Contemporary writers},
	pagetotal = {95},
	publisher = {Methuen},
	author = {Tanner, Tony},
	date = {1982},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@book{thomas_pynchon_2011,
	location = {New York},
	edition = {1. issued in paperback},
	title = {Pynchon and the political},
	isbn = {978-0-415-80914-6},
	series = {Studies in major literary authors},
	pagetotal = {203},
	publisher = {Routledge},
	author = {Thomas, Samuel},
	date = {2011},
}

@book{trainini_silent_2010,
	location = {Milano},
	edition = {1. ed},
	title = {A silent extinction: saggio su "L'arcobaleno della gravità"di Thomas Pynchon},
	isbn = {978-88-7695-424-5},
	shorttitle = {A silent extinction},
	pagetotal = {205},
	publisher = {Arcipelago},
	author = {Trainini, Marco and Vittorini, Fabio},
	date = {2010},
}

@book{weisenburger_gravitys_1988,
	location = {Athens, Ga},
	title = {A Gravity's rainbow companion: sources and contexts for Pynchon's novel},
	isbn = {978-0-8203-1025-1 978-0-8203-1026-8},
	shorttitle = {A Gravity's rainbow companion},
	pagetotal = {345},
	publisher = {University of Georgia Press},
	author = {Weisenburger, Steven},
	date = {1988},
	keywords = {Pynchon, Thomas, Gravity's rainbow},
}

@book{weisenburger_gravitys_2006,
	location = {Athens},
	edition = {2nd ed., rev. and expanded., Completely updated ed},
	title = {A Gravity's rainbow companion: sources and contexts for Pynchon's novel},
	isbn = {978-0-8203-2811-9 978-0-8203-2807-2},
	shorttitle = {A Gravity's rainbow companion},
	pagetotal = {412},
	publisher = {University of Georgia Press},
	author = {Weisenburger, Steven},
	date = {2006},
	note = {{OCLC}: ocm67361108},
	keywords = {Pynchon, Thomas, Gravity's rainbow},
}

@book{witzling_everybodys_2008,
	location = {New York},
	title = {Everybody's America: Thomas Pynchon, race, and the cultures of postmodernism},
	isbn = {978-0-415-97925-2},
	series = {Studies in major literary authors},
	shorttitle = {Everybody's America},
	pagetotal = {223},
	publisher = {Routledge},
	author = {Witzling, David},
	date = {2008},
	note = {{OCLC}: ocn187300249},
	keywords = {20th century, Criticism and interpretation, Pynchon, Thomas, History, Postmodernism (Literature), United States, African Americans, African Americans in literature, Multiculturalism in literature, Politics and literature, Race identity, Race in literature, Race relations in literature, Racism in literature, White people in literature},
}

@book{zadworna-fjellestad_alices_1986,
	title = {Alice's adventures in Wonderland and gravity's rainbow: a study in duplex fiction},
	isbn = {978-91-22-99831-0},
	shorttitle = {Alice's adventures in Wonderland and gravity's rainbow},
	pagetotal = {123},
	publisher = {Almquist \& Wiksell International},
	author = {Zadworna-Fjellestad, Danuta},
	date = {1986},
	note = {{OCLC}: 1050480997},
}

@collection{abbas_thomas_2003,
	location = {Madison},
	title = {Thomas Pynchon: reading from the margins},
	isbn = {978-0-8386-3954-2},
	shorttitle = {Thomas Pynchon},
	pagetotal = {256},
	publisher = {Fairleigh Dickinson Univ. Press [u.a.]},
	editor = {Abbas, Niran B.},
	date = {2003},
}

@collection{alfano_dissoluzione_2003,
	location = {Napoli},
	title = {La dissoluzione onesta: scritti su Thomas Pynchon},
	isbn = {978-88-85414-83-9},
	series = {Virus},
	shorttitle = {La dissoluzione onesta},
	pagetotal = {246},
	publisher = {Cronopio},
	editor = {Alfano, Giancarlo and Carratello, Mattia},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Congresses},
}

@book{_____________2014,
	location = {Tōkyō},
	title = {トマス・ピンチョン},
	isbn = {978-4-7791-2003-9},
	publisher = {彩流社},
	author = {{麻生享志, 木原善彦 編著 ; ブライアン・マクヘイル, 長澤唯史, 波戶岡景太, 石割隆喜, 三浦玲一, 巽孝之, 大串尚代 [著].} and {麻生 享志} and {木原 善彦} and McHale, Brian and {長澤 唯史.} and {波戶岡 景太}},
	date = {2014-06},
	note = {{OCLC}: 883171812},
}

@book{bianchi_pynchon_1994,
	location = {Malta},
	title = {Pynchon Malta and Wittgenstein},
	isbn = {978-99909-44-08-2},
	pagetotal = {73},
	publisher = {Malta University Publishers},
	author = {Bianchi, P. and Cassola, Arnold and Serracino Inglott, Peter},
	date = {1994},
	keywords = {Criticism and interpretation, Pynchon, Thomas, In literature, Wittgenstein, Ludwig, Malta},
}

@collection{bloom_thomas_1986,
	location = {New York},
	title = {Thomas Pynchon},
	isbn = {978-0-87754-715-0},
	series = {Modern critical views},
	abstract = {A collection of critical essays on Pynchon and his works. Also includes a chronology of events in the author's life},
	pagetotal = {232},
	publisher = {Chelsea House Publishers},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Criticism and interpretation, Pynchon, Thomas, American literature},
}

@collection{bloom_thomas_2003,
	location = {Philadelphia},
	title = {Thomas Pynchon},
	isbn = {978-0-7910-7445-9},
	series = {Bloom's modern critical views},
	pagetotal = {322},
	publisher = {Chelsea House Publishers},
	editor = {Bloom, Harold},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@collection{bloom_thomas_1986-1,
	location = {New York},
	title = {Thomas Pynchon's Gravity's rainbow},
	isbn = {978-1-55546-062-4},
	series = {Modern critical interpretations},
	abstract = {A collection of critical essays on Pynchon's "Gravity's Rainbow" arranged in chronological order of publication},
	pagetotal = {127},
	publisher = {Chelsea House Publishers},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Pynchon, Thomas, American literature, Gravity's rainbow},
}

@book{chorier-fryd_thomas_2014,
	location = {Montpellier},
	title = {Thomas Pynchon},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@collection{chetwynd_thomas_2018,
	location = {Athens},
	title = {Thomas Pynchon, sex, and gender},
	isbn = {978-0-8203-5400-2 978-0-8203-5401-9},
	pagetotal = {250},
	publisher = {The University of Georgia Press},
	editor = {Chetwynd, Ali and Freer, Joanna and Maragos, Georgios},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Gender identity in literature, Sex in literature, Violence in literature},
}

@book{pynchon_face_2008,
	location = {Paris},
	title = {Face à Pynchon},
	isbn = {978-2-7491-1297-8},
	series = {Lot 49},
	pagetotal = {495},
	publisher = {Le Cherche-midi : Inculte},
	author = {Pynchon, Thomas},
	date = {2008},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@collection{clerc_approaches_1983,
	location = {Columbus},
	title = {Approaches to Gravity's rainbow},
	isbn = {978-0-8142-0337-8},
	pagetotal = {307},
	publisher = {Ohio State University Press},
	editor = {Clerc, Charles},
	date = {1983},
	keywords = {Pynchon, Thomas, Gravity's rainbow},
}

@collection{copestake_american_2003,
	location = {Oxford ; New York},
	title = {American postmodernity: essays on the recent fiction of Thomas Pynchon},
	isbn = {978-0-8204-6286-8 978-3-03910-017-0},
	shorttitle = {American postmodernity},
	pagetotal = {223},
	publisher = {P. Lang},
	editor = {Copestake, Ian D.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Postmodernism (Literature), United States},
}

@collection{dalsgaard_thomas_2018,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {Thomas Pynchon in context},
	isbn = {978-1-108-49702-2},
	abstract = {"Introduction Inger H. Dalsgaard Thomas Pynchon has long had a place in the pantheon of Great American Writers. His status lies in the scope of his work - the number of publications, the prodigious detail and expansiveness of his topics - as well as the sheer quality of his writing, all of which quickly led to comparisons with Herman Melville and James Joyce. His writing is widely taught (as part of required literature survey courses at universities, for example), and remains the subject of many scholarly articles, dissertations and monographs not just in the United States and other English-speaking countries, as one might expect, but also across Europe and Asia. According to the database of publications compiled on Vheissu.net, more than 400 doctoral dissertations have been accepted and more than 100 monographs and essay collections published on his writing already, mostly in English but also in other languages such as Spanish, Italian and German, with a handful from publishers in Korea, China and Japan. However, Pynchon is not just a canonical writer within scholarly research and teaching communities. Because of their scope and imaginative richness, his novels also have great appeal outside academia, and many devoted readers share their interest in his novels on websites dedicated to exploring his work. It is to help all such readers and students that Thomas Pynchon in Context brings together forty-four essays by some of the foremost specialists in the field, providing the most comprehensive resource yet published on the many ways in which his writing engages the wider world"--},
	publisher = {Cambridge University Press},
	editor = {Dalsgaard, Inger H.},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@collection{dalsgaard_cambridge_2012,
	location = {Cambridge ; New York},
	title = {The Cambridge companion to Thomas Pynchon},
	isbn = {978-0-521-76974-7 978-0-521-17304-9},
	series = {Cambridge companions to literature},
	abstract = {"The most celebrated American novelist of the past half-century, an indispensable figure of postmodernism worldwide, Thomas Pynchon notoriously challenges his readers. This Companion provides tools for meeting that challenge. Comprehensive, accessible, lively, up-to-date and reliable, it approaches Pynchon's fiction from various angles, calling on the expertise of an international roster of scholars at the cutting edge of Pynchon studies. Part I covers Pynchon's fiction novel-by-novel from the 1960s to the present, including such indisputable classics as The Crying of Lot 49 and Gravity's Rainbow. Part {II} zooms out to give a bird's-eye-view of Pynchon's novelistic practice across his entire career. Part {III} surveys major topics of Pynchon's fiction: history, politics, alterity ('otherness') and science and technology. Designed for students, scholars and fans alike, the Companion begins with a biography of the elusive author and ends with a coda on how to read Pynchon and a bibliography for further reading"--Provided by publisher},
	pagetotal = {193},
	publisher = {Cambridge University Press},
	editor = {Dalsgaard, Inger H. and Herman, Luc and {McHale}, Brian},
	date = {2012},
	note = {{OCLC}: ocn751751613},
	keywords = {Criticism and interpretation, Pynchon, Thomas, {LITERARY} {CRITICISM} / American / General},
}

@collection{freer_new_2019,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {The New Pynchon studies},
	isbn = {978-1-108-47446-7},
	series = {Twenty-first century critical revisions},
	abstract = {"The twenty-first century has been a time of renewed energy within Pynchon studies. Among other factors this is due to the publication of three novels, Against the Day (2006), Inherent Vice (2009), and Bleeding Edge (2013), which have each brought something distinctively new to the table. Against the Day's vast scope and range makes it Pynchon's most fully realized example of what has come to be conceived of as the "systems novel"; Inherent Vice's revisiting of the counterculture era first examined by Pynchon in The Crying of Lot 49 (1966) offers a concrete point of comparison on which to base assessments of his maturation as a writer amid changing socio-political contexts, and Bleeding Edge, Pynchon's (quasi-)9/11 novel, provides a thorough and long-anticipated thematic engagement with computer technology and digital culture. Mason \& Dixon, published a little before the turn of the millennium in 1997 and one of Pynchon's most critically-acclaimed works, has also provided fertile ground for twenty-first century criticism"--},
	pagetotal = {262},
	publisher = {Cambridge University Press},
	editor = {Freer, Joanna},
	date = {2019},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@collection{mangen_blissful_2002,
	location = {Oslo},
	title = {Blissful bewilderment: studies in the fiction of Thomas Pynchon},
	isbn = {978-82-7099-352-9},
	series = {Novus studies in literature},
	shorttitle = {Blissful bewilderment},
	pagetotal = {228},
	number = {4},
	publisher = {Novus Press},
	editor = {Mangen, Anne and Gaasland, Rolf},
	date = {2002},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Postmodernism (Literature), United States},
}

@collection{green_vineland_1994,
	location = {Normal, {IL}},
	edition = {1st ed},
	title = {The Vineland papers: critical takes on Pynchon's novel},
	isbn = {978-1-56478-038-6 978-1-56478-039-3},
	shorttitle = {The Vineland papers},
	pagetotal = {191},
	publisher = {Dalkey Archive Press},
	editor = {Green, Geoffrey and Greiner, Donald J. and {McCaffery}, Larry},
	date = {1994},
	keywords = {Pynchon, Thomas, Vineland},
}

@collection{hinds_multiple_2005,
	location = {Rochester, {NY}},
	title = {The multiple worlds of Pynchon's Mason \& Dixon: eighteenth-century contexts, postmodern observations},
	isbn = {978-1-57113-318-2},
	series = {Studies in American literature and culture},
	shorttitle = {The multiple worlds of Pynchon's Mason \& Dixon},
	pagetotal = {222},
	publisher = {Camden House},
	editor = {Hinds, Elizabeth Jane Wall},
	date = {2005},
	keywords = {History and criticism, Pynchon, Thomas, Biographical fiction, American, Dixon, Jeremiah, Frontier and pioneer life in literature, In literature, Mason \& Dixon, Mason, Charles, Scientists in literature, Postmodernism (Literature), United States, Literature and history},
}

@book{clerc_mason_2000-1,
	location = {Lanham, Md},
	title = {Mason \& Dixon \& Pynchon},
	isbn = {978-0-7618-1792-5},
	pagetotal = {248},
	publisher = {University Press of America},
	author = {Clerc, Charles},
	date = {2000},
	keywords = {History and criticism, Pynchon, Thomas, Biographical fiction, American, British in literature, Dixon, Jeremiah, Frontier and pioneer life in literature, In literature, Maryland, Mason \& Dixon, Mason, Charles, Pennsylvania, Scientists in literature},
}

@collection{ickstadt_ordnung_1981,
	location = {Reinbek bei Hamburg},
	edition = {Erstausg},
	title = {Ordnung und Entropie: zum Romanwerk von Thomas Pynchon},
	isbn = {978-3-499-25113-9},
	series = {Das Neue Buch},
	shorttitle = {Ordnung und Entropie},
	pagetotal = {329},
	number = {113},
	publisher = {Rowohlt},
	editor = {Ickstadt, Heinz},
	date = {1981},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Dissenters in literature, Social norms in literature},
}

@book{kolbuszewska_thomas_2012,
	location = {Lublin},
	title = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	number = {Volume 8},
	publisher = {Wydawnictwo {KUL}},
	author = {Kolbuszewska, Zofia},
	date = {2012},
}

@collection{siegert_thomas_2003,
	location = {Weimar},
	title = {Thomas Pynchon: Archiv - Verschwörung - Geschichte},
	isbn = {978-3-89739-367-7},
	series = {('Medien) i},
	shorttitle = {Thomas Pynchon},
	abstract = {Die Helden aus den Romanen von Thomas Pynchon wollen den Schleier der Maya, die Historie, durchdringen. Doch anders als die Wahrheit der Philosophen gehört es zur Wahrheit, der diese Helden auf der Spur sind, daß es nicht Die Eine Wahrheit gibt, sondern nur eine unabsehbare Zahl von Spuren der Wahrheit. Weil sie nicht an der Macht, sondern an ihrer eigenen Spaltung interessiert sind, führt jede Spur, die ein Stück des Dunkels erhellt, das die Wahrheit umgibt, Pynchons Helden nur in ein neues Dunkel. Die Beiträge, die dieser Band vereinigt, versuchen diesen Spuren in den Romanen von Thomas Pynchon nachzugehen, um damit die Produktivität von Pynchons romanesker Medienarchäologie als Schnittstelle zwischen einer historischen Medienwissenschaft und dem Archiv der Wissenschafts- und Technikgeschichte zu demonstrieren. Diese Produktivität wird freigesetzt, wenn sich die Lektüre des Texts von der universitären Disziplinierung durch die Fiktionalitätsregel befreit und Pynchons Texte tatsächlich als faction, als Schnittstelle zwischen fact und fiction begreift},
	pagetotal = {136},
	number = {15},
	publisher = {Verl. und Datenbank für Geisteswissenschaften},
	editor = {Siegert, Bernhard and Krajewski, Markus and Pynchon, Thomas},
	date = {2003},
}

@collection{severs_pynchons_2011,
	location = {Newark},
	title = {Pynchon's Against the day: a corrupted pilgrim's guide},
	isbn = {978-1-61149-065-7 978-1-61149-064-0},
	shorttitle = {Pynchon's Against the day},
	pagetotal = {293},
	publisher = {University of Delaware Press},
	editor = {Severs, Jeffrey},
	date = {2011},
}

@collection{levine_mindful_1976,
	location = {Boston},
	edition = {1. ed},
	title = {Mindful pleasures: essays on Thomas Pynchon},
	isbn = {978-0-316-52230-4 978-0-316-52231-1},
	shorttitle = {Mindful pleasures},
	pagetotal = {272},
	publisher = {Little, Brown},
	editor = {Levine, George Lewis and Leverenz, David},
	date = {1976},
}

@collection{mcclintock_pynchons_2014,
	location = {Iowa City},
	title = {Pynchon's California},
	isbn = {978-1-60938-273-5},
	series = {The New American Canon: The Iowa Series in Contemporary Literature and Culture},
	pagetotal = {238},
	publisher = {University of Iowa Press},
	editor = {{McClintock}, Scott and Miller, John},
	date = {2014},
	keywords = {Criticism and interpretation, Pynchon, Thomas, In literature, California},
}

@collection{mendelson_pynchon_1978,
	location = {Englewood Cliffs, N.J},
	title = {Pynchon: a collection of critical essays},
	isbn = {978-0-13-744714-5 978-0-13-744706-0},
	series = {Twentieth century views},
	shorttitle = {Pynchon},
	pagetotal = {225},
	number = {134},
	publisher = {Prentice-Hall},
	editor = {Mendelson, Edward and Pynchon, Thomas},
	date = {1978},
}

@collection{odonnell_new_1991,
	location = {Cambridge ; New York},
	title = {New essays on The crying of lot 49},
	isbn = {978-0-521-38163-5 978-0-521-38833-7},
	series = {The American novel},
	pagetotal = {174},
	publisher = {Cambridge University Press},
	editor = {O'Donnell, Patrick},
	date = {1991},
	keywords = {Pynchon, Thomas, Crying of lot 49},
}

@collection{pioro_thomas_2018,
	location = {Warszawa},
	edition = {Wydanie 1},
	title = {Thomas Pynchon},
	isbn = {978-83-235-3524-9},
	series = {Mistrzowie Literatury Amerykańskiej},
	pagetotal = {256},
	publisher = {Wydawnictwa Uniwersytetu Warszawskiego},
	editor = {Pióro, Tadeusz and Paryż, Marek},
	date = {2018},
	keywords = {Pynchon, Thomas, 1901-2000, 1945-1989, 1989-2000, 2001-, Literatura amerykańska, Literaturoznawstwo, Praca zbiorowa, Proza},
}

@collection{pearce_critical_1981,
	location = {Boston, Mass.},
	title = {Critical essays on Thomas Pynchon},
	isbn = {978-0-8161-8320-3},
	series = {Critical essays on American literature},
	pagetotal = {258},
	publisher = {Hall},
	editor = {Pearce, Richard and Pynchon, Thomas},
	date = {1981},
}

@collection{pohlmann_against_2010,
	location = {Amsterdam ; New York},
	title = {Against the grain: reading Pynchon's counternarratives},
	isbn = {978-90-420-3072-5 978-90-420-3073-2},
	series = {Dialogue},
	shorttitle = {Against the grain},
	pagetotal = {379},
	number = {8},
	publisher = {Rodopi},
	editor = {Pöhlmann, Sascha},
	date = {2010},
	note = {{OCLC}: ocn667271358},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Postmodernism (Literature), United States},
}

@collection{simonetti_dream_2015,
	location = {Newcastle upon Tyne, {UK}},
	title = {Dream tonight of peacock tails: essays on the fiftieth anniversary of Thomas Pynchon's V},
	isbn = {978-1-4438-7767-1},
	shorttitle = {Dream tonight of peacock tails},
	pagetotal = {212},
	publisher = {Cambridge Scholars Publishing},
	editor = {Simonetti, Paolo and Rossi, Umberto},
	date = {2015},
	keywords = {Pynchon, Thomas, V},
}

@collection{schaub_approaches_2008,
	location = {New York, {NY}},
	title = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pagetotal = {195},
	number = {99},
	publisher = {Modern Language Association of America},
	editor = {Schaub, Thomas H. and Pynchon, Thomas},
	date = {2008},
}

@collection{abbas_thomas_2003-1,
	location = {Madison [N.J.] : London},
	title = {Thomas Pynchon: reading from the margins},
	isbn = {978-0-8386-3954-2},
	shorttitle = {Thomas Pynchon},
	pagetotal = {256},
	publisher = {Fairleigh Dickinson University Press ; Associated University Presses},
	editor = {Abbas, Niran B.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@collection{alfano_dissoluzione_2003-1,
	location = {Napoli},
	title = {La dissoluzione onesta: scritti su Thomas Pynchon},
	isbn = {978-88-85414-83-9},
	series = {Virus},
	shorttitle = {La dissoluzione onesta},
	pagetotal = {246},
	publisher = {Cronopio},
	editor = {Alfano, Giancarlo and Carratello, Mattia},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Congresses},
}

@book{_____________2014-1,
	location = {Tōkyō},
	title = {トマス・ピンチョン},
	isbn = {978-4-7791-2003-9},
	pagetotal = {266},
	publisher = {彩流社 Sairyūsha},
	author = {{麻生享志, 木原善彦 編著 ; ブライアン・マクヘイル, 長澤唯史, 波戶岡景太, 石割隆喜, 三浦玲一, 巽孝之, 大串尚代 [著].} and {麻生 享志} and {木原 善彦} and McHale, Brian and {長澤 唯史.} and {波戶岡 景太}},
	date = {2014-06},
	note = {{OCLC}: 883171812},
}

@incollection{bianchi_preface_1994,
	location = {Malta},
	title = {Preface},
	isbn = {978-99909-44-08-2},
	pages = {vi--vii},
	booktitle = {Pynchon Malta and Wittgenstein},
	publisher = {Malta University Publishers},
	author = {Mendelson, Edward},
	editor = {Bianchi, P. and Cassola, Arnold and Serracino Inglott, Peter},
	date = {1994},
	keywords = {Criticism and interpretation, Pynchon, Thomas, In literature, Wittgenstein, Ludwig, Malta},
}

@collection{bloom_thomas_1986-2,
	location = {New York},
	title = {Thomas Pynchon},
	isbn = {978-0-87754-715-0},
	series = {Modern critical views},
	abstract = {A collection of critical essays on Pynchon and his works. Also includes a chronology of events in the author's life},
	pagetotal = {232},
	publisher = {Chelsea House Publishers},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Criticism and interpretation, Pynchon, Thomas, American literature},
}

@incollection{bloom_introduction_2003,
	location = {Philadelphia},
	title = {Introduction},
	isbn = {978-0-7910-7445-9},
	series = {Bloom's modern critical views},
	pages = {1--10},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Bloom, Harold},
	editor = {Bloom, Harold},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@collection{bloom_thomas_1986-3,
	location = {New York},
	title = {Thomas Pynchon's Gravity's Rainbow},
	isbn = {978-1-55546-062-4},
	series = {Modern critical interpretations},
	abstract = {A collection of critical essays on Pynchon's "Gravity's Rainbow" arranged in chronological order of publication},
	pagetotal = {127},
	publisher = {Chelsea House Publishers},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Pynchon, Thomas, American literature, Gravity's rainbow},
}

@collection{chorier-fryd_thomas_2014-1,
	location = {Montpellier},
	title = {Thomas Pynchon},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pagetotal = {352},
	publisher = {Presses universitaires de la Méditerranée},
	editor = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@collection{chetwynd_thomas_2018-1,
	location = {Athens},
	title = {Thomas Pynchon, Sex, and Gender},
	isbn = {978-0-8203-5400-2 978-0-8203-5401-9},
	pagetotal = {250},
	publisher = {The University of Georgia Press},
	editor = {Chetwynd, Ali and Freer, Joanna and Maragos, Georgios},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Gender identity in literature, Sex in literature, Violence in literature},
}

@book{pynchon_face_2008-1,
	location = {Paris},
	title = {Face à Pynchon},
	isbn = {978-2-7491-1297-8},
	series = {Lot 49},
	pagetotal = {495},
	publisher = {Le Cherche-midi : Inculte},
	author = {Pynchon, Thomas},
	date = {2008},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@collection{clerc_approaches_1983-1,
	location = {Columbus},
	title = {Approaches to Gravity's Rainbow},
	isbn = {978-0-8142-0337-8},
	pagetotal = {307},
	publisher = {Ohio State University Press},
	editor = {Clerc, Charles},
	date = {1983},
	keywords = {Pynchon, Thomas, Gravity's rainbow},
}

@collection{copestake_american_2003-1,
	location = {Oxford ; New York},
	title = {American postmodernity: essays on the recent fiction of Thomas Pynchon},
	isbn = {978-0-8204-6286-8 978-3-03910-017-0},
	shorttitle = {American postmodernity},
	pagetotal = {223},
	publisher = {P. Lang},
	editor = {Copestake, Ian D.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Postmodernism (Literature), United States},
}

@collection{dalsgaard_thomas_2018-1,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {Thomas Pynchon in context},
	isbn = {978-1-108-49702-2},
	url = {https://doi.org/10.1017/9781108683784},
	abstract = {"Introduction Inger H. Dalsgaard Thomas Pynchon has long had a place in the pantheon of Great American Writers. His status lies in the scope of his work - the number of publications, the prodigious detail and expansiveness of his topics - as well as the sheer quality of his writing, all of which quickly led to comparisons with Herman Melville and James Joyce. His writing is widely taught (as part of required literature survey courses at universities, for example), and remains the subject of many scholarly articles, dissertations and monographs not just in the United States and other English-speaking countries, as one might expect, but also across Europe and Asia. According to the database of publications compiled on Vheissu.net, more than 400 doctoral dissertations have been accepted and more than 100 monographs and essay collections published on his writing already, mostly in English but also in other languages such as Spanish, Italian and German, with a handful from publishers in Korea, China and Japan. However, Pynchon is not just a canonical writer within scholarly research and teaching communities. Because of their scope and imaginative richness, his novels also have great appeal outside academia, and many devoted readers share their interest in his novels on websites dedicated to exploring his work. It is to help all such readers and students that Thomas Pynchon in Context brings together forty-four essays by some of the foremost specialists in the field, providing the most comprehensive resource yet published on the many ways in which his writing engages the wider world"--},
	publisher = {Cambridge University Press},
	editor = {Dalsgaard, Inger H.},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@collection{dalsgaard_cambridge_2012-1,
	location = {Cambridge ; New York},
	title = {The Cambridge companion to Thomas Pynchon},
	isbn = {978-0-521-76974-7 978-0-521-17304-9},
	series = {Cambridge companions to literature},
	abstract = {"The most celebrated American novelist of the past half-century, an indispensable figure of postmodernism worldwide, Thomas Pynchon notoriously challenges his readers. This Companion provides tools for meeting that challenge. Comprehensive, accessible, lively, up-to-date and reliable, it approaches Pynchon's fiction from various angles, calling on the expertise of an international roster of scholars at the cutting edge of Pynchon studies. Part I covers Pynchon's fiction novel-by-novel from the 1960s to the present, including such indisputable classics as The Crying of Lot 49 and Gravity's Rainbow. Part {II} zooms out to give a bird's-eye-view of Pynchon's novelistic practice across his entire career. Part {III} surveys major topics of Pynchon's fiction: history, politics, alterity ('otherness') and science and technology. Designed for students, scholars and fans alike, the Companion begins with a biography of the elusive author and ends with a coda on how to read Pynchon and a bibliography for further reading"--Provided by publisher},
	pagetotal = {193},
	publisher = {Cambridge University Press},
	editor = {Dalsgaard, Inger H. and Herman, Luc and {McHale}, Brian},
	date = {2012},
	note = {{OCLC}: ocn751751613},
	keywords = {Criticism and interpretation, Pynchon, Thomas, {LITERARY} {CRITICISM} / American / General},
}

@collection{freer_new_2019-1,
	location = {Cambridge New York},
	title = {The New Pynchon Studies},
	isbn = {978-1-108-47446-7},
	url = {https://doi.org/10.1017/9781108608916},
	series = {Twenty-first-century critical revisions},
	abstract = {"The twenty-first century has been a time of renewed energy within Pynchon studies. Among other factors this is due to the publication of three novels, Against the Day (2006), Inherent Vice (2009), and Bleeding Edge (2013), which have each brought something distinctively new to the table. Against the Day's vast scope and range makes it Pynchon's most fully realized example of what has come to be conceived of as the "systems novel"; Inherent Vice's revisiting of the counterculture era first examined by Pynchon in The Crying of Lot 49 (1966) offers a concrete point of comparison on which to base assessments of his maturation as a writer amid changing socio-political contexts, and Bleeding Edge, Pynchon's (quasi-) 9/11 novel, provides a thorough and long-anticipated thematic engagement with computer technology and digital culture. Mason \& Dixon, published a little before the turn of the millennium in 1997 and one of Pynchon's most critically-acclaimed works, has also provided fertile ground for twenty-first century criticism"},
	publisher = {Cambridge university press},
	editor = {Freer, Joanna},
	date = {2019},
}

@collection{mangen_blissful_2002-1,
	location = {Oslo},
	title = {Blissful bewilderment: studies in the fiction of Thomas Pynchon},
	isbn = {978-82-7099-352-9},
	shorttitle = {Blissful bewilderment},
	pagetotal = {228},
	publisher = {Novus Press},
	editor = {Mangen, Anne and Gaasland, Rolf},
	date = {2002},
	note = {{OCLC}: 50769485},
}

@collection{green_vineland_1994-1,
	location = {Fairchild Hall, Ill},
	edition = {1. ed},
	title = {The Vineland papers: critical takes on Pynchon's novel},
	isbn = {978-1-56478-038-6 978-1-56478-039-3},
	shorttitle = {The Vineland papers},
	pagetotal = {191},
	publisher = {Dalkey},
	editor = {Green, Geoffrey and Greiner, Donald J. and {McCaffery}, Larry},
	date = {1994},
}

@collection{wall_hinds_multiple_2005,
	location = {Rochester, {NY}},
	edition = {1. publ},
	title = {The multiple worlds of Pynchon's Mason \& Dixon: eighteenth-century contexts, postmodern observations},
	isbn = {978-1-57113-318-2},
	url = {https://www.jstor.org/stable/10.7722/j.ctt81hkw},
	series = {Studies in American literature and culture},
	shorttitle = {The multiple worlds of Pynchon's Mason \& Dixon},
	pagetotal = {222},
	publisher = {Camden House},
	editor = {Wall Hinds, Elizabeth Jane},
	date = {2005},
}

@book{clerc_mason_2000-2,
	location = {Lanham, Md.},
	title = {Mason \& Dixon \& Pynchon},
	isbn = {978-0-7618-1792-5},
	pagetotal = {248},
	publisher = {Univ. Press of America},
	author = {Clerc, Charles},
	date = {2000},
}

@collection{ickstadt_ordnung_1981-1,
	location = {Reinbek bei Hamburg},
	edition = {Erstausg},
	title = {Ordnung und Entropie: zum Romanwerk von Thomas Pynchon},
	isbn = {978-3-499-25113-9},
	series = {Das neue Buch},
	shorttitle = {Ordnung und Entropie},
	pagetotal = {329},
	number = {113},
	publisher = {Rowohlt-Taschenbuch-Verl},
	editor = {Ickstadt, Heinz},
	date = {1981},
}

@collection{kolbuszewska_thomas_2012-1,
	location = {Lublin},
	title = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pagetotal = {393},
	number = {Volume 8},
	publisher = {Wydawnictwo {KUL}},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@collection{siegert_thomas_2003-1,
	location = {Weimar},
	title = {Thomas Pynchon: Archiv - Verschwörung - Geschichte},
	isbn = {978-3-89739-367-7},
	series = {('Medien) i},
	shorttitle = {Thomas Pynchon},
	abstract = {Die Helden aus den Romanen von Thomas Pynchon wollen den Schleier der Maya, die Historie, durchdringen. Doch anders als die Wahrheit der Philosophen gehört es zur Wahrheit, der diese Helden auf der Spur sind, daß es nicht Die Eine Wahrheit gibt, sondern nur eine unabsehbare Zahl von Spuren der Wahrheit. Weil sie nicht an der Macht, sondern an ihrer eigenen Spaltung interessiert sind, führt jede Spur, die ein Stück des Dunkels erhellt, das die Wahrheit umgibt, Pynchons Helden nur in ein neues Dunkel. Die Beiträge, die dieser Band vereinigt, versuchen diesen Spuren in den Romanen von Thomas Pynchon nachzugehen, um damit die Produktivität von Pynchons romanesker Medienarchäologie als Schnittstelle zwischen einer historischen Medienwissenschaft und dem Archiv der Wissenschafts- und Technikgeschichte zu demonstrieren. Diese Produktivität wird freigesetzt, wenn sich die Lektüre des Texts von der universitären Disziplinierung durch die Fiktionalitätsregel befreit und Pynchons Texte tatsächlich als faction, als Schnittstelle zwischen fact und fiction begreift},
	pagetotal = {136},
	number = {15},
	publisher = {Verl. und Datenbank für Geisteswissenschaften},
	editor = {Siegert, Bernhard and Krajewski, Markus},
	date = {2003},
}

@collection{severs_pynchons_2011-1,
	location = {Newark},
	title = {Pynchon's Against the Day: A Corrupted Pilgrim's Guide},
	isbn = {978-1-61149-065-7 978-1-61149-064-0},
	shorttitle = {Pynchon's Against the day},
	pagetotal = {293},
	publisher = {University of Delaware Press},
	editor = {Severs, Jeffrey and Leise, Christopher},
	date = {2011},
}

@collection{levine_mindful_1976-1,
	location = {Boston},
	edition = {1. ed},
	title = {Mindful pleasures: essays on Thomas Pynchon},
	isbn = {978-0-316-52230-4 978-0-316-52231-1},
	shorttitle = {Mindful pleasures},
	pagetotal = {272},
	publisher = {Little, Brown},
	editor = {Levine, George Lewis and Leverenz, David},
	date = {1976},
}

@collection{mcclintock_pynchons_2014-1,
	location = {Iowa City},
	title = {Pynchon's California},
	isbn = {978-1-60938-273-5},
	series = {The New American Canon: The Iowa Series in Contemporary Literature and Culture},
	pagetotal = {238},
	publisher = {University of Iowa Press},
	editor = {{McClintock}, Scott and Miller, John},
	date = {2014},
	keywords = {Criticism and interpretation, Pynchon, Thomas, In literature, California},
}

@collection{mendelson_pynchon_1978-1,
	location = {Englewood Cliffs, N.J},
	title = {Pynchon: a collection of critical essays},
	isbn = {978-0-13-744714-5 978-0-13-744706-0},
	series = {Twentieth century views},
	shorttitle = {Pynchon},
	pagetotal = {225},
	number = {134},
	publisher = {Prentice-Hall},
	editor = {Mendelson, Edward},
	date = {1978},
}

@collection{odonnell_new_1991-1,
	location = {Cambridge},
	title = {New essays on The crying of lot 49},
	isbn = {978-0-521-38163-5 978-0-521-38833-7},
	url = {https://doi.org/10.1017/CBO9780511620461},
	series = {The American novel},
	pagetotal = {174},
	publisher = {Cambridge Univ. Press},
	editor = {O'Donnell, Patrick},
	date = {1991},
}

@collection{pioro_thomas_2018-1,
	location = {Warszawa},
	edition = {Wydanie 1},
	title = {Thomas Pynchon},
	isbn = {978-83-235-3524-9},
	series = {Mistrzowie Literatury Amerykańskiej},
	pagetotal = {256},
	publisher = {Wydawnictwa Uniwersytetu Warszawskiego},
	editor = {Pióro, Tadeusz and Paryż, Marek},
	date = {2018},
	keywords = {Pynchon, Thomas, 1901-2000, 1945-1989, 1989-2000, 2001-, Literatura amerykańska, Literaturoznawstwo, Praca zbiorowa, Proza},
}

@collection{pearce_critical_1981-1,
	location = {Boston, Mass.},
	title = {Critical essays on Thomas Pynchon},
	isbn = {978-0-8161-8320-3},
	series = {Critical essays on American literature},
	pagetotal = {258},
	publisher = {Hall},
	editor = {Pearce, Richard},
	date = {1981},
}

@incollection{pohlmann_complex_2010,
	location = {Amsterdam},
	title = {The Complex Text},
	isbn = {978-90-420-3072-5 978-90-420-3073-2},
	series = {Dialogue},
	pages = {9--34},
	number = {8},
	booktitle = {Against the grain: reading Pynchon's counternarratives},
	publisher = {Rodopi},
	author = {Pöhlmann, Sascha},
	editor = {Pöhlmann, Sascha},
	date = {2010},
}

@collection{simonetti_dream_2015-1,
	location = {Newcastle upon Tyne},
	title = {Dream tonight of peacock tails: essays on the 50th anniversary of Thomas Pynchon's v},
	isbn = {978-1-4438-7767-1},
	shorttitle = {Dream tonight of peacock tails},
	pagetotal = {212},
	publisher = {Cambridge Scholars Publishing},
	editor = {Simonetti, Paolo and Rossi, Umberto},
	date = {2015},
}

@collection{schaub_approaches_2008-1,
	location = {New York, {NY}},
	title = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pagetotal = {195},
	number = {99},
	publisher = {Modern Language Association of America},
	editor = {Schaub, Thomas H.},
	date = {2008},
}

@book{abadi_nagy_valsag_1982,
	location = {Budapest},
	title = {Válság és komikum: A hatvanas évek amerikai regénye},
	isbn = {978-963-271-600-8},
	series = {Elvek és utak},
	shorttitle = {Válság és komikum},
	pagetotal = {538},
	publisher = {Magvető Könyvkiadó},
	author = {Abádi Nagy, Zoltán},
	date = {1982},
}

@incollection{martinez_torron_lecturas_2005,
	location = {Madrid, España},
	title = {"Lecturas y Andanzas: La Influencia de Cervantes en Melville y Pynchon"},
	isbn = {978-84-95498-92-2},
	series = {Trivium},
	pages = {63--90},
	number = {10},
	booktitle = {Cervantes y el ámbito anglosajón},
	publisher = {{SIAL} Ediciones},
	author = {Cruz Acevedo, David},
	editor = {Martínez Torrón, Diego and Dietz, Bernd},
	date = {2005},
	keywords = {American literature, Appreciation, Cervantes Saavedra, Miguel de, English literature, English-speaking countries, Influence, Spanish influences},
}

@incollection{ackroyd_gravitys_2002,
	location = {London},
	title = {"Gravity's Rainbow: Thomas Pynchon"},
	isbn = {978-0-09-942894-7},
	booktitle = {The collection: journalism, reviews, essays, short stories, lectures},
	publisher = {Vintage},
	author = {Ackroyd, Peter},
	editor = {Wright, Thomas},
	date = {2002},
}

@incollection{adair_epic_2008,
	location = {Lewiston, N.Y},
	title = {"Epic and War Machine: Pynchon"},
	isbn = {978-0-7734-5213-8},
	pages = {113--160},
	booktitle = {The American epic novel in the late twentieth century: the super-genre of the imperial state},
	publisher = {E. Mellen Press},
	author = {Adair, W. Gilbert},
	date = {2008},
	note = {{OCLC}: ocn213466380},
	keywords = {American fiction, History and criticism, 20th century, Pynchon, Thomas, In literature, United States, Gravity's rainbow, Centennial, Delany, Samuel R, Dhalgren, Epic literature, American, Executioner's song, Imperialism in literature, James Albert, Mailer, Norman, Michener, James A, National characteristics, American, in literature},
}

@incollection{aldridge_mere_1983,
	location = {New York},
	title = {"Mere Entropy Is Loosed"},
	isbn = {978-0-19-503198-0},
	pages = {65--69},
	booktitle = {The American novel and the way we live now},
	publisher = {Oxford University Press},
	author = {Aldridge, John W.},
	date = {1983},
	keywords = {American fiction, History and criticism, 20th century, United States, Social life and customs},
}

@book{alexander_flights_1990,
	location = {London ; New York},
	title = {Flights from Realism: Themes and Strategies in Postmodernist British and American Fiction},
	isbn = {978-0-7131-6564-7},
	publisher = {Edward Arnold : Distributed in the {USA} by Routledge, Chapman, and Hall},
	author = {Alexander, Marguerite},
	date = {1990},
	keywords = {American fiction, English fiction, History and criticism, 20th century, Postmodernism (Literature), English-speaking countries},
}

@book{alexander_salinger_2014,
	location = {London},
	title = {Salinger: a biography},
	isbn = {978-1-4472-7007-2},
	shorttitle = {Salinger},
	publisher = {Picador},
	author = {Alexander, Paul},
	date = {2014},
	note = {{OCLC}: 1064423714},
}

@incollection{ruppersburg_end_2000,
	location = {New York},
	title = {"The End of Pynchon's Rainbow: Postmodern Terror and Paranoia in {DeLillo}'s Ratner's Star"},
	isbn = {978-0-7838-0458-3},
	series = {Critical essays on American literature},
	pages = {115--134},
	booktitle = {Critical essays on Don {DeLillo}},
	publisher = {G.K. Hall},
	author = {Allen, Glenn S.},
	editor = {Ruppersburg, Hugh and Engles, Tim},
	date = {2000},
	keywords = {Criticism and interpretation, {DeLillo}, Don},
}

@incollection{allen_women_1976,
	location = {Urbana},
	title = {"Women of the Fabulators: Barth, Pynchon, Purdy, Kesey"},
	isbn = {978-0-252-00519-0},
	pages = {14--69},
	booktitle = {The necessary blankness: women in major American fiction of the sixties},
	publisher = {University of Illinois Press},
	author = {Allen, Mary},
	date = {1976},
	keywords = {American fiction, History and criticism, 20th century, Women in literature},
}

@incollection{alsen_chapter_1996,
	location = {Amsterdam},
	title = {"Chapter 4. 'Transcendent Doings' in Thomas Pynchon's Gravity's Rainbow"},
	isbn = {978-90-5183-977-7 978-90-5183-968-5},
	series = {Postmodern studies},
	pages = {171--188},
	number = {19},
	booktitle = {Romantic postmodernism in American fiction},
	publisher = {Rodopi},
	author = {Alsen, Eberhard},
	date = {1996},
}

@incollection{alter_history_1984,
	location = {Cambridge, Mass.},
	title = {"History and the New American Novel"},
	isbn = {978-0-674-58762-5},
	pages = {25--34},
	booktitle = {Motives for fiction},
	publisher = {Harvard Univ. Press},
	author = {Alter, Robert},
	date = {1984},
}

@incollection{ames_celebrating_2010,
	location = {Athens},
	title = {"Celebrating the Counterforce: Parties in Pynchon".},
	isbn = {978-0-8203-3690-9},
	pages = {223--260},
	booktitle = {The life of the party: festive vision in modern fiction},
	publisher = {The University of Georgia Press},
	author = {Ames, Christopher},
	date = {2010},
	note = {{OCLC}: 1141780282},
}

@incollection{bevan_fast_1988,
	location = {Amsterdam},
	title = {"Fast Food/Quick Lunch: Crews, Burroughs and Pynchon"},
	isbn = {978-90-5183-062-0},
	series = {Rodopi perspectives on modern literature},
	pages = {19--27},
	number = {1},
	booktitle = {Literary gastronomy},
	publisher = {Rodopi},
	author = {Ames, Sanford S.},
	editor = {Bevan, David},
	date = {1988},
	keywords = {History and criticism, 20th century, Food in literature, Gastronomy in literature, Literature, Modern},
}

@incollection{amian_2_2008,
	location = {Amsterdam},
	title = {"2. Creativity and Power: Thomas Pynchon's V."},
	isbn = {978-90-420-2415-1},
	series = {Postmodern studies},
	pages = {69--112},
	number = {41},
	booktitle = {Rethinking postmodernism(s): Charles S. Peirce and the pragmatist negotiations of Thomas Pynchon, Toni Morrison, and Jonathan Safran Foer},
	publisher = {Rodopi},
	author = {Amian, Katrin},
	date = {2008},
}

@incollection{gundersen_waste_1992,
	location = {Oslo},
	title = {"'Waste og Value' i fortællingens økønomi: Om Thomas Pynchon: The Crying of Lot 49"},
	isbn = {978-82-7216-827-7},
	series = {{EST}},
	pages = {7--22},
	number = {5},
	booktitle = {Fortellingens teori},
	author = {Andersen, Frits},
	editor = {Gundersen, Karin and {Norges Almenvitenskapelige Forskningsråd}},
	date = {1992},
}

@incollection{latham_masks_1995,
	location = {Westport, Conn.},
	edition = {1. publ},
	title = {"The Masks of Gödel: Math and Myth in Thomas Pynchon's Gravity's Rainbow"},
	isbn = {978-0-313-29085-5},
	series = {Contributions to the study of science fiction and fantasy},
	pages = {14--20},
	number = {66},
	booktitle = {Modes of the fantastic: selected essays from the Twelfth International Conference on the Fantastic in the Arts},
	publisher = {Greenwood Press},
	author = {Andriano, Joseph D.},
	editor = {Latham, Rob},
	date = {1995},
	note = {Meeting Name: International Conference on the Fantastic in the Arts},
}

@incollection{kolek_paradox_1996,
	location = {Lublin},
	edition = {Wyd. 1},
	title = {"The Paradox of Postmodern Chaosm"},
	isbn = {978-83-86239-24-5},
	series = {{PASE} studies and monographs},
	pages = {9--23},
	number = {2},
	booktitle = {Approaches to fiction},
	publisher = {Wydawn. Folium},
	author = {Antoszek, Andrzej},
	editor = {Kolek, Leszek S.},
	date = {1996},
}

@incollection{yang_x-files_2007,
	location = {Newcastle, {UK}},
	title = {"The X-Files Meets Vineland"},
	isbn = {978-1-84718-239-5},
	pages = {269--297},
	booktitle = {The X-files and literature: unweaving the story, unraveling the lie to find the truth},
	publisher = {Cambridge Scholars},
	author = {Argiro, Thomas},
	editor = {Yang, Sharon R.},
	date = {2007},
	note = {{OCLC}: ocn169582888},
	keywords = {Television and literature, X-files (Television program)},
}

@incollection{gamm_shrouded_2005,
	location = {Bielefeld},
	title = {"'Shrouded in Another Order of Uncertainty': Unbestimmtheit in Thomas Pynchons Gravity's Rainbow"},
	isbn = {978-3-8394-0351-8 978-3-89942-351-8},
	series = {Edition panta rei - Forum für dialektisches Denken},
	pages = {255--272},
	booktitle = {Unbestimmtheitssignaturen der Technik: eine neue Deutung der technisierten Welt ; [internationale Tagung des Graduiertenkollegs "Technisierung und Gesellschaft", die vom 20. bis 22. Oktober 2004 an der {TU} Darmstadt stattfand]},
	publisher = {transcript-Verl},
	author = {Arich-Gerz, Bruno F.},
	editor = {Gamm, Gerhard and {Graduiertenkolleg Technisierung und Gesellschaft}},
	date = {2005},
}

@incollection{pyzik_we_2000,
	location = {Katowice},
	edition = {1. impr},
	title = {"'We Got Him to Go Ultraparadoxical': Reading the Reading of the Books of Hypertexts with Pynchon's Gravity's Rainbow".},
	isbn = {978-83-226-0962-0},
	series = {Prace naukowe Uniwersytetu Śla̜skiego w Katowicach Series history of foreign literatures},
	pages = {61--69},
	number = {1855},
	booktitle = {Reflections on ethical values in post(?) modern American literature: Annual International Conference of the Polish Association for American Studies ({PAAS}), which was organized ... and held in Ustroń, October 21st - 24th 1998},
	publisher = {Wydawn. Uniwersytetu Śla̜skiego},
	author = {Arich-Gerz, Bruno F.},
	editor = {Pyzik, Teresa and {Polskie Towarzystwo Studiów Amerykanistycznych}},
	date = {2000},
}

@incollection{bach_betriebsgeheimnis_2001,
	location = {Paderborn},
	title = {"Betriebsgeheimnis des Glaubens: Thomas Pynchon's Gravity's Rainbow"},
	isbn = {978-3-506-70830-4},
	series = {Beiträge zur englischen und amerikanischen Literatur},
	pages = {183--191},
	number = {19},
	booktitle = {Spiritualität und Transzendenz in der modernen englischsprachigen Literatur},
	publisher = {Schöningh},
	author = {Arich-Gerz, Bruno F.},
	editor = {Bach, Susanne},
	date = {2001},
}

@incollection{arlett_hard_1996,
	location = {Selinsgrove [Pa.] : London},
	title = {"Hard Times for Innocence: Utilitarianism and Sensibility in Gravity's Rainbow"},
	isbn = {978-0-945636-81-6},
	booktitle = {Epic voices: inner and global impulse in the contemporary American and British novel},
	publisher = {Susquehanna University Press ; Associated University Presses},
	author = {Arlett, Robert},
	date = {1996},
	keywords = {American fiction, English fiction, History and criticism, 20th century, Pynchon, Thomas, Gravity's rainbow, Mailer, Norman, Characters and characteristics in literature, Daniel Martin, Epic literature, Fowles, John, Golden notebook, Lessing, Doris, Why are we in Vietnam?, World history in literature},
}

@incollection{asendorf_luftkrieg_1997,
	location = {Wien New York},
	title = {"Luftkrieg und Raumrevolution"},
	isbn = {978-3-211-82849-6},
	series = {Ästhetik und Naturwissenschaften Bildende Wissenschaften, Zivilisierung der Kulturen},
	pages = {245--258, 358--359},
	booktitle = {Super Constellation - Flugzeug und Raumrevolution: die Wirkung der Luftfahrt auf Kunst und Kultur der Moderne},
	publisher = {Springer},
	author = {Asendorf, Christoph},
	date = {1997},
}

@incollection{kirkpatrick_gravitys_1987,
	location = {Chicago},
	edition = {2. ed},
	title = {"Gravity's Rainbow"},
	isbn = {978-0-912289-61-8},
	series = {St. James Press reference guides},
	pages = {638--639},
	booktitle = {Reference guide to American literature},
	publisher = {St. James Press},
	author = {Ashley, Leonard R.N.},
	editor = {Kirkpatrick, Daniel L. and Leary, Lewis},
	date = {1987},
}

@incollection{collins_review_1994,
	location = {West Port, Connecticut},
	title = {"Review of The Gnostic Pynchon"},
	isbn = {978-0-313-28326-0},
	pages = {672--673},
	booktitle = {Science fiction \& fantasy book review annual, 1991},
	publisher = {Greenwood Press},
	author = {Attebery, Brian},
	editor = {Collins, Robert A. and Latham, Robert},
	date = {1994},
	note = {{OCLC}: 31614927},
}

@incollection{atwill_chemistry_2010,
	location = {Athens},
	title = {"Chemistry and Colonialism Gone Ballistic: Apprehending the Mass of Gravity's Rainbow"},
	isbn = {978-0-8203-3773-9},
	pages = {117--137},
	booktitle = {Fire and power: the American space program as postmodern narrative},
	publisher = {University of Georgia Press},
	author = {Atwill, William D.},
	date = {2010},
	note = {{OCLC}: 835980691},
}

@incollection{baker_grain_2009,
	location = {Edinburgh},
	edition = {Nachdr.},
	title = {"With the Grain: Reading Thomas Pynchon's Mason \& Dixon"},
	isbn = {978-0-7486-1088-4},
	pages = {128--135},
	booktitle = {The fiction of postmodernity},
	publisher = {Edinburgh Univ. Press},
	author = {Baker, Stephen},
	date = {2009},
}

@incollection{wemyss_nineteen_1987,
	location = {New York, {NY}},
	edition = {1. publ},
	title = {"Nineteen Eighty-Four and Gravity's Rainbow: Two Anti-Utopias Compared"},
	isbn = {978-0-313-26079-7},
	series = {Contributions to the study of world literature},
	pages = {85--92},
	number = {23},
	booktitle = {George Orwell},
	publisher = {Greenwood Press},
	author = {Bakker, Jan},
	editor = {Wemyss, Courtney T.},
	date = {1987},
}

@book{koloze_ethical_2005,
	location = {Lewiston, {NY}},
	title = {An ethical analysis of the portrayal of abortion in American fiction: Dreiser, Hemingway, Faulkner, Dos Passos, Brautigan, and Irving},
	isbn = {978-0-88946-166-6 978-0-7734-5964-9},
	series = {Studies in American literature},
	shorttitle = {An ethical analysis of the portrayal of abortion in American fiction},
	pagetotal = {375},
	number = {78},
	publisher = {Mellen},
	author = {Koloze, Jeff},
	date = {2005},
}

@incollection{verhoeven_leatherstocking_1993,
	location = {Amsterdam},
	title = {"From Leatherstocking to Rocketman: Cooper's Leatherstocking Tales and Pynchon's Gravity's Rainbow Reconsidered"},
	isbn = {978-90-5183-333-1},
	series = {{DQR} studies in literature},
	pages = {161--176},
	number = {12},
	booktitle = {James Fenimore Cooper: new historical and literary contexts},
	publisher = {Ed. Rodopi},
	author = {Bakker, Jan},
	editor = {Verhoeven, Wilhelmus M. and Cooper, James Fenimore},
	date = {1993},
}

@incollection{tymieniecka_radiant_1994,
	location = {Dordrecht ; Boston},
	title = {"The Radiant Veil: Persistence and Permutations"},
	isbn = {978-0-7923-2312-9},
	series = {Analecta Husserliana},
	pages = {303--313},
	number = {v. 41},
	booktitle = {Allegory revisited: ideals of mankind},
	publisher = {Kluwer Academic Publishers},
	author = {Bakker, Jan},
	editor = {Tymieniecka, Anna-Teresa and {World Institute for Advanced Phenomenological Research and Learning}},
	date = {1994},
	keywords = {History and criticism, Literature, Allegory},
}

@incollection{baringer_motherhood_2014,
	location = {New York},
	edition = {1. iss. in paperb},
	title = {"Motherhood and Treason: Pynchon's Vineland and the New Left"},
	isbn = {978-0-415-86148-9 978-0-415-97076-1},
	series = {Literary criticism and cultural theory},
	pages = {89--102, 149--52},
	booktitle = {The metanarrative of suspicion in late twentieth-century America},
	publisher = {Routledge},
	author = {Baringer, Sandra},
	date = {2014},
}

@incollection{barnett_postmodernist_1993,
	location = {Athens},
	title = {"Postmodernist Speech: The Universe of Discourse as a Closed System"},
	isbn = {978-0-8203-1520-1},
	pages = {195--217, 265--270},
	booktitle = {Authority and speech: language, society, and self in the American novel},
	publisher = {Univ. of Georgia Press},
	author = {Barnett, Louise K.},
	date = {1993},
}

@incollection{asociacion_espanola_de_estudios_anglo-americanos_solitary_1989,
	location = {León},
	title = {"The Solitary Seeker as Depicted by Thomas Pynchon and the Surrealist Painter Varo"},
	isbn = {978-84-7719-094-3},
	pages = {225--228},
	booktitle = {Actas {XI} Congreso {AEDEAN}: translation across cultures: la traducción entre el mundo hispánico y anglosajon: relaciones lingüísticas, culturales y literarias},
	publisher = {Universidad de León, Secretariado de Publicaciones},
	author = {Basil, Verónica},
	editor = {{Asociación Española de Estudios Anglo-Americanos} and Santoyo, Julio-César},
	date = {1989},
	keywords = {English language, Congresses, Spanish language, Translating and interpreting, Translating into English Congresses, Translating into Spanish Congresses},
}

@incollection{levine_problems_1987,
	location = {Madison, Wis},
	title = {"Problems of Description in the Language of Discovery"},
	isbn = {978-0-299-11300-1 978-0-299-11304-9},
	series = {Science and literature},
	pages = {35--58},
	booktitle = {One culture: essays in science and literature},
	publisher = {University of Wisconsin Press},
	author = {Beer, Gillian},
	editor = {Levine, George and Rauch, Alan},
	date = {1987},
	keywords = {History and criticism, 19th century, English literature, French literature, Literature and science, Science in literature},
}

@incollection{miller_pynchon_2000,
	location = {New York},
	title = {"Pynchon, Thomas"},
	isbn = {978-0-14-028088-3},
	pages = {318--320},
	booktitle = {The Salon.com reader's guide to contemporary authors},
	publisher = {Penguin Books},
	author = {Begley, Adam},
	editor = {Miller, Laura and Begley, Adam},
	date = {2000},
	keywords = {American fiction, English fiction, 20th century, Bio-bibliography, Reading interests},
}

@incollection{beidler_pynchon_1994,
	location = {Athens},
	title = {"Pynchon, Thomas"},
	isbn = {978-0-8203-1641-3},
	abstract = {At the heart of Scriptures for a Generation are dozens of detailed entries discussing individual writers and the particular importance of their texts - bona fide '60s classics ranging from The Autobiography of Malcolm X and Kurt Vonnegut's Slaughterhouse Five to Carlos Casteneda's The Teachings of Don Juan and the Boston Women's Health Book Collective's Our Bodies, Ourselves. Represented as well are such works of revered elders as Hermann Hesse's Steppenwolf and Henry David Thoreau's Walden. Beidler's coverage also extends to works of the early '70s that are clearly textual and spiritual extensions of the '60s: the Portola Institute's Last Whole Earth Catalog, Annie Dillard's Pilgrim at Tinker Creek, Robert Pirsig's Zen and the Art of Motorcycle Maintenance, and others. An overview of reading and writing as both a product and prime mover of '60s culture precedes the main section. In his conclusion Beidler highlights the most notable efforts to document and interpret the era},
	pages = {166--169, 230},
	booktitle = {Scriptures for a generation: what we were reading in the '60s},
	publisher = {University of Georgia Press},
	author = {Beidler, Philip D.},
	date = {1994},
	note = {{OCLC}: 29877004},
}

@incollection{bell_living_2006,
	title = {"Living Without Myth: Deconstructing the Old World"},
	isbn = {978-0-521-03534-7},
	abstract = {Literature, Modernism and Myth is a study of the use of myth by modernists, and its relationship to contemporary notions of postmodernity},
	pages = {199--222, 244--245},
	booktitle = {Literature, Modernism and Myth: Belief and Responsibility in the Twentieth Century},
	publisher = {Cambridge Univ Pr},
	author = {Bell, Michael J.},
	date = {2006},
	note = {{OCLC}: 150387638},
}

@incollection{berger_postmodern_2003,
	location = {Walnut Creek, {CA}},
	title = {"Postmodern Novels - Thomas Pynchon"},
	isbn = {978-0-7591-0313-9 978-0-7591-0314-6},
	pages = {37--41},
	booktitle = {The portable postmodernist},
	publisher = {Altamira Press},
	author = {Berger, Arthur Asa},
	date = {2003},
}

@incollection{merrill_merrill_1983,
	location = {Ithaca},
	title = {"Merrill and Pynchon: Our Apocalyptic Scribes"},
	isbn = {978-0-8014-1404-6},
	pages = {282--297},
	booktitle = {James Merrill: Essays in criticism},
	publisher = {Cornell University Press},
	author = {Berger, Charles},
	editor = {Merrill, James Ingram and Lehman, David},
	date = {1983},
}

@incollection{berger_nostalgia_1999,
	location = {Minneapolis, Minn},
	title = {"Nostalgia, Cultural Trauma, and the 'Timeless Burst' in Vineland"},
	isbn = {978-0-8166-2932-9 978-0-8166-2933-6},
	abstract = {In this study of the cultural pursuit of the end and what follows, Berger contends that every apocalyptic depiction leaves something behind, some mixture of paradise and wasteland. Combining literary, psychoanalytic, and historical methods, Berger mines these depictions for their weight and influence on current culture. He applies wide-ranging evidence--from science fiction to Holocaust literature, from Thomas Pynchon to talk shows, from American politics to the fiction of Toni Morrison--to reveal how representations of apocalyptic endings are indelibly marked by catastrophic histories},
	pages = {169--188},
	booktitle = {After the end: representations of post-apocalypse},
	publisher = {University of Minnesota press},
	author = {Berger, James},
	date = {1999},
}

@book{bergonzi_situation_1979,
	location = {London [usw.]},
	edition = {2. ed},
	title = {The situation of the novel},
	isbn = {978-0-333-25840-8 978-0-333-25842-2},
	pagetotal = {249},
	publisher = {Macmillan Pr},
	author = {Bergonzi, Bernard and Bergenzi, Bernard},
	date = {1979},
}

@incollection{bernard_notitle_2003,
	location = {New York},
	isbn = {978-0-7607-3474-2},
	booktitle = {Now all we need is a title: famous book titles and how they got that way},
	publisher = {Barnes \& Noble Books},
	author = {Bernard, André},
	date = {2003},
	note = {{OCLC}: 53035302},
}

@incollection{engler_forward_1994,
	location = {Paderborn München Wien Zürich},
	title = {"'Forward Retreat': Thomas Pynchon's Vineland"},
	isbn = {978-3-506-70823-6},
	series = {Beiträge zur englischen und amerikanischen Literatur},
	pages = {357--371},
	number = {13},
	booktitle = {Historiographic metafiction in modern American and Canadian literature},
	publisher = {Schöningh},
	author = {Berressem, Hanjo},
	editor = {Engler, Bernd and Müller, Kurt},
	date = {1994},
}

@incollection{freese_metal_2006,
	location = {Normal, Ill},
	edition = {2. print},
	title = {"'Of Metal Ducks, Embodied Idorus, and Autopoietic Bridges': Tales of an Intelligent Materialism in the Age of Artificial Life"},
	isbn = {978-1-56478-355-4},
	pages = {72--99},
	booktitle = {The holodeck in the garden: science \& technology in contemporary American fiction},
	publisher = {Dalkey Archive},
	author = {Berressem, Hanjo},
	editor = {Freese, Peter},
	date = {2006},
}

@incollection{davis_digging_1990,
	location = {Essen},
	title = {"Digging for the Truth: Archaeology and the End of History"},
	isbn = {978-3-89206-253-0},
	series = {Englischsprachige Literaturen Afrikas = African literature in English},
	pages = {117--131},
	number = {Bd. 2},
	booktitle = {Crisis and conflict essays on southern African literature: proceedings of the {XIth} Annual Conference of Commonwealth Literature and Language Studies in German-Speaking Countries, Aachen-Liège, 16-19 June, 1988},
	publisher = {Verlag Die Blaue Eule},
	author = {Berressem, Hanjo},
	editor = {Davis, Geoffrey V.},
	date = {1990},
	note = {Meeting Name: Conference on Commonwealth Literature and Language Studies in German-Speaking Countries},
	keywords = {History and criticism Congresses, South African literature (English), Southern African literature (English)},
}

@incollection{bersani_chapter_1990,
	location = {Cambridge, Mass.},
	title = {"Chapter 8: Pynchon, Paranoia, and Literature"},
	isbn = {978-0-674-73426-5 978-0-674-17977-6},
	pages = {179--199},
	booktitle = {The culture of redemption},
	publisher = {Harvard Univ. Press},
	author = {Bersani, Leo},
	date = {1990},
}

@incollection{kroes_apocalypse_1985,
	location = {Amsterdam},
	title = {"Apocalypse Now: The Apocalyptic Imagination in Postmodern American Fiction"},
	isbn = {978-90-6256-334-0},
	series = {European contributions to American studies},
	pages = {189--201},
	number = {8},
	booktitle = {Nineteen eighty-four and the apocalyptic imagination in America},
	publisher = {Free University Press},
	author = {Bertens, Hans and D'Haen, Theo},
	editor = {Kroes, Rob},
	date = {1985},
	keywords = {History and criticism, 20th century, Politics in literature, American literature, Influence, Apocalyptic literature, Dystopias in literature, End of the world in literature, English influences, Nineteen eighty-four, Orwell, George, Prophecies in literature, Utopias in literature},
}

@incollection{berthoff_notitle_1971,
	location = {New York},
	edition = {1st ed.},
	isbn = {978-0-525-10470-4},
	pages = {106--113},
	booktitle = {Fictions and events: essays in criticism and literary history},
	publisher = {Dutton},
	author = {Berthoff, Warner},
	date = {1971},
	keywords = {History and criticism, Literature, American literature},
}

@incollection{best_thomas_2001,
	location = {New York},
	title = {"Thomas Pynchon and the Advent of Postmodernity"},
	isbn = {978-1-57230-666-0},
	abstract = {Publisher description: This compelling book explores the challenges to theory, politics, and human identity that we face on the threshold of the third millennium. It follows on the success of Best and Kellner s two previous books: Postmodern Theory, acclaimed as the best critical introduction to the field, and The Postmodern Turn, which provides a powerful mapping of postmodern developments in the arts, politics, science, and theory. In The Postmodern Adventure, Best and Kellner analyze a broad array of literary, cultural, and political phenomena--from fiction, film, science, and the Internet, to globalization and the rise of a transnational image culture. They use the best of modern and postmodern perspectives to illuminate contemporary life and to strive for a just and viable future},
	pages = {23--56},
	booktitle = {The postmodern adventure: science, technology, and cultural studies at the Third Millennium},
	publisher = {Guilford Press},
	author = {Best, Steven and Kellner, Douglas},
	date = {2001},
	note = {{OCLC}: 46683688},
}

@incollection{bilton_conclusion_2003,
	location = {New York, {NY}},
	edition = {1. publ},
	title = {"Conclusion: Thomas Pynchon's Mason \& Dixon"},
	isbn = {978-0-8147-9911-6 978-0-8147-9912-3},
	pages = {240--247},
	booktitle = {An introduction to contemporary American fiction},
	publisher = {New York Univ. Press},
	author = {Bilton, Alan},
	date = {2003},
}

@incollection{birkerts_notitle_1992,
	location = {New York},
	edition = {1. ed},
	isbn = {978-0-688-10612-6},
	pages = {112, 124--126, 128, 136--138},
	booktitle = {American energies: essays on fiction},
	publisher = {Morrow},
	author = {Birkerts, Sven},
	date = {1992},
}

@incollection{freese_thomas_1976,
	location = {Berlin},
	edition = {1. Aufl},
	title = {"Thomas Pynchon: 'Entropy'"},
	isbn = {978-3-503-01225-1},
	pages = {226--236},
	booktitle = {Die amerikanische Short Story der Gegenwart: Interpretationen},
	publisher = {Schmidt},
	author = {Bischoff, Peter},
	editor = {Freese, Peter},
	date = {1976},
}

@incollection{smith_pynchon_1981,
	location = {London [usw.]},
	title = {"Pynchon, Thomas"},
	isbn = {978-0-312-82420-4},
	pages = {436--437},
	booktitle = {Twentieth-century science-fiction writers: Ed. Curtis C. Smith},
	publisher = {Macmillan},
	author = {Bishop, E. R.},
	editor = {Smith, Curtis C.},
	date = {1981},
}

@incollection{fokkema_chaudron_1985,
	location = {New York, N.Y. u.a},
	title = {"'Le chaudron fêlé': The Use of Cliches in Fiction by Manuel Puig, Luis Rafael Sanchez, and Thomas Pynchon"},
	isbn = {978-0-8240-4011-6},
	series = {Proceedings of the ... congress of the International Comparative Literature Association = Actes du ... congrès de l'Association Internationale de Littérature Comparée},
	pages = {148--153},
	number = {10,1},
	booktitle = {General problems of literary history: = Problèmes généraux de l'histoire littéraire},
	publisher = {Garland},
	author = {Zamora, Lois P.},
	editor = {Fokkema, Douwe W.},
	date = {1985},
}

@incollection{merivale_feats_2011,
	location = {Philadelphia},
	title = {"[De]feats of Detection: The Spurious Key Text from Poe to Eco"},
	isbn = {978-0-8122-0545-9},
	abstract = {"No currently available anthology addresses the topic of the metaphysical detective story so directly, so fully, or so relevantly."-Brian {McHale}, West Virginia University},
	pages = {75--98},
	booktitle = {Detecting Texts The Metaphysical Detective Story from Poe to Postmodernism},
	publisher = {University of Pennsylvania Press},
	author = {Black, Joel D.},
	editor = {Merivale, Patricia and Sweeney, Susan Elizabeth},
	date = {2011},
	note = {{OCLC}: 956785057},
}

@incollection{bloom_breaking_1990,
	location = {New York},
	title = {"The Breaking of Form"},
	isbn = {978-0-8164-9354-8 978-0-8164-9347-0 978-0-8264-0010-9},
	pages = {1--37},
	booktitle = {Deconstruction and criticism},
	publisher = {Continuum Publ. Comp},
	editor = {Bloom, Harold},
	date = {1990},
}

@incollection{bloom_dialectics_1980,
	location = {Oxford},
	edition = {Oxford University Press paperback, 6. [print.]},
	title = {"The Dialectics of Poetic Tradition"},
	isbn = {978-0-19-502809-6},
	series = {Oxford paperbacks},
	pages = {27--40},
	booktitle = {A map of misreading},
	publisher = {Oxford Univ. Press},
	author = {Bloom, Harold},
	date = {1980},
}

@incollection{bloom_notitle_1996,
	location = {London},
	isbn = {978-0-333-69915-7},
	pages = {521, 522, 527, 565},
	booktitle = {The Western canon: the books and school of the ages},
	publisher = {Papermac},
	author = {Bloom, Harold},
	date = {1996},
}

@incollection{boccia_chapter_1989,
	location = {New York},
	title = {"Chapter 4. The Novel as Quest: Thomas Pynchon's V."},
	isbn = {978-0-8204-0676-3},
	series = {American university studies},
	pages = {65--85},
	number = {v. 77},
	booktitle = {Form as content and rhetoric in the modern novel},
	publisher = {Lang},
	author = {Boccia, Michael},
	date = {1989},
	keywords = {American fiction, English fiction, History and criticism, 20th century, Narration (Rhetoric), English-speaking countries, Experimental fiction, American, Literary form, Modernism (Literature)},
}

@incollection{booker_detective_1994,
	location = {Gainesville},
	title = {"Detective Fiction, the Fantastic, and the Role of the Reader: Who Killed Palomino Molero? in Postmodernist Context"},
	isbn = {978-0-8130-1248-3},
	pages = {139--161},
	booktitle = {Vargas Llosa among the Postmodernists},
	publisher = {University Press of Florida},
	author = {Booker, M. Keith},
	date = {1994},
	keywords = {Criticism and interpretation, Postmodernism (Literature), Vargas Llosa, Mario},
}

@incollection{booker_notitle_1994,
	location = {Westport, Conn},
	isbn = {978-0-313-29115-9},
	pages = {229--236},
	booktitle = {Dystopian literature: a theory and research guide},
	publisher = {Greenwood Press},
	author = {Booker, M. Keith},
	date = {1994},
	keywords = {History and criticism, United States, Dystopias in literature, Utopias in literature, Science fiction, Science fiction films},
}

@incollection{booker_mastery_1993,
	location = {Gainesville},
	title = {"Mastery and Sexual Domination: Imperialism as Rape in Pynchon's V."},
	isbn = {978-0-8130-1195-0},
	pages = {90--116},
	booktitle = {Literature and domination: sex, knowledge, and power in modern fiction},
	publisher = {University Press of Florida},
	author = {Booker, M. Keith},
	date = {1993},
	keywords = {Fiction, History and criticism, 20th century, Dominance (Psychology) in literature, Power (Social sciences) in literature, Sex role in literature},
}

@incollection{booker_scepticism_1994,
	location = {Westport, Conn},
	title = {"Scepticism Squared: Western Postmodernist Dystopias"},
	isbn = {978-0-313-29092-3},
	series = {Contributions to the study of science fiction and fantasy},
	pages = {142--172},
	number = {no. 58},
	booktitle = {The dystopian impulse in modern literature: fiction as social criticism},
	publisher = {Greenwood Press},
	author = {Booker, M. Keith},
	date = {1994},
	keywords = {Fiction, History and criticism, 20th century, Dystopias in literature, Utopias in literature, Science fiction, Literature and society, Totalitarianism and literature},
}

@incollection{elliott_avant-garde_1991,
	location = {New York},
	title = {"The Avant-Garde"},
	isbn = {978-0-231-07360-8},
	pages = {726--751},
	booktitle = {The Columbia history of the American novel: Emory Elliott, general editor ; associate editors, Cathy N. Davidson ... [et al.]},
	publisher = {Columbia University Press},
	author = {Boyers, Robert},
	editor = {Elliott, Emory and Davidson, Cathy N.},
	date = {1991},
	keywords = {American fiction, History and criticism},
}

@incollection{bradbury_notitle_1994,
	location = {New York, {NY}},
	edition = {New, [rev.] ed},
	isbn = {978-0-14-017044-3 978-0-670-84515-6},
	series = {A Penguin book},
	pages = {174--179},
	booktitle = {The modern American novel},
	publisher = {Penguin Books},
	author = {Bradbury, Malcolm},
	date = {1994},
}

@incollection{wilson_mason_2008,
	location = {Hackensack Nj},
	title = {"Mason \& Dixon"},
	pages = {546--550},
	booktitle = {Magill's literary annual 1998},
	publisher = {Salem Press {INC}},
	author = {Brand, Gerhard},
	editor = {Wilson, John D.},
	date = {2008},
	note = {{OCLC}: 1036374984},
}

@incollection{hoffman_realists_1982,
	location = {Cambridge, Mass.},
	edition = {2. printing},
	title = {"Realists, Naturalists, and Novelists of Manner"},
	isbn = {978-0-674-37537-6},
	pages = {84--152},
	booktitle = {Harvard guide to contemporary American writing},
	publisher = {Harvard-Univ. Press},
	author = {Braudy, Leo},
	editor = {Hoffman, Daniel},
	date = {1982},
}

@incollection{breu_vital_2014,
	location = {Minneapolis London},
	title = {"Vital Objects: Materiality and Biopolitics in Thomas Pynchon’s V."},
	isbn = {978-0-8166-8891-3 978-0-8166-8946-0},
	pages = {61--92},
	booktitle = {Insistence of the material: literature in the age of biopolitics},
	publisher = {University of Minnesota press},
	author = {Breu, Christopher},
	date = {2014},
}

@incollection{brigg_gravitys_1979,
	location = {Englewood Cliffs},
	title = {"Gravity's Rainbow"},
	isbn = {978-0-89356-196-3},
	pages = {915--920},
	booktitle = {Survey of science fiction literature},
	publisher = {Salem Press},
	author = {Brigg, Peter},
	date = {1979},
}

@incollection{brivic_opposing_2008,
	location = {Baton Rouge, La},
	title = {"Opposing Trajectories in V."},
	isbn = {978-0-8071-3354-5},
	series = {Southern literary studies},
	pages = {108--143},
	booktitle = {Tears of rage: the racial interface of modern American fiction: Faulkner, Wright, Pynchon, Morrison},
	publisher = {Louisiana State University Press},
	author = {Brivic, Sheldon and Brivic, Sheldon},
	date = {2008},
}

@incollection{brooke-rose_notitle_1997,
	location = {Manchester},
	isbn = {978-1-85754-294-3},
	pages = {78, 88, 112, 114, 134--136, 140--150, 178},
	booktitle = {Textermination},
	publisher = {Carcanet},
	author = {Brooke-Rose, Christine},
	date = {1997},
}

@incollection{wallace_light-values_2010,
	location = {Place of publication not identified},
	title = {"Light-Values as Existential Indices in Thomas Pynchon's Extravagant Comic Revery: 'Idiopathic Archetypes' of the Ego, Its Shadow, Its Preconscious Being, and the Self in the Spectrum that is Gravity's Rainbow"},
	isbn = {978-94-017-3296-3},
	pages = {269--295},
	booktitle = {Elemental dialectic of light and darkness: the passions of the soul in},
	publisher = {Springer},
	author = {Brottman, David M.},
	editor = {Wallace, W. A.},
	date = {2010},
	note = {{OCLC}: 968309918},
}

@incollection{brunvand_alligators_1983,
	location = {London},
	title = {"Alligators in the Sewer"},
	isbn = {978-0-330-26950-6},
	pages = {90--101},
	booktitle = {The vanishing hitchhiker: American urban legends and their meanings},
	publisher = {Pan},
	author = {Brunvand, Jan Harold},
	date = {1983},
	note = {{OCLC}: 16596755},
}

@incollection{bryant_notitle_1970,
	location = {New York},
	isbn = {978-0-02-904860-3},
	pages = {9, 35--36, 40, 249, 252--257},
	booktitle = {The open decision; the contemporary American novel and its intellectual background},
	publisher = {Free Press},
	author = {Bryant, Jerry H.},
	date = {1970},
	note = {{OCLC}: 97191},
}

@incollection{budrecki_podanosc_1983,
	location = {Warszawa},
	edition = {Wyd. 1},
	title = {"Podanosc na Interpretacje"},
	isbn = {978-83-07-00888-2},
	pages = {219--252},
	booktitle = {Piętnaście szkiców o nowej prozie amerykańskiej},
	publisher = {Czytelnik},
	author = {Budrecki, Lech},
	date = {1983},
	keywords = {American fiction, History and criticism, 20th century},
}

@incollection{buell_late_2014,
	location = {Cambridge, Mass.},
	title = {"Late Twentieth-Century Maximalism: Pynchonʹs Gravityʹs Rainbow —and Its Rainbow"},
	isbn = {978-0-674-65989-6},
	pages = {423--460},
	booktitle = {The dream of the great American novel},
	publisher = {Belknap Press of Harvard Univ. Press},
	author = {Buell, Lawrence},
	date = {2014},
}

@incollection{bukatman_notitle_1993,
	location = {Durham},
	isbn = {978-0-8223-1332-8 978-0-8223-1340-3},
	pages = {161--165},
	booktitle = {Terminal identity: the virtual subject in postmodern science fiction},
	publisher = {Duke University Press},
	author = {Bukatman, Scott},
	date = {1993},
	keywords = {American fiction, History and criticism, 20th century, Postmodernism (Literature), United States, Identity (Psychology) in literature, Science fiction, American, Virtual reality in literature},
}

@incollection{bulson_pynchons_2007,
	location = {New York},
	title = {"Pynchon's Baedeker Trick"},
	isbn = {978-0-415-97648-0},
	series = {Literary criticism and cultural theory},
	pages = {15--17, 85--105, 135--36, 150},
	booktitle = {Novels, maps, modernity: the spatial imagination, 1850-2000},
	publisher = {Routledge},
	author = {Bulson, Eric},
	date = {2007},
	note = {{OCLC}: ocm71192712},
	keywords = {American fiction, History and criticism, Ulysses, Pynchon, Thomas, Gravity's rainbow, Modernism (Literature), Geography in literature, Joyce, James, Maps in literature, Melville, Herman, Moby Dick, Realism in literature},
}

@incollection{verhoeven_allegory_1992,
	location = {Amsterdam},
	title = {"Allegory, the American Canon, and Thomas Pynchon's The Crying of Lot 49"},
	isbn = {978-90-5183-361-4},
	series = {Costerus},
	pages = {141--156},
	number = {N.S., 83},
	booktitle = {Rewriting the dream: reflections on the changing American literary canon},
	publisher = {Rodopi},
	author = {Buning, Marius},
	editor = {Verhoeven, Wilhelmus M.},
	date = {1992},
}

@incollection{burgess_notitle_1984,
	location = {New York, N.Y},
	isbn = {978-0-671-52407-4},
	pages = {109},
	booktitle = {99 novels: The best in English since 1939. A personal choice},
	publisher = {Summit Books},
	author = {Burgess, Anthony},
	date = {1984},
}

@incollection{hengen_parody_1997,
	location = {Amsterdam},
	title = {"Parody and Postmodern Sex: Humor in Thomas Pynchon and Tama Janowitz"},
	isbn = {978-90-5699-539-3 978-90-5699-540-9},
	series = {Studies in humor and gender},
	pages = {149--166},
	number = {4},
	booktitle = {Performing gender and comedy: theories, texts and contexts},
	publisher = {Gordon \& Breach},
	author = {Burns, Christy L.},
	editor = {Hengen, Shannon E.},
	date = {1997},
}

@incollection{masavisut_ninjettes_1994,
	title = {"Ninjettes, Nuns, and Lady Asskickers: Thomas Pynchon's Bow to the Mythical Orient"},
	isbn = {978-0-8248-1602-5},
	series = {Literary studies: East and West},
	pages = {253--259},
	booktitle = {Gender and culture in literature and film East and West: issues of perception and interpretation; selected conference papers},
	author = {Carroll, Jeffrey},
	editor = {Masavisut, Nitaya},
	date = {1994},
}

@incollection{casadei_storia_2000,
	location = {Roma},
	edition = {1. ed},
	title = {"Storia, mito, satira, apocalisse, allegoria . . .: L'arcobaleno della gravità di Thomas Pynchon"},
	isbn = {978-88-430-1545-0},
	series = {Ricerche Critica letteraria e teoria della letteratura},
	pages = {157--186},
	number = {74},
	booktitle = {Romanzi di finisterre: narrazione della guerra e problemi del realismo},
	publisher = {Carocci},
	author = {Casadei, Alberto},
	date = {2000},
}

@incollection{cassiday_thomas_1993,
	location = {New York},
	title = {"Thomas Pynchon [1937- ] "},
	isbn = {978-0-8264-0573-9},
	series = {A Library of literary criticism},
	pages = {493--500},
	booktitle = {Modern mystery, fantasy and science fiction writers},
	publisher = {Continuum},
	editor = {Cassiday, Bruce},
	date = {1993},
}

@incollection{caviola_i_1991,
	location = {Basel Berlin},
	title = {"I. A Historical Approach to the Zone: The Body and Physical Space in the 19th Century and Modernism: B.Placelessness in Modernism (Heinrich Boll, Thomas Pynchon, Joan Didion)"},
	isbn = {978-3-7643-2696-8 978-0-8176-2696-9},
	series = {International cooper series in English language and literature},
	pages = {41--59},
	booktitle = {In the zone: perception and presentation of space in German and American postmodernism},
	publisher = {Birkhäuser},
	author = {Caviola, Hugo},
	date = {1991},
}

@incollection{ceia_para_2007,
	location = {Coimbra},
	title = {"Para Além do Princípio do Realismo no Romance Distópico: Gravity's Rainbow (1973), de Thomas Pynchon, e O meu Anjo Cataring (1998), de Alexandre Pinheiro Torres"},
	isbn = {978-972-40-3039-5},
	booktitle = {A construção do romance: ensaios de literatura comparada no campo dos estudos anglo-portugueses},
	publisher = {Almedina},
	author = {Ceia, Carlos},
	date = {2007},
}

@incollection{miguel_alfonso_parabolas_1996,
	location = {Amsterdam},
	title = {"Parabolas and Parables: The Radical Ethics of Pynchon's V. and Gravity's Rainbow"},
	isbn = {978-90-420-0084-1 978-90-420-0071-1},
	series = {Postmodern studies},
	pages = {1--23},
	number = {17},
	booktitle = {Powerless fictions? ethics, cultural critique, and American fiction in the age of Postmodernism},
	publisher = {Rodopi},
	author = {Chambers, Judith},
	editor = {Miguel Alfonso, Ricardo},
	date = {1996},
}

@incollection{alvarez_maurin_alpdrucken_1999,
	location = {León},
	title = {"From Alpdrücken to New Dope: Von Göll's 'character' in Thomas Pynchon's Gravity's Rainbow"},
	isbn = {978-84-7719-751-5},
	pages = {57--66},
	booktitle = {Actas {III} Congreso de la Sociedad Española para el Estudio de los Estados Unidos = Spanish Association for American Studies ({SAAS}): Fin de siglo, crisis y nuevos principios = Century ends, crises \& new beginnings},
	publisher = {Universidad},
	author = {Clark, David M.},
	editor = {Alvarez Maurín, María José},
	date = {1999},
	note = {{OCLC}: 640030788},
}

@incollection{clontz_chapter_2005,
	location = {New York},
	title = {"Chapter 2. Ellison and Pynchon: The Chaotic and Fabulous Cities"},
	isbn = {978-0-415-97550-6},
	series = {Literary criticism and cultural theory},
	pages = {39--62},
	booktitle = {Wilderness city: the post World War {II} American novel from Algren to Wideman},
	publisher = {Routledge},
	author = {Clontz, Ted L.},
	date = {2005},
	note = {{OCLC}: ocm60742020},
	keywords = {American fiction, History and criticism, 20th century, United States, Influence, Cities and towns in literature, City and town life in literature, Inner cities in literature, World War, 1939-1945},
}

@incollection{coates_notitle_1983,
	location = {New York},
	isbn = {978-0-312-66524-1},
	pages = {12--15, 193--217},
	booktitle = {The realist fantasy: fiction and reality since Clarissa},
	publisher = {St. Martin's Press},
	author = {Coates, Paul},
	date = {1983},
	keywords = {Fiction, History and criticism, Realism in literature},
}

@incollection{knight_pynchon_2003,
	location = {Santa Barbara, Calif},
	title = {"Pynchon, Thomas"},
	isbn = {978-1-57607-812-9},
	pages = {601--604},
	booktitle = {Conspiracy theories in American history: an encyclopedia},
	publisher = {{ABC}-{CLIO}},
	author = {Cohen, Michael},
	editor = {Knight, Peter},
	date = {2003},
	keywords = {History, United States, Conspiracy theories, Encyclopedias},
}

@book{copjec_read_1995,
	location = {Cambridge, Mass.},
	title = {Read my desire: Lacan against the historicists},
	isbn = {978-84-930940-0-3},
	shorttitle = {Read my desire},
	publisher = {{MIT} Press},
	author = {Copjec, Joan},
	date = {1995},
	note = {{OCLC}: 629695816},
}

@incollection{plo-alastrue_fear_2002,
	location = {Heidelberg},
	title = {"Fear of the Flesh, Fear of the Borg: Narratives of Bodily Transgression in Contemporary U.S. Culture"},
	isbn = {978-3-8253-1289-3},
	series = {Anglistische Forschungen},
	pages = {67--79},
	number = {Bd. 303},
	booktitle = {Beyond borders: re-defining generic and ontological boundaries},
	publisher = {Universitätsverkag C. Winter},
	author = {Collado Rodríguez, Francisco},
	editor = {Plo-Alastrué, Ramón and Martínez-Alfaro, María Jesús},
	date = {2002},
	note = {{OCLC}: ocm48956441},
	keywords = {American fiction, English fiction, History and criticism, 20th century, History, Postmodernism (Literature), English-speaking countries, Literary form, Boundaries in literature, Motion pictures, Ontology in literature},
}

@book{noauthor_influencias_1991,
	location = {Barcelona},
	title = {Influencias e intercambios culturales, lingüísticos y literarios entre Norteamérica y Gran Bretan︢a e Irlanda en el siglo {XX}: actas del {XIII} Congreso Nacional de A.E.D.E.A.N., Tarragona, 18 - 20 de diciembre de 1989},
	isbn = {978-84-7665-840-6},
	series = {Actas del ... congreso nacioanl de A.E.D.E.A.N},
	shorttitle = {Influencias e intercambios culturales, lingüísticos y literarios entre Norteamérica y Gran Bretan︢a e Irlanda en el siglo {XX}},
	pagetotal = {265},
	number = {13.1989},
	publisher = {{PPU}},
	date = {1991},
}

@incollection{garcia_diez_thomas_1991,
	location = {València},
	title = {"Thomas Pynchon: Testigo de un cambio"},
	isbn = {978-84-370-0786-1},
	series = {Col·lecció oberta},
	pages = {295--304},
	booktitle = {Studies in American literature: an homage to Enrique García Díez},
	publisher = {Universitat de València, Facultat de Filologia},
	author = {Collado Rodríguez, Francisco},
	editor = {García Díez, Enrique and Sánchez Macarro, Antonia},
	date = {1991},
	keywords = {History and criticism, American literature, Criticism, García Díez, Enrique, Spain},
}

@incollection{conrad_notitle_1999,
	location = {New York},
	edition = {1. American ed},
	isbn = {978-0-375-40113-8 978-0-375-70105-4},
	series = {A Borzoi book},
	pages = {545--551, 716},
	booktitle = {Modern times, modern places},
	publisher = {Knopf},
	author = {Conrad, Peter},
	date = {1999},
}

@incollection{conroy_american_2004,
	location = {Columbus, Ohio},
	title = {"The American Way and Its Double in Lot 49"},
	isbn = {978-0-8142-0962-2 978-0-8142-9028-6},
	pages = {56--66, 116--139, 200--202, 209},
	booktitle = {Muse in the machine: American fiction and mass publicity},
	publisher = {Ohio State University Press},
	author = {Conroy, Mark},
	date = {2004},
}

@incollection{conte_its_2002,
	location = {Tuscaloosa},
	title = {"It's Not O.K. to Be a Luddite"},
	isbn = {978-0-8173-1114-8 978-0-8173-1115-5},
	pages = {237--243, 245--246},
	booktitle = {Design and debris: a chaotics of postmodern American fiction},
	publisher = {University of Alabama Press},
	author = {Conte, Joseph M.},
	date = {2002},
	keywords = {American fiction, History and criticism, 20th century, History, Postmodernism (Literature), United States, Literature and science, Chaotic behavior in systems in literature},
}

@incollection{seed_40_2010,
	location = {Chichester, U.K. ; Malden, {MA}},
	title = {"40. Thomas Pynchon"},
	isbn = {978-1-4051-4691-3},
	series = {Blackwell companions to literature and culture},
	pages = {428--435},
	number = {64},
	booktitle = {A companion to twentieth-century United States fiction},
	publisher = {Wiley-Blackwell},
	author = {Copestake, Ian D.},
	editor = {Seed, David},
	date = {2010},
	note = {{OCLC}: ocn317777975},
	keywords = {American fiction, History and criticism, 20th century, History, United States, Literature and society, Handbooks, manuals, etc},
}

@incollection{cornis-pope_chain_2002,
	location = {New York, {NY} Basingstoke},
	edition = {1. ed},
	title = {"'Chain of Links' or 'Disorderly Tangle of Lines'?: Alternative Cartographies of Modernity in Thomas Pynchon's Fiction"},
	isbn = {978-0-312-23837-7},
	pages = {101--146},
	booktitle = {Narrative innovation and cultural rewriting in the Cold War and after},
	publisher = {Palgrave},
	author = {Cornis-Pope, Marcel},
	date = {2002},
}

@incollection{carlisle_narrative_1994,
	location = {Athens},
	title = {"Narrative Innovation and Cultural Rewriting: The Pynchon - Morrison - Sukenick Connection"},
	isbn = {978-0-8203-1572-0 978-0-8203-1573-7},
	pages = {216--237},
	booktitle = {Narrative and culture},
	publisher = {University of Georgia Press},
	author = {Cornis-Pope, Marcel},
	editor = {Carlisle, Janice and Schwarz, Daniel R.},
	date = {1994},
	keywords = {Narration (Rhetoric), Congresses, Literature and society, Motion pictures, Canon (Literature), Culture in motion pictures, Language and culture, Motion pictures and literature, Social aspects},
}

@incollection{bacigalupo_pynchon_2003,
	location = {Torino},
	title = {"Pynchon in Baedeker Land"},
	isbn = {978-88-87503-56-2},
	series = {Nova Americana},
	pages = {369--377},
	booktitle = {America and the Mediterranean: proceedings of sixteenth biennial international conference ; Università di Genova, November 8 - 11, 2001},
	publisher = {Otte},
	author = {Coslovi, Marina},
	editor = {Bacigalupo, Massimo and Castagneto, Pierangelo},
	date = {2003},
}

@incollection{hoffmann_i_1989,
	location = {München},
	title = {"'Do I Know You?'"},
	isbn = {978-3-7705-2149-4},
	series = {American studies a monograph series},
	pages = {74--90},
	number = {68},
	booktitle = {Making sense: the role of the reader in contemporary American fiction},
	publisher = {Fink},
	author = {Couturier, Maurice},
	editor = {Hoffmann, Gerhard},
	date = {1989},
}

@incollection{chenetier_yours_1986,
	location = {Carbondale},
	title = {"Yours Faithfully, the Author"},
	isbn = {978-0-8093-1216-0},
	series = {Crosscurrents/Modern critiques Third series},
	pages = {29--44},
	booktitle = {Critical angles: European views of contemporary American literature},
	publisher = {Southern Illinois Univ. Press},
	author = {Couturier, Maurice},
	editor = {Chénetier, Marc},
	date = {1986},
}

@incollection{trachtenberg_attenuated_1995,
	location = {New York, {NY}},
	title = {"Attenuated Postmodernism: Pynchon's Vineland"},
	isbn = {978-0-8161-7324-2},
	series = {Critical essays on American literature},
	pages = {182--191},
	booktitle = {Critical essays on American postmodernism},
	publisher = {Hall [u.a.]},
	author = {Cowart, David G.},
	editor = {Trachtenberg, Stanley},
	date = {1995},
}

@incollection{freese_germany_1990,
	location = {Essen},
	title = {"Germany and German Culture in the Works of Thomas Pynchon"},
	isbn = {978-3-89206-382-7},
	series = {Arbeiten zur Amerikanistik},
	pages = {305--318},
	number = {6},
	booktitle = {Germany and German thought in American literature and cultural criticism: proceedings of the German-American conference in Paderborn, May 16 - 19, 1990},
	publisher = {Verl. Die Blaue Eule},
	author = {Cowart, David G.},
	editor = {Freese, Peter},
	date = {1990},
}

@incollection{magill_slow_1985,
	location = {Place of publication not identified},
	title = {"Slow Learner: Early Stories"},
	abstract = {Essay-Reviews of 200 Outstanding Books Published in the United States during 1984. With an Annotated Catergories Index},
	pages = {830--834},
	booktitle = {Magill's literary annual 1985 Essay-reviews of 200 outstanding books published in the United States during 1984},
	publisher = {Salem Press},
	author = {Cowart, David G.},
	editor = {Magill, Frank N.},
	date = {1985},
	note = {{OCLC}: 795122864},
}

@incollection{gascuena_gahete_images_2006,
	location = {Córdoba},
	title = {"Images of the Uncertainty: Mapping the Unmappable in Pynchon's Zone"},
	isbn = {978-84-7801-811-6},
	pages = {123--140},
	booktitle = {Figures of belatedness: postmodernist fiction in English},
	publisher = {Servicio de Publicaciones, Universidad de Córdoba},
	author = {Cruz Acevedo, David},
	editor = {Gascueña Gahete, Javier and {Universidad de Córdoba}},
	date = {2006},
	note = {Meeting Name: Jornadas de Filología Inglesa},
}

@incollection{bradbury_eccentric_1987,
	location = {London},
	title = {"The Eccentric Self: Anti-Characterization and the Problem of the Subject in American Postmodernist Fiction"},
	isbn = {978-0-7131-6469-5},
	series = {Stratford-upon-Avon studies Second series},
	pages = {53--70},
	booktitle = {Contemporary American fiction},
	publisher = {Edward Arnold},
	author = {Currie, Peter},
	editor = {Bradbury, Malcolm and Ro, Sigmund},
	date = {1987},
}

@incollection{zolla_thomas_1987,
	location = {Roma},
	edition = {2. ed},
	title = {"Thomas Pynchon"},
	isbn = {978-88-7033-141-7},
	booktitle = {I contemporanei: Novecento americano. 2, 2},
	publisher = {Lucarini},
	author = {D'Amico, Maria Vittoria},
	editor = {Zolla, Elémire},
	date = {1987},
}

@incollection{gysin_going_2000,
	location = {Tübingen},
	title = {"'Going Round and Round with Old Gravity': Technological Progress and Escape in Thomas Pynchon's Gravity's Rainbow"},
	isbn = {978-3-8233-4687-6},
	series = {Swiss papers in English language and literature},
	pages = {77--88},
	number = {Vol. 12},
	booktitle = {Apocalypse},
	publisher = {Narr},
	author = {Dalsgaard, Inger H.},
	editor = {Gysin, Fritz},
	date = {2000},
}

@incollection{daniele_linguistic_2000,
	location = {Amsterdam},
	title = {"A Linguistic Wilderness: Maps in Ruins in Thomas Pynchon's Post-Industrial Zones"},
	isbn = {978-90-420-1202-8},
	series = {Postmodern studies},
	pages = {109--138},
	number = {28},
	booktitle = {The woman of the crowd: urban displacement and failed encounters in surrealist and postmodern writing},
	publisher = {Rodopi},
	author = {Daniele, Daniela},
	date = {2000},
}

@incollection{golsan_wyndham_1992,
	location = {Hanover, {NH}},
	title = {"Wyndham Lewis's Fascist Imagination and the Fiction of Paranoia"},
	isbn = {978-0-87451-584-8 978-0-87451-578-7},
	pages = {81--97, 257--259},
	booktitle = {Fascism, aesthetics, and culture},
	publisher = {University Press of New England},
	author = {Dasenbrock, Reed Way},
	editor = {Golsan, Richard Joseph},
	date = {1992},
	keywords = {Aesthetics, Modern, Culture, Fascism and culture},
}

@incollection{davidson_details_2014,
	location = {New York},
	title = {"Details That Linger and the Charm of Voluntary Reading: George Pelecanos, Stephen King, Thomas Pynchon"},
	isbn = {978-0-231-16859-5},
	pages = {127--133},
	booktitle = {Reading style: a life in sentences},
	publisher = {Columbia university press},
	author = {Davidson, Jenny},
	date = {2014},
}

@incollection{james_apocalyptic_1988,
	location = {Tallahassee},
	title = {"The Apocalyptic Milieu of Pynchon's Gravity's Rainbow"},
	isbn = {978-0-8130-0894-3},
	pages = {91--98},
	booktitle = {Apocalyptic visions past and present: selected papers from the eighth and ninth annual Florida State University conferences on Literature and Film},
	publisher = {Florida State University Press},
	author = {Daw, Laurence},
	editor = {James, {JoAnn} and Cloonan, William J.},
	date = {1988},
	note = {Meeting Name: Florida State University Conference on Literature and Film},
	keywords = {Congresses, History and criticism Congresses, Apocalyptic literature, Motion pictures and literature, Apocalypse in motion pictures},
}

@incollection{dekoven_notitle_2004,
	location = {Durham},
	isbn = {978-0-8223-3280-0 978-0-8223-3269-5},
	series = {Post-contemporary interventions},
	pages = {183--186, 311},
	booktitle = {Utopia limited: the sixties and the emergence of the postmodern},
	publisher = {Duke University Press},
	author = {{DeKoven}, Marianne},
	date = {2004},
	keywords = {Counterculture, Social aspects, 1950-, Civilization, Modern, Nineteen sixties, Popular culture, Postmodernism, Radicalism},
}

@incollection{gross_thomas_1978,
	location = {New York},
	title = {"Thomas Pynchon"},
	isbn = {978-0-471-32808-7},
	pages = {1453--1455},
	booktitle = {America in literature},
	publisher = {Wiley},
	author = {{DeMott}, Benjamin and Trachtenberg, Alan},
	editor = {Gross, Theodore L. and Levin, David},
	date = {1978},
	keywords = {American literature, United States, Civilization, Literary collections},
}

@incollection{giorcelli_mcluhan_1997,
	location = {Amsterdam},
	title = {"{McLuhan}, Pynchon, Gibson: The Informational Metropolis from the Global Village to Cyberspace"},
	isbn = {978-90-5383-548-7},
	series = {European contributions to American studies},
	pages = {103--110},
	number = {38},
	booktitle = {Living with America, 1946-1996},
	publisher = {{VU} University Press},
	author = {Den Tandt, Christophe},
	editor = {Giorcelli, Cristina and Kroes, Rob and Boyle, Peter G. and {European Association for American Studies}},
	date = {1997},
	keywords = {United States, 1945-, Civilization American influences Congresses, Civilization Congresses, Europe},
}

@incollection{garcia_diez_gravitys_1986,
	location = {Alcobendas, Madrid},
	edition = {1a ed},
	title = {"Gravity's Rainbow: El Infinito Espectro de la Muerte"},
	isbn = {978-84-7143-329-9},
	pages = {221--238},
	booktitle = {La Novela postmodernista norteamericana: nuevas tendencias narrativas},
	publisher = {Sociedad General Española de Librería},
	author = {Derrick, Paul S.},
	editor = {García Díez, Enrique and Coy Ferrer, Javier},
	date = {1986},
	keywords = {American fiction, History and criticism, 20th century, Postmodernism (Literature), United States},
}

@incollection{dickstein_black_2015,
	location = {New York},
	title = {"Black Humor and History: The Early Sixties"},
	isbn = {978-0-87140-432-9},
	pages = {91--127},
	booktitle = {Gates of Eden: American culture in the sixties},
	publisher = {Liveright Publishing Corporation, a division of W.W. Norton \& Company},
	author = {Dickstein, Morris},
	date = {2015},
	keywords = {History, United States, Civilization, 1945-, 1960-1980, 1961-1969, Social conditions},
}

@incollection{heftrich_subjekt_1993,
	location = {Frankfurt am Main},
	title = {"Subjekt und Textkohärenz in Ansteigender Linie - Aber Nicht Im Aus: Arthur Schopenhauer- Thomas Mann - Thomas Pynchon"},
	isbn = {978-3-465-02624-2},
	pages = {357--368},
	booktitle = {Wagner, Nietzsche, Thomas Mann: Festschrift für Eckhard Heftrich},
	publisher = {Klostermann},
	author = {Dierks, Manfred},
	editor = {Heftrich, Eckhard and Gockel, Heinz and Neumann, Michael},
	date = {1993},
	keywords = {Criticism and interpretation, Mann, Thomas, Music and literature, Nietzsche, Friedrich Wilhelm, Wagner, Richard},
}

@collection{magill_survey_1977,
	location = {Englewood Cliffs, N.J},
	edition = {Rev. ed; 3. print},
	title = {Survey of contemporary literature: Updated reprints of 2,300 essay-reviews from Masterplots Annuals, 1954-1976, and Survey of Contemporary Literature Supplement ; With 3,300 bibliographical reference sources},
	isbn = {978-0-89356-050-8},
	shorttitle = {Survey of contemporary literature},
	pagetotal = {1},
	publisher = {Salem Pr},
	editor = {Magill, Frank N.},
	date = {1977},
}

@incollection{donahue_crimes_2015,
	location = {Charlottesville London},
	edition = {First edition},
	title = {"'Crimes of Demarcation': Spatial and Cultural Transgression in Thomas Pynchon’s Mason \& Dixon"},
	isbn = {978-0-8139-3682-6 978-0-8139-3683-3},
	series = {Cultural frames, framing culture},
	pages = {65--93},
	booktitle = {Failed frontiersmen: white men and myth in the post-sixties American historical romance},
	publisher = {University of Virginia press},
	author = {Donahue, James J.},
	date = {2015},
}

@incollection{doody_character_1998,
	location = {Baton Rouge},
	title = {"A Character Is Also a Sign"},
	isbn = {978-0-585-36237-3},
	abstract = {"Among Other Things is Terrence Doody's staunch and stimulating defense of the novel's primacy over theory. Doody both uses and resists an impressively eclectic mix of literary critical strategies to examine a host of novels from the Continental, English, and American traditions, demonstrating that the novel, with its limitless possibilities, eludes any single theory that tries to encapsulate it." "In the course of his discussion, Doody covers works by Cervantes, Austen, Dickens, James, Conrad, Forster, Joyce, Eliot, Woolf, Kafka, Hemingway, Beckett, Bely, Borges, Nabokov, Bellow, Robbe-Grillet, Barthes, Derrida, Pynchon, Garcia Marquez, Updike, Rushdie, and Morrison. In every case the novel comes first, he argues, because more than just another literary type, it is a vision of human experience without which our modern world would be inexplicable. Every serious reader "feels" his life contains a novel; no theory can evoke that response."--Jacket},
	pages = {92--145},
	booktitle = {Among other things: a description of the novel},
	publisher = {Louisiana State University Press},
	author = {Doody, Terrence},
	date = {1998},
	note = {{OCLC}: 47010100},
}

@incollection{bessiere_aphanisis_1985,
	location = {Paris},
	title = {"De L'Aphanisis: Notes sur la Question du Sujet dans le Texte Contemporain"},
	isbn = {978-2-13-039408-2},
	series = {Publications du Centre d'études du roman et du romanesque, Université de Picardie},
	pages = {83--95},
	booktitle = {Passage du temps, ordre de la transition: études},
	publisher = {Presses universitaires de France},
	author = {Durand, Régis},
	editor = {Bessière, Jean and {Université de Picardie}},
	date = {1985},
	langid = {french},
	keywords = {History and criticism, 20th century, Time in literature, Literature, Modern, Authorship},
}

@incollection{herlinghaus_gabriel_1997,
	location = {Bonn},
	title = {"Gabriel García Márquez, Thomas Pynchon und die Elektronisierung der Märchen-Oma: Schicksale der Mündlichkeit in der Postmoderne"},
	isbn = {978-3-416-02684-0},
	series = {Abhandlungen zur Kunst-, Musik- und Literaturwissenschaft},
	pages = {323--359},
	number = {397},
	booktitle = {Sprünge im Spiegel: postkoloniale Aporien der Moderne in beiden Amerika},
	publisher = {Bouvier},
	author = {Düsdieker, Karsten},
	editor = {Herlinghaus, Hermann and Riese, Utz},
	date = {1997},
}

@incollection{duyfhuizen_narrative_1992,
	location = {Rutherford : London ; Cranbury, {NJ}},
	title = {"The Narrative Contract"},
	isbn = {978-0-8386-3472-1},
	pages = {179--202},
	booktitle = {Narratives of transmission},
	publisher = {Fairleigh Dickinson University Press ; Associated University Presses},
	author = {Duyfhuizen, Bernard},
	date = {1992},
	keywords = {Narration (Rhetoric), Transmission of texts},
}

@book{noauthor_american_1996,
	location = {Detroit, Mich},
	title = {American novelists since World War {II}. 5},
	isbn = {978-0-8103-9936-5},
	series = {Dictionary of literary biography},
	pagetotal = {379},
	number = {173},
	publisher = {Gale Res},
	date = {1996},
}

@incollection{earnshaw_making_1996,
	location = {New York},
	title = {"Making the Author Function: The Wives of Thomas Pynchon and Paul de Man"},
	isbn = {978-0-312-15915-3 978-0-312-15914-6},
	pages = {21--35},
	booktitle = {The direction of literary theory},
	publisher = {St. Martin's Press},
	author = {Earnshaw, Steven},
	date = {1996},
}

@incollection{earnshaw_well_1994,
	location = {Amsterdam},
	title = {"Well and Truly Fact: Postmodernism in History"},
	isbn = {978-90-5183-664-6},
	series = {Postmodern studies},
	pages = {53--71},
	number = {9},
	booktitle = {Postmodern surroundings},
	publisher = {Rodopi},
	editor = {Earnshaw, Steven},
	date = {1994},
}

@incollection{edwards_chapter_2015,
	location = {New York London},
	title = {"Chapter 2. Narcissus at the Edge: The Endlessly Diddling Play of Thomas Pynchon's Gravity's Rainbow"},
	isbn = {978-1-138-86437-5},
	series = {Garland reference library of the humanities},
	pages = {91--139},
	number = {Volume 2068},
	booktitle = {Theories of play and postmodern fiction},
	publisher = {Routledge},
	author = {Edwards, Brian},
	date = {2015},
}

@incollection{bell_thomas_1981,
	location = {Kensington, N.S.W.},
	title = {"Thomas Pynchon's Myth-Making: A Reading of Gravity's Rainbow"},
	isbn = {978-0-9599927-2-4},
	pages = {26--39},
	booktitle = {American studies: new essays from Australia and New Zealand},
	publisher = {{ANZASA}},
	author = {Edwards, Brian},
	editor = {Bell, Roger J. and Bickerton, Ian J.},
	date = {1981},
	note = {{OCLC}: 12669370},
}

@incollection{elias_chapter_2001,
	location = {Baltimore, Md.},
	title = {"Chapter 6. Coda: The Sot-Weed Factor and Mason \& Dixon "},
	isbn = {978-0-8018-6733-0},
	series = {Parallax : re-visions of culture and society},
	pages = {221--242},
	booktitle = {Sublime desire: history and post-1960s fiction},
	publisher = {Johns Hopkins Univ. Press},
	author = {Elias, Amy J.},
	date = {2001},
}

@incollection{elsaesser_notitle_2000,
	location = {London},
	isbn = {978-0-203-38833-4},
	abstract = {German cinema of the 1920s is still regarded as one of the 'golden ages' of world cinema. Films such as The Cabinet of Dr. Caligari, Dr. Mabuse the Gambler, Nosferatu, Metropolis, Pandora's Box and The Blue Angel have long been canonised as classics, but they are also among the key films defining Germany as a nation uneasy with itself. The work of directors like Fritz Lang, F.W. Murnau and G.W. Pabst - having apparently announced the horrors of fascism, while testifying to the traumas of a defeated nation - still casts a long shadow over cinema in Germany, leaving film history and political history curiously intertwined. Weimar cinema and after: Germany's historical imaginary offers a fresh perspective on this most 'national' of national cinemas, re-evaluating such labels as 'Expressionist film' and 'The new Sobriety' and even putting 'fascinating fascism' and film noir in a different, international context. Thomas Elsaesser questions the conventional readings which link these genres and movements solely to the legacy of German romanticism and nationalism, and offers new approaches to analysing the function of national cinema in an advanced 'culture industry'. Elsaesser reads the major films as well as popular entertainment cinema against the contradictory background of avant-garde modernity and consumerist modernisation from the 1920s to the late 1930s. He argues that Weimar cinema's significance lay less in its ability either to promote socialism or predict fascism than in its contribution to the creation of a community sharing a 'historical imaginary' rather than a 'national identity'. In this respect, German cinema in the Weimar period anticipated some of the problems facing contemporary nations in reconstituting their identities by means of media images, memory and invented traditions. -- from back cover},
	pages = {161--165, 191--192},
	booktitle = {Weimar cinema and after: Germany's historical imaginary},
	publisher = {Routledge},
	author = {Elsaesser, Thomas},
	date = {2000},
	note = {{OCLC}: 963362687},
}

@incollection{euben_chapter_1990,
	location = {Princeton, N.J},
	title = {"Chapter 9. The Road Home: Pynchon's The Crying of Lot 49"},
	isbn = {978-0-691-02314-4 978-0-691-07831-1},
	pages = {281--308},
	booktitle = {The tragedy of political theory: the road not taken},
	publisher = {Princeton University Press},
	author = {Euben, J. Peter},
	date = {1990},
}

@incollection{farrell_literary_2004,
	location = {Ithaca, {NY}},
	edition = {1. publ},
	title = {"Literary Space in {McCarthy} and Pynchon, Rushdie and Chaudhuri"},
	isbn = {978-0-8014-4180-6},
	pages = {25--47},
	booktitle = {Why does literature matter?},
	publisher = {Cornell Univ. Press},
	author = {Farrell, Frank B.},
	date = {2004},
}

@incollection{oliveira_barth_1995,
	location = {Campinas},
	edition = {5a edição},
	title = {"Barth, Pynchon e outras absurdetes: O pós-modernismo na ficção americana"},
	isbn = {978-85-268-0099-1},
	pages = {57--71},
	booktitle = {Pós-modernidade},
	publisher = {Editora da {UNICAMP}},
	author = {Ferreira dos Santos, Jair},
	editora = {Oliveira, Roberto Cardoso de},
	editoratype = {collaborator},
	date = {1995},
	note = {{OCLC}: 1128191230},
}

@incollection{magill_crying_1986,
	location = {Englewood Cliffs, N.J.},
	title = {"The Crying of Lot 49"},
	isbn = {978-0-89356-456-8},
	abstract = {Includes more than 360 interpretative essays on works of twentieth-century fiction published in the United States and Latin America},
	pages = {361--365},
	booktitle = {Masterplots {II}. American fiction series},
	publisher = {Salem Press},
	author = {Fiorelli, Edward},
	editor = {Magill, Frank N.},
	date = {1986},
	note = {{OCLC}: 13019947},
}

@incollection{magill_vineland_1990,
	location = {Pasadena, Calif.},
	title = {"Vineland"},
	isbn = {978-0-89356-290-8},
	pages = {844--847},
	booktitle = {Magill's literary annual, 1990: essay-reviews of 200 outstanding books published in the United States during 1989, with an annotated categories index},
	publisher = {Salem Press},
	author = {Fischer, David M.},
	editor = {Magill, Frank N.},
	date = {1990},
	note = {{OCLC}: 21943091},
}

@incollection{fletcher_pynchons_1987,
	location = {Lanham, {MD}},
	title = {"Pynchon's The Crying of Lot 49: Postmodern Apologue"},
	isbn = {978-0-8191-6319-6 978-0-8191-6320-2},
	pages = {113--136},
	booktitle = {Contemporary political satire: narrative strategies in the post-modern context},
	publisher = {University Press of America},
	author = {Fletcher, M. D.},
	date = {1987},
	keywords = {History and criticism, Postmodernism (Literature), Political satire},
}

@inbook{hempfer_literarische_1992,
	location = {Stuttgart},
	title = {"Literarische Postmoderne und Poststrukturalismus: Thomas Pynchon"},
	isbn = {978-3-515-05985-5},
	series = {Text und Kontext},
	pages = {25--38},
	number = {9},
	booktitle = {Poststrukturalismus, Dekonstruktion, Postmoderne},
	publisher = {F. Steiner},
	bookauthor = {Fluck, Winfried},
	editor = {Hempfer, Klaus W. and {Deutsche Gesellschaft für Semiotik}},
	date = {1992},
	keywords = {20th century, Congresses, Literature, Modern, History and criticism Congresses, Deconstruction, Discourse analysis},
}

@incollection{fogel_everybody_1988,
	location = {Toronto, Ontario},
	title = {"'Everybody Must Get Stoned' (:) Reading Thomas Pynchon"},
	isbn = {978-1-55022-004-9 978-1-55022-005-6},
	pages = {88--105},
	booktitle = {The postmodern university: essays on the deconstruction of the humanities},
	publisher = {{ECW} Press},
	author = {Fogel, Stanley},
	date = {1988},
}

@incollection{fokkema_early_1991,
	location = {Amsterdam},
	title = {"An Early Postmodern Novel: V."},
	isbn = {978-90-5183-269-3},
	series = {Postmodern studies},
	pages = {83--99},
	number = {4},
	booktitle = {Postmodern characters: a study of characterization in British and American postmodern fiction},
	publisher = {Rodopi},
	author = {Fokkema, Aleid},
	date = {1991},
}

@incollection{foster_chapter_2014,
	location = {New York, New York},
	edition = {First edition},
	title = {"Chapter 5. Wanda, the Fort Bragg Bag Lady"},
	isbn = {978-1-4668-6425-2},
	abstract = {From the professor who invented literary forensics--and fingered Joe Klein as the author of -- New York {TimesIntroducing} a fascinating new field of forensics, Author Unknown},
	pages = {188--220},
	booktitle = {Author unknown: on the trail of anonymous},
	publisher = {Henry Holt and Company, {LLC}},
	author = {Foster, Donald W.},
	date = {2014},
	note = {{OCLC}: 871068593},
}

@incollection{freese_chapter_1997,
	location = {Essen},
	title = {"Chapter 4.10. Thomas Pynchon: The 'Entropies of Lovable but Scatterbrained Mother Nature' as 'an Adequate Metaphor'?"},
	isbn = {978-3-89206-800-6},
	series = {Arbeiten zur Amerikanistik},
	pages = {410--431},
	number = {19},
	booktitle = {From apocalypse to entropy and beyond: the second law of thermodynamics in post-war American fiction},
	publisher = {Verl. Die Blaue Eule},
	author = {Freese, Peter},
	date = {1997},
}

@incollection{bahn_toward_1979,
	location = {Innsbruck},
	title = {"Toward a Redeemed Imagination: The Role of Paranoia in the Novels of Thomas Pynchon"},
	isbn = {978-3-85124-069-6},
	series = {Innsbrucker Beiträge zur Kulturwissenschaft Sonderheft},
	pages = {147--156},
	number = {44},
	booktitle = {Forms of the American imagination: Beiträge zur neueren amerikanischen Literatur},
	publisher = {{AMOE}},
	author = {Friedbichler, Michael},
	editor = {Bahn, Sonja},
	date = {1979},
}

@incollection{bakker_clouding_1987,
	location = {Amsterdam},
	title = {"The Clouding of the Wine: Reading Thomas Pynchon's The Crying of Lot 49"},
	isbn = {978-90-6203-590-8},
	series = {Costerus},
	pages = {143--149},
	number = {N.S., 63},
	booktitle = {Essays on English and American literature and a sheaf of poems: offered to David Wilkinson on occasion of his retirement from the Chair of English Literature in the Univ. of Groningen},
	publisher = {Rodopi},
	author = {Fry, August J.},
	editor = {Bakker, Jan and Wilkinson, David},
	date = {1987},
}

@incollection{fussell_ix_1975,
	location = {New York},
	title = {"{IX}. Persistence and Memory: The Ritual of Military Memory"},
	isbn = {978-0-19-215804-8},
	pages = {310--334},
	booktitle = {The Great War and modern memory},
	publisher = {Oxford Univ. Press},
	author = {Fussell, Paul},
	date = {1975},
}

@incollection{tholen_entropie_1990,
	location = {Weinheim},
	title = {"Entropie, Δt und das Verschwinden der Maschinen: Angela Carters Wunschmaschinen und Thomas Pynchons Rakete"},
	isbn = {978-3-527-17713-4},
	pages = {339--349},
	booktitle = {Zeit-Zeichen: Aufschübe und Interferenzen zwischen Endzeit und Echtzeit},
	publisher = {{VCH}, Acta Humaniora},
	author = {Gendolla, Peter},
	editor = {Tholen, Georg Christoph and Adam, Armin and Scholl, Michael O. and {Gesamthochschule Kassel}},
	date = {1990},
	note = {Meeting Name: Internationales Symposium Zeit-Zeichen},
}

@incollection{giles_chapter_2002,
	location = {Durham [N.C.]},
	title = {"Chapter 8. Virtual Englands: Pynchon's Transatlantic Heresies"},
	isbn = {978-0-8223-2954-1 978-0-8223-2967-1},
	series = {New Americanists},
	pages = {225--253},
	booktitle = {Virtual Americas: transnational fictions and the transatlantic imaginary},
	publisher = {Duke University Press},
	author = {Giles, Paul},
	date = {2002},
	keywords = {History and criticism, History, In literature, American literature, United States, National characteristics, American, in literature, American and English, Americans, Comparative literature, English and American, Foreign public opinion, American, Great Britain, Nationalism and literature, Relations},
}

@incollection{levine_american_1992,
	location = {New Brunswick, N.J},
	title = {"The American Origins of the Postmodern Self"},
	isbn = {978-0-8135-1772-8 978-0-8135-1773-5},
	pages = {59--80},
	booktitle = {Constructions of the self},
	publisher = {Rutgers University Press},
	author = {Gloege, Martin E.},
	editor = {Levine, George},
	date = {1992},
	keywords = {Self, Self (Philosophy)},
}

@incollection{goldstein_thomas_1986,
	location = {Basingstoke},
	title = {"Thomas Pynchon's Gravity's Rainbow"},
	isbn = {978-0-333-40840-7},
	pages = {180--185},
	booktitle = {The flying machine and modern literature},
	publisher = {Macmillan},
	author = {Goldstein, Laurence},
	date = {1986},
}

@incollection{charters_smoking_2003,
	location = {New York},
	title = {"Smoking Dope with Thomas Pynchon: A Sixties Memoir"},
	isbn = {978-0-14-200194-3},
	series = {Penguin classics},
	pages = {228--238},
	booktitle = {The portable sixties reader},
	publisher = {Penguin Books},
	author = {Gordon, Andrew},
	editor = {Charters, Ann},
	date = {2003},
	keywords = {20th century, History, American literature, United States, Nineteen sixties, Literary collections, 1961-1969, Sources},
}

@incollection{grim_chapter_1988,
	location = {Lewiston, N.Y},
	title = {"Chapter 5. The Faustian Connection in Gravity's Rainbow"},
	isbn = {978-0-88946-428-5 978-0-7734-9464-0},
	series = {Studies in the history and interpretation of music},
	pages = {61--84},
	number = {v. 5, 36},
	booktitle = {The Faust legend in music and literature},
	publisher = {Edwin Mellen Press},
	author = {Grim, William E.},
	date = {1988},
	keywords = {In literature, Music and literature, Faust, Legends History and criticism, Songs and music History and criticism},
}

@incollection{guetti_notitle_1980,
	location = {New Brunswick, N.J},
	isbn = {978-0-8135-0883-2},
	pages = {93--107},
	booktitle = {Word-music: the aesthetic aspect of narrative fiction},
	publisher = {Rutgers University Press},
	author = {Guetti, James L.},
	date = {1980},
	keywords = {American fiction, English fiction, Fiction, History and criticism, Technique, 20th century, Narration (Rhetoric)},
}

@incollection{carlson_no_1986,
	location = {Amsterdam : Atlantic Highlands, N.J},
	title = {"No More Sea Changes: Four American Novelsists' Responses to the Sea"},
	isbn = {978-90-6203-538-0},
	series = {Costerus},
	pages = {232--243},
	number = {new ser., v. 52},
	booktitle = {Literature and lore of the sea},
	publisher = {Rodopi ; Distributed in the U.S.A. by Humanities Press},
	author = {Guzlowski, John Z.},
	editor = {Carlson, Patricia Ann},
	date = {1986},
	keywords = {History and criticism, American literature, English literature, Folklore, Ocean, Sea in literature, Seafaring life, Seafaring life in literature},
}

@incollection{haney_chapter_1993,
	location = {Lewiston},
	title = {"Chapter Seven. Rhetoric, the Self, and the Fantastic: Pynchon's The Crying of Lot 49"},
	isbn = {978-0-7734-9379-7},
	pages = {139--158},
	booktitle = {Literary theory and Sanskrit poetics: language, consciousness, and meaning},
	publisher = {Edwin Mellen Press},
	author = {Haney, William S.},
	date = {1993},
	keywords = {History and criticism, 20th century, Postmodernism (Literature), Language and culture, Meaning (Philosophy), Poetics, Poetry, Modern, Sanskrit language, Sanskrit poetry, Semantics},
}

@incollection{rubin_ant-fiction_1983,
	location = {New Brunswick, N.J.},
	edition = {Pbk. ed},
	title = {"'Ant-Fiction' in American Humor"},
	isbn = {978-0-8135-0992-1},
	pages = {373--383},
	booktitle = {The comic imagination in American literature},
	publisher = {Rutgers University Press},
	author = {Harmon, William},
	editor = {Rubin, Louis D.},
	date = {1983},
	note = {{OCLC}: 14694471},
}

@incollection{harris_death_1971,
	location = {New Haven, Conn},
	title = {"Death and Absurdity: Thomas Pynchon and the Entropic Vision"},
	isbn = {978-0-8084-0043-1},
	pages = {76--99},
	booktitle = {Contemporary American novelists of the absurd},
	publisher = {College [and] Univ. Pr},
	author = {Harris, Charles B.},
	date = {1971},
}

@incollection{harris_automorphic_2015,
	location = {Princeton, New Jersey},
	title = {"An Automorphic Reading of Thomas Pynchon's Against the Day (Interrupted by Elliptical Reflections on Mason \& Dixon)"},
	isbn = {978-0-691-15423-7},
	abstract = {What do pure mathematicians do, and why do they do it? Looking beyond the conventional answers--for the sake of truth, beauty, and practical applications--this book offers an eclectic panorama of the lives and values and hopes and fears of mathematicians in the twenty-first century, assembling material from a startlingly diverse assortment of scholarly, journalistic, and pop culture sources.--},
	pages = {128--138},
	booktitle = {Mathematics without apologies: portrait of a problematic vocation},
	publisher = {Princeton University Press},
	author = {Harris, Michael},
	date = {2015},
	note = {{OCLC}: ocn900911665},
	keywords = {Mathematicians, Mathematics},
}

@incollection{hartman_literature_1985,
	location = {Chicago},
	edition = {Repr},
	title = {"Literature High and Low: The Case of the Mystery Story"},
	isbn = {978-0-226-31845-5},
	series = {Midway reprint series},
	pages = {203--222},
	booktitle = {The fate of reading and other essays},
	publisher = {Univ. of Chicago Pr},
	author = {Hartman, Geoffrey H.},
	date = {1985},
}

@incollection{hassan_notitle_1973,
	location = {New York},
	isbn = {978-0-8044-3121-7},
	pages = {56, 81, 84--85, 171},
	booktitle = {Contemporary American literature, 1945-1972: an introduction},
	publisher = {Ungar},
	author = {Hassan, Ihab Habib},
	date = {1973},
	keywords = {History and criticism, 20th century, American literature},
}

@incollection{hauck_notitle_1971,
	location = {Bloomington},
	isbn = {978-0-253-31345-4},
	pages = {11, 237, 242--224},
	booktitle = {A cheerful nihilism: confidence and "the absurd" in American humorous fiction},
	publisher = {Indiana University Press},
	author = {Hauck, Richard Boyd},
	date = {1971},
	keywords = {History and criticism, Absurd (Philosophy) in literature, Humorous stories, American, Nihilism (Philosophy)in literature},
}

@incollection{hayles_chapter_2018,
	location = {Ithaca},
	title = {"Chapter 6. Caught in the Web: Cosmology and the Point of (No) Return in Pynchon's Gravity's Rainbow"},
	isbn = {978-1-5017-2793-1},
	abstract = {From the central concept of the field--which depicts the world as a mutually interactive whole, with each part connected to every other part by an underlying field-- have come models as diverse as quantum mathematics and Saussure's theory of language. In The Cosmic Web, N. Katherine Hayles seeks to establish the scope of the field concept and to assess its importance for contemporary thought. She then explores the literary strategies that are attributable directly or indirectly to the new paradigm; among the texts at which she looks closely are Robert Pirsig's Zen and the Art of Motorcycle Maintenance, Nabokov's Ada, D.H. Lawrence's early novels and essays, Borges's fiction, and Thomas Pynchon's Gravity's Rainbow},
	pages = {168--197},
	booktitle = {The Cosmic Web: Scientific Field Models and Literary Strategies in the Twentieth Century},
	publisher = {Cornell University Press},
	author = {Hayles, N. Katherine},
	date = {2018},
	note = {{OCLC}: 1028956772},
}

@incollection{moretti_gravitys_2006,
	location = {Princeton},
	title = {"Gravity's Rainbow (Thomas Pynchon, 1973)"},
	isbn = {978-0-691-04947-2 978-0-691-04948-9},
	pages = {926--932},
	booktitle = {The novel},
	publisher = {Princeton University Press},
	editor = {Moretti, Franco},
	date = {2006},
	note = {{OCLC}: 60835700},
	keywords = {Fiction, History and criticism},
}

@incollection{heise_t_1997,
	location = {Cambridge, U.K. ; New York, {NY}, {USA}},
	title = {"Δt: Time's Assembly in Gravity's Rainbow"},
	isbn = {978-0-521-55486-2 978-0-521-55544-9},
	series = {Literature, culture, theory},
	pages = {179--218},
	number = {23},
	booktitle = {Chronoschisms: time, narrative, and postmodernism},
	publisher = {Cambridge University Press},
	author = {Heise, Ursula K.},
	date = {1997},
	keywords = {History and criticism, 20th century, Postmodernism (Literature), Time in literature, Literature, Modern, Literature and science},
}

@incollection{heller_bv_1990,
	location = {Tübingen},
	title = {"B.V.: Phantasien strucktureller Gewalt: Thomas Pynchon, Ken Kesey und Robert Coover"},
	isbn = {978-3-87808-465-5},
	series = {Buchreihe zu den Arbeiten aus Anglistik und Amerikanistik},
	pages = {209--238},
	number = {Bd. 3},
	booktitle = {Gewaltphantasien: Untersuchungen zu einem Phänomen des amerikanischen Gegenwartsromans},
	publisher = {G. Naar},
	author = {Heller, Arno},
	date = {1990},
	keywords = {American fiction, History and criticism, 20th century, Power (Social sciences) in literature, Authority in literature},
}

@incollection{henderson_notitle_1974,
	location = {New York},
	isbn = {978-0-19-501810-3},
	pages = {277--285},
	booktitle = {Versions of the past: the historical imagination in American fiction},
	publisher = {Oxford University Press},
	author = {Henderson, Harry B.},
	date = {1974},
}

@incollection{hendin_thomas_1979,
	location = {Oxford},
	title = {"Thomas Pynchon and Western Man"},
	isbn = {978-0-19-502319-0 978-0-19-502620-7},
	series = {Galaxy books},
	pages = {191--209},
	number = {583},
	booktitle = {Vulnerable people: a view of American fiction since 1945},
	publisher = {Oxford Univ. Press},
	author = {Hendin, Josephine G.},
	date = {1979},
}

@incollection{kums_briefing_2004,
	location = {Leuven},
	edition = {1st ed},
	title = {"Briefing, from Hell, for a Descent into Germany: Father Rapier in Gravity's Rainbow by Thomas Pynchon"},
	isbn = {978-90-334-5649-7},
	pages = {81--87},
	booktitle = {Sans everything: essays on English literature, philosophy, and culture in honour of Guido Kums and Hugo Roeffaers},
	publisher = {Acco},
	author = {Herman, Luc},
	editor = {Kums, Guido and Roeffaers, Hugo and Bekers, Elisabeth and Conlon, D. J.},
	date = {2004},
	note = {{OCLC}: 66590954},
}

@incollection{tandt_pynchons_2005,
	location = {Bruxelles Berlin Frankfurt am Main},
	title = {"Pynchon's Appeal to the Canon in the Final Version of V."},
	isbn = {978-90-5201-283-4 978-0-8204-6647-7},
	series = {New comparative poetics},
	pages = {291--303},
	number = {17},
	booktitle = {Reading without maps? Cultural landmarks in a post-canonical age ; a tribute to Gilbert Debusscher},
	publisher = {Lang},
	author = {Herman, Luc},
	editor = {Tandt, Christophe den and Debusscher, Gilbert},
	date = {2005},
}

@incollection{taylor_thomas_2005,
	location = {London},
	edition = {Reprinted},
	title = {"Thomas Pynchon"},
	isbn = {978-0-415-15294-5 978-0-415-30886-1},
	pages = {324--325},
	booktitle = {Encyclopedia of postmodernism [in memoriam: Charles E. Winquist 1944 - 2002]},
	publisher = {Routledge},
	author = {Herman, Luc},
	editor = {Taylor, Victor E. and Winquist, Charles E.},
	date = {2005},
}

@incollection{palmeri_animal_2006,
	location = {Aldershot},
	title = {"Animal, Vegetable, Mineral: The Play of Species in Pynchon's Mason \& Dixon"},
	isbn = {978-0-7546-5475-9},
	pages = {179--199},
	booktitle = {Humans and other animals in eighteenth-century British culture: representation, hybridity, ethics},
	publisher = {Ashgate},
	author = {Wall Hinds, Elisabeth Jane},
	editor = {Palmeri, Frank},
	date = {2006},
}

@book{noauthor_contemporary_1979,
	location = {Detroit},
	title = {Contemporary authors: Vols. 77-80},
	isbn = {978-0-8103-0039-2},
	shorttitle = {Contemporary authors},
	abstract = {Contains alphabetically arranged profiles of contemporary authors in a range of media, including books, magazines, newspapers, television, radio, and film, each with personal data, addresses, career history, and a list of writings, and in some cases, a list of works in progress, sidelights, and avocational interests},
	publisher = {Gale Research Co.},
	date = {1979},
	note = {{OCLC}: 28474990},
}

@incollection{hoberek_epilogue_2005,
	location = {Princeton, {NJ}},
	title = {"Epilogue: The Postmodern Fallacy"},
	isbn = {978-0-691-12145-1 978-0-691-12146-8},
	series = {Princeton paperbacks},
	pages = {113--130, 153--154},
	booktitle = {The twilight of the middle class: post-World War {II} American fiction and white-collar work},
	publisher = {Princeton Univ. Press},
	author = {Hoberek, Andrew},
	date = {2005},
}

@incollection{kroes_foregrounded_1980,
	location = {Amsterdam},
	title = {"The Foregrounded Situation: New Narrative Strategies in Postmodern American Fiction"},
	isbn = {978-90-70291-03-7},
	series = {European contributions to American studies},
	pages = {289--344},
	number = {3},
	booktitle = {The American identity: fusion and fragmentation: [selection of the papers presented in Amsterdam, designed to give maximum coherence to the illustration of the conference theme, ... The American Identity: Fusion and Fragmentaion]},
	publisher = {Amerika Instituut, Univ. van Amsterdam},
	author = {Hoffman, Gerhard},
	editor = {Kroes, Rob and {European Association for American Studies}},
	date = {1980},
}

@incollection{holton_chapter_1994,
	location = {New York, {NY}},
	edition = {1. publ},
	title = {"Chapter Seven. V.: In the Rathouse of History with Thomas Pynchon"},
	isbn = {978-0-7450-1283-4},
	series = {Postmodern theory},
	pages = {324--344},
	booktitle = {Jarring witnesses: modern fiction and the representation of history},
	publisher = {Harvester Wheatsheaf},
	author = {Holton, Robert},
	date = {1994},
}

@incollection{slusser_gravitys_1987,
	location = {Carbondale, Ill. u.a},
	title = {"Gravity's Rainbow: Science Fiction, Fantasy, and Mythology"},
	isbn = {978-0-8093-1374-7},
	series = {Alternatives},
	pages = {190--200},
	booktitle = {Intersections fantasy and science fiction},
	publisher = {Southern Illinois University Press},
	author = {Hume, Kathryn},
	editor = {Slusser, George Edgar},
	date = {1987},
	note = {Meeting Name: Eaton Conference on Science Fiction and Fantasy Literature},
}

@incollection{browning_comic_1969,
	location = {Chicago},
	edition = {2. impression},
	title = {"Comic Escape and Anti-Vision: The Novels of Joseph Heller and Thomas Pynchon"},
	isbn = {978-0-226-74283-0},
	series = {Essays in divinity},
	pages = {87--112},
	number = {4},
	booktitle = {Adversity and grace: studies in recent American literature},
	publisher = {Univ. of Chicago Press},
	author = {Hunt, John W.},
	editor = {Browning, Preston M. and Scott, Nathan A.},
	date = {1969},
}

@incollection{hurm_chapter_1991,
	location = {Frankfurt am Main ; New York},
	title = {"Chapter 14. Thomas Pynchon: The Crying of Lot 49"},
	isbn = {978-3-631-43226-6},
	series = {Neue Studien zur Anglistik und Amerikanistik},
	pages = {300--325},
	number = {Bd. 52},
	booktitle = {Fragmented urban images: the American city in modern fiction from Stephen Crane to Thomas Pynchon},
	publisher = {P. Lang},
	author = {Hurm, Gerd},
	date = {1991},
	keywords = {American fiction, History and criticism, 20th century, Cities and towns in literature, City and town life in literature},
}

@incollection{odonnell_historiographic_1989,
	location = {Baltimore, Md.},
	title = {"Historiographic Metafiction: Parody and the Intertextuality of History"},
	isbn = {978-0-8018-3773-9},
	pages = {3--32},
	booktitle = {Intertextuality and contemporary American fiction},
	publisher = {Johns Hopkins Univ. Press},
	author = {Hutcheon, Linda},
	editor = {O'Donnell, Patrick and Davis, Robert Con},
	date = {1989},
}

@incollection{ickstadt_postmoderne_1998,
	location = {Darmstadt},
	title = {"Der postmoderne Roman als (meta)historische Fiktion offener Geschichte: John Barth und Thomas Pynchon"},
	isbn = {978-3-534-13027-6},
	pages = {141--150},
	booktitle = {Der amerikanische Roman im 20. Jahrhundert: Transformation des Mimetischen},
	publisher = {Wiss. Buchges},
	author = {Ickstadt, Heinz},
	date = {1998},
}

@incollection{ickstadt_plot_2001,
	location = {Heidelberg},
	title = {"Plot, Conspiracy, and the Reign of Chance: The Fantastic as History in Pynchon's Novels"},
	isbn = {978-3-8253-1244-2},
	series = {American studies},
	pages = {393--424},
	number = {92},
	booktitle = {Faces of fiction: essays on American literature and culture from the Jacksonian period to postmodernity},
	publisher = {Winter},
	author = {Ickstadt, Heinz},
	editor = {Rohr, Susanne and Sielke, Sabine},
	date = {2001},
}

@incollection{weimann_plot_1992,
	location = {Frankfurt am Main},
	edition = {2. Aufl},
	title = {"Plot, Komplott oder Herrschaft des Zufalls: Die Findung und Erfindung von Geschichte im postmodernen amerikanischen Roman"},
	isbn = {978-3-518-28516-9},
	series = {Suhrkamp-Taschenbuch Wissenschaft},
	pages = {265--277},
	number = {916},
	booktitle = {Postmoderne - globale Differenz},
	publisher = {Suhrkamp},
	author = {Ickstadt, Heinz},
	editor = {Weimann, Robert and Gumbrecht, Hans Ulrich},
	date = {1992},
}

@incollection{elm_technologie_1991,
	location = {Freiburg im Breisgau},
	edition = {1. Aufl},
	title = {"Technologie, Geschichte und offene Romanform: Pynchons Gravity's Rainbow"},
	isbn = {978-3-7930-9059-5 978-3-7930-9070-0},
	series = {Rombach Wissenschaft Reihe Litterae},
	pages = {258--270},
	number = {15},
	booktitle = {Medien und Maschinen: Literatur im technischen Zeitalter},
	publisher = {Rombach},
	author = {Ickstadt, Heinz},
	editor = {Elm, Theo and Hiebel, Hans H.},
	date = {1991},
}

@incollection{westphal_is_1999,
	location = {Bloomington},
	title = {"Is the Postmodern Post-Secular?: The Parody of Religious Quests in Thomas Pynchon's The Crying of Lot 49 and Don {DeLillo}'s White Noise"},
	isbn = {978-0-253-33592-0 978-0-253-21336-5},
	series = {The Indiana series in the philosophy of religion},
	pages = {44--68},
	booktitle = {Postmodern philosophy and Christian thought},
	publisher = {Indiana University Press},
	author = {Ingraffia, Brian D.},
	editor = {Westphal, Merold},
	date = {1999},
	keywords = {Congresses, Postmodernism, Religious aspects Christianity},
}

@incollection{irmer_thomas_1995,
	location = {Tübingen},
	title = {"Thomas Pynchon"},
	isbn = {978-3-8233-4656-2},
	series = {Buchreihe zu den Arbeiten aus Anglistik und Amerikanistik},
	pages = {110--148},
	number = {11},
	booktitle = {Metafiction, moving pictures, moving histories: der historische Roman in der Literatur der amerikanischen Postmoderne},
	publisher = {Narr},
	author = {Irmer, Thomas},
	date = {1995},
}

@collection{bock_essays_1986,
	location = {München},
	edition = {1. Aufl},
	title = {Essays on the contemporary British novel},
	isbn = {978-3-19-002254-0},
	pagetotal = {284},
	publisher = {M. Hueber},
	editor = {Bock, Hedwig and Wertheim, Albert},
	date = {1986},
	keywords = {English fiction, History and criticism, 20th century},
}

@incollection{__hironori_hayase_heisoku_2000,
	location = {Tōkyō},
	title = {"Heisoku Jyokyo to no Tatakai: 1960 Nendai no Mittsu no Shosetsu ni Okeru 'Kyoki'"},
	isbn = {978-4-269-74013-6},
	pages = {175--191},
	booktitle = {アメリカ文学と狂気 / Amerika bungaku to kyōki},
	publisher = {英宝社},
	author = {Isaki, Hiroshi},
	editor = {{早瀬博範 / Hironori Hayase}},
	date = {2000},
	note = {{OCLC}: 54549081},
}

@incollection{ishiwari_masochism_2001,
	location = {Tokyo},
	title = {"Masochism, Self-Portrait, and How (Not) to Survive Capitalism: The Crying of Lot 49"},
	isbn = {978-4-269-72001-5},
	pages = {31--48, 145--149},
	booktitle = {Postmodern metamorphosis: capitalism and the subject in contemporary American fiction},
	publisher = {Eihôsha},
	author = {Ishiwari, Takayoshi},
	date = {2001},
	note = {{OCLC}: 76956936},
}

@incollection{guinness_acts_1986,
	location = {Philadelphia},
	title = {"Acts of Willful Play"},
	isbn = {978-0-915027-19-4 978-0-915027-20-0},
	series = {Cultura ludens},
	pages = {63--74},
	number = {2},
	booktitle = {Auctor ludens: essays on play in literature},
	publisher = {J. Benjamins Pub. Co},
	author = {Isle, Walter},
	editor = {Guinness, Gerald and Hurley, Andrew},
	date = {1986},
	keywords = {Play in literature},
}

@incollection{jackson_kafkas_2003,
	location = {London},
	edition = {Transferred to digital print},
	title = {"From Kafka's 'Metamorphosis' to Pynchon's 'Entropy'"},
	isbn = {978-0-415-29130-9 978-0-415-02562-1},
	series = {New accents},
	pages = {157--170},
	booktitle = {Fantasy: the literature of subversion},
	publisher = {Routledge},
	author = {Jackson, Rosemary},
	date = {2003},
}

@incollection{jardine_notitle_1993,
	location = {Ithaca, {NY}},
	edition = {4. pr},
	isbn = {978-0-8014-1768-9 978-0-8014-9396-6},
	pages = {247--252},
	booktitle = {Gynesis: configurations of woman and modernity},
	publisher = {Cornell Univ. Press},
	author = {Jardine, Alice A.},
	date = {1993},
}

@incollection{jarvis_notes_1998,
	location = {New York},
	title = {"Notes from Underground: Thomas Pynchon"},
	isbn = {978-0-312-21344-2 978-0-312-21345-9},
	pages = {51--79},
	booktitle = {Postmodern cartographies: the geographical imagination in contemporary American culture},
	publisher = {St. Martin's Press},
	author = {Jarvis, Brian},
	date = {1998},
	keywords = {American fiction, History and criticism, 20th century, History, United States, Motion pictures, Culture in motion pictures, Geographical perception, Geographical perception in literature, Landscape assessment},
}

@incollection{johnston_american_1998,
	location = {Baltimore, Md.},
	title = {"An American Book of the Dead: Media and Spectral Life in Vineland"},
	isbn = {978-0-8018-5705-8 978-0-8018-5704-1},
	pages = {206--232},
	booktitle = {Information multiplicity: American fiction in the age of media saturation},
	publisher = {Johns Hopkins University Press},
	author = {Johnston, John},
	date = {1998},
}

@incollection{tabbi_mediality_1997,
	location = {Ithaca, N.Y},
	title = {"Mediality in Vineland and Neuromancer"},
	isbn = {978-0-8014-8403-2},
	pages = {173--192},
	booktitle = {Reading matters: narrative in the new media ecology},
	publisher = {Cornell University Press},
	author = {Johnston, John},
	editor = {Tabbi, Joseph and Wutz, Michael},
	date = {1997},
	keywords = {History and criticism, 20th century, Narration (Rhetoric), Postmodernism (Literature), Literature, Modern, Literature and technology},
}

@incollection{hakola_postmodern_2014,
	location = {Newcastle upon Tyne},
	title = {"Postmodern Ghosts and the Politics of Invisible Life"},
	isbn = {978-1-4438-5678-2},
	pages = {83--101},
	booktitle = {Death in literature},
	publisher = {Cambridge Scholars Publ},
	author = {Käkelä-Puumala, Tiina},
	editor = {Hakola, Outi},
	date = {2014},
}

@incollection{karl_notitle_1985,
	location = {New York, {NY}},
	isbn = {978-0-06-091150-8 978-0-06-014939-0},
	series = {Colophon books},
	pages = {302--311, 358--364, 444--447},
	number = {1150},
	booktitle = {American fictions, 1940/1980: a comprehensive history and critical evaluation},
	publisher = {Harper \& Row},
	author = {Karl, Frederick R.},
	date = {1985},
}

@incollection{kawin_notitle_1982,
	location = {Princeton, {NJ}},
	isbn = {978-0-691-06509-0},
	pages = {198--210, 345--346},
	booktitle = {The mind of the novel: reflexive fiction and the ineffable},
	publisher = {Princeton Univ. Press},
	author = {Kawin, Bruce F.},
	date = {1982},
}

@incollection{kazin_notitle_1974,
	location = {London},
	edition = {1. publ. in England},
	isbn = {978-0-436-23202-2},
	pages = {275--280},
	booktitle = {Bright book of life: American novelists and storytellers from Hemingway to Mailer},
	publisher = {Secker \& Warburg},
	author = {Kazin, Alfred},
	date = {1974},
}

@incollection{kebbel_pynchon_1992,
	location = {Tübingen},
	title = {"Pynchon: Die Medientransposition auf der Suche nach der Übersetzung"},
	isbn = {978-3-484-63002-4},
	series = {Communicatio},
	pages = {105--168},
	number = {2},
	booktitle = {Geschichtengeneratoren: Lektüren zur Poetik des historischen Romans},
	publisher = {Niemeyer},
	author = {Kebbel, Gerhard},
	date = {1992},
}

@incollection{allaire_lady_1999,
	location = {Aldershot},
	title = {"The Lady of Shalott: Malory, Tennyson, Zelazny and Pynchon"},
	isbn = {978-1-84014-612-7},
	pages = {25--38},
	booktitle = {Modern retellings of chivalric texts},
	publisher = {Ashgate},
	author = {Kelly, Kathleen Coyne},
	editor = {Allaire, Gloria},
	date = {1999},
}

@incollection{haen_female_1994,
	location = {Amsterdam},
	title = {"The Female Machine in the Postmodern Circuit"},
	isbn = {978-90-5183-756-8 978-90-5183-772-8},
	series = {Postmodern studies},
	pages = {255--273},
	number = {8},
	booktitle = {Liminal postmodernisms: the postmodern, the (post-)colonial, and the (post-)feminist},
	publisher = {Rodopi},
	author = {Kemeny, Annemarie},
	editor = {Haen, Theo d'},
	date = {1994},
}

@incollection{kermode_what_1979,
	location = {Cambridge (Mass.)},
	title = {"'What Precisely Are the Facts?'"},
	isbn = {978-0-674-34535-5},
	series = {The Charles Eliot Norton lectures},
	pages = {101--123},
	number = {1977-1978},
	booktitle = {The genesis of secrecy: on the interpretation of narrative},
	publisher = {Harvard university press},
	author = {Kermode, Frank},
	date = {1979},
}

@incollection{kiernan_notitle_1983,
	location = {New York},
	isbn = {978-0-8044-2458-5 978-0-8044-6359-1},
	pages = {59--60},
	booktitle = {American writing since 1945: a critical survey},
	publisher = {F. Ungar},
	author = {Kiernan, Robert F.},
	date = {1983},
}

@incollection{killen_learning_2006,
	location = {New York},
	edition = {1st U.S. ed},
	title = {"Learning to Love the Rocket"},
	isbn = {978-1-59691-059-1},
	pages = {254--260, 300},
	booktitle = {1973 nervous breakdown: Watergate, Warhol, and the birth of post-sixties America},
	publisher = {Bloomsbury},
	author = {Killen, Andreas},
	date = {2006},
}

@incollection{kamper_medien_1987,
	location = {Frankfurt am Main},
	edition = {1. Aufl., Erstausg},
	title = {Medien und Drogen in Pynchons Zweitem Weltkrieg},
	isbn = {978-3-518-11358-5},
	series = {Edition Suhrkamp},
	pages = {240--259},
	number = {1358 = n.F., Bd. 358},
	booktitle = {Die Unvollendete Vernunft: Moderne versus Postmoderne},
	publisher = {Suhrkamp},
	author = {Kittler, Friedrich},
	editor = {Kamper, Dietmar and Reijen, Willem van},
	date = {1987},
	keywords = {20th century, Aesthetics, Modern, Postmodernism, Arts, Modern, Modernism (Art)},
}

@incollection{klahn__1999,
	location = {München},
	title = {"A. Vernunft subjekte unter Vemuiiftzwang: Travestien der systemischen Wissenschaftsmodeme in den Romanen Thomas Pynchons"},
	isbn = {978-3-7705-3374-9},
	pages = {68--184},
	booktitle = {Postmodernistische Prosa: Hawkes, Pynchon, Coover},
	publisher = {Fink},
	author = {Klähn, Bernd},
	date = {1999},
	keywords = {American fiction, History and criticism, 20th century, Criticism and interpretation, Pynchon, Thomas, Postmodernism (Literature), United States, American prose literature, Coover, Robert, Hawkes, John},
}

@incollection{schutz_pynchon-muster_1991,
	location = {Essen},
	edition = {1. Aufl},
	title = {"Das Pynchon-Muster"},
	isbn = {978-3-88474-459-8},
	pages = {39--57},
	booktitle = {{HighTech}, {LowLit}? Literatur und Technik, Autoren und Computer},
	publisher = {Klartext},
	author = {Klähn, Bernd},
	editor = {Schütz, Erhard H. and Brockhoff, Annette and Wehr, Norbert and Bülow, Ralf},
	date = {1991},
	keywords = {Congresses, Literature and technology, Computers in literature},
}

@incollection{lenz_entropy_1990,
	location = {Frankfurt am Main : New York},
	title = {"From Entropy to Chaos-Theories: Thermodynamic Models of Historical Evolution in the Novels of Thomas Pynchon and Robert Coover"},
	isbn = {978-3-593-34287-0 978-0-312-04661-3},
	pages = {418--431},
	booktitle = {Reconstructing American literary and historical studies},
	publisher = {Campus Verlag ; St. Martin's Press},
	author = {Klähn, Bernd},
	editor = {Lenz, Günter H. and Keil, Hartmut and Bröck-Sallah, Sabine},
	date = {1990},
	keywords = {American literature, United States, Congresses, Literature and history, History and criticism Congresses, Criticism, Historical fiction, American, Historicism, Historiography, Historiography Congresses, History and criticism Theory, etc. Congresses, History Congresses, History in literature},
}

@incollection{klepper_perilously_1996,
	location = {Frankfurt/Main},
	title = {"'Perilously Reconnecting': Thomas Pynchons Vineland"},
	isbn = {978-3-593-35618-1},
	series = {Nordamerikastudien},
	pages = {210--248},
	number = {3},
	booktitle = {Pynchon, Auster, {DeLillo}: die amerikanische Postmoderne zwischen Spiel und Rekonstruktion},
	publisher = {Campus-Verl},
	author = {Klepper, Martin},
	date = {1996},
}

@incollection{klinkowitz_notitle_1975,
	location = {Urbana},
	isbn = {978-0-252-00514-5},
	pages = {11--15},
	booktitle = {Literary disruptions: the making of a post-contemporary American fiction},
	publisher = {Univ. of Illinois Press},
	author = {Klinkowitz, Jerome},
	date = {1975},
}

@incollection{knight_chapter_2000,
	location = {London New York},
	title = {"Chapter 1, part {II}: Vineland and Visibility"},
	isbn = {978-0-415-18977-4 978-0-415-18978-1},
	pages = {57--75},
	booktitle = {Conspiracy culture: from the Kennedy assassination to The X-files},
	publisher = {Routledge},
	author = {Knight, Peter},
	date = {2000},
}

@incollection{heavilin_postmodern_2000,
	location = {Westport, Conn},
	title = {"A Postmodern Steinbeck, or Rose of Sharon Meets Oedipa Maas"},
	isbn = {978-0-313-29990-2},
	series = {Critical responses in arts and letters},
	pages = {247--266},
	number = {no. 37},
	booktitle = {The critical response to John Steinbeck's The grapes of wrath},
	publisher = {Greenwood Press},
	author = {Kocela, Chris},
	editor = {Heavilin, Barbara A.},
	date = {2000},
	keywords = {In literature, California, Depressions in literature, Grapes of wrath, Labor camps in literature, Migrant agricultural laborers in literature, Rural families in literature, Steinbeck, John},
}

@incollection{kogl_arendts_2008,
	location = {Lanham, {MD}},
	title = {"From Arendt's Table to Pynchon's Used Car Lot: Relation and Separation in the Place of the Polity"},
	isbn = {978-0-7391-1474-2 978-0-7391-1475-9},
	pages = {79--100},
	booktitle = {Strange places: the political potentials and perils of everyday spaces},
	publisher = {Lexington Books},
	author = {Kogl, Alexandra},
	date = {2008},
	keywords = {Social aspects, Geographical perception, Globalization, Human geography, Human territoriality, Spatial behavior},
}

@incollection{durczak_discontent_1995,
	location = {Lublin},
	title = {"Discontent with Democracy in the Novels of Thomas Pynchon"},
	isbn = {978-83-227-0781-4},
	pages = {75--80},
	booktitle = {Polish-American literary confrontations},
	publisher = {Maria Curie-Skłodowska University Press},
	author = {Kolbuszewska, Zofia},
	editor = {Durczak, Joanna and Durczak, Jerzy},
	date = {1995},
	keywords = {American literature, United States, Congresses, History and criticism Congresses, Literature and society, Criticism, Democracy in literature, Poland, Social values in literature},
}

@incollection{symotiuk_fraktale_2000,
	location = {Lublin},
	title = {"Fraktale w Literaturze"},
	isbn = {978-83-227-1661-8},
	pages = {59--68},
	booktitle = {Przestrzeń w nauce współczesnej. T. 3},
	publisher = {Wydaw. Uniwersytetu Marii Curie-Skłodowskiej},
	author = {Kolbuszewska, Zofia},
	editora = {Symotiuk, Stefan and Nowak, Grzegorz},
	editoratype = {collaborator},
	date = {2000},
	note = {{OCLC}: 749300753},
}

@incollection{gussmann_double_1998,
	location = {Lublin},
	title = {"The Double Chronotope of V.: Postmodernism and Modernism in Thomas Pynchon's First Novel"},
	isbn = {978-83-228-0609-8},
	pages = {217--228},
	booktitle = {Pase papers in literature, language and culture: proceedings of the sixth conference of the Polish Association for the Study of English, Puławy, April 1997},
	publisher = {The Univ. Press of the Catholic Univ. of Lublin},
	editor = {Gussmann, Edmund and {Stowarzyszenie Nauczycieli Akademickich Filologii Angielskiej} and Kolbuszewska, Zofia},
	date = {1998},
}

@incollection{weselinski_frontier_2000,
	location = {Warszawa},
	title = {"The Frontier Reinscribed: (Hiero)Glyphs in Thomas Pynchon's Mason \& Dixon"},
	isbn = {978-83-235-0009-4},
	series = {Anglica},
	pages = {57--66},
	number = {10},
	booktitle = {Crosscurrents: literature, culture and language ; essays in honour of Professor Irena Dobrzycka},
	publisher = {Wydawn. Uniw. Warszawskiego},
	editor = {Weseliński, Andrezej and Dobrzycka, Irena},
	date = {2000},
}

@incollection{wilczynski_thomas_1997,
	location = {Poznań},
	title = {"Thomas Pynchon as a Neo-Baroque Writer: Instability, Disorder, and Fractal Spaces in The Crying of Lot 49 and Vineland"},
	isbn = {978-83-86675-08-1},
	series = {Seria Anglistyka},
	pages = {151--167},
	number = {10},
	booktitle = {Canons, revisions, supplements in American literature and culture: proceedings of the Conference of Polish Association of American Studies, Poznań, October 26 - 28 1995},
	publisher = {Bene Nati},
	editor = {Wilczyński, Marek and {Polskie Towarzystwo Studiów Amerykanistycznych}},
	date = {1997},
}

@incollection{zgorzelski_thomas_1999,
	location = {Lublin},
	title = {"Thomas Pynchon's Modification of the Gothic Convention in Mason \& Dixon"},
	isbn = {978-83-86239-30-6},
	pages = {91--118},
	booktitle = {Systems, genres, conventions},
	publisher = {Folium},
	author = {Kolbuszewska, Zofia},
	editora = {Zgorzelski, Andrzej},
	editoratype = {collaborator},
	date = {1999},
	note = {{OCLC}: 749489508},
}

@incollection{wiszniowska_thomas_1995,
	title = {"Thomas Pynchon's Treatment of Space in Vineland"},
	isbn = {978-83-231-0618-0},
	series = {British and American studies in Toruń},
	pages = {201--219},
	number = {1},
	booktitle = {American studies: home thoughts from abroad},
	author = {Kolbuszewska, Zofia},
	editor = {Wiszniowska, Marta},
	date = {1995},
}

@incollection{holmgren_troy_whats_2005,
	location = {Karlstad},
	title = {"What's Really Haunting King Yrjö: The Uncanny and the Discourse of Waste in Thomas Pynchon's 'The Secret Integration'"},
	isbn = {978-91-7063-020-0},
	pages = {255--264},
	booktitle = {Memory, haunting, discourse},
	publisher = {Karlstad University Press},
	author = {Kolbuszewska, Zofia},
	editor = {Holmgren Troy, Maria and Wennö, Elisabeth},
	date = {2005},
	note = {{OCLC}: 65427653},
}

@incollection{konstantinou_1_2016,
	location = {Cambridge, Massachusetts},
	title = {"1. The Hipster as Critic"},
	isbn = {978-0-674-96788-5},
	abstract = {"Cool Characters tells the story of American political irony from World War {II} to the present: how irony came to seem politically subversive for American countercultural rebels; how mainstream culture allegedly co-opted countercultural irony; how irony became part of major critical theories of postmodernism; and how -- starting in the late 1980s -- innovative writers developed an idea of "postirony" with the hope of overcoming the political limitations of postmodern irony. To chart the shift from irony to postirony, and show what relationship culture has to politics, the book offers intensive analyses of important American countercultural figures: the hipster, the punk, a figure the author calls "the believer," the coolhunter, and the occupier; and new interpretations of important works by Ralph Ellison, Thomas Pynchon, William S. Burroughs, Kathy Acker, Michael Muhammad Knight, David Foster Wallace, Dave Eggers, Alex Shakar, William Gibson, Jennifer Egan, Jonathan Lethem, and Rachel Kushner."--Provided by publisher},
	booktitle = {Cool characters: irony and American fiction},
	publisher = {Harvard University Press},
	author = {Konstantinou, Lee},
	date = {2016},
	keywords = {History, Postmodernism (Literature), Counterculture, United States, Irony, Irony in literature, Political aspects History, Politics and culture},
}

@incollection{kowalewski_chapter_1993,
	location = {Princeton, N.J},
	title = {"Chapter 8. 'The Late, Late, Late Show': Thomas Pynchon's Violence"},
	isbn = {978-0-691-06973-9},
	pages = {222--247, 286--89},
	booktitle = {Deadly musings: violence and verbal form in American fiction},
	publisher = {Princeton University Press},
	author = {Kowalewski, Michael},
	date = {1993},
	keywords = {American fiction, History and criticism, Violence in literature, Literary form, Literary style},
}

@incollection{kreutzer_v_1985,
	location = {Heidelberg},
	title = {"V. Die Dimension der Stadtvertikalen: Symbolische Untergrundphantasien: Pynchon, Blechmann"},
	isbn = {978-3-533-03676-0 978-3-533-03675-3},
	series = {Anglistische Forschungen},
	pages = {147--151, 261--267},
	number = {Heft 182},
	booktitle = {New York in der zeitgenössischen amerikanischen Erzählliteratur},
	publisher = {Winter},
	author = {Kreutzer, Eberhard},
	date = {1985},
	keywords = {American fiction, History and criticism, 20th century, In literature, City and town life in literature, Homes and haunts, Intellectual life, New York (N.Y.), New York (State) New York, Novelists, American},
}

@book{lasch_minimal_1984,
	location = {New York},
	edition = {1st ed},
	title = {The minimal self: psychic survival in troubled times},
	isbn = {978-0-393-01922-3},
	shorttitle = {The minimal self},
	pagetotal = {317},
	publisher = {W.W. Norton},
	author = {Lasch, Christopher},
	date = {1984},
	keywords = {Self, Human ecology},
}

@collection{johnson_americanistes_1978,
	location = {Port Washington, N.Y},
	title = {Les américanistes: new French criticism on modern American fiction},
	isbn = {978-0-8046-9176-5},
	series = {National university publications},
	shorttitle = {Les américanistes},
	pagetotal = {238},
	publisher = {Kennikat Press},
	editor = {Johnson, Ira D. and Johnson, Christiane},
	date = {1978},
	keywords = {American fiction, 20th century, Appreciation, Criticism, France, History and criticism Theory, etc, History Sources},
}

@book{leclair_art_1989,
	location = {Urbana, Ill.},
	title = {The art of excess: mastery in contemporary American fiction},
	isbn = {978-0-252-01636-3 978-0-252-06102-8},
	shorttitle = {The art of excess},
	pagetotal = {245},
	publisher = {Univ. of Ill. Pr},
	author = {{LeClair}, Tom},
	date = {1989},
}

@book{lehan_dangerous_1973,
	location = {Carbondale [usw.]},
	title = {A dangerous crossing: French literary existentialism and the modern American novel},
	isbn = {978-0-8093-0607-7},
	series = {Crosscurrents: modern critiques},
	shorttitle = {A dangerous crossing},
	pagetotal = {198},
	publisher = {Southern Illinois Univ. Pr. [usw.]},
	author = {Lehan, Richard Daniel and Moore, Harry T.},
	date = {1973},
}

@book{lehan_city_2007,
	location = {Berkeley, Calif.},
	edition = {Nachdr.},
	title = {The city in literature: an intellectual and cultural history},
	isbn = {978-0-520-21256-5},
	series = {Literature Urban studies},
	shorttitle = {The city in literature},
	pagetotal = {330},
	publisher = {Univ. of California Press},
	author = {Lehan, Richard Daniel},
	date = {2007},
}

@book{fine_angeles_1995,
	location = {Albuquerque, N.M.},
	edition = {Rev. ed},
	title = {Los Angeles in fiction: a collection of essays},
	isbn = {978-0-585-18771-6},
	shorttitle = {Los Angeles in fiction},
	abstract = {This important collection of essays on the writers who have made Los Angeles one of the great cities of twentieth-century literature has been made even stronger by the inclusion of three new essays. John Fante, Walter Mosley, and Chester Himes join Aldous Huxley, F. Scott Fitzgerald, Evelyn Waugh, Nathanael West, Norman Mailer, James M. Cain, Ross Macdonald, Raymond Chandler, Budd Schulberg, Joan Didion, John Gregory Dunne, and Thomas Pynchon as well as less familiar writers - Oscar Zeta Acosta, Horace {McCoy}, Thomas Sanchez, Marc Norman, and Hysaye Yamamoto - in a text that provides a basic literary history of the region. Thoughtful consideration is given to such special Los Angeles genres as the detective story and the Hollywood novel, and a chapter is devoted to the film Chinatown},
	publisher = {University of New Mexico Press},
	author = {Fine, David M.},
	date = {1995},
	note = {{OCLC}: 44965886},
}

@incollection{leise_thomas_2017,
	location = {Tuscaloosa},
	title = {"Thomas Pynchon, the Sloth of Salvation, and Becoming Converted"},
	isbn = {978-0-8173-1947-2},
	pages = {83--108},
	booktitle = {The Story upon a Hill: The Puritan Myth in Contemporary American Fiction},
	publisher = {the University of Alabama press},
	author = {Leise, Christopher},
	date = {2017},
}

@incollection{leithauser_any_1995,
	location = {New York},
	edition = {1st ed},
	title = {"Any Place You Want: Thomas Pynchon's Vineland"},
	isbn = {978-0-679-42998-2},
	series = {A Borzoi book},
	pages = {164--174},
	booktitle = {Penchants \& places: essays and criticism},
	publisher = {Knopf},
	author = {Leithauser, Brad},
	date = {1995},
}

@incollection{leonard_pynchons_2000,
	location = {New York},
	edition = {Pbk. ed},
	title = {"Pynchon's Crazy Age of Reason"},
	isbn = {978-1-56584-643-2},
	pages = {65--68},
	booktitle = {When the kissing had to stop: cult studs, Khmer newts, Langley spooks, techno-geeks, video drones, author gods, serial killers, vampire media, alien sperm-suckers, satanic therapists, and those of us who hold a left-wing grudge in the Post Toasties new world hip-hop},
	publisher = {New Press : Distributed by W.W. Norton \& Co.},
	author = {Leonard, John},
	date = {2000},
	note = {{OCLC}: 48211722},
}

@incollection{leonard_thomas_1993,
	location = {New York},
	edition = {1st edition},
	title = {"Thomas Pynchon: Down Among the Thanatoids"},
	isbn = {978-1-56584-072-0},
	abstract = {John Leonard is one of America's wittiest and most incisive cultural critics. You've cherished his writings in publications as diverse as The Nation, New York Newsday, and New York Magazine, and you've tuned in with millions of other Americans to his weekly commentary as media critic on {CBS} Sunday Morning. Now you can read his collected essays in The Last Innocent White Man in America, his latest collection of criticism. Here you'll find assessments on an array of subjects - from America's fear and loathing of the Sixties to Nixon's secret love affair with Elvis; from the Reagan gerontocracy's "theology of greed" to the Gulf War "turkey shoot"; from riots in Los Angeles to "ethnic cleansing" at the Republican Convention in Houston; from censorship and homelessness to career assessments of writers as diverse as Toni Morrison, Gabriel Garcia Marquez, and Gunter Grass},
	pages = {205--213},
	booktitle = {The last innocent white man in America, and other writings},
	publisher = {New Press},
	author = {Leonard, John},
	date = {1993},
	note = {{OCLC}: 27265030},
}

@incollection{levitt_honored_1987,
	location = {Columbus},
	title = {Honored Past? Fearsome Present?: Pynchon, Coover, Doctorow, and Barth and the American Rendering of Myth"},
	isbn = {978-0-8142-0420-7},
	pages = {73--123},
	booktitle = {Modernist survivors: the contemporary novel in England, the United States, France, and Latin America},
	publisher = {Ohio State University Press},
	author = {Levitt, Morton},
	date = {1987},
	keywords = {Fiction, History and criticism, 20th century, Modernism (Literature)},
}

@incollection{groulier_pynchon_2006,
	location = {Limoges},
	title = {"Pynchon et Ransmayr inventent un autre mai 1945 en Europe: une expérience littéraire"},
	isbn = {978-2-84287-412-4},
	pages = {231--240},
	booktitle = {Regards croisés sur l'expérience en sciences de l'homme et de la société},
	publisher = {Pulim},
	author = {Lévy, Clément},
	editor = {Groulier, Cédric and Lévy, Clément and Tore, Gian Marie},
	date = {2006},
	note = {{OCLC}: 76949469},
}

@incollection{lewicki_thomas_1984,
	location = {Westport, Conn.},
	title = {"Thomas Pynchon, Or, the Inevitability of Destruction"},
	isbn = {978-0-313-23674-7},
	series = {Contributions in American studies},
	pages = {85--101},
	number = {71},
	booktitle = {The bang and the whimper: apocalypse and entropy in American literature},
	publisher = {Greenwood Press},
	author = {Lewicki, Zbigniew},
	date = {1984},
}

@incollection{limon_after_1990,
	location = {Cambridge},
	edition = {1. publ},
	title = {"After the Revolutions: Brown and Dreiser, Poe and Pynchon, Hawthorne and Mailer"},
	isbn = {978-0-521-35251-2},
	series = {Cambridge studies in American literature and culture},
	pages = {160--189},
	number = {39},
	booktitle = {The place of fiction in the time of science: a disciplinary history of American writing},
	publisher = {Cambridge Univ. Pr},
	author = {Limon, John},
	date = {1990},
}

@incollection{limon_postmodernization_1994,
	location = {New York},
	title = {"The Postmodernization of World War {II}"},
	isbn = {978-0-19-508758-1 978-0-19-508759-8},
	pages = {128--154},
	booktitle = {Writing after war: American war fiction from realism to postmodernism},
	publisher = {Oxford University Press},
	author = {Limon, John},
	date = {1994},
	keywords = {American fiction, History and criticism, 20th century, 19th century, Postmodernism (Literature), United States, Realism in literature, War stories, American},
}

@incollection{lloyd_smith_notitle_1989,
	location = {New York},
	isbn = {978-0-312-02472-7},
	pages = {154--155, 176},
	booktitle = {Uncanny American fiction: Medusa's face},
	publisher = {St. Martin's Press},
	author = {Lloyd Smith, Allan},
	date = {1989},
	keywords = {History and criticism, Psychological fiction, American, Sex in literature, Psychoanalysis and literature, Repression (Psychology) in literature, Subconsciousness in literature, Supernatural in literature},
}

@incollection{halperin_realism_1974,
	location = {New York},
	title = {"Realism in the Anglo-American Novel: The Pastoral Myth"},
	isbn = {978-0-19-501701-4},
	pages = {257--270},
	booktitle = {The theory of the novel: new essays},
	publisher = {Oxford Univ. Press},
	author = {Loofbourow, John W.},
	editor = {Halperin, John},
	date = {1974},
}

@collection{lucy_postmodern_2000,
	location = {Malden, Mass.},
	title = {Postmodern literary theory: an anthology},
	isbn = {978-0-631-21027-6 978-0-631-21028-3},
	shorttitle = {Postmodern literary theory},
	pagetotal = {454},
	publisher = {Blackwell Publishers},
	editor = {Lucy, Niall},
	date = {2000},
}

@incollection{lundkvist_thomas_1979,
	location = {Stockholm},
	title = {"Thomas Pynchon"},
	isbn = {978-91-38-04885-6},
	series = {Ansikten},
	pages = {173--180},
	booktitle = {Fantasi med realism: om nutida utländsk skönlitteratur},
	publisher = {{LiberFörlag}},
	author = {Lundkvist, Artur},
	date = {1979},
}

@incollection{mackey_chapter_2002,
	location = {Lanham},
	title = {"Chapter 11: Pieces of Pynchon"},
	isbn = {978-0-7618-2267-7},
	pages = {153--194},
	booktitle = {An ancient quarrel continued: the troubled marriage of philosophy and literature},
	publisher = {University Press of America},
	author = {Mackey, Louis},
	date = {2002},
}

@incollection{schmidt_colonial_2000,
	location = {New York},
	title = {"Colonial Legacies: The Pynchons of Springfield and the Hawthornes of Salem"},
	isbn = {978-0-8204-4595-3},
	series = {Early American literature and culture through the American renaissance},
	pages = {49--69},
	number = {vol. 5},
	booktitle = {Early America re-explored: new readings in colonial, early national, and antebellum culture},
	publisher = {P. Lang},
	author = {Madsen, Deborah L.},
	editor = {Schmidt, Klaus H. and Fleischmann, Fritz},
	date = {2000},
	keywords = {History and criticism, American literature, United States, Intellectual life, 1783-1850, 1783-1865, 17th century, 18th century, Colonial period, ca. 1600-1775, Revolutionary period, 1775-1783},
}

@incollection{madsen_contemporary_1998,
	location = {Edinburgh},
	title = {"Contemporary Interpretations of Exceptionalism"},
	isbn = {978-1-85331-209-0},
	series = {{BAAS} paperbacks},
	pages = {146--167},
	booktitle = {American exceptionalism},
	publisher = {Edinburgh University Press},
	author = {Madsen, Deborah L.},
	date = {1998},
	keywords = {United States, Civilization, Ethnic relations, Exceptionalism, National characteristics, American},
}

@incollection{langford_self_1990,
	location = {New York},
	title = {"The Self, the Referent, and the Real in Science Fiction and the Fantastic: Lem, Pynchon, Kubin, and Delany"},
	isbn = {978-0-313-26647-8},
	series = {Contributions to the study of science fiction and fantasy},
	pages = {29--36},
	number = {no. 41},
	booktitle = {Contours of the fantastic: selected essays from the Eighth International Conference on the Fantastic in the Arts},
	publisher = {Greenwood Press},
	author = {Malekin, Peter},
	editor = {Langford, Michéle},
	date = {1990},
	note = {Meeting Name: International Conference on the Fantastic in the Arts},
	keywords = {History and criticism Congresses, Science fiction, Fantasy literature},
}

@incollection{mansutti_il_2008,
	location = {Pasian di Prato},
	title = {"Il 'riciclaggio allegorico' del cinema in Gravity's Rainbow di Thomas Pynchon"},
	isbn = {978-88-456-0949-7},
	series = {Zeta cinema},
	number = {21},
	booktitle = {La parola filmica: intertestualità e cinefilia nel romanzo postmoderno americano},
	publisher = {Campanotto},
	author = {Mansutti, Pamela},
	date = {2008},
}

@incollection{asociacion_espanola_de_estudios_anglo-americanos_foregrounding_2003,
	location = {Santiago de Compostela},
	title = {"The Foregrounding Function of Nominalizations in Narrative Discourse: A Case Study of Pynchon's 'Under the Rose' and V., Chapter 3"},
	isbn = {978-84-9750-257-3},
	series = {Cursos e congresos da Universidade de Santiago de Compostela},
	pages = {655--662},
	number = {no. 140},
	booktitle = {Fifty years of English studies in Spain (1952-2002): a commemorative volume},
	publisher = {Universidade de Santiago de Compostela},
	author = {Martínez, María Ángeles},
	editor = {{Asociación Española de Estudios Anglo-Americanos} and Palacios Martínez, Ignacio M.},
	date = {2003},
	keywords = {English language, Congresses, English philology, Study and teaching Spanish speakers, Translating into Spanish},
}

@collection{asociacion_espanola_de_estudios_anglo-americanos_actas_1978,
	location = {Granada},
	title = {Actas del primer congreso de la Asociación Española de Estudios Anglo-Americanos: Granada, 15 al 17 de diciembre, 1977},
	isbn = {978-84-338-0085-5},
	shorttitle = {Actas del primer congreso de la Asociación Española de Estudios Anglo-Americanos},
	pagetotal = {185},
	publisher = {Universidad de Granada, Facultad de Filosofía y Letras, Departamento de Filología Inglesa},
	editor = {{Asociación Española de Estudios Anglo-Americanos}},
	date = {1978},
	keywords = {Linguistics, American literature, Congresses, History and criticism Congresses, English philology},
}

@incollection{ibsch_pynchon_2000,
	location = {Amsterdam},
	title = {"Pynchon and Oe: Contemporary Conspiracies and World War {II}"},
	isbn = {978-90-420-0420-7},
	series = {Literature as cultural memory / Theo D'haen, gen. ed},
	pages = {375--381},
	number = {3},
	booktitle = {The conscience of humankind: literature and traumatic experiences; Leiden 16 - 22 August 1997},
	publisher = {Rodopi},
	author = {Matsuoka, Noami},
	editor = {Ibsch, Elrud},
	date = {2000},
}

@incollection{votteler_thomas_1992,
	location = {Detroit, Mich.},
	title = {"Thomas Pynchon"},
	isbn = {978-0-8103-4976-6},
	abstract = {Covers authors who are currently active or who died after December 31, 1959. Profiles novelists, poets, playwrights and other creative and nonfiction writers by providing criticism taken from books, magazines, literary reviews, newspapers and scholarly journals},
	pages = {294--342},
	booktitle = {Contemporary literary criticism. Volume 72},
	publisher = {Gale Research},
	author = {Matuz, Roger},
	editor = {Votteler, Thomas and Henry, Elizabeth P.},
	date = {1992},
	note = {{OCLC}: 644702450},
}

@incollection{maxwell_chapter_2000,
	location = {Lanham, Md},
	title = {"Chapter 3. Thomas Pynchon"},
	isbn = {978-0-7618-1803-8},
	pages = {115--188},
	booktitle = {Male rage, female fury: gender and violence in contemporary American fiction},
	publisher = {University Press of America},
	author = {Maxwell, Marilyn},
	date = {2000},
	keywords = {American fiction, History and criticism, 20th century, Gender identity in literature, Violence in literature, Sex role in literature, Femininity in literature, Masculinity in literature},
}

@incollection{may_loss_1972,
	location = {Notre Dame},
	title = {"Loss of World in Barth, Pynchon and Vonnegut"},
	isbn = {978-0-268-00513-9},
	pages = {172--200},
	booktitle = {Toward a new earth; apocalypse in the American novel},
	publisher = {University of Notre Dame Press},
	author = {May, John R.},
	date = {1972},
	note = {{OCLC}: 524039},
}

@incollection{knight_forget_2002,
	location = {New York},
	title = {"Forget Conspiracy: Pynchon, {DeLillo}, and the Conventional Counterconspiracy Narrative"},
	isbn = {978-0-8147-4735-3 978-0-8147-4736-0},
	pages = {254--273},
	booktitle = {Conspiracy nation: the politics of paranoia in postwar America},
	publisher = {New York University Press},
	author = {{McClure}, John A.},
	editor = {Knight, Peter},
	date = {2002},
	keywords = {American fiction, History and criticism, 20th century, History, United States, Politics and literature, Social aspects, Popular culture, Civilization, 1945-, Social conditions, Cold War, Conspiracies, Conspiracies in literature, Paranoia, Political culture, Social aspects History},
}

@incollection{mcclure_ontological_2007,
	location = {Athens},
	title = {"Ontological Pluralisms and Preterite Spiritualities: Thomas Pynchon"},
	isbn = {978-0-8203-3032-7 978-0-8203-3033-4},
	pages = {26--61},
	booktitle = {Partial faiths: postsecular fiction in the age of Pynchon and Morrison},
	publisher = {University of Georgia Press},
	author = {{McClure}, John A.},
	date = {2007},
	note = {{OCLC}: ocn132581938},
	keywords = {American fiction, 20th century, History, United States, History and criticism Theory, etc, 21st century, Religion and literature, Religion in literature, Secularism in literature},
}

@incollection{mcclure_resisting_1994,
	location = {London},
	edition = {1. publ},
	title = {"Resisting Romances: Pynchon's V. and Gravity's Rainbow"},
	isbn = {978-0-86091-447-1 978-0-86091-612-3},
	pages = {152--182},
	booktitle = {Late imperial romance},
	publisher = {Verso},
	author = {{McClure}, John A.},
	date = {1994},
}

@incollection{macconnell_chapter_1979,
	location = {Chicago},
	title = {"Chapter 4: Thomas Pynchon and the Abreaction of the Lord of the Night"},
	isbn = {978-0-226-55685-7},
	series = {A Phoenix book},
	pages = {159--197},
	number = {800},
	booktitle = {Four postwar American novelists: Bellow, Mailer, Barth and Pynchon},
	author = {{MacConnell}, Frank D.},
	date = {1979},
}

@incollection{mcelroy_notitle_1989,
	location = {New York},
	isbn = {978-0-312-01340-0},
	pages = {143--174},
	booktitle = {Fiction of the modern grotesque},
	publisher = {St. Martin's Press},
	author = {{McElroy}, Bernard},
	date = {1989},
	keywords = {Grotesque in literature},
}

@incollection{mchale_you_2002,
	location = {London},
	edition = {Repr},
	title = {"'You Used to Know What These Words Mean': Misreading Gravity's Rainbow"},
	isbn = {978-0-415-06014-1 978-0-415-06013-4},
	pages = {87--114},
	booktitle = {Constructing postmodernism},
	publisher = {Routledge},
	author = {{McHale}, Brian},
	date = {2002},
}

@incollection{fokkema_change_1986,
	location = {Amsterdam},
	title = {"Change of Dominant from Modernist to Postmodernist Writing"},
	isbn = {978-90-272-2196-4 978-90-272-2206-0},
	series = {Utrecht publications in general and comparative literature},
	pages = {53--79},
	number = {21},
	booktitle = {Approaching postmodernism: papers presented at a Workshop on Postmodernism, 21 - 23 Sept. 1984, Univ. of Utrecht},
	publisher = {Benjamins},
	author = {McHale, Brian},
	editor = {Fokkema, Douwe W. and {Rijksuniversiteit Utrecht} and {Rijksuniversiteit Utrecht}},
	date = {1986},
	note = {Meeting Name: Workshop on Postmodernism},
}

@incollection{mchale_modernist_2003,
	location = {London},
	edition = {Transferred to digital print},
	title = {"From Modernist to Postmodern Fiction: Change of Dominant"},
	isbn = {978-0-415-04513-1},
	pages = {3--25},
	booktitle = {Postmodernist fiction},
	publisher = {Routledge},
	author = {{McHale}, Brian},
	date = {2003},
}

@incollection{mchale_modernist_1987,
	location = {Darmstadt},
	title = {"Modernist Reading, Post-Modern Text: The Case of Gravity's Rainbow"},
	isbn = {978-3-534-09105-8},
	series = {Wege der Forschung},
	pages = {415--445},
	number = {Bd. 639},
	booktitle = {Der Amerikanische Roman nach 1945},
	publisher = {Wissenschaftliche Buchgesellschaft},
	author = {{McHale}, Brian},
	date = {1987},
	keywords = {American fiction, History and criticism, 20th century},
}

@incollection{noauthor_postmodernism_2012,
	title = {From Postmodernism, or The Cultural Logic of Late Capitalism},
	abstract = {The last few years have been marked by an inverted millenarianism, in which premonitions of the future, catastrophic or redemptive, have been replaced by senses of the end of this or that (the end of ideology, art, of social class; the “crisis” of Leninism, social democracy, or the welfare state, etc., etc.): taken together, all of these perhaps constitute what is increasingly called postmodernism. The case for its existence depends on the hypothesis of some radical break or coupure, generally traced back to the end of the 1950s or the early 1960s. As the word itself suggests, this break is},
	date = {2012},
	note = {{OCLC}: 8598941664},
}

@incollection{holsinger_gravitys_1999,
	location = {Westport, Conn},
	title = {"Gravity's Rainbow"},
	isbn = {978-0-313-29908-7},
	pages = {267--268},
	booktitle = {War and American popular culture: a historical encyclopedia},
	publisher = {Greenwood Press},
	author = {{McLaughlin}, Robert L.},
	editor = {Holsinger, M. Paul},
	date = {1999},
	keywords = {United States, Encyclopedias, Popular culture, History Encyclopedias, History, Military Encyclopedias, War and society},
}

@incollection{holsinger_ig_1992,
	location = {Bowling Green, Ohio},
	title = {"{IG} Farben's Synthetic War Crimes and Thomas Pynchon's Gravity''s Rainbow"},
	isbn = {978-0-87972-555-6 978-0-87972-556-3},
	pages = {85--95},
	booktitle = {Visions of war: World War {II} in popular literature and culture},
	publisher = {Bowling Green State University Popular Press},
	author = {{McLaughlin}, Robert L.},
	editor = {Holsinger, M. Paul and Schofield, Mary Anne},
	date = {1992},
	keywords = {History and criticism, 20th century, American literature, United States, World War, 1939-1945, Popular culture, Literature and the war, War stories},
}

@incollection{meikle_beyond_1995,
	location = {New Brunswick, N.J},
	title = {"Beyond Plastic: The Culture of Synthesis"},
	isbn = {978-0-8135-2234-0 978-0-8135-2235-7},
	pages = {293--301},
	booktitle = {American plastic: a cultural history},
	publisher = {Rutgers University Press},
	author = {Meikle, Jeffrey L.},
	date = {1995},
	keywords = {History, United States, Plastics, Plastics industry and trade},
}

@incollection{melley_bodies_2016,
	location = {Ithaca},
	title = {"Bodies Incorporated"},
	isbn = {978-1-5017-1301-9},
	abstract = {Why, Timothy Melley asks, have paranoia and conspiracy theory become such prominent features of postwar American culture? In Empire of Conspiracy, Melley explores the recent growth of anxieties about thought-control, assassination, political indoctrination, stalking, surveillance, and corporate and government plots. At the heart of these developments, he believes, lies a widespread sense of crisis in the way Americans think about human autonomy and individuality. Nothing reveals this crisis more than the remarkably consistent form of expression that Melley calls "agency panic"--An intense fear that individuals can be shaped or controlled by powerful external forces. Drawing on a broad range of forms that manifest this fear--including fiction, film, television, sociology, political writing, self-help literature, and cultural theory--Melley provides a new understanding of the relation between postwar American literature, popular culture, and cultural theory. Empire of Conspiracy offers insightful new readings of texts ranging from Joseph Heller's Catch-22 to the Unabomber Manifesto, from Vance Packard's Hidden Persuaders to recent addiction discourse, and from the "stalker" novels of Margaret Atwood and Diane Johnson to the conspiracy fictions of Thomas Pynchon, William Burroughs, Don {DeLillo}, and Kathy Acker. Throughout, Melley finds recurrent anxieties about the power of large organizations to control human beings. These fears, he contends, indicate the continuing appeal of a form of individualism that is no longer wholly accurate or useful, but that still underpins a national fantasy of freedom from social control},
	pages = {81--106},
	booktitle = {Empire of Conspiracy: the Culture of Paranoia in Postwar America},
	publisher = {Cornell University Press},
	author = {Melley, Timothy},
	date = {2016},
	note = {{OCLC}: 964412121},
}

@incollection{kostelanetz_this_1975,
	location = {New York},
	title = {"This Book Stinks"},
	isbn = {978-0-8150-0702-9},
	pages = {196},
	booktitle = {Essaying essays: alternative forms of exposition},
	publisher = {Out of London Pr},
	author = {Meltzer, Richard},
	editor = {Kostelanetz, Richard},
	date = {1975},
}

@incollection{keller_noise_1997,
	location = {Tübingen},
	title = {"The Noise of the Text: Emplotment of Entropy in Pynchon's Gravity's Rainbow"},
	isbn = {978-3-7720-2406-1},
	series = {Kultur und Erkenntnis},
	pages = {115--132},
	number = {15},
	booktitle = {Emerging structures in interdisciplinary perspective},
	publisher = {Francke},
	author = {Menges, Karl},
	editor = {Keller, Rudi},
	date = {1997},
}

@incollection{middleton_thomas_2000,
	location = {Manchester New York},
	title = {"Thomas Pynchon's Urban Imaginary in The Crying of Lot 49".},
	isbn = {978-0-7190-5949-0 978-0-7190-5950-6},
	pages = {289--297},
	booktitle = {Literatures of memory: history, time, and space in postwar writing},
	publisher = {Manchester University Press},
	author = {Middleton, Peter and Woods, Tim},
	date = {2000},
}

@incollection{miller_postmodern_2015,
	location = {New York, {NY}},
	title = {"Postmodern Communities in Pynchon and Cervantes"},
	isbn = {978-0-8232-6313-4},
	abstract = {'Communities in Fiction' reads six novels or stories (one each by Trollope, Hardy, Conrad, Woolf, Pynchon, and Cervantes) in the light of theories of community worked out by Raymond Williams, Martin Heidegger, and Jean-Luc Nancy for communities in the real world. The book's topic is the question of how communities or non-communities are represented in fictional works},
	pages = {264--307},
	booktitle = {Communities in fiction},
	publisher = {Fordham University Press},
	author = {Miller, Joseph Hillis Jr.},
	date = {2015},
	note = {{OCLC}: 900911959},
}

@incollection{kalaga_among_1997,
	location = {Katowice},
	title = {"Among the Zone's Lost"},
	isbn = {978-83-226-0763-3},
	series = {Prace naukowe Uniwersytetu Śląskiego w Katowicach History of foreign literatures},
	pages = {117--123},
	number = {1667},
	booktitle = {The wild and the tame: essays in cultural practice},
	publisher = {Wydawnictwo Uniwersytetu Śląskiego},
	author = {Minorowicz, Donata},
	editor = {Kalaga, Wojciech H. and Rachwał, Tadeusz},
	date = {1997},
}

@incollection{alsen_new_2000,
	location = {New York},
	title = {"The New Romance (1972)"},
	isbn = {978-0-8153-3548-1 978-0-8153-3547-4},
	series = {Wellesley studies in critical theory, literary history, and culture},
	pages = {79--90},
	number = {26},
	booktitle = {The new romanticism: a collection of critical essays},
	publisher = {Garland},
	author = {Mizener, Arthur},
	editor = {Alsen, Eberhard},
	date = {2000},
}

@incollection{mizener_thomas_1971,
	location = {New York},
	edition = {3d ed},
	title = {"Thomas Pynchon: 'Entropy'"},
	isbn = {978-0-393-09984-3},
	pages = {94--102},
	booktitle = {A handbook of analyses, questions, and a discussion of technique for use with Modern Short Stories: the uses of imagination},
	publisher = {Norton},
	author = {Mizener, Arthur},
	date = {1971},
	note = {{OCLC}: 1918588},
}

@incollection{moddelmog_mythemes_1993,
	location = {Carbondale},
	title = {"Mythemes and Questions of Genre: The Blindness of the Private Eye in Antidetective Fiction"},
	isbn = {978-0-8093-1846-9},
	pages = {61--85},
	booktitle = {Readers and mythic signs: the Oedipus myth in twentieth-century fiction},
	publisher = {Southern Illinnois Univ. Press},
	author = {Moddelmog, Debra Ann},
	date = {1993},
}

@incollection{kronegger_paranoia_1994,
	location = {Dordrecht},
	title = {"Paranoia and the Aesthetics of Chaos in Thomas Pynchon's Gravity's Rainbow"},
	isbn = {978-0-7923-2348-8},
	series = {Allegory volumes},
	pages = {203--218},
	number = {2},
	booktitle = {Allegory old and new in literature, the fine arts, music and theatre, and its continuity in culture: a selection of papers from two congresses held by the International Society of Phenomenology and Literature, the {XVIIth} annual congress in Cambridge, {MA}, in April 1992, and the {XXIX} International Phenomenology Congress in Luxemburg, June 14, 1992},
	publisher = {Kluwer},
	author = {Moore, George B.},
	editor = {Kronegger, Marlies},
	date = {1994},
	note = {Meeting Name: International Phenomenology Congress},
}

@incollection{morgan_thomas_2016,
	location = {Toronto},
	title = {Thomas Pynchon: Environmental Liability"},
	isbn = {978-1-4426-8486-7},
	abstract = {In The Aesthetics of International Law, Ed Morgan engages in a literary parsing of international legal texts. In order to demonstrate how these types of legal narratives are imbued with modernist aesthetics, Morgan juxtaposes international legal documents and modern (as well as some immediately pre- and post-modern) literary texts},
	pages = {133--149, 235--255},
	booktitle = {Aesthetics of International Law},
	publisher = {University of Toronto Press},
	author = {Morgan, Edward M.},
	date = {2016},
	note = {{OCLC}: 1013938509},
}

@incollection{morris_chapter_2005,
	location = {Würzburg},
	title = {"Chapter Six. The Postmodern Challenge to Representation: Gravity's Rainbow"},
	isbn = {978-3-8260-3034-5},
	series = {Saarbrücker Beiträge zur vergleichenden Literatur- und Kulturwissenschaft},
	pages = {138--168},
	number = {Band 32},
	booktitle = {Representation and the twentieth-century novel: studies in Gorky, Joyce and Pynchon},
	publisher = {Königshausen \& Neumann},
	author = {Morris, Paul Ducan},
	date = {2005},
}

@incollection{landow_rhizome_1994,
	location = {Baltimore ; London},
	title = {"Rhizome and Resistance: Hypertext and the Dreams of a New Culture"},
	isbn = {978-0-8018-4837-7 978-0-8018-4838-4},
	pages = {299--319},
	booktitle = {Hyper/text/theory},
	publisher = {Johns Hopkins University Press},
	author = {Moulthrop, Stuart},
	editor = {Landow, George P.},
	date = {1994},
	keywords = {Criticism, Criticism, Textual, Data processing, Hypertext systems},
}

@incollection{nadeau_thomas_1981,
	location = {Amherst},
	title = {"Thomas Pynchon"},
	isbn = {978-0-87023-331-9},
	pages = {135--148},
	booktitle = {Readings from the new book on nature: physics and metaphysics in the modern novel},
	publisher = {University of Massachusetts Press},
	author = {Nadeau, Robert},
	date = {1981},
	keywords = {American fiction, History and criticism, 20th century, Literature and science, Metaphysics in literature, Physics in literature},
}

@incollection{nealon_gravitys_1993,
	location = {Ithaca},
	title = {"Gravity's Rainbow and the Postmodern Other"},
	isbn = {978-0-8014-2853-1},
	pages = {107--131},
	booktitle = {Double reading: postmodernism after deconstruction},
	publisher = {Cornell University Press},
	author = {Nealon, Jeffrey T.},
	date = {1993},
	keywords = {20th century, American literature, Postmodernism (Literature), United States, Deconstruction, History and criticism Theory, etc},
}

@incollection{neary_dialectical_1999,
	location = {Atlanta, Ga},
	title = {"A Dialectical Imagination in a Postmodern Narrative"},
	isbn = {978-0-7885-0573-7},
	series = {Reflection and theory in the study of religion},
	pages = {171--184},
	number = {no. 13},
	booktitle = {Like and unlike God: religious imaginations in modern and contemporary fiction},
	publisher = {Scholars Press},
	author = {Neary, John},
	date = {1999},
	keywords = {American fiction, English fiction, History and criticism, 20th century, History, English-speaking countries, History and criticism Theory, etc, Religion and literature, Christian fiction, Christianity and literature, God in literature, Religious fiction, Religious fiction, American, Religious fiction, English},
}

@incollection{nelson_symmes_2003,
	location = {Cambridge, Mass. London},
	title = {"Symmes Hole, or The South Polar Grotto"},
	isbn = {978-0-674-01244-8},
	pages = {138--161},
	booktitle = {The secret life of puppets},
	publisher = {Harvard University Press},
	author = {Nelson, Victoria},
	date = {2003},
}

@incollection{new_profaned_1992,
	location = {Gainesville},
	title = {"Profaned and Stenciled Texts: In Search of Pynchon's V."},
	isbn = {978-0-8130-1120-2},
	pages = {45--63},
	booktitle = {Telling new lies: seven essays in fiction, past and present},
	publisher = {University Press of Florida},
	author = {New, Melvyn},
	date = {1992},
	keywords = {English fiction, Fiction, History and criticism, 18th century},
}

@collection{tigges_notitle_1999,
	location = {Amsterdam},
	isbn = {978-90-420-0636-2},
	series = {{DQR} studies in literature},
	shorttitle = {Moments of moment},
	pagetotal = {496},
	number = {25},
	publisher = {Rodopi},
	editor = {Tigges, Wim},
	date = {1999},
}

@incollection{chatterjee_words_1984,
	location = {Singapore},
	title = {"'Words You Never Wanted to Hear': Fiction, History and Narratology in The Crying of Lot 49"},
	isbn = {978-9971-69-083-0},
	pages = {297--315},
	booktitle = {Tropic crucible: self and theory in language and literature},
	publisher = {Singapore University Press, National University of Singapore},
	author = {Nicholson, C. E. and Stevenson, R. W.},
	editor = {Chatterjee, Ranjit and Nicholson, Colin},
	date = {1984},
	keywords = {Philology},
}

@incollection{odonnell_engendering_2000,
	location = {Durham, N.C},
	title = {"Engendering Paranoia"},
	isbn = {978-0-8223-2558-1 978-0-8223-2587-1},
	series = {New Americanists},
	pages = {77--109},
	booktitle = {Latent destinies: cultural paranoia and contemporary U.S. narrative},
	publisher = {Duke University Press},
	author = {O'Donnell, Patrick},
	date = {2000},
	keywords = {American fiction, History and criticism, 20th century, History, Narration (Rhetoric), United States, Paranoia in literature, Literature and society, Motion pictures, Postmodernism},
}

@incollection{orourke_thomas_1993,
	location = {Albany},
	title = {"Thomas Pynchon"},
	isbn = {978-0-7914-1681-5 978-0-7914-1682-2},
	series = {{SUNY} series, the margins of literature},
	pages = {147--149},
	booktitle = {Signs of the literary times: essays, reviews, profiles, 1970-1992},
	publisher = {State University of New York Press},
	author = {O'Rourke, William},
	date = {1993},
}

@incollection{olderman_illusion_1973,
	location = {New Haven},
	title = {"The Illusion and the Possibility of Conspiracy"},
	isbn = {978-0-300-01691-8},
	series = {Literary criticism},
	pages = {123--149},
	booktitle = {Beyond the waste land: a study of the American novel in the nineteen-sixties},
	publisher = {Yale University Press},
	author = {Olderman, Raymond M.},
	date = {1973},
}

@incollection{olsen_pynchons_1987,
	location = {New York},
	title = {"Pynchon's New Nature: Indeterminacy and The Crying of Lot 49"},
	isbn = {978-0-313-25511-3},
	series = {Contributions to the study of science fiction and fantasy},
	pages = {69--83},
	number = {no. 26},
	booktitle = {Ellipse of uncertainty: an introduction to postmodern fantasy},
	publisher = {Greenwood Press},
	author = {Olsen, Lance},
	date = {1987},
	keywords = {History and criticism, 20th century, Postmodernism (Literature), Literature, Modern, Fantasy literature, Uncertainty in literature},
}

@incollection{prosser_way_2008,
	location = {Abingdon [England] ; New York},
	title = {"The Way We Were(n't): Origins and Empire in Thomas Pynchon' Mason \& Dixon"},
	isbn = {978-0-415-43566-6 978-0-415-43567-3 978-0-203-09104-3},
	booktitle = {American fiction of the 1990s: reflections of history and culture},
	publisher = {Routledge},
	author = {Olster, Stacey M.},
	editor = {Prosser, Jay},
	date = {2008},
	keywords = {American fiction, History and criticism, 20th century, History, United States, Race relations in literature, Literature and history, Literature and society, History in literature, Emigration and immigration in literature, Nineteen nineties, Social problems in literature},
}

@incollection{orban_pinpricks_2005,
	location = {New York},
	title = {"Pinpricks on the Ars(e) Narrandi: Liminality and Oven-Games in Gravity's Rainbow"},
	isbn = {978-1-135-46632-9},
	abstract = {First published in 2005},
	pages = {115--167},
	booktitle = {Ethical diversions: the post-Holocaust narratives of Pynchon, Abish, {DeLillo}, and Spiegelman},
	publisher = {Routledge},
	author = {Orbán, Katalin},
	date = {2005},
	note = {{OCLC}: 858861669},
}

@incollection{nyman_werebeavers_2004,
	location = {Joensuu [Finland]},
	title = {"Werebeavers of the World, Unite?: Animals on the Verge of Readability in Thomas Pynchon's Novels"},
	isbn = {978-952-458-531-6},
	series = {Studies in literature and culture / University of Joensuu},
	pages = {96--111},
	number = {11},
	booktitle = {Animal magic: essays on animals in the American imagination},
	publisher = {Faculty of Humanities, University of Joensuu},
	author = {Orbán, Katalin},
	editor = {Nyman, Jopi and Smith, Carol R.},
	date = {2004},
	keywords = {History and criticism, American literature, Animals in literature, Human-animal relationships in literature},
}

@incollection{raper_pleasures_1995,
	location = {Columbia, {MO} London},
	title = {"Pleasures of the Immachination: Transformations of the Inanimate in Durrell and Pynchon"},
	isbn = {978-0-8262-0982-5},
	pages = {127--136},
	booktitle = {Lawrence Durrell: comprehending the whole},
	publisher = {University of Missouri Press},
	author = {Orr, Leonard},
	editor = {Raper, Julius R. and Raper, Julius Rowan and Enscore, Melody L. and Bynum, Paige Matthey},
	date = {1995},
}

@incollection{dewey_conspiratorial_2002,
	location = {Newark},
	title = {"Conspiratorial Jesuits in the Postmodern Novel: Mason \& Dixon and Underworld"},
	isbn = {978-0-87413-785-9},
	pages = {93--102},
	booktitle = {{UnderWords}: perspectives on Don {DeLillo}'s Underworld},
	publisher = {Univ. of Delaware Press [u.a.]},
	author = {Ostrowski, Carl},
	editor = {Dewey, Joseph and Kellman, Steven G. and Malin, Irving},
	date = {2002},
}

@incollection{pacholek-brandt_33_1988,
	location = {Frankfurt am Main ; New York},
	title = {"3.3: 'Look-in' Fawr A Needle in a Haaaay-Stack!': Thomas Pynchons Gravity's Rainbow"},
	isbn = {978-3-8204-1450-9},
	series = {Europäische Hochschulschriften. Reihe {XIV}, Angelsächsische Sprache und Literatur, Publications universitaires européennes. Série {XIV}, Langue et littérature anglo-saxonnes ; European university studies. Series {XIV}, Anglo-Saxon language and literature},
	pages = {155--199},
	number = {Bd. 182 = vol. 182 = vol. 182},
	booktitle = {Imagination (un)limited: zum Stellenwert manieristischer Traditionen in amerikanischer Prosa der Postmoderne},
	publisher = {P. Lang},
	author = {Pacholek-Brandt, Elke},
	date = {1988},
	keywords = {American fiction, History and criticism, 20th century, Postmodernism (Literature), United States, Mannerism (Literature)},
}

@incollection{lambrou_attribution_2007,
	location = {London},
	title = {"Attribution Theory: Action and Emotion in Dickens and Pynchon"},
	isbn = {978-0-8264-9385-9},
	pages = {81--92},
	booktitle = {Contemporary stylistics},
	publisher = {Continuum},
	author = {Lambrou, Marina and Stockwell, Peter},
	date = {2007},
}

@incollection{palmeri_parody_2012,
	location = {Austin},
	edition = {1. paperback print},
	title = {"Parody and Paradigms in The Crying of Lot 49"},
	isbn = {978-0-292-74150-8},
	pages = {108--125},
	booktitle = {Satire in narrative: Petronius, Swift, Gibbon, Melville, and Pynchon},
	publisher = {Univ. of Texas Press},
	author = {Palmeri, Frank},
	date = {2012},
}

@incollection{pearce_thomas_1982,
	location = {New York},
	title = {"Thomas Pynchon"},
	isbn = {978-0-684-15797-9},
	pages = {617--638},
	booktitle = {American writers. Supplement {II}, Part 2},
	publisher = {Scribner},
	author = {Pearce, Richard},
	date = {1982},
	note = {{OCLC}: 62958491},
}

@incollection{alberti_thomas_1998,
	location = {Lexington, Mass},
	edition = {3. ed},
	title = {"Thomas Pynchon (b. 1937)"},
	isbn = {978-0-395-86824-9},
	pages = {836--838},
	booktitle = {The Heath anthology of American literature. 3,3: Instructor's guide / ed. by John Alberti},
	publisher = {Heath},
	author = {Pearce, Richard},
	editor = {Alberti, John},
	date = {1998},
}

@incollection{beja_what_1986,
	location = {Urbana},
	title = {"What Joyce After Pynchon?"},
	isbn = {978-0-252-01291-4},
	pages = {43--46},
	booktitle = {James Joyce: the centennial symposium},
	publisher = {University of Illinois Press},
	author = {Pearce, Richard},
	editor = {Beja, Morris},
	date = {1986},
	note = {Meeting Name: International James Joyce Symposium},
	keywords = {Joyce, James, Criticism and interpretation Congresses},
}

@incollection{pearson_notitle_1981,
	location = {New York},
	isbn = {978-0-8352-1402-5 978-0-8352-1466-7},
	pages = {8, 155--159, 160, 242},
	booktitle = {The female hero in American and British literature},
	publisher = {Bowker},
	author = {Pearson, Carol and Pope, Katherine},
	date = {1981},
	keywords = {History and criticism, American literature, English literature, English-speaking countries, Women in literature, Feminism and literature, Heroes in literature, Heroines in literature, Women and literature},
}

@incollection{gallix_thrust_2004,
	location = {Paris},
	title = {"A Thrust at Truth and a Lie: The Crying of Lot 49 ou le langage en quête de vérité"},
	isbn = {978-2-84050-349-1},
	series = {Collection Sillages critiques},
	pages = {71--87},
	booktitle = {Crime fictions: subverted codes and new structures},
	publisher = {Presses de l'Univ. Paris-Sorbonne},
	author = {Pellegrin, Jean-Yves},
	editor = {Gallix, François and Guignery, Vanessa},
	date = {2004},
}

@incollection{ardanaz_questing_1994,
	location = {Madrid},
	title = {"Questing for Social Justice: The Role of Woman in Thomas Pynchon's Narrative"},
	isbn = {978-84-605-3212-5},
	pages = {275--287},
	booktitle = {Estudios de la mujer en el ámbito de los países de habla inglesa},
	publisher = {Universidad Complutense de Madrid},
	author = {Perez-Llantada Auria, Carmen},
	editor = {Ardanaz, Margarita},
	date = {1994},
	note = {{OCLC}: 433587025},
}

@incollection{petersen_text_2011,
	location = {Kiel},
	edition = {2., Überarbeitete Nachauflage},
	title = {"Text und Theorie"},
	isbn = {978-3-86935-091-2},
	pages = {191--198},
	booktitle = {Der postmoderne Text. Rekonstruktion einer zeitgenössischen Ästhetik am Beispiel Thomas Pynchon, Peter Greenaway und Paul Wühr},
	publisher = {Steve-Holger Ludwig},
	author = {Petersen, Christer},
	date = {2011},
	note = {{OCLC}: 892102991},
}

@incollection{petillon_notitle_1992,
	location = {Paris},
	isbn = {978-2-213-02601-5},
	pages = {369--374, 518--521, 683--689},
	booktitle = {Histoire de la littérature américaine: notre demi-siècle, 1939-1989},
	publisher = {Fayard},
	author = {Pétillon, Pierre Yves},
	date = {1992},
	keywords = {History and criticism, 20th century, American literature},
}

@incollection{petillon_espace_1979,
	location = {Paris},
	title = {"L'espace aléatoire"},
	isbn = {978-2-02-005306-8},
	series = {Fiction \& [i.e. et] Cie ; 34},
	pages = {179--229},
	booktitle = {La grand-route: espace et écriture en Amérique},
	publisher = {Seuil},
	author = {Petillon, Pierre Yves},
	date = {1979},
	langid = {french},
	keywords = {History and criticism, American literature},
}

@incollection{bertens_thomas_2002,
	location = {Malden, Mass},
	title = {"Thomas Pynchon"},
	isbn = {978-0-631-21796-1 978-0-631-21797-8},
	pages = {261--266},
	booktitle = {Postmodernism: the key figures},
	publisher = {Blackwell Publishers},
	author = {Pettman, Dominic},
	editor = {Bertens, Johannes Willem and Natoli, Joseph P.},
	date = {2002},
	keywords = {Postmodernism},
}

@incollection{pfeil_fl_1990,
	location = {London ; New York},
	title = {The Fl"},
	isbn = {978-0-86091-277-4 978-0-86091-992-6},
	pages = {192--226},
	booktitle = {Another tale to tell: politics and narrative in postmodern culture},
	publisher = {Verso},
	author = {Pfeil, Fred},
	date = {1990},
	keywords = {Fiction, History and criticism, Postmodernism (Literature), Politics and literature},
}

@incollection{poirier_notitle_1988,
	location = {New Haven},
	isbn = {978-0-300-04086-9},
	pages = {103, 104, 105--106, 123, 124, 182, 204},
	booktitle = {The renewal of literature: Emersonian reflections},
	publisher = {Yale Univ. Press},
	author = {Poirier, Richard},
	date = {1988},
}

@incollection{polloczek_sinuous_1993,
	location = {München},
	title = {"'Sinuous Cycles': Rückkopplungsschlingen in Thomas Pynchons V."},
	isbn = {978-3-7705-2833-2},
	series = {Theorie und Geschichte der Literatur und der schönen Künste Reihe C, Ästhetik, Kunst und Literatur in der Geschichte der Neuzeit},
	pages = {86--144},
	number = {88 11},
	booktitle = {Vernetzungsstrukturen: Faulkner, Pynchon, Barthelme},
	publisher = {Fink},
	author = {Polloczek, Dieter},
	date = {1993},
}

@incollection{pops_perpetual_1984,
	location = {Amherst},
	title = {"Perpetual Motions"},
	isbn = {978-0-87023-448-4 978-0-87023-449-1},
	pages = {65--85},
	booktitle = {Home remedies: essays},
	publisher = {University of Massachusetts Press},
	author = {Pops, Martin},
	date = {1984},
	keywords = {United States, Popular culture, Postmodernism},
}

@incollection{scholnick_unfurrowing_1992,
	location = {Lexington},
	title = {"'Unfurrowing the Mind's Plowshare': Fiction in a Cybernetic Age"},
	isbn = {978-0-8131-1785-0},
	pages = {209--228},
	booktitle = {American literature and science},
	publisher = {University Press of Kentucky},
	author = {Porush, David H.},
	editor = {Scholnick, Robert J.},
	date = {1992},
	keywords = {History and criticism, American literature, United States, Literature and science, Science in literature},
}

@incollection{porush_notitle_1985,
	location = {New York, {NY}},
	isbn = {978-0-416-37870-2 978-0-416-37860-3},
	series = {University paperbacks},
	pages = {112--135, 226--227},
	number = {879},
	booktitle = {The soft machine: cybernetic fiction},
	publisher = {Methuen},
	author = {Porush, David},
	date = {1985},
}

@incollection{rahv_novels_1974,
	location = {Port Washington, {NY}},
	title = {"Novels and Novelists in the 1960s"},
	isbn = {978-0-8046-9068-3},
	series = {Modern occasions / Ed. by Philop Rahv},
	pages = {188--209},
	number = {2},
	booktitle = {New fiction, criticism, poetry},
	publisher = {Kennikat Press},
	author = {Pritchard, William H.},
	editor = {Rahv, Philip},
	date = {1974},
}

@incollection{matich_prague_1984,
	location = {Ann Arbor, {MI}},
	title = {"The Prague Winter: Two Novels by Aksyonov"},
	isbn = {978-0-88233-782-1 978-0-88233-783-8},
	pages = {131--137},
	booktitle = {The Third wave: Russian literature in emigration},
	publisher = {Ardis},
	author = {Proffer, Ellendea},
	editor = {Matich, Olga and Heim, Michael Henry},
	date = {1984},
	keywords = {History and criticism, Exiles' writings, Russian},
}

@incollection{punter_notitle_1980,
	location = {London},
	isbn = {978-0-582-48920-2 978-0-582-48921-9},
	series = {A Longman paperback},
	pages = {373, 374, 387, 389--391, 392, 393, 394, 400},
	booktitle = {The literature of terror: a history of gothic fictions from 1765 to the present day},
	publisher = {Longman},
	author = {Punter, David},
	date = {1980},
}

@incollection{puschmann-nalenz_211_1986,
	location = {Meitingen},
	edition = {1. Aufl},
	title = {"2.1.1 Th. Pynchon, The Crying of Lot 49"},
	isbn = {978-3-89048-111-1},
	series = {Studien zur phantastischen Literatur},
	pages = {44--61},
	number = {2},
	booktitle = {Science-fiction und ihre Grenzbereiche: ein Beitrag zur Gattungsproblematik zeitgenössischer anglo-amerikanischer Erzählliteratur},
	publisher = {Corian-Verl. Wimmer},
	author = {Puschmann-Nalenz, Barbara},
	date = {1986},
}

@incollection{putz_art_1997,
	location = {Iaşi},
	title = {"The Art of the Acronym in Thomas Pynchon"},
	isbn = {978-973-586-080-6},
	series = {Albion books},
	pages = {207--224},
	number = {6},
	booktitle = {Essays on American literature and ideas},
	publisher = {Inst. European},
	author = {Pütz, Manfred},
	date = {1997},
}

@incollection{putz_thomas_1979,
	location = {Stuttgart},
	title = {"Thomas Pynchon: History, Self and Narrative Discourse"},
	isbn = {978-3-476-00439-0},
	series = {Amerikastudien},
	pages = {130--157},
	number = {Bd. 54},
	booktitle = {The story of identity: American fiction of the sixties},
	publisher = {Metzler},
	author = {Pütz, Manfred},
	date = {1979},
	keywords = {American fiction, History and criticism, 20th century, Psychological fiction, American, Identity (Psychology) in literature},
}

@collection{wilson_major_1999,
	location = {Detroit, Mich},
	edition = {2nd ed},
	title = {Major 20th-century writers: a selection of sketches from Contemporary authors},
	isbn = {978-0-8103-8450-7 978-0-8103-8451-4 978-0-8103-8452-1 978-0-8103-8453-8 978-0-8103-8454-5 978-0-7876-2958-8},
	shorttitle = {Major 20th-century writers},
	pagetotal = {5},
	publisher = {Gale Research},
	editor = {Wilson, Kathleen and Ryan, Bryan},
	date = {1999},
	keywords = {20th century, Literature, Modern, Bio-bibliography},
}

@incollection{quilligan_notitle_1992,
	location = {Ithaca, {NY}},
	isbn = {978-0-8014-8051-5 978-0-8014-1185-4},
	series = {Cornell paperbacks},
	pages = {33, 42--46, 158, 204--23, 242, 260},
	booktitle = {The language of allegory: defining the genre},
	publisher = {Cornell Univ. Pr},
	author = {Quilligan, Maureen},
	date = {1992},
}

@incollection{mengara_herero_2001,
	location = {Trenton, {NJ}},
	title = {"The Herero in the Harz: Pynchon's Re-Presentation of Race Relations in Gravity's Rainbow"},
	isbn = {978-0-86543-907-8 978-0-86543-906-1},
	pages = {219--233},
	booktitle = {Images of Africa: stereotypes and realities},
	publisher = {Africa World Press},
	author = {Ramirez, Victoria A.},
	editor = {Mengara, Daniel M. and Bernal, Martin},
	date = {2001},
}

@incollection{raper_between_1992,
	location = {Baton Rouge},
	edition = {1. print},
	title = {"Between Sartre and Freud: Thomas Pynchon's V."},
	isbn = {978-0-8071-1712-5},
	pages = {37--59},
	booktitle = {Narcissus from rubble: competing models of character in contemporary British and American fiction},
	publisher = {Louisiana State Univ. Press},
	author = {Raper, Julius R.},
	date = {1992},
}

@incollection{micali_impigliato_2003,
	location = {Firenze},
	title = {"Impigliato negli indizi. Thomas Pynchon e il caso del detective paranoico: Critica, puritanesimo e la paura della grande cospirazione"},
	isbn = {978-88-00-81611-3},
	series = {Quaderni di synapsis},
	pages = {319--331},
	number = {2},
	booktitle = {Cospirazioni, trame: atti della Scuola Europea di Studi Comparati, Bertinoro, 26 agosto - 1 settembre 2001},
	publisher = {Le Monnier},
	editor = {Micali, Simona and Rasmussen, Rasmus Kjægaard},
	date = {2003},
}

@incollection{wende_subversives_2008,
	location = {Würzburg},
	title = {"Subversives Gelächter als erzählerische Strategie: Vier Beispielanalysen"},
	isbn = {978-3-8260-3592-0},
	pages = {69--86},
	booktitle = {Wie die Welt lacht: Lachkulturen im Vergleich},
	publisher = {Königshausen \& Neumann},
	author = {Reinhart, Werner},
	editor = {Wende, Waltraud},
	date = {2008},
}

@incollection{richard_thomas_1987,
	location = {Aix-en-Provence : [Paris]},
	title = {"Thomas Pynchon: Oedipa Regina"},
	isbn = {978-2-904631-35-1},
	pages = {141--157},
	booktitle = {Lettres américaines: essais},
	publisher = {Alinéa ; Diffusion Payot},
	author = {Richard, Claude},
	date = {1987},
	langid = {french},
	keywords = {History and criticism, American literature},
}

@incollection{bak_thomas_1988,
	location = {Houten},
	title = {"Thomas Pynchon"},
	isbn = {978-90-6500-820-6},
	booktitle = {Post-war literatures in English: a lexicon of contemporary authors},
	publisher = {Bohn, Stafleu, Van Loghum [u.a.]},
	author = {Richardson, Mark},
	editor = {Bak, Hans},
	date = {1988},
}

@incollection{richards_notitle_1993,
	location = {London ; New York},
	isbn = {978-0-86091-400-6 978-0-86091-605-5},
	pages = {8, 104--109, 115, 141, 143--152, 167},
	booktitle = {The imperial archive: knowledge and the fantasy of empire},
	publisher = {Verso},
	author = {Richards, Thomas},
	date = {1993},
	keywords = {History and criticism, History, Knowledge, Theory of, in literature, 19th century, English literature, Imperialism in literature, Great Britain, Intellectual life, Colonies History Historiography, Colonies in literature, Fantasy literature, English, Imperialism},
}

@incollection{bauer_thomas_1990,
	location = {München},
	title = {"Thomas Pynchon's Concept of a Textual 'Zone': Historical Space with Boundaries Deferred"},
	isbn = {978-3-89129-031-6},
	series = {Proceedings of the ... congress of the International Comparative Literature Association},
	pages = {164--168},
	number = {12},
	booktitle = {Space and boundaries. 2: Space and boundaries in literature = Espace et frontières dans la littérature / gen. ed. Roger Bauer},
	publisher = {Iudicium-Verl},
	author = {Riese, Utz},
	editor = {Bauer, Roger},
	date = {1990},
}

@incollection{dellamora_frye_1995,
	location = {Philadelphia},
	title = {"Frye, Derrida, Pynchon, and the Apocalyptic Space of Postmodern Fiction"},
	isbn = {978-0-8122-3320-9 978-0-8122-1558-8},
	series = {New cultural studies},
	pages = {61--78},
	booktitle = {Postmodern apocalypse: theory and cultural practice at the end},
	publisher = {University of Pennsylvania Press},
	author = {Robson, David J.},
	editor = {Dellamora, Richard},
	date = {1995},
	keywords = {20th century, Postmodernism, Arts, Modern, Apocalyptic art},
}

@incollection{ronell_notitle_2003,
	location = {Urbana, Ill.},
	edition = {1. paperback ed},
	isbn = {978-0-252-07127-0 978-0-252-02613-3},
	pages = {25--29},
	booktitle = {Stupidity},
	publisher = {Univ. of Illinois Press},
	author = {Ronell, Avital},
	date = {2003},
}

@incollection{rosenheim_notitle_1997,
	location = {Baltimore, Md},
	isbn = {978-0-8018-5331-9 978-0-8018-5332-6},
	series = {Parallax},
	pages = {171--173, 190--197, 247--249},
	booktitle = {The cryptographic imagination: secret writing from Edgar Poe to the Internet},
	publisher = {Johns Hopkins University Press},
	author = {Rosenheim, Shawn},
	date = {1997},
	keywords = {History and criticism, Internet, American literature, United States, Influence, Modernism (Literature), World War, 1939-1945, Cold War, Ciphers in literature, Cryptography, Cryptography in literature, Detective and mystery stories, American, Influence (Literary, artistic, etc.), Knowledge Cryptography, Poe, Edgar Allan},
}

@incollection{roth_thomas_1995,
	location = {New York},
	edition = {1st ed},
	title = {"Thomas Pynchon"},
	isbn = {978-0-8050-3430-1},
	series = {Henry Holt reference book},
	pages = {492--496},
	booktitle = {American diversity, American identity: the lives and works of 145 writers who define the American experience},
	publisher = {Holt},
	author = {Roth, John K.},
	editor = {Roth, John K.},
	date = {1995},
	keywords = {History and criticism, American literature, United States, National characteristics, American, in literature, Intellectual life, Authors, American, Biography, Cultural pluralism in literature, Ethnic groups in literature, Group identity in literature, Regionalism in literature},
}

@incollection{societe_des_anglicistes_de_lenseignement_superieur_histoire_1982,
	location = {Paris},
	title = {"Histoire, psychanalyse et litterature chez trois romanciers americains contemporains: Warren, Styron, Pynchon"},
	isbn = {978-2-86460-006-0},
	series = {Etudes anglaises},
	pages = {393--403},
	number = {no 81},
	booktitle = {Echanges: actes du Congrès de Strasbourg},
	publisher = {Didier-Erudition},
	author = {Rouge, Robert},
	editor = {{Société des anglicistes de l'enseignement supérieur}},
	date = {1982},
	langid = {french},
	keywords = {English literature, History and criticism Congresses},
}

@incollection{ruland_notitle_1991,
	location = {New York},
	edition = {1st American ed},
	isbn = {978-0-670-83592-8},
	pages = {382--383, 391--392},
	booktitle = {From Puritanism to postmodernism: a history of American literature},
	publisher = {Viking},
	author = {Ruland, Richard and Bradbury, Malcolm},
	date = {1991},
	keywords = {History and criticism, American literature},
}

@incollection{steinby_paranoien_1994,
	location = {Würzburg},
	title = {"Die Paranoien des manipulierten Ich: Thomas Pynchons The Crying of Lot 49"},
	isbn = {978-3-88479-874-4},
	pages = {149--177},
	booktitle = {Der postindividualistische Roman},
	publisher = {Königshausen und Neumann},
	author = {Saariluoma, Liisa},
	editor = {Steinby, Liisa},
	date = {1994},
}

@incollection{saariluoma_paranoien_1992,
	location = {Helsinki},
	title = {"Die Paranoien des manipulierten Ich: Thomas Pynchons The Crying of Lot 49"},
	isbn = {978-951-717-701-6},
	series = {Suomi},
	pages = {149--177},
	number = {155},
	booktitle = {Postindividualistinen romaani},
	publisher = {Suomalaisen Kirjallisuuden Seura},
	author = {Saariluoma, Liisa},
	date = {1992},
}

@incollection{friedman_dreams_1997,
	location = {Newark},
	edition = {Nachdr.},
	title = {"Dreams and Nightmares: 'High-Tech Paranoia' and the Jamesonian Sublime - An Approach to Thomas Pynchon's Postmodernism"},
	isbn = {978-0-87413-556-5},
	pages = {279--297},
	booktitle = {Traditions, voices, and dreams: the American novel since the 1960s},
	publisher = {Univ. of Delaware Press [u.a.]},
	author = {Safer, Elaine B.},
	editor = {Friedman, Melvin J.},
	date = {1997},
}

@incollection{safer_tall_1989,
	location = {Detroit, Mich},
	title = {"The Tall Tale, the Absurd, and Black Humor in Thomas Pynchon's V. and Gravity's Rainbow"},
	isbn = {978-0-8143-2050-1 978-0-8143-1942-0},
	series = {Humor in life and letters},
	pages = {79--110},
	booktitle = {The contemporary American comic epic: the novels of Barth, Pynchon, Gaddis, and Kesey},
	publisher = {Wayne State Univ. Pr},
	author = {Safer, Elaine B.},
	date = {1989},
}

@incollection{sale_notitle_1979,
	location = {Oxford},
	isbn = {978-0-19-502559-0},
	pages = {107--108},
	booktitle = {On not being good enough: writings of a working critic},
	publisher = {Oxford Univ. Pr},
	author = {Sale, Roger},
	date = {1979},
}

@incollection{sandbank_notitle_1989,
	location = {Athens, Ga u.a},
	isbn = {978-0-8203-1105-0},
	pages = {135, 144--148, 152},
	booktitle = {After Kafka: the influence of Kafka's fiction},
	publisher = {University of Georgia Press},
	author = {Sandbank, Shimon},
	date = {1989},
}

@incollection{collado_rodriguez_thomas_1990,
	location = {Zaragoza, España},
	edition = {1. ed},
	title = {"Thomas Pynchon: Conocimiento, lenguaje y equilibrio"},
	isbn = {978-84-7733-208-4},
	series = {Humanidades},
	pages = {129--150},
	number = {17},
	booktitle = {Del mito a la ciencia: la novela norteamericana contemporánea},
	publisher = {Universidad de Zaragoza},
	editor = {Collado Rodríguez, Francisco},
	date = {1990},
	keywords = {American fiction, History and criticism, 20th century},
}

@incollection{saussy_notitle_1984,
	location = {New York, N. Y.},
	isbn = {978-0-87196-962-0},
	booktitle = {The oxter English dictionary: uncommon words used by uncommonly good writers},
	publisher = {Facts On File},
	author = {Saussy, George S.},
	date = {1984},
}

@incollection{greenberg_pynchon_1992,
	location = {Bethlehem},
	title = {"Pynchon and the Civil Wars of Technology"},
	isbn = {978-0-934223-20-1},
	series = {Research in technology studies},
	pages = {253--274},
	number = {5},
	booktitle = {Literature and technology},
	publisher = {Lehigh Univ. Press [u.a.]},
	author = {Schachterle, Lance},
	editor = {Greenberg, Mark L.},
	date = {1992},
}

@incollection{vella_merits_1992,
	location = {New York},
	edition = {facsimile ed. of the 1650 original},
	title = {"The Merits of William Pynchon, Merchant, Magistrate, and Progenitor (1590-1662)"},
	isbn = {978-0-8204-1760-8},
	series = {Worcester Polytechnic Institute studies in science, technology, and culture},
	pages = {xi--xviii},
	number = {10},
	booktitle = {The meritorious price of our redemption},
	publisher = {Peter Lang},
	author = {Schachterle, Lance},
	editor = {Vella, Michael W.},
	date = {1992},
}

@incollection{barratt_why_1995,
	location = {Leicester},
	title = {"Why Wait for an Angel?: Thomas Pynchon's The Crying of Lot 49"},
	isbn = {978-0-85111-445-3 978-0-8010-2085-8},
	pages = {251--262},
	booktitle = {The discerning reader: Christian perspectives on literature and theory},
	publisher = {Apollos [u.a.]},
	author = {Schad, John},
	editor = {Barratt, David},
	date = {1995},
}

@incollection{schaub_notitle_1991,
	location = {Madison, Wisc.},
	isbn = {978-0-299-12844-9 978-0-299-12840-1},
	series = {History of American thought and culture},
	pages = {190--191},
	booktitle = {American fiction in the cold war},
	publisher = {Univ. of Wisconsin Press},
	author = {Schaub, Thomas H.},
	date = {1991},
}

@incollection{serafin_pynchon_1971,
	location = {New York},
	title = {"Pynchon, Thomas"},
	pages = {132--133},
	booktitle = {Encyclopedia of world literature in the 20th century},
	publisher = {Ungar},
	author = {Scheer-Schäzler, Brigitte},
	editor = {Serafin, Steven},
	date = {1971},
	note = {{OCLC}: 815979023},
}

@incollection{schirmeister_conclusion_1990,
	location = {Stanford, Calif},
	title = {"Conclusion: Pynchon and the Zone"},
	isbn = {978-0-8047-1793-9},
	pages = {167--185},
	booktitle = {The consolations of space: the place of romance in Hawthorne, Melville, and James},
	publisher = {Stanford University Press},
	author = {Schirmeister, Pamela},
	date = {1990},
}

@collection{freese_germany_1990-1,
	location = {Essen},
	title = {Germany and German thought in American literature and cultural criticism: proceedings of the German-American conference in Paderborn, May 16 - 19, 1990},
	isbn = {978-3-89206-382-7},
	series = {Arbeiten zur Amerikanistik},
	shorttitle = {Germany and German thought in American literature and cultural criticism},
	pagetotal = {522},
	number = {6},
	publisher = {Verl. Die Blaue Eule},
	editor = {Freese, Peter},
	date = {1990},
}

@incollection{scholes_notitle_1980,
	location = {Urbana},
	edition = {2. pr},
	isbn = {978-0-252-00704-0},
	pages = {4, 142, 206, 208--209},
	booktitle = {Fabulation and metafiction},
	publisher = {Univ. of Illinois Pr},
	author = {Scholes, Robert},
	date = {1980},
}

@incollection{schopp_auswege_1990,
	location = {München},
	title = {"Auswege aus der Geschichte: Vonnegut und Pynchon"},
	isbn = {978-3-7705-2596-6},
	series = {American studies},
	pages = {107--141},
	number = {66},
	booktitle = {Ausbruch aus der Mimesis: der amerikanische Roman im Zeichen der Postmoderne},
	publisher = {Fink},
	author = {Schöpp, Joseph C.},
	date = {1990},
}

@incollection{grimm_thomas_1986,
	location = {Frankfurt am Main},
	edition = {Erste Auflage},
	title = {"Thomas Pynchons Die Enden der Parabel oder Von der Dichtung als Aufschub des Endes"},
	isbn = {978-3-518-38567-8},
	series = {suhrkamp taschenbuch},
	pages = {130--147},
	number = {2067. stm, Materialien},
	booktitle = {Apokalypse: Weltuntergangsvisionen in der Literatur des 20. Jahrhunderts},
	publisher = {Suhrkamp},
	author = {Schöpp, Joseph C.},
	editor = {Grimm, Gunter E. and Faulstich, Werner and Kuon, Peter},
	date = {1986},
}

@incollection{schulz_notitle_1980,
	location = {Athens, Ohio},
	edition = {Reprinted},
	isbn = {978-0-8214-0574-1 978-0-8214-0125-5},
	pages = {61--64, 77--82, 143--145},
	booktitle = {Black humor fiction of the sixties: a pluralistic definition of man and his world},
	publisher = {Ohio Univ. Press},
	author = {Schulz, Max F.},
	date = {1980},
}

@incollection{collins_pynchon_1994,
	location = {West Port, Connecticut},
	title = {"Pynchon, Thomas"},
	isbn = {978-0-313-28326-0},
	pages = {480--481},
	booktitle = {Science fiction \& fantasy book review annual, 1991},
	publisher = {Greenwood Press},
	author = {Schütz, Erhard},
	editor = {Collins, Robert A. and Latham, Robert},
	date = {1994},
	note = {{OCLC}: 31614927},
}

@incollection{schwab_gravitys_1987,
	location = {Stuttgart},
	title = {"Gravity's Rainbow oder die Lust an der Karnevalisierung des Heiligen Textes"},
	isbn = {978-3-515-04103-4},
	pages = {170--200},
	booktitle = {Entgrenzungen und Entgrenzungsmythen: zur Subjektivität im modernen Roman; Daniel Defoe, Herman Melville, Virginia Woolf, James Joyce, Samuel Beckett, Thomas Pynchon},
	publisher = {Steiner-Verlag-Wiesbaden-{GmbH}},
	author = {Schwab, Gabriele},
	date = {1987},
}

@incollection{schwab_carnivalesque_1994,
	location = {Cambridge, Mass London},
	title = {"Carnivalesque Apocalypse of the Holy Text: Gravity's Rainbow"},
	isbn = {978-0-674-85381-2},
	series = {Harvard studies in comparative literature},
	pages = {172--207},
	number = {43},
	booktitle = {Subjects without selves: transitional texts in modern fiction},
	publisher = {Harvard Univ. Pr},
	author = {Schwab, Gabriele},
	date = {1994},
}

@incollection{hoffmann_play_1989,
	location = {München},
	title = {"Play, Irony, and Comedy as Constituents of the Postmodern Aesthetic Imagination"},
	isbn = {978-3-7705-2149-4},
	series = {American studies a monograph series},
	pages = {120--168},
	number = {68},
	booktitle = {Making sense: the role of the reader in contemporary American fiction},
	publisher = {Fink},
	author = {Hoffmann, Gerhard},
	editor = {Hoffmann, Gerhard},
	date = {1989},
}

@incollection{schwenger_chapter_1992,
	location = {Baltimore London},
	title = {"Chapter 1: Hiroshima in the Morning"},
	isbn = {978-0-8018-4487-4 978-0-8018-4488-1},
	series = {Parallax},
	pages = {57--67, 84--85, 147--148},
	booktitle = {Letter bomb: nuclear holocaust and the exploding word},
	publisher = {Johns Hopkins University Press},
	author = {Schwenger, Peter},
	date = {1992},
}

@incollection{maccannell_hiroshima_1994,
	location = {Stanford, Calif},
	title = {"Hiroshima in the Morning"},
	isbn = {978-0-8047-2304-6 978-0-8047-2306-0},
	series = {Irvine studies in the humanities},
	pages = {109--119, 242--243},
	booktitle = {Thinking bodies},
	publisher = {Stanford University Press},
	author = {Schwenger, Peter},
	editor = {{MacCannell}, Juliet Flower and Zakarin, Laura},
	date = {1994},
}

@incollection{morgan_objects_1994,
	location = {New York},
	title = {"Objects of the Postmodern 'Masters': Subject-in-Simulation/Woman-in-Effect"},
	isbn = {978-0-7914-1993-9 978-0-7914-1994-6},
	pages = {157--171},
	booktitle = {Men writing the feminine: literature, theory, and the question of genders},
	publisher = {State Univ. of New York Press},
	author = {Sciolino, Martina},
	editor = {Morgan, Thaïs E.},
	date = {1994},
}

@incollection{smyth_pursuit_1991,
	location = {London},
	edition = {1. publ},
	title = {"In Pursuit of the Receding Plot: Some American Postmodernists"},
	isbn = {978-0-7134-5776-6 978-0-7134-5775-9},
	series = {A Batsford book},
	pages = {36--53},
	booktitle = {Postmodernism and contemporary fiction},
	publisher = {Batsford},
	author = {Seed, David},
	editor = {Smyth, Edmund J.},
	date = {1991},
}

@incollection{beja_naming_1986,
	location = {Urbana},
	title = {"Naming in Pynchon and Joyce"},
	isbn = {978-0-252-01291-4},
	pages = {47--56},
	booktitle = {James Joyce: the centennial symposium},
	publisher = {University of Illinois Press},
	author = {Seed, David},
	editor = {Beja, Morris},
	date = {1986},
	note = {Meeting Name: International James Joyce Symposium},
	keywords = {Joyce, James, Criticism and interpretation Congresses},
}

@incollection{manzi_du_2002,
	location = {Poitiers},
	title = {"Du comportement déviant dans Marelle de Julio Cortázar et V. de Thomas Pynchon"},
	isbn = {978-2-911044-69-4},
	series = {La Licorne},
	pages = {161--175},
	number = {60},
	booktitle = {Cortázar, de tous les côtés},
	publisher = {La Licorne},
	author = {Serre, Marie-Valentine},
	editor = {Manzi, Joaquín},
	date = {2002},
}

@incollection{seymour-smith_notitle_1985,
	location = {New York},
	edition = {1st American ed},
	isbn = {978-0-87226-000-9},
	pages = {146},
	booktitle = {The new guide to modern world literature},
	publisher = {P. Bedrick Books},
	author = {Seymour-Smith, Martin},
	date = {1985},
	keywords = {History and criticism, 20th century, Literature, Modern},
}

@incollection{gresset_pynchon_1987,
	location = {Kyoto, Japan},
	title = {"Pynchon and Faulkner"},
	isbn = {978-4-8411-0730-2},
	pages = {282--303},
	booktitle = {Faulkner: after the Nobel Prize},
	publisher = {Yamaguchi Pub. House},
	author = {Shimura, Masao},
	editor = {Gresset, Michel and Ōhashi, Kenzaburō},
	date = {1987},
	keywords = {Criticism and interpretation, Faulkner, William},
}

@incollection{simmons_pynchon_1997,
	location = {Athens},
	title = {"Pynchon: Enlightenment at the Movies, Revolution on the Tube"},
	isbn = {978-0-8203-1843-1},
	pages = {147--181},
	booktitle = {Deep surfaces: mass culture \& history in postmodern American fiction},
	publisher = {University of Georgia Press},
	author = {Simmons, Philip E.},
	date = {1997},
	keywords = {American fiction, History and criticism, 20th century, History, Postmodernism (Literature), United States, Literature and history, Popular culture, History in literature, Collective behavior in literature, Mass media and literature, Popular culture in literature},
}

@incollection{fine_angeles_1995-1,
	location = {Albuquerque, N.M.},
	edition = {Rev. ed},
	title = {"The Los Angeles Novel and the Idea of the West"},
	isbn = {978-0-585-18771-6},
	abstract = {This important collection of essays on the writers who have made Los Angeles one of the great cities of twentieth-century literature has been made even stronger by the inclusion of three new essays. John Fante, Walter Mosley, and Chester Himes join Aldous Huxley, F. Scott Fitzgerald, Evelyn Waugh, Nathanael West, Norman Mailer, James M. Cain, Ross Macdonald, Raymond Chandler, Budd Schulberg, Joan Didion, John Gregory Dunne, and Thomas Pynchon as well as less familiar writers - Oscar Zeta Acosta, Horace {McCoy}, Thomas Sanchez, Marc Norman, and Hysaye Yamamoto - in a text that provides a basic literary history of the region. Thoughtful consideration is given to such special Los Angeles genres as the detective story and the Hollywood novel, and a chapter is devoted to the film Chinatown},
	pages = {29--41},
	booktitle = {Los Angeles in fiction: a collection of essays},
	publisher = {University of New Mexico Press},
	author = {Lehan, Richard},
	editor = {Fine, David M.},
	date = {1995},
	note = {{OCLC}: 44965886},
}

@incollection{kostelanetz_thomas_1991,
	location = {Troy, {NY}},
	title = {"Thomas Pynchon"},
	isbn = {978-0-87875-379-6},
	pages = {436--446},
	booktitle = {American writing today},
	publisher = {Whitston Publ. Comp},
	author = {Slade, Joseph W.},
	editor = {Kostelanetz, Richard},
	date = {1991},
}

@incollection{slethaug_notitle_2000,
	location = {Albany},
	isbn = {978-0-7914-4741-3 978-0-7914-4742-0},
	series = {The {SUNY} series in postmodern culture},
	pages = {13--14, 29--32, 34--36, 38--44},
	booktitle = {Beautiful chaos: chaos theory and metachaotics in recent American fiction},
	publisher = {State University of New York Press},
	author = {Slethaug, Gordon},
	date = {2000},
	keywords = {American fiction, History and criticism, 20th century, Chaotic behavior in systems in literature},
}

@incollection{slethaug_binary_1993,
	location = {Carbondale},
	title = {"Binary Intersubjectivity: Pynchon's Gravity's Rainbow"},
	isbn = {978-0-8093-1841-4},
	pages = {52--92, 205--207},
	booktitle = {The play of the double in postmodern American fiction},
	publisher = {Southern Illinois University Press},
	author = {Slethaug, Gordon},
	date = {1993},
	keywords = {American fiction, History and criticism, 20th century, Postmodernism (Literature), United States, Doubles in literature},
}

@incollection{smith_notitle_1997,
	location = {New York},
	isbn = {978-0-8204-3497-1},
	series = {Studies on themes and motifs in literature},
	pages = {46--47, 110--113, 179--180, 184},
	number = {v. 32},
	booktitle = {Figuring poesis: a mythical geometry of postmodernism},
	publisher = {P. Lang},
	author = {Smith, Evans Lansing},
	date = {1997},
	keywords = {Postmodernism (Literature), Postmodernism, Hermeneutics},
}

@incollection{smith_integrating_1994,
	location = {Toronto ; Buffalo},
	title = {"Integrating Chaos: The Crying of Lot 49"},
	isbn = {978-0-8020-5711-2},
	series = {Theory/culture series},
	pages = {155--170},
	booktitle = {The locus of meaning: six hyperdimensional fictions},
	publisher = {University of Toronto Press},
	author = {Smith, Herbert F.},
	date = {1994},
	keywords = {American fiction, 20th century, 19th century, United States, History and criticism Theory, etc, Meaning (Philosophy) in literature, Semiotics and literature, Structuralism (Literary analysis)},
}

@incollection{smith_postmodern_1995,
	location = {University Park, Pa},
	title = {"The Postmodern Subject in the Paracinematic Reality of Gravity's Rainbow"},
	isbn = {978-0-271-01329-9},
	pages = {195--237},
	booktitle = {Literary realism and the ekphrastic tradition},
	publisher = {Pennsylvania State University Press},
	author = {Smith, Jr., Mack L.},
	date = {1995},
	keywords = {History and criticism, Literature, Realism in literature, Ekphrasis},
}

@incollection{spanos_notitle_1987,
	location = {Baton Rouge},
	isbn = {978-0-8071-1316-5},
	pages = {170, 182, 261, 275},
	booktitle = {Repetitions: the postmodern occasion in literature and culture},
	publisher = {Louisiana State University Press},
	author = {Spanos, William V.},
	date = {1987},
	keywords = {Postmodernism (Literature), Criticism},
}

@incollection{spencer_realizing_2006,
	location = {Lincoln},
	title = {"Realizing Abstract Space: Thomas Pynchon and William Gaddis"},
	isbn = {978-0-8032-4301-9},
	pages = {139--178, 242--246},
	booktitle = {After utopia: the rise of critical space in twentieth-century American fiction},
	publisher = {University of Nebraska Press},
	author = {Spencer, Nicholas},
	date = {2006},
	keywords = {American fiction, History and criticism, 20th century, Utopias in literature, Setting (Literature)},
}

@incollection{ascari_memories_2006,
	location = {Amsterdam},
	title = {"Memories of a Post-Metropolis: 'Torre e Tasso' across the Atlantic"},
	isbn = {978-90-420-2015-3},
	series = {Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft},
	pages = {197--205},
	number = {103},
	booktitle = {Sites of exchange: European crossroads and faultlines},
	publisher = {Rodopi},
	author = {Spiridon, Monica},
	editor = {Ascari, Maurizio and Corrado, Adriana},
	date = {2006},
}

@incollection{magill_gravitys_1986,
	location = {Pasadena, Calif},
	title = {"Gravity's Rainbow"},
	isbn = {978-0-89356-461-2},
	abstract = {Examines the theme, characters, plot, style and technique of more than 700 nineteenth- and twentieth-century works by prominent authors from around the world},
	pages = {61--65},
	booktitle = {Masterplots {II}. Short story series},
	publisher = {Salem Press},
	author = {Muste, John M.},
	editor = {Magill, Frank N. and May, Charles E.},
	date = {1986},
	keywords = {Fiction, History and criticism, 20th century, 19th century, Short stories, Short story, Stories, plots, etc},
}

@incollection{dillard_arts_2003,
	location = {New York},
	edition = {1st ed},
	title = {"The Arts and Sciences of Thomas Pynchon"},
	isbn = {978-0-8057-1703-7 978-0-8057-1704-4 978-0-8057-1705-1},
	pages = {227--236},
	booktitle = {Twayne companion to contemporary literature in English from the editors of the Hollins critic},
	publisher = {Twayne Publishers},
	author = {Stark, John O.},
	editor = {Dillard, R. H. W. and Cockrell, Amanda},
	date = {2003},
	keywords = {History and criticism, 20th century, American literature, English literature},
}

@collection{antwerp_james_1982,
	location = {Detroit, Mich},
	title = {James Gould Cozzens, James T. Farrell, William Faulkner, John O'Hara, John Steinbeck, Thomas Wolfe, Richard Wright},
	isbn = {978-0-8103-1114-5},
	series = {Dictionary of literary biography Documentary series},
	pagetotal = {480},
	number = {2},
	publisher = {Gale Research},
	editor = {Antwerp, Margaret A. van},
	date = {1982},
}

@incollection{stevick_notitle_1981,
	location = {Urbana},
	isbn = {978-0-252-00877-1},
	pages = {12, 26--27, 76, 103, 104--105, 110, 116},
	booktitle = {Alternative pleasures: postrealist fiction and the tradition},
	publisher = {University of Illinois Press},
	author = {Stevick, Philip},
	date = {1981},
	keywords = {Fiction, History and criticism},
}

@incollection{trachtenberg_literature_1985,
	location = {Westport, Conn},
	title = {"Literature"},
	isbn = {978-0-313-23786-7},
	series = {Movements in the arts},
	pages = {135--156},
	number = {no. 1},
	booktitle = {The Postmodern moment: a handbook of contemporary innovation in the arts},
	publisher = {Greenwood Press},
	author = {Stevick, Philip},
	editor = {Trachtenberg, Stanley},
	date = {1985},
	keywords = {20th century, Postmodernism, Arts, Modern},
}

@incollection{stockton_disappearing_2006,
	location = {Columbus},
	title = {"The Disappearing Female Body and the New Worker: John Barth, William Gibson, Neal Stephenson, Nicholson Baker, and Thomas Pynchon"},
	isbn = {978-0-8142-1018-5},
	pages = {136--152},
	booktitle = {The economics of fantasy: rape in twentieth-century literature},
	publisher = {Ohio State University Press},
	author = {Stockton, Sharon},
	date = {2006},
	note = {{OCLC}: ocm62179141},
	keywords = {History and criticism, 20th century, American literature, Violence in literature, English literature, Power (Social sciences) in literature, Masculinity in literature, Rape in literature},
}

@incollection{stonehill_paradoxical_1988,
	location = {Philadelphia},
	title = {"Paradoxical Pynchon, or, The Real World Inside Gravity's Rainbow"},
	isbn = {978-0-8122-8098-2},
	series = {Penn studies in contemporary American fiction},
	pages = {141--156},
	booktitle = {The self-conscious novel: artifice in fiction from Joyce to Pynchon},
	publisher = {University of Pennsylvania Press},
	author = {Stonehill, Brian},
	date = {1988},
	keywords = {American fiction, English fiction, Fiction, History and criticism, Technique, 20th century, Criticism and interpretation, Pynchon, Thomas, English-speaking countries, Joyce, James, Intellectual life, Illusion in literature, Psychological fiction, Self-consciousness (Awareness) in literature},
}

@incollection{strehle_thomas_1992,
	location = {Chapel Hill},
	title = {"Thomas Pynchon: Gravity's Rainbow and the Fiction of Quantum Continuity"},
	isbn = {978-0-8078-2024-7 978-0-8078-4365-9},
	pages = {23--26, 27--65, 233--237},
	booktitle = {Fiction in the quantum universe},
	publisher = {University of North Carolina Press},
	author = {Strehle, Susan},
	date = {1992},
	keywords = {American fiction, History and criticism, 20th century, History, Postmodernism (Literature), United States, Literature and science, Physics in literature, Quantum theory in literature},
}

@incollection{magill_v_1977,
	location = {Englewood Cliffs, N.J},
	edition = {Rev. ed},
	title = {"V."},
	isbn = {978-0-89356-050-8},
	pages = {7955--7957},
	booktitle = {Survey of contemporary literature: updated reprints of 2,300 essay-reviews from Masterplots annuals, 1954-1976, and survey of contemporary literature supplement: with 3,300 bibliographical reference sources},
	publisher = {Salem Press},
	author = {Dillard, R. H. W.},
	editor = {Magill, Frank N.},
	date = {1977},
	keywords = {Literature, Stories, plots, etc},
}

@incollection{sutherland_notitle_1978,
	location = {London},
	isbn = {978-0-485-11177-4},
	pages = {169--170},
	booktitle = {Fiction and the fiction industry},
	publisher = {Athlone Press},
	author = {Sutherland, John},
	date = {1978},
	keywords = {English fiction, History and criticism, 20th century, Authorship, Great Britain, Book industries and trade, Economic aspects, Publishers and publishing},
}

@incollection{tabbi_mapping_2002,
	location = {Minneapolis},
	title = {"Mapping the Cor(e)tex(t): Thomas Pynchon"},
	isbn = {978-0-8166-3556-6 978-0-8166-3557-3},
	series = {Electronic mediations},
	pages = {23--53},
	number = {v. 8},
	booktitle = {Cognitive fictions},
	publisher = {University of Minnesota Press},
	author = {Tabbi, Joseph},
	date = {2002},
	keywords = {American fiction, History and criticism, 20th century, Criticism and interpretation, Pynchon, Thomas, Postmodernism (Literature), United States, Auster, Paul, Cognition in literature, Markson, David},
}

@incollection{tabbi_meteors_1995,
	location = {Ithaca},
	title = {"Meteors of Style: Gravity's Rainbow"},
	isbn = {978-0-8014-3074-9},
	pages = {74--103},
	booktitle = {Postmodern sublime: technology and American writing from Mailer to Cyberpunk},
	publisher = {Cornell University Press},
	author = {Tabbi, Joseph},
	date = {1995},
	keywords = {History and criticism, 20th century, History, American literature, Postmodernism (Literature), United States, Literature and technology, Sublime, The, in literature, Technology in literature},
}

@incollection{tani_notitle_1984,
	location = {Carbondale},
	isbn = {978-0-8093-1148-4},
	series = {Literary structures},
	pages = {41--45, 76--78, 91--99, 106--1},
	booktitle = {The doomed detective: the contribution of the detective novel to postmodern American and Italian fiction},
	publisher = {Southern Illinois University Press},
	author = {Tani, Stefano},
	date = {1984},
	keywords = {American fiction, History and criticism, 20th century, Postmodernism (Literature), Comparative literature, Detective and mystery stories, American, American and Italian, Detective and mystery stories, Italian, Experimental fiction, Italian and American, Italian fiction},
}

@incollection{tanner_rubbish-tip_2000,
	location = {Cambridge},
	edition = {Reprinted},
	title = {"'The Rubbish-Tip for Subjunctive Hopes': Thomas Pynchon's Mason \& Dixon"},
	isbn = {978-0-521-78003-2 978-0-521-78374-3},
	pages = {222--238},
	booktitle = {The American mystery: American literature from Emerson to {DeLillo}},
	publisher = {Cambridge Univ. Press},
	author = {Tanner, Tony},
	date = {2000},
}

@incollection{tanner_caries_1979,
	location = {London},
	edition = {Reprint},
	title = {"Caries and Cabals (Thomas Pynchon)"},
	isbn = {978-0-224-01224-9},
	series = {Jonathan Cape paperback},
	pages = {153--180},
	number = {92},
	booktitle = {City of words: American fiction 1950 - 1970},
	publisher = {Jonathan Cape},
	author = {Tanner, Tony},
	date = {1979},
}

@incollection{debusscher_mba-kayere_1988,
	location = {Amsterdam},
	title = {"Mba-Kayere and the Routes of Power: Pynchon's Gravity's Rainbow Read from Enzian's Point of View"},
	isbn = {978-90-6203-889-3},
	series = {Costerus},
	pages = {213--225},
	number = {N.S., 66},
	booktitle = {American literature in Belgium},
	publisher = {Rodopi},
	author = {Thielemans, Johan},
	editor = {Debusscher, Gilbert and Maufort, Marc},
	date = {1988},
}

@incollection{haen_postmodern_1990,
	location = {Amsterdam},
	title = {"Postmodern Fiction and History"},
	isbn = {978-90-5183-230-3 978-90-5183-229-7},
	series = {Postmodern studies},
	pages = {9--31},
	number = {3},
	booktitle = {History and post-war writing},
	publisher = {Rodopi [u.a.]},
	author = {Thiher, Allan},
	editor = {Haen, Theo d' and Bertens, Johannes Willem},
	date = {1990},
}

@incollection{thiher_notitle_1987,
	location = {Chicago},
	edition = {Paperback ed},
	isbn = {978-0-226-79491-4 978-0-226-79493-8},
	pages = {152--154},
	booktitle = {Words in reflection: modern language theory and postmodern fiction},
	publisher = {Univ. of Chicago Press},
	author = {Thiher, Allen},
	date = {1987},
}

@incollection{kinsman_thomas_1988,
	location = {Detroit},
	title = {"Thomas Pynchon (1937- )"},
	isbn = {978-0-8103-0036-1},
	abstract = {"The Permanent Series will consist of biographical sketches which formerly appeared in regular volumes of Contemporary Authors ... [because] the subject of the sketch is now deceased [or] has not reported a recently published book in progress."},
	pages = {374--378},
	booktitle = {Contemporary Authors: a Bio-bibliographical Guide To Current Authors And Their Works. Clare D. Kinsman, Ed. Permanent Series.},
	publisher = {Gale Research Co.},
	author = {Hite, Molly P.},
	editor = {Kinsman, Clare D. and {Gale Research Company}},
	date = {1988},
	note = {{OCLC}: 1103538306},
}

@book{noauthor_short_2015,
	location = {Farmington Hills},
	title = {Short Story Criticism: Excerpts from Criticism of the Works of Short Fiction Writers},
	isbn = {978-1-4103-1558-8},
	shorttitle = {Short Story Criticism},
	abstract = {Annotation Short Story Criticism assembles critical responses to the writings of the world's most renowned short fiction writers and provides supplementary biographical context and bibliographic material to guide the reader to a greater understanding of the genre an},
	publisher = {Cengage Gale},
	date = {2015-08},
	note = {{OCLC}: 930854874},
}

@incollection{durand_parabole_1979,
	location = {Lille},
	title = {"Une parabole du pouvoir: Lecture de The Crying of Lot 49, de Thomas Pynchon"},
	isbn = {978-2-85939-087-7},
	series = {Publications de l'Université de Lille},
	pages = {119--138},
	booktitle = {Le discours de la violence dans la culture Americaine},
	publisher = {Univ},
	author = {Thomas, Claudine},
	editor = {Durand, Régis},
	date = {1979},
}

@incollection{grunzweig_thomas_1992,
	location = {Tübingen},
	title = {"Thomas Pynchon's Vineland and the New Social Novel, or, Who's Afraid of Tom Wolfe?"},
	isbn = {978-3-8233-5023-1},
	series = {Mannheimer Beiträge zur Sprach- und Literaturwissenschaft},
	pages = {197--208},
	number = {23},
	booktitle = {Constructing the eighties: versions of an American decade},
	publisher = {Narr},
	author = {Thompson, James R.},
	editor = {Grünzweig, Walter},
	date = {1992},
}

@incollection{lucy_introduction_2000,
	location = {Malden, Mass.},
	title = {"Introduction [On the Way to Genre]"},
	isbn = {978-0-631-21027-6 978-0-631-21028-3},
	pages = {1--39},
	booktitle = {Postmodern literary theory: an anthology},
	publisher = {Blackwell Publishers},
	author = {Lucy, Niall},
	editor = {Lucy, Niall},
	date = {2000},
}

@book{homewood_ends_2022,
	location = {Sydney},
	title = {Ends of painting: art in the 1960s and 1970s},
	isbn = {978-0-909952-06-8},
	shorttitle = {Ends of painting},
	abstract = {Contemporary art begins where painting ends, or so goes one of recent art history's most dominant narratives. This book is a postmortem of the supposed death of painting in the period following World War {II}. In eleven essays by a global array of leading scholars, Ends of Painting offers a counter-history, showing how the practice and discourse of painting remained integral to art throughout the 1960s and 1970s. Written by art historians from Australia, Asia, Europe, and North America, each chapter captures a renewed critical approach to topics as diverse as conceptualism and anachronism, photography and autobiography, theater and politics, nationalism and consumerism, race and modernism.0The book reveals a vast constellation in which painting?s ends are also beginnings?from Warhol?s Cow Wallpaper at the Leo Castelli Gallery in New York to Naoyoshi Hikosaka?s act of pouring latex over tatami mats on his bedroom floor in Tokyo; from the first canvas boards by Aboriginal artists at Papunya in Australia?s Western Desert to the Collective Actions Group?s documentation of people holding up arrangements of colored envelopes in snowfields outside Moscow. These unlikely correspondences between times and places sustain this book?s return to the medium. It reveals how history is brushed by painting, and painting by history},
	publisher = {Power publications},
	author = {Homewood, David and Lettau, Paris},
	date = {2022},
}

@incollection{pierre_gault_dir_thomas_nodate,
	title = {"Thomas Pynchon: The Crying of Lot 49, ou Comment l'esprit vient au lecteur"},
	isbn = {978-2-86906-452-2},
	pages = {117--137},
	booktitle = {Stratégies de la métaphore},
	publisher = {Presses universitaires François-Rabelais},
	author = {Turpin, Michel},
	editor = {{Pierre Gault (dir)}},
	langid = {french},
	note = {{OCLC}: 1229855323},
}

@incollection{asociacion_espanola_de_estudios_anglo-norteamericanos_metaphor_1986,
	location = {Madrid},
	edition = {1. ed},
	title = {"Metaphor in the Early Fiction of Thomas Pynchon: A Study of 'Entropy'"},
	isbn = {978-84-362-2072-8},
	pages = {219--227},
	booktitle = {Actas del {VII} Congreso de la Asociacion Española de Estudios Anglo-Norteamericanos: Madrid, 19 - 22 diciembre de 1983},
	publisher = {Ed. de la Univ. Nacional de Educación a Distancia},
	author = {Tylee, Claire},
	editor = {{Asociación Española de Estudios Anglo-Norteamericanos}},
	date = {1986},
}

@incollection{tylee_thomas_1986,
	location = {Málaga},
	title = {"Thomas Pynchon: The Loss of Tragedy with the Spirit of Music"},
	isbn = {978-84-7496-134-8},
	pages = {145--150},
	booktitle = {Los últimos veinte años en los estudios anglo-norteamericanos: actas del {VIII} Congreso de {AEDEAN}, Universidad de Málaga, 1984},
	publisher = {Departamento de Filología Inglesa de la Universidad de Málaga},
	author = {Tylee, Claire},
	date = {1986},
	note = {{OCLC}: 433464184},
}

@incollection{tyson_subject_1994,
	location = {Columbus},
	title = {"Subject as Commodity Sign: Existential Interiority on Trial in Thomas Pynchon's Crying of Lot 49"},
	isbn = {978-0-8142-0626-3},
	series = {The theory and interpretation of narrative series},
	pages = {87--115},
	booktitle = {Psychological politics of the American dream: the commodification of subjectivity in twentieth-century American literature},
	publisher = {Ohio State Univ. Univ. Pr},
	author = {Tyson, Lois},
	date = {1994},
}

@incollection{vion-dury_priere_2000,
	location = {Limoges},
	title = {"'Prière pour la libération du chemin périlleux de l'état intermédiaire': L'entre-deux-morts politique : dans Vineland et Le Post-exotisme en dix leçons, leçon onze"},
	isbn = {978-2-84287-170-3},
	pages = {217--233},
	booktitle = {Entre-deux-morts},
	publisher = {Presses universitaires de Limoges},
	author = {Valtat, Jean-Christophe},
	editor = {Vion-Dury, Juliette},
	date = {2000},
	note = {{OCLC}: 48053122},
}

@incollection{easingwood_vineland_1998,
	location = {Kiel},
	title = {"Vineland in the Novels of John Barth and Thomas Pynchon"},
	isbn = {978-3-930275-23-6},
	series = {Schriftenreihe des Zentrums für Kanada-Studien an der Universität Trier},
	pages = {415--427},
	number = {8},
	booktitle = {Informal empire? cultural relations between Canada, the United States and Europe},
	publisher = {l-und-f-Verl},
	author = {Vanderbeke, Dirk},
	editor = {Easingwood, Peter},
	date = {1998},
}

@incollection{hilmes_cosmic_1994,
	location = {Bielefeld},
	title = {"Cosmic Pool Balls: Zur Koinzidenz von Zufall und Gesetzmäßigkeit bei Thomas Pynchon"},
	isbn = {978-3-925670-93-0},
	pages = {175--186},
	booktitle = {Spielzüge des Zufalls: zur Anatomie eines Symptoms},
	publisher = {Aisthesis-Verl},
	author = {Vanderbeke, Dirk},
	editor = {Hilmes, Carola and Mathy, Dietrich},
	date = {1994},
}

@incollection{wimmer_thomas_1996,
	location = {Wien},
	title = {"Thomas Pynchons V. oder, Wie man einen Buchstaben erzählt"},
	isbn = {978-3-901126-35-2},
	pages = {516--541},
	booktitle = {Strukturen erzählen: die Moderne der Texte},
	publisher = {Ed. Praesens},
	author = {Vanderbeke, Dirk},
	editor = {Wimmer, Herbert J.},
	date = {1996},
}

@incollection{vangelisti_thomas_1999,
	location = {New York},
	title = {"Thomas Pynchon (1937-): Headnote"},
	isbn = {978-1-56886-068-8},
	pages = {237--238},
	booktitle = {L.A. exiles: Los Angeles writing, 1932-1998},
	publisher = {Marsilo Publishers},
	author = {Vangelista, Paul},
	editor = {Vangelisti, Paul and Calbi, Evan},
	date = {1999},
}

@incollection{vidal_american_1978,
	location = {London},
	title = {"American Plastic: The Matter of Fiction"},
	isbn = {978-0-586-04677-7},
	pages = {99--126},
	booktitle = {Matters of fact and fiction: essays, 1973-1976},
	publisher = {Panther},
	author = {Vidal, Gore},
	date = {1978},
	note = {{OCLC}: 16486833},
}

@incollection{vinson_pynchon_1979,
	location = {London},
	edition = {1. publ},
	title = {"Pynchon, Thomas"},
	isbn = {978-0-333-25293-2},
	pages = {996--998},
	booktitle = {Great writers of the English language},
	publisher = {Macmillan},
	author = {Watts, Harold H.},
	editor = {Vinson, James},
	date = {1979},
}

@incollection{wellershoff_thomas_2010,
	location = {Köln},
	edition = {1. Aufl},
	title = {"Thomas Pynchon"},
	isbn = {978-3-462-04276-4},
	abstract = {Dieter Wellershoff ist nicht nur ein Romancier von Rang (zuletzt "Der Himmel ist kein Ort", {BA} 11/09), sondern auch als Essayist ein profunder Literaturkenner und glänzender Stilist (z.B. "Das geordnete Chaos", {ID} 48/92). Dass er auch als Literaturhistoriker überzeugen kann, hatte er bereits 1988 mit dem Abdruck einer Vorlesungsreihe aus dem Wintersemester 1987/88 unter Beweis gestellt ({BA} 11/88), die jetzt erstmals wiederaufgelegt wird. Auch über 20 Jahre nach der Erstedition hat dieser - exemplarisch angelegte - Überblick über die Geschichte des Romans im 19. und 20. Jahrhundert nichts von seiner Plausibilität und Faszination verloren. Die 20 Autorenporträts (Verlag:...beginnend mit Cervantes führt sie über Balzac, Flaubert, Tolstoi und Dostojewski zu Kafka, Joyce, Thomas Mann und vielen anderen, um bei Beckett und Pynchon zu enden...) von Stendhal bis Thomas Pynchon eignen sich überdies auch gut als eine 1. Einführung in deren Leben und Werk, die neugierig macht auf die Lektüre ihrer wichtigsten Romane},
	pages = {440--476},
	booktitle = {Der Roman und die Erfahrbarkeit der Welt},
	publisher = {Kiepenheuer \& Witsch},
	author = {Wellershoff, Dieter},
	date = {2010},
}

@incollection{debatin_metaphors_1997,
	location = {Tübingen},
	title = {"Metaphors, Method and Entropy in Thomas Pynchon"},
	isbn = {978-3-484-10745-8},
	pages = {125--136},
	booktitle = {Metaphor and rational discourse},
	publisher = {Niemeyer},
	author = {Welsh, Caroline},
	editor = {Debatin, Bernhard},
	date = {1997},
}

@incollection{werner_notitle_1982,
	location = {Urbana},
	isbn = {978-0-252-00931-0},
	pages = {181--194},
	booktitle = {Paradoxical resolutions: American fiction since James Joyce},
	publisher = {Univ. of Illinois Press},
	author = {Werner, Craig Hansen},
	date = {1982},
}

@incollection{gloversmith_bakhtin_1984,
	location = {Brighton},
	title = {"Bakhtin, Sociolinguistics and Deconstruction"},
	isbn = {978-0-7108-0068-8 978-0-389-20467-1},
	pages = {123--146},
	booktitle = {The Theory of reading: edited by Frank Gloversmith},
	publisher = {Harvester, [usw.]},
	author = {White, Allon},
	editor = {Gloversmith, Frank},
	date = {1984},
}

@incollection{white_ironic_1993,
	location = {Oxford},
	title = {"Ironic Equivalence: A Reading of Thomas Pynchon's 'Mortality and Mercy in Vienna'"},
	isbn = {978-0-19-812287-6 978-0-19-811296-9},
	pages = {111--121},
	booktitle = {Carnival, hysteria, and writing: collected essays and autobiography},
	publisher = {Clarendon Press},
	author = {White, Allon},
	date = {1993},
}

@incollection{white_ecopoetics_1998,
	location = {Albany, {NY}},
	title = {"Ecopoetics: Literary Ecology and Postmodernity"},
	isbn = {978-0-7914-3573-1 978-0-7914-3574-8},
	pages = {183--218},
	booktitle = {Postmodern ecology: communication, evolution, and play},
	publisher = {State University of New York Press},
	author = {White, Daniel R.},
	date = {1998},
}

@incollection{hayles_negentropy_1994,
	location = {Chicago},
	edition = {3. [print.]},
	title = {"Negentropy, Noise, and Emancipatory Thought"},
	isbn = {978-0-226-32143-1 978-0-226-32144-8},
	series = {New practices of inquiry},
	pages = {263--77},
	booktitle = {Chaos and order: complex dynamics in literature and science},
	publisher = {Univ. of Chicago Press},
	author = {White, Eric C.},
	editor = {Hayles, Nancy Katherine},
	date = {1994},
}

@incollection{wilson_preparing_2001,
	location = {Gainesville, Fla.},
	title = {"Preparing for Pynchon: Thermodynamics, Maxwell's Demon, Information, and Meaning"},
	isbn = {978-0-8130-2283-3},
	pages = {118--137},
	booktitle = {Science and literature: bridging the two cultures},
	publisher = {Univ. Press of Florida},
	author = {Wilson, David L. and Bowen, Zack R.},
	date = {2001},
}

@incollection{wilson_crying_1998,
	location = {New York},
	title = {"The Crying of Lot 49"},
	pages = {136--138},
	booktitle = {Everything Is Under Control: Conspiracies, Cults, and Cover-ups},
	publisher = {{HarperPerennial}},
	author = {Wilson, Robert A. and Hill, Miriam Joan},
	date = {1998},
	note = {{OCLC}: 1021158330},
}

@incollection{wood_thomas_2000,
	location = {London},
	title = {"Thomas Pynchon and the Problem of Allegory"},
	isbn = {978-0-7126-6557-5},
	abstract = {A fierce polemic on the state of British and American writing in the 20th century, this text reflects on Melville, Woolf and D.H. Lawrence. Also examined are {DeLillo}, Amis and Jeanette Winterson, as James Wood argues for an ideal of fiction},
	pages = {169--179},
	booktitle = {The broken estate: essays on literature and belief},
	publisher = {Pimlico},
	author = {Wood, James},
	date = {2000},
	note = {{OCLC}: 59451811},
}

@incollection{zacharasiewicz_thomas_1998,
	location = {Darmstadt},
	title = {"Thomas Pynchons Alptraumorgie"},
	isbn = {978-3-534-12467-1},
	pages = {246--251},
	booktitle = {Das Deutschlandbild in der amerikanischen Literatur},
	publisher = {Wissenschaftliche Buchgesellschaft},
	author = {Zacharasiewicz, Waldemar},
	date = {1998},
	keywords = {History and criticism, In literature, American literature, United States, Appreciation, Foreign public opinion, American, German influences, German literature, Germany},
}

@incollection{erichsen_bild_1999,
	location = {Schwerin},
	title = {"Das Bild in den Köpfen: Wahrnehmungen in Peenemünde"},
	isbn = {978-3-931185-42-8},
	series = {Landeskundliche Hefte},
	pages = {39--48},
	booktitle = {Peenemünde: Facetten eines historischen Ortes},
	publisher = {Helms},
	author = {Zache, Dirk},
	editor = {Erichsen, Johannes and Hoppe, Bernhard M. and Zache, Dirk},
	date = {1999},
}

@incollection{international_comparative_literature_association_paper_1985,
	location = {New York},
	title = {"Paper Empires of the New World: Pynchon, Gaddis, Fuentes"},
	isbn = {978-0-8240-4011-6},
	series = {Proceedings of the Xth Congress of the International Comparative Literature Association = Actes du Xe Congrès de l'Association internationale de littérature comparée},
	pages = {68--75},
	number = {1},
	booktitle = {General problems of literary history =: Problèmes généraux de l'histoire littéraire},
	publisher = {Garland Pub},
	author = {Black, Joel D.},
	editor = {{International Comparative Literature Association} and Fokkema, Douwe Wessel and Smith, Edward C.},
	date = {1985},
	keywords = {Literature, History and criticism Theory, etc. Congresses},
}

@incollection{zamora_apocalypse_1993,
	location = {Cambridge},
	edition = {1. paperback ed},
	title = {"Apocalypse and Entropy: Physics and the Fiction of Thomas Pynchon"},
	isbn = {978-0-521-42691-6 978-0-521-36223-8},
	pages = {52--75},
	booktitle = {Writing the apocalypse: historical vision in contemporary U.S. and Latin American fiction},
	publisher = {Cambridge Univ. Press},
	author = {Zamora, Lois Parkinson},
	date = {1993},
}

@incollection{zamora_apocalipsis_1994,
	location = {México},
	edition = {1. ed},
	title = {"El Apocalipsis y la Entropía: La Física y la Obra de Thomas Pynchon"},
	isbn = {978-968-16-3988-4},
	series = {Lengua y estudios literarios},
	pages = {72--101, 257--259},
	booktitle = {Narrar el apocalipsis: la visión en la literatura estadunidense y latinoamericana contemporánea},
	publisher = {Fondo de Cultura Económica, Sección de Lengua y Estudios Literarios},
	author = {Zamora, Lois Parkinson},
	date = {1994},
}

@book{berube_marginal_1992,
	location = {Ithaca, N.Y},
	title = {Marginal forces/cultural centers: Tolson, Pynchon, and the politics of the canon},
	isbn = {978-0-8014-2620-9 978-0-8014-9921-0},
	shorttitle = {Marginal forces/cultural centers},
	pagetotal = {352},
	publisher = {Cornell University Press},
	author = {Bérubé, Michael},
	date = {1992},
	keywords = {20th century, Criticism and interpretation, Pynchon, Thomas, American literature, Canon (Literature), History and criticism Theory, etc, Tolson, Melvin Beaunorus},
}

@book{engelhardt_modernism_2018,
	location = {Edinburgh},
	title = {Modernism, fiction and mathematics},
	isbn = {978-1-4744-1623-8},
	series = {Edinburgh critical studies in modernist culture},
	publisher = {Edinburgh university press},
	author = {Engelhardt, Nina},
	date = {2018},
}

@book{episcopo_eredita_2016,
	location = {Firenze},
	title = {L'eredità della fine: Gravity's rainbow di Thomas Pynchon e Horcynus Orca di Stefano D'Arrigo},
	isbn = {978-88-7667-554-6},
	series = {Italianisti nel mondo},
	shorttitle = {L'eredità della fine},
	pagetotal = {206},
	number = {6},
	publisher = {Franco Cesati editore},
	author = {Episcopo, Giuseppe},
	date = {2016},
	keywords = {Pynchon, Thomas, Postmodernism (Literature), Gravity's rainbow, History in literature, D'Arrigo, Stefano, Horcynus Orca},
}

@book{fitzpatrick_anxiety_2006,
	location = {Nashville, Tenn},
	edition = {1. ed},
	title = {The anxiety of obsolescence: the American novel in the age of television},
	isbn = {978-0-8265-1520-9 978-0-8265-1519-3},
	shorttitle = {The anxiety of obsolescence},
	pagetotal = {268},
	publisher = {Vanderbilt University Press},
	author = {Fitzpatrick, Kathleen},
	date = {2006},
}

@book{garcia-caro_after_2014,
	location = {Evanston, Illinois},
	title = {After the nation: postnational satire in the works of Carlos Fuentes and Thomas Pynchon},
	isbn = {978-0-8101-2995-5},
	shorttitle = {After the nation},
	pagetotal = {282},
	publisher = {Northwestern University Press},
	author = {Garcia-Caro, Pedro},
	date = {2014},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Fuentes, Carlos, Nationalism in literature},
}

@book{hogue_postmodern_2009,
	location = {Urbana (Ill.)},
	title = {Postmodern American literature and its other},
	isbn = {978-0-252-03383-4},
	publisher = {University of Illinois press},
	author = {Hogue, W. Lawrence},
	date = {2009},
}

@book{levy_territoires_2014,
	location = {Rennes},
	title = {Territoires postmodernes: géocritique de Calvino, Echenoz, Pynchon et Ransmayr},
	isbn = {978-2-7535-3351-6},
	series = {Interférences},
	shorttitle = {Territoires postmodernes},
	publisher = {Presses universitaires de Rennes},
	author = {Lévy, Clément},
	date = {2014},
}

@book{mcclure_partial_2007,
	location = {Athens},
	title = {Partial faiths: postsecular fiction in the age of Pynchon and Morrison},
	isbn = {978-0-8203-3032-7 978-0-8203-3033-4},
	shorttitle = {Partial faiths},
	pagetotal = {209},
	publisher = {University of Georgia Press},
	author = {{McClure}, John A.},
	date = {2007},
	note = {{OCLC}: ocn132581938},
	keywords = {American fiction, 20th century, History, United States, History and criticism Theory, etc, 21st century, Religion and literature, Religion in literature, Secularism in literature},
}

@book{patell_negative_2001,
	location = {Durham, {NC}},
	title = {Negative liberties: Morrison, Pynchon, and the problem of liberal ideology},
	isbn = {978-0-8223-2664-9 978-0-8223-2669-4},
	series = {New Americanists},
	shorttitle = {Negative liberties},
	pagetotal = {239},
	publisher = {Duke University Press},
	author = {Patell, Cyrus R. K.},
	date = {2001},
}

@book{simonetti_paranoia_2009,
	location = {Roma},
	title = {Paranoia blues: trame del postmodern americano},
	isbn = {978-88-548-2991-6},
	series = {Americana},
	shorttitle = {Paranoia blues},
	number = {1},
	publisher = {Aracne},
	author = {Simonetti, Paolo},
	date = {2009},
}

@article{nagy_excessive_2005,
	title = {Excessive Crying in Infancy},
	volume = {52},
	rights = {http://onlinelibrary.wiley.com/{termsAndConditions}\#vor},
	issn = {0309-2402, 1365-2648},
	url = {https://onlinelibrary.wiley.com/doi/10.1111/j.1365-2648.2005.03699_1.x},
	doi = {10.1111/j.1365-2648.2005.03699_1.x},
	pages = {576--576},
	number = {5},
	journaltitle = {Journal of Advanced Nursing},
	shortjournal = {Journal of Advanced Nursing},
	author = {Nagy, Sue},
	urldate = {2024-03-29},
	date = {2005-12},
	langid = {english},
}

@article{abernethy_entropy_1972,
	title = {Entropy In Pynchon’s \textit{The Cring of Lot 49}},
	volume = {14},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1972.10690022},
	doi = {10.1080/00111619.1972.10690022},
	pages = {18--33},
	number = {2},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Abernethy, Peter L.},
	urldate = {2024-03-29},
	date = {1972-12},
	langid = {english},
}

@article{clarici_crying_2002,
	title = {Crying of a Newborn Child: Alarm Signal or Protocommunication?},
	volume = {95},
	rights = {http://journals.sagepub.com/page/policies/text-and-data-mining-license},
	issn = {0031-5125, 1558-688X},
	url = {http://journals.sagepub.com/doi/10.2466/pms.2002.95.3.752},
	doi = {10.2466/pms.2002.95.3.752},
	shorttitle = {Crying of a Newborn Child},
	abstract = {The purpose of the study was to explore whether the new-born cry is a simple alarm signal or differentiated cries with different meanings 12 digital audio taped recordings of 6 full-term healthy babies were analysed. Cries of 6 newborns in this preliminary study were recorded in a pain condition after a prick for the hematic check-up the third day after delivery and then while crying spontaneously in the cradle. The sounds were sampled at 44100 Hz with a 16-bit resolution and converted to the way format. All the analyses were performed with a software written in the {MATLAB}© environment. The most important result was that these new-born children modulated the supralaryngeal tract considerably more in cries following the painful stimulus than in “spontaneous” ones, as would be expected by the hypothesis of crying as “protolanguage.”},
	pages = {752--754},
	number = {3},
	journaltitle = {Perceptual and Motor Skills},
	shortjournal = {Percept Mot Skills},
	author = {Clarici, A. and Travan, L. and Accardo, A. and De Vonderweid, U. and Bava, A.},
	urldate = {2024-03-29},
	date = {2002-12},
	langid = {english},
}

@inbook{delaney_21_2018,
	title = {21 Disability and the Short Story},
	isbn = {978-1-4744-0066-4},
	url = {https://www.degruyter.com/document/doi/10.1515/9781474400664-024/html},
	pages = {346--362},
	booktitle = {The Edinburgh Companion to the Short Story in English},
	publisher = {Edinburgh University Press},
	author = {Hall, Alice},
	bookauthor = {Delaney, Paul and Hunter, Adrian},
	urldate = {2024-03-29},
	date = {2018-12-05},
	doi = {10.1515/9781474400664-024},
}

@book{horn_sculpture_2018,
	title = {The Sculpture of Robyn Horn},
	isbn = {978-1-61075-641-9 978-1-68226-066-1},
	url = {http://www.jstor.org/stable/10.2307/j.ctv4s7k1b},
	publisher = {University of Arkansas Press},
	author = {Horn, Robyn},
	urldate = {2024-03-29},
	date = {2018-09-01},
	doi = {10.2307/j.ctv4s7k1b},
}

@article{clarici_crying_2002-1,
	title = {Crying of a Newborn Child: Alarm Signal or Protocommunication?},
	volume = {95},
	rights = {http://journals.sagepub.com/page/policies/text-and-data-mining-license},
	issn = {0031-5125, 1558-688X},
	url = {http://journals.sagepub.com/doi/10.2466/pms.2002.95.3.752},
	doi = {10.2466/pms.2002.95.3.752},
	shorttitle = {Crying of a Newborn Child},
	abstract = {The purpose of the study was to explore whether the new-born cry is a simple alarm signal or differentiated cries with different meanings 12 digital audio taped recordings of 6 full-term healthy babies were analysed. Cries of 6 newborns in this preliminary study were recorded in a pain condition after a prick for the hematic check-up the third day after delivery and then while crying spontaneously in the cradle. The sounds were sampled at 44100 Hz with a 16-bit resolution and converted to the way format. All the analyses were performed with a software written in the {MATLAB}© environment. The most important result was that these new-born children modulated the supralaryngeal tract considerably more in cries following the painful stimulus than in “spontaneous” ones, as would be expected by the hypothesis of crying as “protolanguage.”},
	pages = {752--754},
	number = {3},
	journaltitle = {Perceptual and Motor Skills},
	shortjournal = {Percept Mot Skills},
	author = {Clarici, A. and Travan, L. and Accardo, A. and De Vonderweid, U. and Bava, A.},
	urldate = {2024-03-29},
	date = {2002-12},
	langid = {english},
}

@article{abernethy_entropy_1972-1,
	title = {Entropy In Pynchon’s \textit{The Cring of Lot 49}},
	volume = {14},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1972.10690022},
	doi = {10.1080/00111619.1972.10690022},
	pages = {18--33},
	number = {2},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Abernethy, Peter L.},
	urldate = {2024-03-29},
	date = {1972-12},
	langid = {english},
}

@article{aghoro_bilocated_2009,
	title = {Bilocated Identities: Taking the Fork in the Road in Against the Day},
	volume = {2},
	issn = {18658768, 21997284},
	url = {http://www.aspeers.com/2009/aghoro?fulltext},
	doi = {10.54465/aspeers.02-04},
	shorttitle = {Bilocated Identities},
	abstract = {Offering one of the first critical receptions on identity in Thomas Pynchon’s latest novel beyond the reviews, this paper seeks to show that bilocation, a fictional disposition affecting personal mobility in Against The Day, brings up the question of what we are by suggesting what we could be. It investigates how the novel redefines and enlarges concepts of identity by exploring several aspects of sameness and selfhood exposed to a very special kind of migration: Being in two places, countries, or worlds at the same time, a multiplicity of characters in Against The Day opt for the excluded middle when a fork in the road presents itself. The paper investigates these new forms of identity in the novel and explores their impact on philosophical concepts such as the notion of a seamless continuity of identity, the role of subjectivity for identity, and the concept of a narrative identity.},
	pages = {33--52},
	journaltitle = {aspeers: emerging voices in american studies},
	shortjournal = {aspeers},
	author = {Aghoro, Nathalie},
	urldate = {2024-03-29},
	date = {2009},
}

@article{ahmad_jamesons_1987,
	title = {Jameson's Rhetoric of Otherness and the "National Allegory"},
	issn = {01642472},
	url = {https://www.jstor.org/stable/466475?origin=crossref},
	doi = {10.2307/466475},
	pages = {3--25},
	number = {17},
	journaltitle = {Social Text},
	shortjournal = {Social Text},
	author = {Ahmad, Aijaz},
	urldate = {2024-03-29},
	date = {1987},
}

@article{alexander_crying_2003,
	title = {\textit{The Crying of Lot 49} and C. S. Peirce's Theory of Self-Organization},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2505/},
	doi = {10.16995/pn.50},
	pages = {23--39},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Alexander, Victoria N.},
	urldate = {2024-03-29},
	date = {2003-09-22},
}

@article{white_literary_1991,
	title = {Literary Ecology and Postmodernity in Thomas Sanchez's Mile Zero and Thomas Pynchon's Vineland},
	volume = {2},
	issn = {1053-1920},
	url = {https://muse.jhu.edu/article/27330},
	doi = {10.1353/pmc.1991.0039},
	number = {1},
	journaltitle = {Postmodern Culture},
	shortjournal = {pmc},
	author = {White, Daniel R. (Daniel Ray)},
	urldate = {2024-03-29},
	date = {1991-09},
	langid = {english},
}

@article{allen_raids_1994,
	title = {Raids on the Conscious: Pynchon's Legacy of Paranoia and the Terrorism of Uncertainty in Don {DeLillo}'s Ratner's Star},
	volume = {4},
	issn = {1053-1920},
	url = {https://muse.jhu.edu/article/27438},
	doi = {10.1353/pmc.1994.0001},
	shorttitle = {Raids on the Conscious},
	number = {2},
	journaltitle = {Postmodern Culture},
	shortjournal = {pmc},
	author = {Allen, Glen Scott},
	urldate = {2024-03-29},
	date = {1994-01},
	langid = {english},
}

@article{ames_power_1990,
	title = {Power and the Obscene Word: Discourses of Extremity in Thomas Pynchon's "Gravity's Rainbow"},
	volume = {31},
	issn = {00107484},
	url = {http://www.jstor.org/stable/1208586?origin=crossref},
	doi = {10.2307/1208586},
	shorttitle = {Power and the Obscene Word},
	pages = {191--207},
	number = {2},
	journaltitle = {Contemporary Literature},
	shortjournal = {Contemporary Literature},
	author = {Ames, Christopher},
	urldate = {2024-03-29},
	date = {1990},
}

@article{ames_coming_1990,
	title = {Coming Home: Pynchon's Morning in America},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2662/},
	doi = {10.16995/pn.278},
	shorttitle = {Coming Home},
	pages = {115--123},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Ames, Sanford S.},
	urldate = {2024-03-29},
	date = {1990-09-22},
}

@article{andersen_back_2021,
	title = {Back to Gondwanaland: Deep Time and Planetarity in Thomas Pynchon’s \textit{Gravity’s Rainbow} and Cormac {McCarthy}’s \textit{Blood Meridian}},
	volume = {62},
	issn = {0011-1619, 1939-9138},
	url = {https://www.tandfonline.com/doi/full/10.1080/00111619.2020.1772714},
	doi = {10.1080/00111619.2020.1772714},
	shorttitle = {Back to Gondwanaland},
	pages = {97--111},
	number = {1},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Andersen, Tore Rye},
	urldate = {2024-03-29},
	date = {2021-01-01},
	langid = {english},
}

@article{andersen_distorted_2013,
	title = {Distorted Transmissions. Towards a Material Reading of Thomas Pynchon's \textit{The Crying of Lot 49}},
	volume = {68},
	rights = {http://onlinelibrary.wiley.com/{termsAndConditions}\#vor},
	issn = {0105-7510, 1600-0730},
	url = {https://onlinelibrary.wiley.com/doi/10.1111/oli.12007},
	doi = {10.1111/oli.12007},
	abstract = {Drawing on various theories of the materiality and mediality of literature, the essay argues that a focus on the material history of any given literary work can provide a more nuanced understanding of various literary historical processes than traditional textual analysis. Taking different physical editions of Thomas Pynchon's
              The Crying of Lot 49
              as its starting point, the essay traces the constantly evolving exchanges between the progressive material incarnations of Pynchon's novel and the cultural context, laying bare some of the complex literary historical, cultural, and institutional processes that contributed to the canonization of
              The Crying of Lot 49
              .},
	pages = {110--142},
	number = {2},
	journaltitle = {Orbis Litterarum},
	shortjournal = {Orbis Litterarum},
	author = {Andersen, Tore Rye},
	urldate = {2024-03-29},
	date = {2013-04},
	langid = {english},
}

@article{andersen_mapping_2016,
	title = {Mapping the World: Thomas Pynchon's Global Novels},
	volume = {4},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/doi/10.16995/orbit.178/},
	doi = {10.16995/orbit.178},
	shorttitle = {Mapping the World},
	pages = {1--40},
	number = {1},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Andersen, Tore Rye},
	urldate = {2024-03-29},
	date = {2016-01-20},
}

@article{apter_oneworldedness_2006,
	title = {On Oneworldedness: Or Paranoia as a World System},
	volume = {18},
	issn = {0896-7148, 1468-4365},
	url = {https://academic.oup.com/alh/article-lookup/doi/10.1093/alh/ajj022},
	doi = {10.1093/alh/ajj022},
	shorttitle = {On Oneworldedness},
	pages = {365--389},
	number = {2},
	journaltitle = {American Literary History},
	shortjournal = {American Literary History},
	author = {Apter, E.},
	urldate = {2024-03-29},
	date = {2006-03-01},
	langid = {english},
}

@article{arich_dogsical_1998,
	title = {Dogsical Reading: \textit{Gravity's Rainbow's} Reversals and Reader Response Criticism},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2473/},
	doi = {10.16995/pn.153},
	shorttitle = {Dogsical Reading},
	pages = {292--302},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Arich, Friedrich},
	urldate = {2024-03-29},
	date = {1998-09-22},
}

@article{arich-gerz_encountering_2008,
	title = {Encountering the Other at Home: Representations of Dora in Pynchon and Mirbach},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2701/},
	doi = {10.16995/pn.31},
	shorttitle = {Encountering the Other at Home},
	pages = {122--135},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Arich-Gerz, Bruno and Herman, Luc},
	urldate = {2024-03-29},
	date = {2008-09-22},
}

@article{arich-gerz_comet_2004,
	title = {The Comet and the Rocket: Intertextual Constellations about Technological Progress in Bruno Schulz's "Kometa" and Thomas Pynchon's Gravity's Rainbow},
	volume = {41},
	issn = {1528-4212},
	url = {https://muse.jhu.edu/article/170868},
	doi = {10.1353/cls.2004.0016},
	shorttitle = {The Comet and the Rocket},
	pages = {231--256},
	number = {2},
	journaltitle = {Comparative Literature Studies},
	shortjournal = {cls},
	author = {Arich-Gerz, Bruno},
	urldate = {2024-03-29},
	date = {2004},
	langid = {english},
}

@article{ashe_anachronism_1991,
	title = {Anachronism Intended: \textit{Gravity's Rainbow} in the Sociopolitical Sixties},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2517/},
	doi = {10.16995/pn.258},
	shorttitle = {Anachronism Intended},
	pages = {59--75},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Ashe, Frederick},
	urldate = {2024-03-29},
	date = {1991-09-22},
}

@article{ashley_marx_1990,
	title = {Marx and the Excess of the Signifier: Domination as Production and as Simulation},
	volume = {33},
	rights = {http://journals.sagepub.com/page/policies/text-and-data-mining-license},
	issn = {0731-1214, 1533-8673},
	url = {http://journals.sagepub.com/doi/10.2307/1388981},
	doi = {10.2307/1388981},
	shorttitle = {Marx and the Excess of the Signifier},
	abstract = {Lyotard's and Baudrillard's explicit and implied critiques of the effects of so-called “postmodernity” on the applicability of the Marxist emancipatory narrative are evaluated. This paper concludes that the Marxist critique of modernist forms of hegemony still has validity but that we must now acknowledge that Marxism is a modernist, not a universal, theoretical practice. The significance of this for contemporary Marxist critique is further analyzed.},
	pages = {129--146},
	number = {1},
	journaltitle = {Sociological Perspectives},
	shortjournal = {Sociological Perspectives},
	author = {Ashley, David},
	urldate = {2024-03-29},
	date = {1990-03},
	langid = {english},
}

@article{caesar_japan_2003,
	title = {Japan, Creative Masochism, and Transnationality in \textit{Vineland}},
	volume = {44},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111610309598890},
	doi = {10.1080/00111610309598890},
	pages = {371--387},
	number = {4},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Caesar, Terry and Aso, Takashi},
	urldate = {2024-03-29},
	date = {2003-01},
	langid = {english},
}

@article{aso_pynchons_2003,
	title = {Pynchon's Alternative Ethics of Writing in \textit{V.}: The Problem of Authorship in the "Confessions of Fausto Maijstral"},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2707/},
	doi = {10.16995/pn.49},
	shorttitle = {Pynchon's Alternative Ethics of Writing in \textit{V.}},
	pages = {7--22},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Aso, Takashi},
	urldate = {2024-03-29},
	date = {2003-09-22},
}

@article{assmann_texts_1996,
	title = {Texts, Traces, Trash: The Changing Media of Cultural Memory},
	volume = {56},
	issn = {0734-6018},
	url = {https://online.ucpress.edu/representations/article/doi/10.2307/2928711/82695/Texts-Traces-Trash-The-Changing-Media-of-Cultural},
	doi = {10.2307/2928711},
	shorttitle = {Texts, Traces, Trash},
	pages = {123--134},
	journaltitle = {Representations},
	author = {Assmann, Aleida},
	urldate = {2024-03-29},
	date = {1996-10-01},
	langid = {english},
}

@article{attewell_bouncy_2004,
	title = {"Bouncy Little Tunes": Nostalgia, Sentimentality, and Narrative in Gravity's Rainbow},
	volume = {45},
	issn = {1548-9949},
	url = {http://muse.jhu.edu/content/crossref/journals/contemporary_literature/v045/45.1attewell.html},
	doi = {10.1353/cli.2004.0002},
	shorttitle = {"Bouncy Little Tunes"},
	pages = {22--48},
	number = {1},
	journaltitle = {Contemporary Literature},
	shortjournal = {Contemporary Literature},
	author = {Attewell, Nadine},
	urldate = {2024-03-29},
	date = {2004},
	langid = {english},
}

@article{baker_terrorist_1994,
	title = {The Terrorist as Interpreter: Mao {II} in Postmodern Context},
	volume = {4},
	issn = {1053-1920},
	url = {https://muse.jhu.edu/article/27439},
	doi = {10.1353/pmc.1994.0002},
	shorttitle = {The Terrorist as Interpreter},
	number = {2},
	journaltitle = {Postmodern Culture},
	shortjournal = {pmc},
	author = {Baker, Peter},
	urldate = {2024-03-29},
	date = {1994-01},
	langid = {english},
}

@article{lakomski_ways_1983,
	title = {Ways of Knowing and Ways of Evaluating: Or How Democratic is ‘Democratic Evaluation’?},
	volume = {15},
	issn = {0022-0272, 1366-5839},
	url = {https://www.tandfonline.com/doi/full/10.1080/0022027830150303},
	doi = {10.1080/0022027830150303},
	shorttitle = {Ways of Knowing and Ways of Evaluating},
	pages = {265--276},
	number = {3},
	journaltitle = {Journal of Curriculum Studies},
	shortjournal = {Journal of Curriculum Studies},
	author = {Lakomski, Gabriele},
	urldate = {2024-03-29},
	date = {1983-07},
	langid = {english},
}

@article{barnes_vinland_1995,
	title = {Vínland the Good: Paradise Lost?},
	volume = {12},
	issn = {1832-8334},
	url = {https://muse.jhu.edu/article/476000},
	doi = {10.1353/pgn.1995.0117},
	shorttitle = {Vínland the Good},
	pages = {75--96},
	number = {2},
	journaltitle = {Parergon},
	shortjournal = {pgn},
	author = {Barnes, Geraldine},
	urldate = {2024-03-29},
	date = {1995-01},
	langid = {english},
}

@article{barnett_refused_1988,
	title = {Refused Readings: Narrative and History in "The Secret Integration"},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2651/},
	doi = {10.16995/pn.319},
	shorttitle = {Refused Readings},
	pages = {79--85},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Barnett, Stuart},
	urldate = {2024-03-29},
	date = {1988-09-22},
}

@article{battesti_and_1988,
	title = {"And it all goes along to the same jolly song" : Chansons et poèmes dans Gravity's Rainbow},
	volume = {21},
	issn = {0557-6989},
	url = {https://www.persee.fr/doc/ranam_0557-6989_1988_num_21_1_1185},
	doi = {10.3406/ranam.1988.1185},
	shorttitle = {"And it all goes along to the same jolly song"},
	abstract = {Dans Gravity’s Rainbow, le divertissement des chansons et poèmes donne lieu à des interférences entre formes en vers et en prose, entre voix et écriture : contamination mais discordance où, sur les ruines d'une parole poétique pleine et légère comme le chant, se lisent le malheur et la force de l'écriture de Pynchon.
          , 
            The songs and poems in Gravity's Rainbow are this diversion which allows for interferences between verse and prose, between the sung and the written words : contamination yet discordance exhibiting, after the loss of a "warm circle of song", what both plagues and nourrishes Pynchon's mode of writing.},
	pages = {5--12},
	number = {1},
	journaltitle = {Recherches anglaises et nord-américaines},
	shortjournal = {ranam},
	author = {Battesti, Anne},
	urldate = {2024-03-29},
	date = {1988},
	langid = {french},
}

@article{battestini_pynchon_1992,
	title = {Pynchon : voix, lieux communs},
	volume = {54},
	issn = {0397-7870},
	url = {https://www.persee.fr/doc/rfea_0397-7870_1992_num_54_1_1832},
	doi = {10.3406/rfea.1992.1832},
	shorttitle = {Pynchon},
	abstract = {The inscription of voices in Pynchon's texts serves a mutual subversion of the written and the spoken words which affects discursive mastery. In Gravity's Rainbow, impersonated or contaminated voices point to a haunting dispossession inflicted on the shifting addressees as well as on the reader. The voice of « We », carried and dissipated by Pynchon, is light with insignificance but sings that meaning resides neither in presence nor in death.},
	pages = {365--376},
	number = {1},
	journaltitle = {Revue française d’études américaines},
	shortjournal = {rfea},
	author = {Battestini, Anne},
	urldate = {2024-03-29},
	date = {1992},
	langid = {french},
}

@article{baucom_globalit_2001,
	title = {Globalit, Inc.; or, The Cultural Logic of Global Literary Studies},
	volume = {116},
	rights = {https://www.cambridge.org/core/terms},
	issn = {0030-8129, 1938-1530},
	url = {https://www.cambridge.org/core/product/identifier/S0030812900105103/type/journal_article},
	doi = {10.1632/pmla.2001.116.1.158},
	abstract = {“Charter'd Companies may indeed be the form the world has now increasingly begun to take,” announces Charles Mason in Thomas Pynchon's 1997 novel
              Mason and Dixon.
              Taking that cryptic comment as a starting point and drawing on Giovanni Arrighi's account of the recurrent organization of capital by metropolitan “spaces-of-flows,” this essay investigates what it might mean for Mason's comment to be true of both his late-eighteenth-century moment and the late-twentieth-century moment of the novel's publication and asks what such a reading of the “form [of] the world” implies for contemporary attempts to rethink literary study under the sign of the global. The essay offers “laws” of such a global form (expansion contracts, contraction enriches, enrichment haunts) and deploys them to read the two modes of globalized literary study that have achieved dominance of late: global literary study as method and as project—the key method in question understood here as a type of global historicism and the key project as the appeal to reconfigure literary study as the study of something called global literature.},
	pages = {158--172},
	number = {1},
	journaltitle = {{PMLA}/Publications of the Modern Language Association of America},
	shortjournal = {Publ. Mod. Lang. Assoc. Am.},
	author = {Baucom, Ian},
	urldate = {2024-03-29},
	date = {2001-01},
	langid = {english},
}

@article{baylon_crying_1986,
	title = {The Crying of Lot 49 : vrai roman et faux policier ?},
	volume = {23},
	issn = {0575-2124},
	url = {https://www.persee.fr/doc/calib_0575-2124_1986_num_23_1_1191},
	doi = {10.3406/calib.1986.1191},
	shorttitle = {The Crying of Lot 49},
	pages = {111--125},
	number = {1},
	journaltitle = {Caliban},
	shortjournal = {calib},
	author = {Baylon, Daniel},
	urldate = {2024-03-29},
	date = {1986},
	langid = {french},
}

@article{beitzel_mrs_2018,
	title = {Mrs. Oedipa Maas: Motherhood, Originality, and Meaning in The Crying of Lot 49},
	volume = {51},
	issn = {2162-6294},
	url = {https://muse.jhu.edu/article/728196},
	doi = {10.1353/mml.2018.0003},
	shorttitle = {Mrs. Oedipa Maas},
	pages = {197--220},
	number = {1},
	journaltitle = {Journal of the Midwest Modern Language Association},
	shortjournal = {Journal of the Midwest Modern Language Association},
	author = {Beitzel, Constance},
	urldate = {2024-03-29},
	date = {2018},
	langid = {english},
}

@article{benoit_slothrop_1992,
	title = {Slothrop Unbound: Shelley's Prometheus and \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2769/},
	doi = {10.16995/pn.243},
	shorttitle = {Slothrop Unbound},
	pages = {188--191},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Benoit, Raymond},
	urldate = {2024-03-29},
	date = {1992-09-22},
}

@article{benton_riding_1998,
	title = {Riding the Interface: An Anarchist Reading of \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2741/},
	doi = {10.16995/pn.146},
	shorttitle = {Riding the Interface},
	pages = {152--166},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Benton, Graham},
	urldate = {2024-03-29},
	date = {1998-09-22},
}

@article{berger_cultural_1995,
	title = {Cultural Trauma and the "Timeless Burst": Pynchon's Revision of Nostalgia in Vineland},
	volume = {5},
	issn = {1053-1920},
	url = {https://muse.jhu.edu/article/27520},
	doi = {10.1353/pmc.1995.0020},
	shorttitle = {Cultural Trauma and the "Timeless Burst"},
	number = {3},
	journaltitle = {Postmodern Culture},
	shortjournal = {pmc},
	author = {Berger, James},
	urldate = {2024-03-29},
	date = {1995-05},
	langid = {english},
}

@article{berger_death_1987,
	title = {Death Was No Enemy: A Note on Thomas Pynchon, Wilfred Owen, and The First World War},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2469/},
	doi = {10.16995/pn.338},
	shorttitle = {Death Was No Enemy},
	pages = {105--108},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Berger, Roger A.},
	urldate = {2024-03-29},
	date = {1987-09-22},
}

@article{bergh_pynchons_2001,
	title = {Pynchon's Swedish: A Footnote},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2724/},
	doi = {10.16995/pn.100},
	shorttitle = {Pynchon's Swedish},
	pages = {211},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Bergh, Magnus},
	urldate = {2024-03-29},
	date = {2001-09-22},
}

@article{bergh_couriers_1993,
	title = {The Courier's Tragedy: Thomas Pynchon and Salman Rushdie in Tune with Each Other},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2644/},
	doi = {10.16995/pn.224},
	shorttitle = {The Courier's Tragedy},
	pages = {188--192},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Bergh, Magnus},
	urldate = {2024-03-29},
	date = {1993-09-22},
}

@article{bergh_constructing_1997,
	title = {(De)constructing the Image: Thomas Pynchon's Postmodern Woman},
	volume = {30},
	rights = {http://onlinelibrary.wiley.com/{termsAndConditions}\#vor},
	issn = {0022-3840, 1540-5931},
	url = {https://onlinelibrary.wiley.com/doi/10.1111/j.0022-3840.1997.3004_1.x},
	doi = {10.1111/j.0022-3840.1997.3004_1.x},
	shorttitle = {(De)constructing the Image},
	pages = {1--12},
	number = {4},
	journaltitle = {The Journal of Popular Culture},
	shortjournal = {The J of Popular Culture},
	author = {Bergh, Patricia A.},
	urldate = {2024-03-29},
	date = {1997-03},
	langid = {english},
}

@article{berressem_short_1984,
	title = {A Short Note on Pynchon's Sources for "The Firm"},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2445/},
	doi = {10.16995/pn.390},
	pages = {77--79},
	number = {15},
	journaltitle = {Pynchon Notes},
	author = {Berressem, Hanjo},
	urldate = {2024-03-29},
	date = {1984-09-22},
}

@article{berressem_economies_2019,
	title = {Economies of greed in ‘late Pynchon’: America and the logic of capital},
	volume = {33},
	issn = {0950-236X, 1470-1308},
	url = {https://www.tandfonline.com/doi/full/10.1080/0950236X.2019.1580507},
	doi = {10.1080/0950236X.2019.1580507},
	shorttitle = {Economies of greed in ‘late Pynchon’},
	pages = {433--449},
	number = {3},
	journaltitle = {Textual Practice},
	shortjournal = {Textual Practice},
	author = {Berressem, Hanjo},
	urldate = {2024-03-29},
	date = {2019-03-16},
	langid = {english},
}

@article{berressem_godolphin_1982,
	title = {Godolphin – Goodolphin – Goodol 'phin – Goodol 'Pyn – Good ol 'Pym: A Question of Integration},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2648/},
	doi = {10.16995/pn.434},
	shorttitle = {Godolphin – Goodolphin – Goodol 'phin – Goodol 'Pyn – Good ol 'Pym},
	pages = {3--17},
	number = {10},
	journaltitle = {Pynchon Notes},
	author = {Berressem, Hanjo},
	urldate = {2024-03-29},
	date = {1982-10-01},
}

@article{berressem_serres_2001,
	title = {Serres Reads Pynchon / Pynchon Reads Serres},
	volume = {11},
	issn = {1053-1920},
	url = {https://muse.jhu.edu/article/27743},
	doi = {10.1353/pmc.2001.0016},
	number = {3},
	journaltitle = {Postmodern Culture},
	shortjournal = {pmc},
	author = {Berressem, Hanjo},
	urldate = {2024-03-29},
	date = {2001-05},
	langid = {english},
}

@article{berressem_strangely_1994,
	title = {Strangely Attractive: The Topology of Psychic and Social Space in \textit{Vineland}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2568/},
	doi = {10.16995/pn.197},
	shorttitle = {Strangely Attractive},
	pages = {38--55},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Berressem, Hanjo},
	urldate = {2024-03-29},
	date = {1994-09-22},
}

@article{berressem_tristes_1998,
	title = {Tristes Traumatiques: Trauma in the Zone:s},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2653/},
	doi = {10.16995/pn.151},
	shorttitle = {Tristes Traumatiques},
	pages = {244--274},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Berressem, Hanjo},
	urldate = {2024-03-29},
	date = {1998-09-22},
}

@article{bersani_pynchon_1989,
	title = {Pynchon, Paranoia, and Literature},
	volume = {25},
	issn = {0734-6018},
	url = {https://online.ucpress.edu/representations/article/doi/10.2307/2928469/82290/Pynchon-Paranoia-and-Literature},
	doi = {10.2307/2928469},
	pages = {99--118},
	journaltitle = {Representations},
	author = {Bersani, Leo},
	urldate = {2024-03-29},
	date = {1989-01-01},
	langid = {english},
}

@article{bettridge_prurient_2003,
	title = {Prurient Ethics: Representing Multiple Subjectivity in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2399/},
	doi = {10.16995/pn.52},
	shorttitle = {Prurient Ethics},
	pages = {53--74},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Bettridge, Joel},
	urldate = {2024-03-29},
	date = {2003-09-22},
}

@article{blackford_physics_1985,
	title = {Physics and Fantasy: Scientific Mysticism, Kurt Vonnegut, and \textit{Gravity's Rainbow}},
	volume = {19},
	rights = {http://onlinelibrary.wiley.com/{termsAndConditions}\#vor},
	issn = {0022-3840, 1540-5931},
	url = {https://onlinelibrary.wiley.com/doi/10.1111/j.0022-3840.1985.1903_35.x},
	doi = {10.1111/j.0022-3840.1985.1903_35.x},
	shorttitle = {Physics and Fantasy},
	pages = {35--44},
	number = {3},
	journaltitle = {The Journal of Popular Culture},
	shortjournal = {The J of Popular Culture},
	author = {Blackford, Russell},
	urldate = {2024-03-29},
	date = {1985-12},
	langid = {english},
}

@article{black_probing_1980,
	title = {Probing a Post-Romantic Paleontology: Thomas Pynchon's Gravity's Rainbow},
	volume = {8},
	issn = {01903659},
	url = {https://www.jstor.org/stable/302849?origin=crossref},
	doi = {10.2307/302849},
	shorttitle = {Probing a Post-Romantic Paleontology},
	pages = {229--254},
	number = {2},
	journaltitle = {boundary 2},
	shortjournal = {boundary 2},
	author = {Black, Joel D.},
	urldate = {2024-03-29},
	date = {1980},
}

@article{black_pynchons_1984,
	title = {Pynchon's Eve of De-struction},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2413/},
	doi = {10.16995/pn.399},
	pages = {23--38},
	number = {14},
	journaltitle = {Pynchon Notes},
	author = {Black, Joel D.},
	urldate = {2024-03-29},
	date = {1984-02-01},
}

@article{blumberg_umlauts_1992,
	title = {Umlauts and Oz: Signifiers within the Textual Zone of Pynchon’s Gravity’s Rainbow},
	volume = {9},
	issn = {0277-7126},
	url = {http://www.pdcnet.org/oom/service?url_ver=Z39.88-2004&rft_val_fmt=&rft.imuse_id=ajs_1992_0009_0004_0069_0076&svc_id=info:www.pdcnet.org/collection},
	doi = {10.5840/ajs1992947},
	shorttitle = {Umlauts and Oz},
	pages = {69--76},
	number = {4},
	journaltitle = {The American Journal of Semiotics},
	author = {Blumberg, David and {Semiotic Society of American, in cooperation with the Philosophy Documentation Center}},
	urldate = {2024-03-29},
	date = {1992},
}

@article{blyn_beyond_2020,
	title = {Beyond Anarchist Miracles: The Crying of Lot 49 and Network Aesthetics},
	volume = {27},
	issn = {1080-6601},
	url = {https://muse.jhu.edu/article/771028},
	doi = {10.1353/mod.2020.0042},
	shorttitle = {Beyond Anarchist Miracles},
	pages = {583--599},
	number = {3},
	journaltitle = {Modernism/modernity},
	shortjournal = {Modernism/modernity},
	author = {Blyn, Robin},
	urldate = {2024-03-29},
	date = {2020},
	langid = {english},
}

@article{booker_probable_1988,
	title = {A Probable Source for the Title of "The Small Rain"},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2809/},
	doi = {10.16995/pn.318},
	pages = {75--77},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Booker, M. Keith},
	urldate = {2024-03-29},
	date = {1988-09-22},
}

@article{booker_america_1993,
	title = {America and its discontents: The failure of leftist politics in Pynchon's \textit{Vineland}},
	volume = {4},
	issn = {1043-6928, 1545-5866},
	url = {http://www.tandfonline.com/doi/abs/10.1080/10436929308580100},
	doi = {10.1080/10436929308580100},
	shorttitle = {America and its discontents},
	pages = {87--99},
	number = {2},
	journaltitle = {Lit: Literature Interpretation Theory},
	shortjournal = {Lit: Literature Interpretation Theory},
	author = {Booker, M. Keith},
	urldate = {2024-03-29},
	date = {1993-02},
	langid = {english},
}

@article{keith_booker_postmodernism_1990,
	title = {Postmodernism in Medieval England: Chaucer, Pynchon, Joyce, and the Poetics of Fission},
	volume = {2},
	issn = {1041-2573, 1753-3074},
	url = {http://www.tandfonline.com/doi/full/10.1179/exm.1990.2.2.563},
	doi = {10.1179/exm.1990.2.2.563},
	shorttitle = {Postmodernism in Medieval England},
	pages = {563--594},
	number = {2},
	journaltitle = {Exemplaria},
	shortjournal = {Exemplaria},
	author = {Keith Booker, M.},
	urldate = {2024-03-29},
	date = {1990-01},
	langid = {english},
}

@article{booker_rats_1989,
	title = {The Rats of God: Pynchon, Joyce, Beckett, and the Carnivalization of Religion},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2512/},
	doi = {10.16995/pn.290},
	shorttitle = {The Rats of God},
	pages = {21--30},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Booker, M. Keith},
	urldate = {2024-03-29},
	date = {1989-09-22},
}

@article{bove_giving_1996,
	title = {Giving Thought to America: Intellect and "The Education of Henry Adams"},
	volume = {23},
	issn = {0093-1896, 1539-7858},
	url = {https://www.journals.uchicago.edu/doi/10.1086/448822},
	doi = {10.1086/448822},
	shorttitle = {Giving Thought to America},
	pages = {80--108},
	number = {1},
	journaltitle = {Critical Inquiry},
	shortjournal = {Critical Inquiry},
	author = {Bové, Paul A.},
	urldate = {2024-03-29},
	date = {1996-10},
	langid = {english},
}

@article{bove_history_2004,
	title = {History and Fiction: the Narrative Voices of Pynchon's Gravity's Rainbow},
	volume = {50},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/172362},
	doi = {10.1353/mfs.2004.0057},
	shorttitle = {History and Fiction},
	abstract = {This essay highlights the fact that any reading or teaching of Gravity's Rainbow proceeds from a secure sense of Pynchon's aesthetic relation to history. Based on the argument that Gravity's Rainbow is an historical novel, this essay shows how Pynchon in this novel stages the conflict between elect and preterit, between nature and technology, between historical human agency and grace by embedding its themes within the specificity in Central Europe at the end of World War {II}.},
	pages = {657--680},
	number = {3},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Bové, Paul A.},
	urldate = {2024-03-29},
	date = {2004-09},
	langid = {english},
}

@article{bramkamp_curtain_2002,
	title = {The Curtain Between the Images},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2491/},
	doi = {10.16995/pn.68},
	pages = {25--34},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Bramkamp, Robert},
	urldate = {2024-03-29},
	date = {2002-09-22},
}

@article{braudy_providence_1981,
	title = {Providence, Paranoia, and the Novel},
	volume = {48},
	issn = {00138304},
	url = {https://www.jstor.org/stable/2872917?origin=crossref},
	doi = {10.2307/2872917},
	pages = {619--637},
	number = {3},
	journaltitle = {{ELH}},
	shortjournal = {{ELH}},
	author = {Braudy, Leo},
	urldate = {2024-03-29},
	date = {1981},
}

@article{brazeau_note_1992,
	title = {A Note on "Pierce Inverarity"},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2768/},
	doi = {10.16995/pn.242},
	pages = {185--187},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Brazeau, Robert},
	urldate = {2024-03-29},
	date = {1992-09-22},
}

@article{brooks_perplexing_1997,
	title = {Perplexing Utopia: Modern and Postmodern Alienation in \textit{Vineland}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2748/},
	doi = {10.16995/pn.172},
	shorttitle = {Perplexing Utopia},
	pages = {180--196},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Brooks, Neil},
	urldate = {2024-03-29},
	date = {1997-09-22},
}

@article{brown_review_1997,
	title = {Review: A Pynchon for the Nineties},
	volume = {18},
	issn = {03335372},
	url = {https://www.jstor.org/stable/1773234?origin=crossref},
	doi = {10.2307/1773234},
	pages = {95--112},
	number = {1},
	journaltitle = {Poetics Today},
	shortjournal = {Poetics Today},
	author = {Brown, Donald},
	urldate = {2024-03-29},
	date = {1997},
}

@article{brown_uncanny_1999,
	title = {Uncanny Confession: Thomas Pynchon's Fausto Maijstral},
	volume = {29},
	issn = {00477729},
	url = {https://www.jstor.org/stable/3195407?origin=crossref},
	doi = {10.2307/3195407},
	shorttitle = {Uncanny Confession},
	pages = {49--71},
	number = {2},
	journaltitle = {Modern Language Studies},
	shortjournal = {Modern Language Studies},
	author = {Brown, Donald},
	urldate = {2024-03-29},
	date = {1999},
}

@article{brugiere_quest_1982,
	title = {Quest Avatars in Thomas Pynchon's \textit{The Crying of Lot 49}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2855/},
	doi = {10.16995/pn.445},
	pages = {5--16},
	number = {9},
	journaltitle = {Pynchon Notes},
	author = {Brugiere, Marion},
	urldate = {2024-03-29},
	date = {1982-06-01},
}

@article{buckeye_anatomy_1967,
	title = {The Anatomy of the Psychic Novel},
	volume = {9},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1967.10689889},
	doi = {10.1080/00111619.1967.10689889},
	pages = {33--45},
	number = {2},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Buckeye, Robert},
	urldate = {2024-03-29},
	date = {1967-04},
	langid = {english},
}

@article{buckley_celines_1994,
	title = {Céline’s Underground Grammar: The Tone Frame for Recent American Literature},
	volume = {93},
	issn = {0038-2876, 1527-8026},
	url = {https://read.dukeupress.edu/south-atlantic-quarterly/article/93/2/279/344526/Celine-s-Underground-Grammar-The-Tone-Frame-for},
	doi = {10.1215/00382876-93-2-279},
	shorttitle = {Céline’s Underground Grammar},
	pages = {279--294},
	number = {2},
	journaltitle = {South Atlantic Quarterly},
	author = {Buckley, William K.},
	urldate = {2024-03-29},
	date = {1994-04-01},
	langid = {english},
}

@article{bumas_utopian_1995,
	title = {The Utopian States of America: The People, The Republic, and Rock and Roll in Thomas Pynchon's Vineland},
	volume = {51},
	issn = {1558-9595},
	url = {https://muse.jhu.edu/article/445398},
	doi = {10.1353/arq.1995.0025},
	shorttitle = {The Utopian States of America},
	pages = {149--175},
	number = {3},
	journaltitle = {Arizona Quarterly: A Journal of American Literature, Culture, and Theory},
	shortjournal = {arq},
	author = {Bumas, E. Shaskan},
	urldate = {2024-03-29},
	date = {1995-09},
	langid = {english},
}

@article{burillo_gadea_entropy_2008,
	title = {Entropy and the Fantastic in Pynchon's Narratives},
	volume = {10},
	issn = {1481-4374},
	url = {https://docs.lib.purdue.edu/clcweb/vol10/iss4/6},
	doi = {10.7771/1481-4374.1395},
	number = {4},
	journaltitle = {{CLCWeb}: Comparative Literature and Culture},
	shortjournal = {{CLCWeb}: Comparative Literature and Culture},
	author = {Burillo Gadea, María Rosa},
	urldate = {2024-03-29},
	date = {2008-12-01},
	langid = {english},
}

@article{burns_postmodern_2003,
	title = {Postmodern Historiography: Politics and the Parallactic Method in Thomas Pynchon's Mason \& Dixon},
	volume = {14},
	issn = {1053-1920},
	url = {https://muse.jhu.edu/article/48412},
	doi = {10.1353/pmc.2003.0033},
	shorttitle = {Postmodern Historiography},
	number = {1},
	journaltitle = {Postmodern Culture},
	shortjournal = {pmc},
	author = {Burns, Christy L},
	urldate = {2024-03-29},
	date = {2003-09},
	langid = {english},
}

@article{busch_friction_1975,
	title = {The Friction of Fiction: A "Ulysses" Omnirandum},
	volume = {26},
	issn = {00093696},
	url = {https://www.jstor.org/stable/10.2307/25303221?origin=crossref},
	doi = {10.2307/25303221},
	shorttitle = {The Friction of Fiction},
	pages = {5--17},
	number = {4},
	journaltitle = {Chicago Review},
	author = {Busch, Frederick},
	urldate = {2024-03-29},
	date = {1975},
	langid = {english},
}

@article{caesar_beasts_1984,
	title = {"Beasts Vaulting among the Earthworks"; Monstrosity in "Gravity's Rainbow"},
	volume = {17},
	issn = {00295132},
	url = {https://www.jstor.org/stable/1345016?origin=crossref},
	doi = {10.2307/1345016},
	pages = {158--170},
	number = {2},
	journaltitle = {{NOVEL}: A Forum on Fiction},
	shortjournal = {{NOVEL}: A Forum on Fiction},
	author = {Caesar, Terry P.},
	urldate = {2024-03-29},
	date = {1984},
}

@article{caesar_take_1992,
	title = {"Take Me Anyplace You Want": Pynchon's Literary Career as a Maternal Construct in "Vineland"},
	volume = {25},
	issn = {00295132},
	url = {https://www.jstor.org/stable/1346004?origin=crossref},
	doi = {10.2307/1346004},
	shorttitle = {"Take Me Anyplace You Want"},
	pages = {181--199},
	number = {2},
	journaltitle = {{NOVEL}: A Forum on Fiction},
	shortjournal = {{NOVEL}: A Forum on Fiction},
	author = {Caesar, Terry},
	urldate = {2024-03-29},
	date = {1992},
}

@article{caesar_note_1981,
	title = {A Note on Pynchon's. Naming},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2493/},
	doi = {10.16995/pn.485},
	pages = {5--10},
	number = {5},
	journaltitle = {Pynchon Notes},
	author = {Caesar, Terry P.},
	urldate = {2024-03-29},
	date = {1981-02-01},
}

@article{caesar_at_2007,
	title = {At Large and Unrelated},
	volume = {28},
	issn = {2153-4578},
	url = {https://muse.jhu.edu/article/485188},
	doi = {10.1353/abr.2007.0040},
	pages = {5--6},
	number = {3},
	journaltitle = {American Book Review},
	shortjournal = {abr},
	author = {Caesar, Terry},
	urldate = {2024-03-29},
	date = {2007-03},
	langid = {english},
}

@article{caesar_motherhood_1995,
	title = {Motherhood and Postmodernism},
	volume = {7},
	issn = {0896-7148, 1468-4365},
	url = {https://academic.oup.com/alh/article-lookup/doi/10.1093/alh/7.1.120},
	doi = {10.1093/alh/7.1.120},
	pages = {120--140},
	number = {1},
	journaltitle = {American Literary History},
	shortjournal = {Am Lit Hist},
	author = {Caesar, Terry},
	urldate = {2024-03-29},
	date = {1995},
	langid = {english},
}

@article{caesar_pynchon_1984,
	title = {Pynchon in China},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2833/},
	doi = {10.16995/pn.386},
	pages = {47--57},
	number = {15},
	journaltitle = {Pynchon Notes},
	author = {Caesar, Terry},
	urldate = {2024-03-29},
	date = {1984-09-22},
}

@article{caesar_pynchon_1990,
	title = {Pynchon in Life},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2542/},
	doi = {10.16995/pn.272},
	pages = {61--67},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Caesar, Terry},
	urldate = {2024-03-29},
	date = {1990-09-22},
}

@article{caesar_recent_1982,
	title = {Recent American Fiction},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2436/},
	doi = {10.16995/pn.437},
	pages = {45--51},
	number = {10},
	journaltitle = {Pynchon Notes},
	author = {Caesar, Terry},
	urldate = {2024-03-29},
	date = {1982-10-01},
}

@article{caesar_trapped_1984,
	title = {"Trapped inside Their frame with your wastes piling up": Mindless Pleasures in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2838/},
	doi = {10.16995/pn.400},
	shorttitle = {"Trapped inside Their frame with your wastes piling up"},
	pages = {39--48},
	number = {14},
	journaltitle = {Pynchon Notes},
	author = {Caesar, Terry},
	urldate = {2024-03-29},
	date = {1984-02-01},
}

@article{cain_clock_1985,
	title = {The Clock as Metaphor in "Mondaugen's Story"},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2417/},
	doi = {10.16995/pn.367},
	pages = {73--77},
	number = {17},
	journaltitle = {Pynchon Notes},
	author = {Cain, Jr. E.},
	urldate = {2024-03-29},
	date = {1985-09-22},
}

@article{callens_tubed_1991,
	title = {Tubed Out and Movie Shot in Pynchon's \textit{Vineland}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2407/},
	doi = {10.16995/pn.262},
	pages = {115--141},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Callens, Johan},
	urldate = {2024-03-29},
	date = {1991-09-22},
}

@article{carr_wells_1999,
	title = {Wells and Pynchon, Men of Science},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2732/},
	doi = {10.16995/pn.123},
	pages = {132--154},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Carr, David},
	urldate = {2024-03-29},
	date = {1999-09-22},
}

@article{carson_but_2016,
	title = {“But now my eye sees you”: Hierophany in Job and \textit{The Crying of Lot 49}},
	volume = {65},
	issn = {0148-3331, 2056-5666},
	url = {https://muse.jhu.edu/article/738596},
	doi = {10.1177/0148333115599886},
	shorttitle = {“But now my eye sees you”},
	abstract = {This article argues Thomas Pynchon’s The Crying of Lot 49 is a postsecular retelling of the book of Job. The novel not only alludes directly to Job, but shares plot, structure, and theme. Both texts explore religious meaning; divining the nature of the transcendent is the primary task of both protagonists. Further, both texts detail an education in uncertainty: as the voice from the whirlwind “answers” neither Oedipa nor Job according to expectations, each comes to understand the innate uncertainty of life and gains the self-knowledge and wisdom to live fully in spite of and according to this ambiguity.},
	pages = {430--454},
	number = {4},
	journaltitle = {Christianity \& Literature},
	shortjournal = {Christianity \& Literature},
	author = {Carson, Jordan},
	urldate = {2024-03-29},
	date = {2016-09},
	langid = {english},
}

@article{carswell_doc_2018,
	title = {Doc, the Dude, and Marlowe: Changing Masculinities from The Long Goodbye to Inherent Vice},
	volume = {6},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/doi/10.16995/orbit.484/},
	doi = {10.16995/orbit.484},
	shorttitle = {Doc, the Dude, and Marlowe},
	pages = {1--24},
	number = {1},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Carswell, Sean},
	urldate = {2024-03-29},
	date = {2018-03-22},
}

@article{carswell_vineland_2012,
	title = {The \textit{Vineland} Guide to Contemporary Rebellion},
	volume = {1},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v1.1.8},
	doi = {10.7766/orbit.v1.1.8},
	pages = {1--27},
	number = {1},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Carswell, Sean M.},
	urldate = {2024-03-29},
	date = {2012-07-08},
}

@article{carswell_new_2019,
	title = {The New Alchemy: Economic liberalism, neoliberalism, and Thomas Pynchon’s \textit{Against the Day}},
	volume = {33},
	issn = {0950-236X, 1470-1308},
	url = {https://www.tandfonline.com/doi/full/10.1080/0950236X.2019.1580506},
	doi = {10.1080/0950236X.2019.1580506},
	shorttitle = {The New Alchemy},
	pages = {415--432},
	number = {3},
	journaltitle = {Textual Practice},
	shortjournal = {Textual Practice},
	author = {Carswell, Sean},
	urldate = {2024-03-29},
	date = {2019-03-16},
	langid = {english},
}

@article{cassidy_cyberotics_1994,
	title = {Cyberotics: Markets, Materialism and Method in Pynchon and Deleuze},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2627/},
	doi = {10.16995/pn.201},
	shorttitle = {Cyberotics},
	pages = {107--128},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Cassidy, Eric},
	urldate = {2024-03-29},
	date = {1994-09-22},
}

@article{chaffee_whale_1980,
	title = {The Whale and the Rocket: Technology as Sacred Symbol},
	volume = {32},
	issn = {0034-4346},
	url = {http://www.pdcnet.org/oom/service?url_ver=Z39.88-2004&rft_val_fmt=&rft.imuse_id=renascence_1980_0032_0003_0146_0151&svc_id=info:www.pdcnet.org/collection},
	doi = {10.5840/renascence198032311},
	shorttitle = {The Whale and the Rocket},
	pages = {146--151},
	number = {3},
	journaltitle = {Renascence},
	author = {Chaffee, Patricia and {Marquette University Press}},
	urldate = {2024-03-29},
	date = {1980},
}

@article{chambers_dazzle_1991,
	title = {A Dazzle of Violet and a Green-Doped Hound: Pynchon's Miracle of De-Struction in \textit{Gravity's Rainbow}},
	volume = {32},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1991.9933813},
	doi = {10.1080/00111619.1991.9933813},
	shorttitle = {A Dazzle of Violet and a Green-Doped Hound},
	pages = {258--275},
	number = {4},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Chambers, Judith},
	urldate = {2024-03-29},
	date = {1991-06},
	langid = {english},
}

@incollection{bonnefille__2006,
	title = {« With Savage-Pictures Fill [the] Gaps » : représentation, invraisemblable et innommable dans Mason \& Dixon de Thomas Pynchon},
	isbn = {978-2-86906-223-8 978-2-86906-479-9},
	url = {http://books.openedition.org/pufr/4836},
	shorttitle = {« With Savage-Pictures Fill [the] Gaps »},
	pages = {205--219},
	booktitle = {La Négation},
	publisher = {Presses universitaires François-Rabelais},
	author = {Chamerois, Gilles},
	editor = {Bonnefille, Stéphanie and Salbayre, Sébastien},
	urldate = {2024-03-29},
	date = {2006},
	langid = {french},
	doi = {10.4000/books.pufr.4836},
}

@article{chapman_male_1996,
	title = {Male Pro-Feminism and the Masculinist Gigantism of Gravity's Rainbow},
	volume = {6},
	issn = {1053-1920},
	url = {https://muse.jhu.edu/article/27569},
	doi = {10.1353/pmc.1996.0017},
	number = {3},
	journaltitle = {Postmodern Culture},
	shortjournal = {pmc},
	author = {Chapman, Wes},
	urldate = {2024-03-29},
	date = {1996-05},
	langid = {english},
}

@article{chetwynd_inherent_2014,
	title = {Inherent Obligation: The Distinctive Difficulties in and of Recent Pynchon},
	volume = {95},
	issn = {0013-838X, 1744-4217},
	url = {http://www.tandfonline.com/doi/abs/10.1080/0013838X.2014.962292},
	doi = {10.1080/0013838X.2014.962292},
	shorttitle = {Inherent Obligation},
	pages = {923--948},
	number = {8},
	journaltitle = {English Studies},
	shortjournal = {English Studies},
	author = {Chetwynd, Ali},
	urldate = {2024-03-29},
	date = {2014-11-17},
	langid = {english},
}

@article{chetwynd_more_2019,
	title = {More metaphysician than politician: Pynchon, {TINA}, and the rhetorical economy of ‘The World (This One)’},
	volume = {33},
	issn = {0950-236X, 1470-1308},
	url = {https://www.tandfonline.com/doi/full/10.1080/0950236X.2019.1580508},
	doi = {10.1080/0950236X.2019.1580508},
	shorttitle = {More metaphysician than politician},
	pages = {451--471},
	number = {3},
	journaltitle = {Textual Practice},
	shortjournal = {Textual Practice},
	author = {Chetwynd, Ali},
	urldate = {2024-03-29},
	date = {2019-03-16},
	langid = {english},
}

@article{chorier_yoyo_1994,
	title = {Le yoyo de l’histoire : Vineland de Pynchon},
	volume = {62},
	issn = {0397-7870},
	url = {https://www.persee.fr/doc/rfea_0397-7870_1994_num_62_1_1557},
	doi = {10.3406/rfea.1994.1557},
	shorttitle = {Le yoyo de l’histoire},
	abstract = {In Vineland, published in 1990, Thomas Pynchon turns back to American history, from the early days of the settlers to the Reagan era. Past and present are intimately mixed into a narrative, in a yoyo-like movement between the two poles. This paper explores the way history is written into the original space of Vineland county and shows how, despite the apparently linear progression of the story, Pynchon's unstable prose challenges not so much past history as the present.},
	pages = {349--359},
	number = {1},
	journaltitle = {Revue française d’études américaines},
	shortjournal = {rfea},
	author = {Chorier, Bénédicte},
	urldate = {2024-03-29},
	date = {1994},
	langid = {french},
}

@article{chorier_thomas_1990,
	title = {Thomas Pynchon : la fin de l’Histoire ?},
	volume = {43},
	issn = {0397-7870},
	url = {https://www.persee.fr/doc/rfea_0397-7870_1990_num_43_1_1382},
	doi = {10.3406/rfea.1990.1382},
	shorttitle = {Thomas Pynchon},
	abstract = {Deux des romans de Thomas Pynchon (F. et Gravity's Rainbow) ont des données, des cadres historiques comme « matière première ». Mais, vécue par des héros-simulacres en des lieux qui échappent à toute détermination, cette Histoire devient un monstre mythique. Le traitement narratif des « événements » rend impossible toute reconstitution. La trame historique se déchire, et le monde de la marge fait irruption.
          , 
            The «stuff» Thomas Pynchon's novels. V. and Gravity's Rainbow, are made of is mostly historical : data, characters, background... Yet the heroes are fakes, places escape all determination — and History turns into a mythical monster. Stories can be but fragmentary, the historical framework is cracked open, and the Other World breaks in.},
	pages = {9--17},
	number = {1},
	journaltitle = {Revue française d’études américaines},
	shortjournal = {rfea},
	author = {Chorier, Bénédicte},
	urldate = {2024-03-29},
	date = {1990},
	langid = {french},
}

@article{cichosz_postmodern_2017,
	title = {Postmodern Allegory and 1960s Melancholy in Pynchon’s \textit{Inherent Vice}},
	volume = {58},
	issn = {0011-1619, 1939-9138},
	url = {https://www.tandfonline.com/doi/full/10.1080/00111619.2017.1330249},
	doi = {10.1080/00111619.2017.1330249},
	pages = {521--537},
	number = {5},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Cichosz, Maria},
	urldate = {2024-03-29},
	date = {2017-10-20},
	langid = {english},
}

@article{clark_realizing_1985,
	title = {Realizing Gravity's Fantasy},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2825/},
	doi = {10.16995/pn.363},
	pages = {15--34},
	number = {17},
	journaltitle = {Pynchon Notes},
	author = {Clark, Beverly Lyon},
	urldate = {2024-03-29},
	date = {1985-09-22},
}

@article{clarke_allegories_1996,
	title = {Allegories of Victorian Thermodynamics},
	volume = {4},
	issn = {1080-6520},
	url = {https://muse.jhu.edu/article/8094},
	doi = {10.1353/con.1996.0005},
	pages = {67--90},
	number = {1},
	journaltitle = {Configurations},
	shortjournal = {con},
	author = {Clarke, Bruce},
	urldate = {2024-03-29},
	date = {1996-12},
	langid = {english},
}

@article{cocks_war_1979,
	title = {War, Man, and Gravity: Thomas Pynchon and Science Fiction},
	volume = {20},
	issn = {0014-5483, 2047-7708},
	url = {http://www.liverpooluniversitypress.co.uk/doi/10.3828/extr.1979.20.4.368},
	doi = {10.3828/extr.1979.20.4.368},
	shorttitle = {War, Man, and Gravity},
	pages = {368--377},
	number = {4},
	journaltitle = {Extrapolation},
	shortjournal = {Extrapolation},
	author = {Cocks, Geoffrey},
	urldate = {2024-03-29},
	date = {1979-01},
	langid = {english},
}

@article{cohen_mason_2002,
	title = {Mason \& Dixon \& the Ampersand},
	volume = {48},
	issn = {0041-462X, 2325-8101},
	url = {https://read.dukeupress.edu/twentieth-century-lit/article/48/3/264/22396/Mason-amp-Dixon-amp-the-Ampersand},
	doi = {10.1215/0041462X-2002-4004},
	pages = {264--291},
	number = {3},
	journaltitle = {Twentieth-Century Literature},
	author = {Cohen, Samuel},
	urldate = {2024-03-29},
	date = {2002},
	langid = {english},
}

@article{coleman_alligators---sewers_1979,
	title = {Alligators-in-the-Sewers: A Journalistic Origin},
	volume = {92},
	issn = {00218715},
	url = {https://www.jstor.org/stable/10.2307/539420?origin=crossref},
	doi = {10.2307/539420},
	shorttitle = {Alligators-in-the-Sewers},
	pages = {335--338},
	number = {365},
	journaltitle = {The Journal of American Folklore},
	shortjournal = {The Journal of American Folklore},
	author = {Coleman, Loren},
	urldate = {2024-03-29},
	date = {1979-07},
}

@article{collado-rodriguez_intratextuality_2016,
	title = {Intratextuality, Trauma, and the Posthuman in Thomas Pynchon’s \textit{Bleeding Edge}},
	volume = {57},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/full/10.1080/00111619.2015.1121860},
	doi = {10.1080/00111619.2015.1121860},
	pages = {229--241},
	number = {3},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Collado-Rodríguez, Francisco},
	urldate = {2024-03-29},
	date = {2016-05-26},
	langid = {english},
}

@article{collado-rodriguez_meaning_2015,
	title = {Meaning Deferral, Jungian Symbolism, and the Quest for V. in Thomas Pynchon's \textit{The Crying of Lot 49}},
	volume = {56},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/full/10.1080/00111619.2014.888047},
	doi = {10.1080/00111619.2014.888047},
	pages = {255--269},
	number = {3},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Collado-Rodríguez, Francisco},
	urldate = {2024-03-29},
	date = {2015-05-27},
	langid = {english},
}

@article{francisco_narratives_2020,
	title = {Narratives of the Rocket: Chabon’s “Amnesiac” Revisitation of Pynchon’s Posthuman Zone},
	volume = {61},
	issn = {0011-1619, 1939-9138},
	url = {https://www.tandfonline.com/doi/full/10.1080/00111619.2019.1650710},
	doi = {10.1080/00111619.2019.1650710},
	shorttitle = {Narratives of the Rocket},
	pages = {91--103},
	number = {1},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Francisco, Collado-Rodríguez},
	urldate = {2024-03-29},
	date = {2020-01-01},
	langid = {english},
}

@article{collignon_glimpse_2008,
	title = {A glimpse of light},
	volume = {22},
	issn = {0950-236X, 1470-1308},
	url = {http://www.tandfonline.com/doi/abs/10.1080/09502360802263782},
	doi = {10.1080/09502360802263782},
	pages = {547--562},
	number = {3},
	journaltitle = {Textual Practice},
	shortjournal = {Textual Practice},
	author = {Collignon, Fabienne},
	urldate = {2024-03-29},
	date = {2008-09},
	langid = {english},
}

@article{collignon_ballistic_2012,
	title = {The Ballistic Flight of an Automatic Duck},
	volume = {1},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v1.2.23},
	doi = {10.7766/orbit.v1.2.23},
	pages = {1--20},
	number = {2},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Collignon, Fabienne},
	urldate = {2024-03-29},
	date = {2012-10-19},
}

@article{colvile_pynchons_1984,
	title = {Pynchon’s Alchemy in The crying of Lot 49},
	volume = {17},
	issn = {0557-6989},
	url = {https://www.persee.fr/doc/ranam_0557-6989_1984_num_17_1_1139},
	doi = {10.3406/ranam.1984.1139},
	abstract = {Much like that of Rabelais, Pynchon's cryptic fiction calls for a great diversity of readings In this little essay, alchemy, seen from its various perspectives, such as the occult, philosophy, tranformation or synthetic reconstitution of the androgyne, presents The Crying of Lot 49 in a new light, without claiming to solve its every mystery.
          , 
            L’alchimie de Pynchon dans The Crying of Lot 49.
            Un peu comme celle de Rabelais, la fiction souvent hermétique de Pynchon suscite les interprétations les plus diverses. Dans ce petit essai, c’est l’alchimie qui, vue sous différents angles, que ce soit celui de l’occulte, de la philosophie, de la transformation ou de la reconstitution synthétique de l’androgyne, nous présente The Crying of lot 49 dans une optique nouvelle, sans prétendre toutefois, à en élucider tous les mystères.},
	pages = {213--218},
	number = {1},
	journaltitle = {Recherches anglaises et nord-américaines},
	shortjournal = {ranam},
	author = {Colvile, Georgiana Mary Morton},
	urldate = {2024-03-29},
	date = {1984},
	langid = {french},
}

@article{comyn_v2_2014,
	title = {V2 to Bomarc: Reading Gravity’s Rainbow in Context},
	volume = {2},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/id/394/},
	doi = {orbit.v2.2.62},
	shorttitle = {V2 to Bomarc},
	pages = {1--27},
	number = {2},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Comyn, Joshua},
	date = {2014-07-11},
}

@article{conner_postmodern_1996,
	title = {Postmodern Exhaustion: Thomas Pynchon's Vineland and the Aesthetic of the Beautiful},
	volume = {24},
	issn = {2158-5806},
	url = {https://muse.jhu.edu/article/440416},
	doi = {10.1353/saf.1996.0004},
	shorttitle = {Postmodern Exhaustion},
	pages = {65--85},
	number = {1},
	journaltitle = {Studies in American Fiction},
	shortjournal = {saf},
	author = {Conner, Marc C.},
	urldate = {2024-03-29},
	date = {1996-03},
	langid = {english},
}

@article{conroy_american_1989,
	title = {The American Way and Its Double in \textit{The Crying of Lot 49}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2682/},
	doi = {10.16995/pn.292},
	pages = {45--70},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Conroy, Mark},
	urldate = {2024-03-29},
	date = {1989-09-22},
}

@article{cook_manson_2015,
	title = {Manson chicks and microskirted cuties: pornification in Thomas Pynchon's \textit{Inherent Vice}},
	volume = {29},
	issn = {0950-236X, 1470-1308},
	url = {http://www.tandfonline.com/doi/full/10.1080/0950236X.2015.1027729},
	doi = {10.1080/0950236X.2015.1027729},
	shorttitle = {Manson chicks and microskirted cuties},
	pages = {1143--1164},
	number = {6},
	journaltitle = {Textual Practice},
	shortjournal = {Textual Practice},
	author = {Cook, Simon},
	urldate = {2024-03-29},
	date = {2015-09-19},
	langid = {english},
}

@article{cooley_hothouse_1993,
	title = {The Hothouse or the Street: Imperialism and Narrative in Pynchon's V .},
	volume = {39},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/243531},
	doi = {10.1353/mfs.0.0354},
	shorttitle = {The Hothouse or the Street},
	pages = {307--325},
	number = {2},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Cooley, Ronald W.},
	urldate = {2024-03-29},
	date = {1993},
	langid = {english},
}

@article{cooper_zero_1992,
	title = {"Zero Pays the House": The Las Vegas Novel and Atomic Roulette},
	volume = {33},
	issn = {00107484},
	url = {http://www.jstor.org/stable/1208481?origin=crossref},
	doi = {10.2307/1208481},
	shorttitle = {"Zero Pays the House"},
	pages = {528--544},
	number = {3},
	journaltitle = {Contemporary Literature},
	shortjournal = {Contemporary Literature},
	author = {Cooper, Ken},
	urldate = {2024-03-29},
	date = {1992},
}

@article{corrigan_surprise_2003,
	title = {Surprise Birthday Party for Thomas Pynchon},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2584/},
	doi = {10.16995/pn.60},
	pages = {208--215},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Corrigan, Michael},
	urldate = {2024-03-29},
	date = {2003-09-22},
}

@article{cornis-pope_rethinking_1997,
	title = {Rethinking Postmodern Liminality: Marginocentric Characters and Projects in Thomas Pynchon's Polysystemic Fiction},
	volume = {5},
	issn = {1534-0627},
	url = {https://muse.jhu.edu/content/crossref/journals/symploke/v005/5.1cornis-pope.html},
	doi = {10.1353/sym.2005.0053},
	shorttitle = {Rethinking Postmodern Liminality},
	pages = {27--47},
	number = {1},
	journaltitle = {symploke},
	shortjournal = {symploke},
	author = {Cornis-Pope, Marcel},
	urldate = {2024-03-29},
	date = {1997},
	langid = {english},
}

@article{cornis-pope_systemic_1991,
	title = {Systemic Transgression and Cultural Rewriting in Pynchon's Fiction},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2778/},
	doi = {10.16995/pn.259},
	pages = {77--90},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Cornis-Pope, Marcel},
	urldate = {2024-03-29},
	date = {1991-09-22},
}

@article{coughlan_sewers_2008,
	title = {The Sewers, the City, the Tower: Pynchon's \textit{V.} , Fausto's Confessions, and Yeats's \textit{A Vision}},
	volume = {50},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.3200/CRIT.50.1.35-50},
	doi = {10.3200/CRIT.50.1.35-50},
	shorttitle = {The Sewers, the City, the Tower},
	pages = {35--50},
	number = {1},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Coughlan, David},
	urldate = {2024-03-29},
	date = {2008-09},
	langid = {english},
}

@article{coughran_green_2009,
	title = {Green Scripts in Gravity's Rainbow: Pynchon, Pastoral Ideology and the Performance of Ecological Self},
	volume = {16},
	issn = {1076-0962, 1759-1090},
	url = {https://academic.oup.com/isle/article-lookup/doi/10.1093/isle/isn025},
	doi = {10.1093/isle/isn025},
	shorttitle = {Green Scripts in Gravity's Rainbow},
	pages = {265--279},
	number = {2},
	journaltitle = {Interdisciplinary Studies in Literature and Environment},
	shortjournal = {Interdisciplinary Studies in Literature and Environment},
	author = {Coughran, C.},
	urldate = {2024-03-29},
	date = {2009-04-01},
	langid = {english},
}

@article{coughran_prose_2009,
	title = {Prose and Cons: divided authorial subjectivity in the writing of thomas pynchon},
	volume = {14},
	issn = {0969-725X, 1469-2899},
	url = {https://www.tandfonline.com/doi/full/10.1080/09697250903006518},
	doi = {10.1080/09697250903006518},
	shorttitle = {Prose and Cons},
	pages = {101--108},
	number = {1},
	journaltitle = {Angelaki},
	shortjournal = {Angelaki},
	author = {Coughran, Chris},
	urldate = {2024-03-29},
	date = {2009-04},
	langid = {english},
}

@article{couturier_nabokov_1993,
	title = {Nabokov in Postmodernist Land},
	volume = {34},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1993.9933830},
	doi = {10.1080/00111619.1993.9933830},
	pages = {247--260},
	number = {4},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Couturier, Maurice},
	urldate = {2024-03-29},
	date = {1993-06},
	langid = {english},
}

@article{couturier_death_1987,
	title = {The Death of the Real in \textit{The Crying of Lot 49}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2815/},
	doi = {10.16995/pn.331},
	pages = {5--29},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Couturier, Maurice},
	urldate = {2024-03-29},
	date = {1987-09-22},
}

@article{cowart_down_2013,
	title = {“Down on the Barroom Floor of History”: Pynchon’s Bleeding Edge},
	volume = {24},
	issn = {1053-1920},
	url = {https://muse.jhu.edu/article/567226},
	doi = {10.1353/pmc.2013.0060},
	shorttitle = {“Down on the Barroom Floor of History”},
	abstract = {An ironic engagement with history sets Thomas Pynchon’s Bleeding Edge apart from other 9/11 fictions. Engaging in a shadow polemic on the historiographical responsibilities of the literary artist, Pynchon critiques a burgeoning technology (the Internet) and the economic order it serves. He presents the Deep Web as a virtual unconscious, a “dark archive” beneath the surface Web. In his probing of this digital arkhē , Pynchon escorts the reader into an abyss previously explored by Nietzsche, Freud, and Derrida. Like them, he finds repression, death wish, “archive fever,” and the oblivion from which life emerges and to which it returns.},
	number = {1},
	journaltitle = {Postmodern Culture},
	shortjournal = {pmc},
	author = {Cowart, David},
	urldate = {2024-03-29},
	date = {2013-09},
	langid = {english},
}

@article{cowart_attenuated_1990,
	title = {Attenuated Postmodernism: Pynchon's \textit{Vineland}},
	volume = {32},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1990.9933800},
	doi = {10.1080/00111619.1990.9933800},
	shorttitle = {Attenuated Postmodernism},
	pages = {67--76},
	number = {2},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Cowart, David},
	urldate = {2024-03-29},
	date = {1990-12},
	langid = {english},
}

@article{cowart_pynchon_1999,
	title = {Pynchon and the Sixties},
	volume = {41},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619909601574},
	doi = {10.1080/00111619909601574},
	pages = {3--12},
	number = {1},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Cowart, David},
	urldate = {2024-03-29},
	date = {1999-01},
	langid = {english},
}

@article{cowart_pynchons_1977,
	title = {Pynchon’s \textit{The Crying of Lot 49} and the Paintings of Remedios Varo},
	volume = {18},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1977.10690142},
	doi = {10.1080/00111619.1977.10690142},
	pages = {19--26},
	number = {3},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Cowart, David},
	urldate = {2024-03-29},
	date = {1977-04},
	langid = {english},
}

@article{crownshaw_gravitys_1998,
	title = {\textit{Gravity's Rainbow}: Pynchon's Holocaust Allegory},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2523/},
	doi = {10.16995/pn.149},
	shorttitle = {\textit{Gravity's Rainbow}},
	pages = {199--212},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Crownshaw, Richard},
	urldate = {2024-03-29},
	date = {1998-09-22},
}

@article{dainotto_excremental_1993,
	title = {The Excremental Sublime: The Postmodern Literature of Blockage and Release},
	volume = {3},
	issn = {1053-1920},
	url = {https://muse.jhu.edu/article/27407},
	doi = {10.1353/pmc.1993.0023},
	shorttitle = {The Excremental Sublime},
	number = {3},
	journaltitle = {Postmodern Culture},
	shortjournal = {pmc},
	author = {Dainotto, Roberto M. (Roberto Maria)},
	urldate = {2024-03-29},
	date = {1993-05},
	langid = {english},
}

@article{dalsgaard_gravitys_2002,
	title = {\textit{Gravity's Rainbow}: " A Historical Novel of a Whole New Sort"},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2578/},
	doi = {10.16995/pn.69},
	shorttitle = {\textit{Gravity's Rainbow}},
	pages = {35--50},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Dalsgaard, Inger H.},
	urldate = {2024-03-29},
	date = {2002-09-22},
}

@article{dalsgaard_something_2008,
	title = {Something to Compare It to Then: Rereading Terror in Coincidences Between Pynchon's Germany and America's 9/11},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2587/},
	doi = {10.16995/pn.28},
	shorttitle = {Something to Compare It to Then},
	pages = {85--98},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Dalsgaard, Inger H.},
	urldate = {2024-03-29},
	date = {2008-09-22},
}

@article{h_dalsgaard_terrifying_1998,
	title = {Terrifying Technology: Pynchon's Warning Myth of Today},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2545/},
	doi = {10.16995/pn.142},
	shorttitle = {Terrifying Technology},
	pages = {91--110},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {H. Dalsgaard, Inger},
	urldate = {2024-03-29},
	date = {1998-09-22},
}

@article{h_dalsgaard_linking_1999,
	title = {The Linking Feature: Degenerative Systems in Pynchon and Spengler},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2476/},
	doi = {10.16995/pn.121},
	shorttitle = {The Linking Feature},
	pages = {97--116},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {H. Dalsgaard, Inger},
	urldate = {2024-03-29},
	date = {1999-09-22},
}

@article{daly_burned_1999,
	title = {Burned by the Hangman: Puritan Agency and the Road Not Taken},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2388/},
	doi = {10.16995/pn.129},
	shorttitle = {Burned by the Hangman},
	pages = {205--213},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Daly, Robert},
	urldate = {2024-03-29},
	date = {1999-09-22},
}

@article{darabaner_possible_1984,
	title = {A Possible Source for the Title of "The Small Rain"},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2834/},
	doi = {10.16995/pn.388},
	pages = {69--72},
	number = {15},
	journaltitle = {Pynchon Notes},
	author = {Darabaner, Richard},
	urldate = {2024-03-29},
	date = {1984-09-22},
}

@article{darlington_capitalist_2016,
	title = {Capitalist Mysticism and the Historicizing of 9/11 in Thomas Pynchon’s \textit{Bleeding Edge}},
	volume = {57},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/full/10.1080/00111619.2015.1078767},
	doi = {10.1080/00111619.2015.1078767},
	pages = {242--253},
	number = {3},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Darlington, Joseph},
	urldate = {2024-03-29},
	date = {2016-05-26},
	langid = {english},
}

@article{davidson_oedipa_1977,
	title = {Oedipa as Androgyne in Thomas Pynchon's "The Crying of Lot 49"},
	volume = {18},
	issn = {00107484},
	url = {http://www.jstor.org/stable/1207849?origin=crossref},
	doi = {10.2307/1207849},
	pages = {38--50},
	number = {1},
	journaltitle = {Contemporary Literature},
	shortjournal = {Contemporary Literature},
	author = {Davidson, Cathy N.},
	urldate = {2024-03-29},
	date = {1977},
}

@article{davis_whatever_2006,
	title = {Whatever Happened to Richard Fariña?},
	volume = {80},
	issn = {01963570},
	url = {https://www.jstor.org/stable/10.2307/40159082?origin=crossref},
	doi = {10.2307/40159082},
	pages = {39--41},
	number = {3},
	journaltitle = {World Literature Today},
	author = {Davis, Robert Murray},
	urldate = {2024-03-29},
	date = {2006},
	langid = {english},
}

@article{davis_when_2001,
	title = {When Was Postmodernism?},
	volume = {75},
	issn = {01963570},
	url = {https://www.jstor.org/stable/10.2307/40156532?origin=crossref},
	doi = {10.2307/40156532},
	pages = {295--298},
	number = {2},
	journaltitle = {World Literature Today},
	author = {Davis, Robert Murray},
	urldate = {2024-03-29},
	date = {2001},
	langid = {english},
}

@article{dawers_that_1987,
	title = {That Other Sentimental Surrealist: Walter Benjamin},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2816/},
	doi = {10.16995/pn.333},
	shorttitle = {That Other Sentimental Surrealist},
	pages = {39--60},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Dawers, William},
	urldate = {2024-03-29},
	date = {1987-09-22},
}

@article{daw_banishing_1988,
	title = {Banishing the Pesky Demon: the Final Word},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2811/},
	doi = {10.16995/pn.321},
	shorttitle = {Banishing the Pesky Demon},
	pages = {99--101},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Daw, Laurence},
	urldate = {2024-03-29},
	date = {1988-09-22},
}

@article{daw_more_1983,
	title = {More On Pynchon On Record},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2845/},
	doi = {10.16995/pn.418},
	pages = {46--47},
	number = {12},
	journaltitle = {Pynchon Notes},
	author = {Daw, Laurence},
	urldate = {2024-03-29},
	date = {1983-06-01},
}

@article{daw_ellipsis_1983,
	title = {The Ellipsis as Architectonic in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2850/},
	doi = {10.16995/pn.429},
	pages = {54--56},
	number = {11},
	journaltitle = {Pynchon Notes},
	author = {Daw, Laurence},
	urldate = {2024-03-29},
	date = {1983-02-01},
}

@article{de_bourcier_reading_2014,
	title = {Reading {McHale} reading Pynchon, or, Is Pynchon still a postmodernist?},
	volume = {2},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v2.2.68},
	doi = {10.7766/orbit.v2.2.68},
	pages = {1--16},
	number = {2},
	journaltitle = {Orbit: Writing Around Pynchon},
	shortjournal = {O},
	author = {De Bourcier, Simon},
	urldate = {2024-03-29},
	date = {2014-10-25},
}

@article{zwaan_gravitys_2008,
	title = {\textit{Gravity's Rainbow} as Metaphoric Narrative: Film, Fairy Tale and Fantasy in Pynchon's Germany},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2676/},
	doi = {10.16995/pn.33},
	shorttitle = {\textit{Gravity's Rainbow} as Metaphoric Narrative},
	pages = {154--168},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Zwaan, Victoria De},
	urldate = {2024-03-29},
	date = {2008-09-22},
}

@article{dechand_pynchon_2007,
	title = {Pynchon, Cohen, and the Crisis of Victorian Mathematics},
	volume = {122},
	issn = {1080-6598},
	url = {https://muse.jhu.edu/article/232719},
	doi = {10.1353/mln.2008.0022},
	pages = {1180--1192},
	number = {5},
	journaltitle = {{MLN}},
	shortjournal = {mln},
	author = {Dechand, Thomas},
	urldate = {2024-03-29},
	date = {2007-12},
	langid = {english},
}

@article{decker_proliferation_2001,
	title = {A Proliferation of Bad Shit: Informational Entropy, Politics and \textit{The Crying of Lot 49}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2453/},
	doi = {10.16995/pn.93},
	shorttitle = {A Proliferation of Bad Shit},
	pages = {142--156},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Decker, Mark T},
	urldate = {2024-03-29},
	date = {2001-09-22},
}

@article{deinert_indigenous_2021,
	title = {Indigenous Silence, White Universality, and the Question of Appropriation in \textit{Mason \& Dixon}},
	volume = {62},
	issn = {0011-1619, 1939-9138},
	url = {https://www.tandfonline.com/doi/full/10.1080/00111619.2020.1772713},
	doi = {10.1080/00111619.2020.1772713},
	pages = {84--96},
	number = {1},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Deinert, Greg},
	urldate = {2024-03-29},
	date = {2021-01-01},
	langid = {english},
}

@article{schroeder_literary_2008,
	title = {{LITERARY} {SLEUTHS} {ONLINE}: e-Research collaboration on the Pynchon Wiki},
	volume = {11},
	issn = {1369-118X, 1468-4462},
	url = {http://www.tandfonline.com/doi/abs/10.1080/13691180801934297},
	doi = {10.1080/13691180801934297},
	shorttitle = {{LITERARY} {SLEUTHS} {ONLINE}},
	pages = {167--187},
	number = {2},
	journaltitle = {Information, Communication \& Society},
	shortjournal = {Information, Communication \& Society},
	author = {Schroeder, Ralph and Den Besten, Matthijs},
	urldate = {2024-03-29},
	date = {2008-03},
	langid = {english},
}

@article{den_tandt_management_1998,
	title = {Management and Chaos: Masculinity and the Corporate World From Naturalism to \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2739/},
	doi = {10.16995/pn.141},
	shorttitle = {Management and Chaos},
	pages = {73--90},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Den Tandt, Christophe},
	urldate = {2024-03-29},
	date = {1998-09-22},
}

@article{donoghue_pynchons_2011,
	title = {Pynchon's “Hysterical Sublime”},
	volume = {52},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111610903567438},
	doi = {10.1080/00111610903567438},
	pages = {444--459},
	number = {4},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Donoghue, William},
	urldate = {2024-03-29},
	date = {2011-08-25},
	langid = {english},
}

@article{drake_resisting_2010,
	title = {Resisting Totalizing Structures: An Aesthetic Shift in Thomas Pynchon's \textit{The Crying of Lot 49} and \textit{Gravity's Rainbow}},
	volume = {51},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111610903379933},
	doi = {10.1080/00111610903379933},
	shorttitle = {Resisting Totalizing Structures},
	pages = {223--240},
	number = {3},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Drake, Scott},
	urldate = {2024-03-29},
	date = {2010-04-30},
	langid = {english},
}

@article{dugdale_burglar_1986,
	title = {‘A Burglar, I Think. A Second-story Man’},
	volume = {{XV}},
	issn = {0008-199X, 1471-6836},
	url = {https://academic.oup.com/camqtly/article-lookup/doi/10.1093/camqtly/XV.2.156},
	doi = {10.1093/camqtly/XV.2.156},
	pages = {156--164},
	number = {2},
	journaltitle = {The Cambridge Quarterly},
	shortjournal = {Cambridge Quarterly},
	author = {Dugdale, John},
	urldate = {2024-03-29},
	date = {1986},
	langid = {english},
}

@article{durand_aphanisis_1983,
	title = {On Aphanisis: A Note on the Dramaturgy of the Subject in Narrative Analysis},
	volume = {98},
	issn = {00267910},
	url = {https://www.jstor.org/stable/2906051?origin=crossref},
	doi = {10.2307/2906051},
	shorttitle = {On Aphanisis},
	pages = {860--870},
	number = {5},
	journaltitle = {{MLN}},
	shortjournal = {{MLN}},
	author = {Durand, Regis},
	urldate = {2024-03-29},
	date = {1983-12},
}

@article{dussere_flirters_2010,
	title = {Flirters, Deserters, Wimps, and Pimps: Thomas Pynchon’s Two Americas},
	volume = {51},
	issn = {1548-9949},
	url = {http://muse.jhu.edu/content/crossref/journals/contemporary_literature/v051/51.3.dussere.html},
	doi = {10.1353/cli.2010.0021},
	shorttitle = {Flirters, Deserters, Wimps, and Pimps},
	pages = {565--595},
	number = {3},
	journaltitle = {Contemporary Literature},
	shortjournal = {Contemporary Literature},
	author = {Dussere, Erik},
	urldate = {2024-03-29},
	date = {2010},
	langid = {english},
}

@article{duyfhuizen_suspension_1991,
	title = {"A Suspension Forever at the Hinge of Doubt": The Reader-trap of Bianca in Gravity's Rainbow},
	volume = {2},
	issn = {1053-1920},
	url = {https://muse.jhu.edu/article/27320},
	doi = {10.1353/pmc.1991.0029},
	shorttitle = {"A Suspension Forever at the Hinge of Doubt"},
	number = {1},
	journaltitle = {Postmodern Culture},
	shortjournal = {pmc},
	author = {Duyfhuizen, Bernard},
	urldate = {2024-03-29},
	date = {1991-09},
	langid = {english},
}

@article{duyfhuizen_exact_2007,
	title = {"The Exact Degree of Fictitiousness": Thomas Pynchon's Against the Day},
	volume = {17},
	issn = {1053-1920},
	url = {https://muse.jhu.edu/article/217408},
	doi = {10.1353/pmc.2007.0018},
	shorttitle = {"The Exact Degree of Fictitiousness"},
	number = {2},
	journaltitle = {Postmodern Culture},
	shortjournal = {pmc},
	author = {Duyfhuizen, Bernard},
	urldate = {2024-03-29},
	date = {2007-01},
	langid = {english},
}

@article{duyfhuizen_gravitys_1998,
	title = {\textit{Gravity's Rainbow, Operation Crossbow} and the Culture of Containment},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2737/},
	doi = {10.16995/pn.139},
	pages = {49--58},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Duyfhuizen, Bernard},
	urldate = {2024-03-29},
	date = {1998-09-22},
}

@article{duyfhuizen_brief_1980,
	title = {A Brief Further Remark on "Pynchon's Anti-Quests"},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2426/},
	doi = {10.16995/pn.496},
	pages = {25},
	number = {4},
	journaltitle = {Pynchon Notes},
	author = {Duyfhuizen, Bernard},
	urldate = {2024-03-29},
	date = {1980-10-01},
}

@article{duyfhuizen_long_1981,
	title = {A Long View of V 2},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2611/},
	doi = {10.16995/pn.488},
	pages = {17--19},
	number = {5},
	journaltitle = {Pynchon Notes},
	author = {Duyfhuizen, Bernard},
	urldate = {2024-03-29},
	date = {1981-02-01},
}

@article{duyfhuizen_critiquing_1994,
	title = {Critiquing the Cartel: Anti-Capitalism, Walter Rathenau and \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2595/},
	doi = {10.16995/pn.200},
	shorttitle = {Critiquing the Cartel},
	pages = {88--106},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Duyfhuizen, Bernard},
	urldate = {2024-03-29},
	date = {1994-09-22},
}

@article{duyfhuizen_potsdam_2002,
	title = {From Potsdam to Putzi's: Can Slothrop Get There in Time? And, in Time for What?},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2374/},
	doi = {10.16995/pn.70},
	shorttitle = {From Potsdam to Putzi's},
	pages = {51--75},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Duyfhuizen, Bernard},
	urldate = {2024-03-29},
	date = {2002-09-22},
}

@article{duyfhuizen_starry-eyed_1981,
	title = {Starry-Eyed Semiotics: Learning to Read Slothrop's Map and Gravity's Rainbow},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2867/},
	doi = {10.16995/pn.477},
	shorttitle = {Starry-Eyed Semiotics},
	pages = {5--33},
	number = {6},
	journaltitle = {Pynchon Notes},
	author = {Duyfhuizen, Bernard},
	urldate = {2024-03-29},
	date = {1981-06-01},
}

@article{eckhardt_pynchon_2008,
	title = {Pynchon and Three Contemporary German Novelists},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2699/},
	doi = {10.16995/pn.26},
	pages = {66--77},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Eckhardt, Thomas},
	urldate = {2024-03-29},
	date = {2008-09-22},
}

@article{eddins_orphic_1984,
	title = {Orphic Contra Gnostic Religious Conflict in Gravity's Rainbow},
	volume = {45},
	issn = {0026-7929, 1527-1943},
	url = {https://read.dukeupress.edu/modern-language-quarterly/article/45/2/163/18431/Orphic-Contra-Gnostic-Religious-Conflict-in},
	doi = {10.1215/00267929-45-2-163},
	pages = {163--190},
	number = {2},
	journaltitle = {Modern Language Quarterly},
	author = {Eddins, Dwight},
	urldate = {2024-03-29},
	date = {1984-06-01},
	langid = {english},
}

@article{eller_pynchon_1993,
	title = {Pynchon and Glenn Miller},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2764/},
	doi = {10.16995/pn.225},
	pages = {193--195},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Eller, Jonathan R. and {McCarron}, William E.},
	urldate = {2024-03-29},
	date = {1993-09-22},
}

@article{ellis_king_1986,
	title = {King Ludd Sets Up Shop in the Zone: Narrator as Trickster in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2687/},
	doi = {10.16995/pn.351},
	shorttitle = {King Ludd Sets Up Shop in the Zone},
	pages = {66--83},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Ellis, Reuben J.},
	urldate = {2024-03-29},
	date = {1986-09-22},
}

@article{engelhardt_momentum_2018,
	title = {The Momentum of Pynchon's Secret Formula: \textit{Gravity’s Rainbow}’s Second Equation between Archival Sources and Fiction},
	volume = {6},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/doi/10.16995/orbit.486/},
	doi = {10.16995/orbit.486},
	shorttitle = {The Momentum of Pynchon's Secret Formula},
	pages = {1--27},
	number = {1},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Engelhardt, Nina and Engelhardt, Harald},
	urldate = {2024-03-29},
	date = {2018-02-28},
}

@article{engelhardt_gravity_2014,
	title = {Gravity in Gravity’s Rainbow – Force, Fictitious Force, and Frame of Reference; or: The Science and Poetry of Sloth},
	volume = {2},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v2.2.80},
	doi = {10.7766/orbit.v2.2.80},
	shorttitle = {Gravity in Gravity’s Rainbow – Force, Fictitious Force, and Frame of Reference; or},
	pages = {1--26},
	number = {2},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Engelhardt, Nina},
	urldate = {2024-03-29},
	date = {2014-09-15},
}

@article{engelhardt_scientific_2016,
	title = {Scientific Metafiction and Postmodernism},
	volume = {64},
	issn = {2196-4726, 0044-2305},
	url = {https://www.degruyter.com/document/doi/10.1515/zaa-2016-0018/html},
	doi = {10.1515/zaa-2016-0018},
	abstract = {Abstract
            This paper introduces the concept of scientific metafiction, developing it in relation to historiographic metafiction, which questions the truth of historical knowledge and highlights similarities with fiction. Scientific metafiction accordingly is marked by a refusal of the view that only science has a truth claim and by comparing science and fiction as discourses. Thomas Pynchon’s novels are exemplary historiographic metafictions, and I argue that the growing importance of science and scientific metafiction is crucial to the development of the ontological dominant that, according to Brian {McHale}, characterises postmodernist fiction. Focusing on three novels from the 1970s to the twenty-first century, I demonstrate that the concept of scientific metafiction and its negotiation of concerns also discussed in science studies are central to Pynchon’s work and crucial to its move beyond the epistemological questioning of historiographic metafiction and towards raising ontological concerns.},
	pages = {189--205},
	number = {2},
	journaltitle = {Zeitschrift für Anglistik und Amerikanistik},
	author = {Engelhardt, Nina},
	urldate = {2024-03-29},
	date = {2016-06-01},
	langid = {english},
}

@article{erbe_transcription_2008,
	title = {The Transcription of Electronic Music in \textit{The Crying of Lot 49}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2389/},
	doi = {10.16995/pn.29},
	pages = {99--107},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Erbe, Marcus},
	urldate = {2024-03-29},
	date = {2008-09-22},
}

@online{eve_publication_2013,
	title = {Publication: 'Thomas Pynchon, David Foster Wallace and the Problems of 'Metamodernism': Post-millennial Post-postmodernism?'},
	rights = {https://creativecommons.org/licenses/by/4.0/legalcode},
	url = {https://eve.gd/2013/01/29/publication-thomas-pynchon-david-foster-wallace-and-the-problems-of-metamodernism-post-millennial-post-postmodernism},
	shorttitle = {Publication},
	abstract = {Martin Paul Eve, ‘Thomas Pynchon, David Foster Wallace and the Problems of “Metamodernism”: Post-Millennial Post-Postmodernism?’, C21 Literature: Journal of 21st-century Writings, 1 (2012), pp. 7-25. Available online at C21 Literature. You can download 50\% of the article for free, as per the licensing conditions of Gylphi.},
	titleaddon = {Martin Paul Eve},
	author = {Eve, Martin Paul},
	urldate = {2024-03-29},
	date = {2013-01-29},
	langid = {english},
	doi = {10.59348/n22tf-ekj02},
}

@article{eve_whose_2012,
	title = {Whose line is it anyway?: enlightenment, revolution, and ipseic ethics in the works of Thomas Pynchon},
	volume = {26},
	rights = {http://creativecommons.org/licenses/by/4.0/},
	issn = {0950-236X, 1470-1308},
	url = {https://www.tandfonline.com/doi/full/10.1080/0950236X.2012.709877},
	doi = {10.1080/0950236X.2012.709877},
	shorttitle = {Whose line is it anyway?},
	pages = {921--939},
	number = {5},
	journaltitle = {Textual Practice},
	shortjournal = {Textual Practice},
	author = {Eve, Martin Paul},
	urldate = {2024-03-29},
	date = {2012-10-01},
	langid = {english},
}

@article{fahim_embodied_2017,
	title = {Embodied Vision in \textit{Against the Day}},
	volume = {5},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/doi/10.16995/orbit.200/},
	doi = {10.16995/orbit.200},
	pages = {1--26},
	number = {1},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Fahim, Abdel Raouf},
	urldate = {2024-03-29},
	date = {2017-02-20},
}

@article{fahy_thomas_1977,
	title = {Thomas Pynchon’s \textit{V.} and Mythology},
	volume = {18},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1977.10690141},
	doi = {10.1080/00111619.1977.10690141},
	pages = {5--18},
	number = {3},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Fahy, Joseph},
	urldate = {2024-03-29},
	date = {1977-04},
	langid = {english},
}

@article{farrell_romance_1992,
	title = {The Romance of the '60s: Self, Community and the Ethical in \textit{The Crying of Lot 49}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2605/},
	doi = {10.16995/pn.237},
	shorttitle = {The Romance of the '60s},
	pages = {139--156},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Farrell, John},
	urldate = {2024-03-29},
	date = {1992-09-22},
}

@article{fitzpatrick_indeterminate_2002,
	title = {Indeterminate Ursula and "Seeing How it Must Have Looked," or "The Damned Lemming" and Subjective Narrative in Pynchon, Faulkner, O'Brien, and Morrison},
	volume = {10},
	issn = {1538-974X},
	url = {https://muse.jhu.edu/article/23681},
	doi = {10.1353/nar.2002.0016},
	pages = {244--261},
	number = {3},
	journaltitle = {Narrative},
	shortjournal = {nar},
	author = {{FitzPatrick}, Martin},
	urldate = {2024-03-29},
	date = {2002-10},
	langid = {english},
}

@article{flaxman_oedipa_1997,
	title = {Oedipa Crisis: Paranoia and Prohibition in \textit{The Crying of Lot 49}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2746/},
	doi = {10.16995/pn.163},
	shorttitle = {Oedipa Crisis},
	pages = {41--60},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Flaxman, Gregory},
	urldate = {2024-03-29},
	date = {1997-09-22},
}

@article{flay_after_2017,
	title = {After the Counterculture: American Capitalism, Power, and Opposition in Thomas Pynchon's \textit{Mason \& Dixon}},
	volume = {51},
	rights = {https://www.cambridge.org/core/terms},
	issn = {0021-8758, 1469-5154},
	url = {https://www.cambridge.org/core/product/identifier/S0021875816001961/type/journal_article},
	doi = {10.1017/S0021875816001961},
	shorttitle = {After the Counterculture},
	abstract = {Although Thomas Pynchon has continued to publish long after the postwar American countercultural era, his politics are critically characterized in relation to that movement's values. The dominant critical positions associate power with rationalism and functionality, and political opposition with creativity and pleasure, positioning Pynchon's novels at a politicized intersection between postmodernism and the counterculture. This article problematizes this dominant critical position, taking
              Mason \& Dixon
              (1997) as exemplary of Pynchon's reconsideration of the nature of power and potential opposition to it in response to the countercultural movement's failures and successes, and to developments in capitalist social organization in the 1980s.},
	pages = {779--804},
	number = {3},
	journaltitle = {Journal of American Studies},
	shortjournal = {J. Am. Stud.},
	author = {Flay, Catherine},
	urldate = {2024-03-29},
	date = {2017-08},
	langid = {english},
}

@article{fowler_pynchons_1980,
	title = {Pynchon’s Magic World},
	volume = {79},
	issn = {0038-2876, 1527-8026},
	url = {https://read.dukeupress.edu/south-atlantic-quarterly/article/79/1/51/345191/Pynchon-s-Magic-World},
	doi = {10.1215/00382876-79-1-51},
	pages = {51--60},
	number = {1},
	journaltitle = {South Atlantic Quarterly},
	author = {Fowler, Douglas},
	urldate = {2024-03-29},
	date = {1980-01-01},
	langid = {english},
}

@article{franco_queer_2017,
	title = {Queer Postmodern Practices: Sex and Narrative in \textit{Gravity’s Rainbow}},
	volume = {63},
	issn = {0041-462X, 2325-8101},
	url = {https://read.dukeupress.edu/twentieth-century-lit/article/63/2/141/129699/Queer-Postmodern-Practices-Sex-and-Narrative-in},
	doi = {10.1215/0041462X-3923368},
	shorttitle = {Queer Postmodern Practices},
	abstract = {Offering a queer reading of Gravity’s Rainbow, this project reevaluates the sexual politics and narrative poetics at work in Thomas Pynchon’s paradigmatic postmodernist novel. Moving beyond a thematic reading of sexuality, the article articulates the unacknowledged theoretical similarities between postmodernist ontological instability and queer resistances to teleology. Building on the theoretical work of Brian {McHale} and Lee Edelman, I argue that Pynchon’s representations of sadomasochism in Gravity’s Rainbow become a destabilizing narrative force that queers Pynchon’s poetics. With a focus on Margherita Erdmann’s sexual practice, this revisionary reading of gender and female sexuality in Pynchon complicates previous criticism, which has largely condemned the heteromasculinity of high postmodernism and elided the power of female sexual agency in such texts.},
	pages = {141--166},
	number = {2},
	journaltitle = {Twentieth-Century Literature},
	author = {Franco, Marie},
	urldate = {2024-03-29},
	date = {2017-06-01},
	langid = {english},
}

@article{frangipane_freeways_2016,
	title = {Freeways and Fog: The Shift in Attitude between Postmodernism and Post-Postmodernism from \textit{The Crying of Lot 49} to \textit{Inherent Vice}},
	volume = {57},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/full/10.1080/00111619.2016.1138441},
	doi = {10.1080/00111619.2016.1138441},
	shorttitle = {Freeways and Fog},
	pages = {521--532},
	number = {5},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Frangipane, Nicholas},
	urldate = {2024-03-29},
	date = {2016-10-19},
	langid = {english},
}

@article{freese_surviving_1995,
	title = {Surviving the End: Apocalypse, Evolution, and Entropy in Bernard Malamud, Kurt Vonnegut, and Thomas Pynchon},
	volume = {36},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1995.9935250},
	doi = {10.1080/00111619.1995.9935250},
	shorttitle = {Surviving the End},
	pages = {163--175},
	number = {3},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Freese, Peter},
	urldate = {2024-03-29},
	date = {1995-03},
	langid = {english},
}

@article{freese_entropic_1991,
	title = {{THE} {ENTROPIC} {END} {OF} {THE} {AMERICAN} {DREAM}: {THOMAS} {PYNCHON}’S {THE} {CRYING} {OF} {LOT} 49},
	volume = {1991},
	issn = {0340-5222, 1865-8938},
	url = {https://www.degruyter.com/document/doi/10.1515/angl.1991.1991.109.60/html},
	doi = {10.1515/angl.1991.1991.109.60},
	shorttitle = {{THE} {ENTROPIC} {END} {OF} {THE} {AMERICAN} {DREAM}},
	number = {109},
	journaltitle = {Anglia - Zeitschrift für englische Philologie},
	author = {Freese, Peter},
	urldate = {2024-03-29},
	date = {1991},
}

@article{french_crying_1966,
	title = {The Crying of Lot 49 by Thomas Pynchon},
	volume = {1},
	issn = {1948-7142},
	url = {https://muse.jhu.edu/article/528594},
	doi = {10.1353/wal.1966.0002},
	pages = {142--143},
	number = {2},
	journaltitle = {Western American Literature},
	shortjournal = {Western American Literature},
	author = {French, Warren},
	urldate = {2024-03-29},
	date = {1966},
	langid = {english},
}

@article{friedman_contemporary_1979,
	title = {Contemporary American physics fiction},
	volume = {47},
	issn = {0002-9505, 1943-2909},
	url = {https://pubs.aip.org/ajp/article/47/5/392/1051093/Contemporary-American-physics-fiction},
	doi = {10.1119/1.11804},
	abstract = {The great post-Newtonian revolution in physical science culminated with Einstein’s general theory of relativity in the second decade of our century, and with the establishment of the quantum theory in the third decade. The responses of literature over the past half century to these changes in world view have served as stimulating examples of cultural interchange. The novels of Thomas Pynchon, William Gaddis, Robert Coover, Joseph {McElroy}, Don {DeLillo}, and Robert Pirsig make use of the new physics as metaphor for three traditional activities of novelists: examining order and disorder, questioning cause and effect, and seeking unity in the human and physical universes.},
	pages = {392--395},
	number = {5},
	journaltitle = {American Journal of Physics},
	author = {Friedman, Alan J.},
	urldate = {2024-03-29},
	date = {1979-05-01},
	langid = {english},
}

@article{friedman_science_1974,
	title = {Science as Metaphor: Thomas Pynchon and "Gravity's Rainbow"},
	volume = {15},
	issn = {00107484},
	url = {http://www.jstor.org/stable/1207745?origin=crossref},
	doi = {10.2307/1207745},
	shorttitle = {Science as Metaphor},
	pages = {345--359},
	number = {3},
	journaltitle = {Contemporary Literature},
	shortjournal = {Contemporary Literature},
	author = {Friedman, Alan J. and Puetz, Manfred},
	urldate = {2024-03-29},
	date = {1974},
}

@article{friedman_where_1993,
	title = {Where Are the Missing Contents? (Post)Modernism, Gender, and the Canon},
	volume = {108},
	rights = {https://www.cambridge.org/core/terms},
	issn = {0030-8129, 1938-1530},
	url = {https://www.cambridge.org/core/product/identifier/S0030812900057722/type/journal_article},
	doi = {10.2307/462595},
	shorttitle = {Where Are the Missing Contents?},
	abstract = {Jean-François Lyotard has argued that the master narratives sustaining Western civilization in the past have been delegitimated and can no longer be presented. Although a sense of loss for these “missing contents” marks modernist and postmodernist literature, this sense seems more evident in texts written by men than in texts written by women. Women's texts that convey these missing contents do not look backward toward past master narratives. Rather, what is missing is the “not yet presented,” that which has not yet come into range. This pattern of bifurcation in modernism and postmodernism suggests that male texts are more readily adopted into the canon than female texts are because their nostalgic stance toward the past binds them, as female texts generally are not bound, to the long reach of the male Western narrative tradition. ({EGF})},
	pages = {240--252},
	number = {2},
	journaltitle = {{PMLA}/Publications of the Modern Language Association of America},
	shortjournal = {Publ. Mod. Lang. Assoc. Am.},
	author = {Friedman, Ellen G.},
	urldate = {2024-03-29},
	date = {1993-03},
	langid = {english},
}

@article{gautreau_clearer_2014,
	title = {“Clearer Than Real”: A History of Mediated Realities in Pynchon's \textit{Against the Day}},
	volume = {47},
	issn = {0016-6928},
	url = {https://read.dukeupress.edu/genre/article/47/2/141/5686/Clearer-Than-Real-A-History-of-Mediated-Realities},
	doi = {10.1215/00166928-2679761},
	shorttitle = {“Clearer Than Real”},
	abstract = {This essay explores the trajectory of popular media in Thomas Pynchon's 2006 novel Against the Day, from print all the way to the Internet. In his piece “Genre as History,” Brian {McHale} asserts that Against the Day pastiches several literary genres from the turn of the twentieth century, but this essay argues that Against the Day deals more broadly with the history of emergent media that come to shape reality according to capitalist interests. Merle Rideout, a character linked to camera technologies, and Lew Basnight, who represents print media, remain strangers for the first thousand pages of an eleven-hundred-page novel. Their meeting in 1920s Hollywood demonstrates not only the historical collision of print and visual media but also the latter's eclipse of the former. Reading Merle's Integroscope as anticipating later Internet technology, this essay ends by grappling with the persistence of print media in the twenty-first century that Against the Day consciously embodies.},
	pages = {141--170},
	number = {2},
	journaltitle = {Genre},
	author = {Gautreau, Justin},
	urldate = {2024-03-29},
	date = {2014-07-01},
	langid = {english},
}

@article{gazi_mapping_2016,
	title = {Mapping the Metaphysics of the Multiverse in Pynchon’s \textit{Against the Day}},
	volume = {57},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/full/10.1080/00111619.2015.1019404},
	doi = {10.1080/00111619.2015.1019404},
	pages = {80--93},
	number = {1},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Gazi, Jeeshan},
	urldate = {2024-03-29},
	date = {2016-01},
	langid = {english},
}

@article{gazi_deleuze_2016,
	title = {“On Deleuze and Guattari’s \textit{Italian Wedding Fake Book}: Pynchon, Improvisation, Social Organisation, and Assemblage”},
	volume = {4},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/doi/10.16995/orbit.192/},
	doi = {10.16995/orbit.192},
	shorttitle = {“On Deleuze and Guattari’s \textit{Italian Wedding Fake Book}},
	pages = {1--23},
	number = {2},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Gazi, Jeeshan},
	urldate = {2024-03-29},
	date = {2016-07-18},
}

@article{gazi_pynchons_2016,
	title = {Pynchon’s \textit{Nineteen Eighty-Four} : \textit{Vineland} , Film, and the Tragedy of the American Activism of the 1960s},
	volume = {10},
	issn = {1930-1189, 1930-1197},
	url = {https://scholarlypublishingcollective.org/jsr/article/10/1/27/176834/Pynchon-s-Nineteen-Eighty-Four-Vineland-Film-and},
	doi = {10.14321/jstudradi.10.1.0027},
	shorttitle = {Pynchon’s \textit{Nineteen Eighty-Four}},
	pages = {27--62},
	number = {1},
	journaltitle = {Journal for the Study of Radicalism},
	author = {Gazi, Jeeshan},
	urldate = {2024-03-29},
	date = {2016-01-01},
	langid = {english},
}

@article{gelfant_sister_1981,
	title = {Sister to Faust: The City's "Hungry Woman" as Heroine},
	volume = {15},
	issn = {00295132},
	url = {https://www.jstor.org/stable/1345334?origin=crossref},
	doi = {10.2307/1345334},
	shorttitle = {Sister to Faust},
	pages = {23--38},
	number = {1},
	journaltitle = {{NOVEL}: A Forum on Fiction},
	shortjournal = {{NOVEL}: A Forum on Fiction},
	author = {Gelfant, Blanche},
	urldate = {2024-03-29},
	date = {1981},
}

@article{george_chyrnische_1980,
	title = {The Chyrnische Hochzeit of Thomas Pynchon},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2483/},
	doi = {10.16995/pn.494},
	pages = {5--22},
	number = {4},
	journaltitle = {Pynchon Notes},
	author = {George, N. F.},
	urldate = {2024-03-29},
	date = {1980-10-01},
}

@article{geyh_assembling_2003,
	title = {Assembling Postmodernism: Experience, Meaning, and the Space In-Between},
	volume = {30},
	issn = {1542-4286},
	url = {https://muse.jhu.edu/article/41691},
	doi = {10.1353/lit.2003.0027},
	shorttitle = {Assembling Postmodernism},
	pages = {1--29},
	number = {2},
	journaltitle = {College Literature},
	shortjournal = {lit},
	author = {Geyh, Paula},
	urldate = {2024-03-29},
	date = {2003-03},
	langid = {english},
}

@article{marandi_interrogating_2019,
	title = {Interrogating New York City: The Detective as Flâneur in Thomas Pynchon’s \textit{Bleeding Edge}},
	volume = {60},
	issn = {0011-1619, 1939-9138},
	url = {https://www.tandfonline.com/doi/full/10.1080/00111619.2019.1570912},
	doi = {10.1080/00111619.2019.1570912},
	shorttitle = {Interrogating New York City},
	pages = {263--277},
	number = {3},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Marandi, Seyed Mohammad and Ghafoori, Masoud},
	urldate = {2024-03-29},
	date = {2019-05-27},
	langid = {english},
}

@article{gilmore_how_2012,
	title = {"How pleasant to watch Nothing": Narrativity and Desire in \textit{V.}},
	volume = {1},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v1.1.14},
	doi = {10.7766/orbit.v1.1.14},
	shorttitle = {"How pleasant to watch Nothing"},
	pages = {1--27},
	number = {1},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Gilmore, Timothy},
	urldate = {2024-03-29},
	date = {2012-07-08},
}

@article{gleason_postmodern_1993,
	title = {The Postmodern Labyrinths of \textit{Lot 49}},
	volume = {34},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1993.9935234},
	doi = {10.1080/00111619.1993.9935234},
	pages = {83--99},
	number = {2},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Gleason, William},
	urldate = {2024-03-29},
	date = {1993-01},
	langid = {english},
}

@article{gochenour_anarchist_2003,
	title = {Anarchist Miracles: Distributed Communities, Nodal Subjects and \textit{The Crying of Lot 49}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2606/},
	doi = {10.16995/pn.51},
	shorttitle = {Anarchist Miracles},
	pages = {40--52},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Gochenour, Phillip},
	urldate = {2024-03-29},
	date = {2003-09-22},
}

@article{gochenour_history_1993,
	title = {The History Written on the Body: Photography, History and Memory in Pynchon's \textit{Vineland}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2391/},
	doi = {10.16995/pn.221},
	shorttitle = {The History Written on the Body},
	pages = {169--180},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Gochenour, Phillip},
	urldate = {2024-03-29},
	date = {1993-09-22},
}

@article{golden_mass_1972,
	title = {Mass Man and Modernism: Violence in Pynchon’s \textit{V.}},
	volume = {14},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1972.10690021},
	doi = {10.1080/00111619.1972.10690021},
	shorttitle = {Mass Man and Modernism},
	pages = {5--17},
	number = {2},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Golden, Robert E.},
	urldate = {2024-03-29},
	date = {1972-12},
	langid = {english},
}

@article{gossel_v_2002,
	title = {A V and a Naught Spell Infinity},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2714/},
	doi = {10.16995/pn.71},
	pages = {76--82},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Gossel, Christoph and Vanderbeke, Dirk},
	urldate = {2024-03-29},
	date = {2002-09-22},
}

@article{gourley_vladimir_2017,
	title = {Vladimir Nabokov and Thomas Pynchon at Cornell University},
	volume = {30},
	issn = {0895-769X, 1940-3364},
	url = {https://www.tandfonline.com/doi/full/10.1080/0895769X.2016.1249562},
	doi = {10.1080/0895769X.2016.1249562},
	pages = {170--173},
	number = {3},
	journaltitle = {{ANQ}: A Quarterly Journal of Short Articles, Notes and Reviews},
	shortjournal = {{ANQ}: A Quarterly Journal of Short Articles, Notes and Reviews},
	author = {Gourley, James},
	urldate = {2024-03-29},
	date = {2017-07-03},
	langid = {english},
}

@article{grant_not_1991,
	title = {Not Quite so Crazy After all These Years: Pynchon's Creative Engineer},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2776/},
	doi = {10.16995/pn.256},
	shorttitle = {Not Quite so Crazy After all These Years},
	pages = {43--53},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Grant, J. Kerry},
	urldate = {2024-03-29},
	date = {1991-09-22},
}

@article{graves_love_1982,
	title = {Love and the Western World of Pynchon's "V."},
	volume = {47},
	issn = {0277335X},
	url = {https://www.jstor.org/stable/3199611?origin=crossref},
	doi = {10.2307/3199611},
	pages = {62--73},
	number = {1},
	journaltitle = {South Atlantic Review},
	shortjournal = {South Atlantic Review},
	author = {Graves, Lila V.},
	urldate = {2024-03-29},
	date = {1982-01},
}

@article{gray_mason_1997,
	title = {Mason and Dixon},
	volume = {54},
	issn = {00435597},
	url = {https://www.jstor.org/stable/2953899?origin=crossref},
	doi = {10.2307/2953899},
	pages = {877--879},
	number = {4},
	journaltitle = {The William and Mary Quarterly},
	shortjournal = {The William and Mary Quarterly},
	author = {Gray, Edward},
	urldate = {2024-03-29},
	date = {1997-10},
}

@article{green_crying_1982,
	title = {\textit{The Crying of Lot 49}: Pynchon's Heart of Darkness},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2504/},
	doi = {10.16995/pn.458},
	shorttitle = {\textit{The Crying of Lot 49}},
	pages = {30--38},
	number = {8},
	journaltitle = {Pynchon Notes},
	author = {Green, Martin},
	urldate = {2024-03-29},
	date = {1982-02-01},
}

@article{grmusa_cinematic_2017,
	title = {“Cinematic” Gravity’s Rainbow: Indiscernibility of the Actual and the Virtual},
	volume = {1},
	rights = {http://creativecommons.org/licenses/by-nc-nd/4.0},
	issn = {2451-3474},
	url = {https://www.degruyter.com/document/doi/10.1515/culture-2017-0023/html},
	doi = {10.1515/culture-2017-0023},
	shorttitle = {“Cinematic” Gravity’s Rainbow},
	abstract = {Abstract
            Acknowledging that all media interpenetrate without any one being privileged as original, this paper focuses on the influence and omnipresence of screen technologies, cinematography in particular, asserting its capacities to act as a dominant technological and cultural force, which surveys and controls the economy, affects human consciousness, and implements its own ideologically tainted reality. More specifically, the analysis demonstrates the impact of cinematography within Thomas Pynchon’s Gravity’s Rainbow, emphasizing intermedial reflexivity from screen to paper, its unfolding and animation, representations and mutations, but also the notion that virtuality dominates actuality (Virilio, The Vision 63), or, in Deleuze’s terms, the two coalesce within the crystal-image, for the real and the imaginary, the actual and the virtual, although distinct, are indiscernible (Deleuze, Cinema 2 68-69). The study is grounded in Paul Virilio’s theoretical framework and his criticism of the colonization of the real by the virtual, and in Gilles Deleuze’s account on cinematic taxonomy and how cinematography partakes in the emergence of a new notion of reality and history. By appropriating, repurposing, and reshaping the techniques, forms, and contents of cinematography, and at the same time being critical of its effects, Pynchon uses paper surface for transition of his ideas, validating the repercussions of intermediation as a cultural force and unveiling literature’s performativity, its ability to shelter/entertain the “cinematic,” which in turn revolutionizes and animates fiction.},
	pages = {257--269},
	number = {1},
	journaltitle = {Open Cultural Studies},
	author = {Grmusa, Lovorka Gruic},
	urldate = {2024-03-29},
	date = {2017-11-27},
}

@article{guillen_pynchons_2000,
	title = {Pynchon’s Social Aesthetics: Sixties Activism in {PostModern} American Literature},
	volume = {84},
	issn = {0397-7870},
	url = {https://www.persee.fr/doc/rfea_0397-7870_2000_num_84_1_1809},
	doi = {10.3406/rfea.2000.1809},
	shorttitle = {Pynchon’s Social Aesthetics},
	abstract = {Dans la littérature américaine postmoderniste on trouve souvent non seulement un rejet des valeurs sociales de l '« establishment » mais aussi un rejet de la réalité elle-même. Gerald Graff, par exemple, a dénoncé la déconstruction comme une fuite devant les problèmes de la société moderne. Graff voit « la même influence débilitante s 'exercer dans le genre de fiction postmoderniste pratiqué par des écrivains comme Thomas Pynchon ». Si le réalisme est simplement un problème de convention dominante ne s 'attachant pas plus à la vérité que d'autres modes d'écriture plus artificiels, alors c 'est la porte ouverte, selon Graff, à « un scepticisme général que ne reconnaît que le jeu infini du texte». Thomas Pynchon, le représentant le plus éminent et le symbole le plus durable de cette époque semble effectivement travailler sur des thèmes qui font écho aux assertions postmodernistes sur l'inscrutabilité, la relativité et enfin de compte la subjectivité de la réalité. Cependant cet article défend l'idée qu'une étude précise de la production littéraire soigneusement travaillée de Pynchon montre qu 'il n 'en est rien.},
	pages = {106--125},
	number = {1},
	journaltitle = {Revue française d’études américaines},
	shortjournal = {rfea},
	author = {Guillen, Matthew},
	urldate = {2024-03-29},
	date = {2000},
	langid = {french},
}

@article{guzlowski_no_1981,
	title = {No More Sea Changes: Hawkes, Pynchon, Gaddis, and Barth},
	volume = {23},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1982.9933778},
	doi = {10.1080/00111619.1982.9933778},
	shorttitle = {No More Sea Changes},
	pages = {48--60},
	number = {2},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Guzlowski, John Z.},
	urldate = {2024-03-29},
	date = {1981-12},
	langid = {english},
}

@article{haeselin_welcome_2017,
	title = {Welcome to the Indexed World: Thomas Pynchon’s \textit{Bleeding Edge} and the Things Search Engines Will Not Find},
	volume = {58},
	issn = {0011-1619, 1939-9138},
	url = {https://www.tandfonline.com/doi/full/10.1080/00111619.2017.1282932},
	doi = {10.1080/00111619.2017.1282932},
	shorttitle = {Welcome to the Indexed World},
	pages = {313--324},
	number = {4},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Haeselin, David},
	urldate = {2024-03-29},
	date = {2017-08-08},
	langid = {english},
}

@article{hall_behind_1991,
	title = {“Behind the Hieroglyphic Streets”: Pynchon's Oedipa Maas and the Dialectics of Reading},
	volume = {33},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1991.9933820},
	doi = {10.1080/00111619.1991.9933820},
	shorttitle = {“Behind the Hieroglyphic Streets”},
	pages = {63--77},
	number = {1},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Hall, Chris},
	urldate = {2024-03-29},
	date = {1991-09},
	langid = {english},
}

@article{hamill_confronting_1999,
	title = {Confronting the Monolith: Authority and the Cold War in \textit{Gravity's Rainbow}},
	volume = {33},
	rights = {https://www.cambridge.org/core/terms},
	issn = {0021-8758, 1469-5154},
	url = {https://www.cambridge.org/core/product/identifier/S0021875899006179/type/journal_article},
	doi = {10.1017/S0021875899006179},
	shorttitle = {Confronting the Monolith},
	abstract = {One of the notable aspects of
              Gravity's Rainbow
              , if we consider it as an 
historical novel of a special kind, is the way in which “great” political 
leaders are barely mentioned. The carnival lacks the mock king, and the 
historical novel lacks the leader who embodies history. The explanation 
here is paradoxically historicist.
              Gravity's Rainbow
              explicitly addresses a 
constructed audience (in the Orpheus Theatre) in the Cold War and is
              about
              the formation of the Cold War in its techno-bureaucratic context. The
              realpolitik
              of authority in the Cold War context has changed. Bureaucratic 
constructions of System operate as the
              modus operandi
              for authority in the 
novel and they parallel the historical formation of Systems theory and 
analysis with such {US} organizations as
              {RAND}
              . This development 
represents, in the technologies and the discourses of the military and 
political strategists, a response to Hitler and the supposed tyranny and 
threat of Communism. The series of characters we encounter within the 
novel reflects different forms of entrapment and/or lines of flight in 
response to the authority of the System in what John Johnston has called 
an assemblage, or postmodern multiplicity. Containment and counterforce 
become metaphors which Pynchon scurrilously uses to subvert the 
moral righteousness of the Western Cold Warriors in their defense of a 
“free world” (paradoxically) under siege from an ever threatening 
Communism. Pynchon is interested not in the great historical figure, but 
in the relation of the individual to the System, militarily, scientifically, 
socially, and sexually.},
	pages = {417--436},
	number = {3},
	journaltitle = {Journal of American Studies},
	shortjournal = {J. Am. Stud.},
	author = {Hamill, John},
	urldate = {2024-03-29},
	date = {1999-12},
	langid = {english},
}

@article{hamill_looking_1999,
	title = {Looking Back on Sodom: Sixties Sadomasochism in \textit{Gravity's Rainbow}},
	volume = {41},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619909601577},
	doi = {10.1080/00111619909601577},
	shorttitle = {Looking Back on Sodom},
	pages = {53--70},
	number = {1},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Hamill, John},
	urldate = {2024-03-29},
	date = {1999-01},
	langid = {english},
}

@article{hanggi_pynchon_2018,
	title = {The Pynchon Playlist: A Catalog and Its Analysis},
	volume = {6},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/doi/10.16995/orbit.487/},
	doi = {10.16995/orbit.487},
	shorttitle = {The Pynchon Playlist},
	pages = {1--35},
	number = {1},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Hänggi, Christian},
	urldate = {2024-03-29},
	date = {2018-05-11},
}

@article{hardack_whaling_2013,
	title = {“From Whaling to Armaments to Food”: Melville's, Pynchon's, and Wedde's Economies of the Pacific},
	volume = {54},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.2011.557408},
	doi = {10.1080/00111619.2011.557408},
	shorttitle = {“From Whaling to Armaments to Food”},
	pages = {161--180},
	number = {2},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Hardack, Richard},
	urldate = {2024-03-29},
	date = {2013-04},
	langid = {english},
}

@article{richard_hardack_consciousness_2010,
	title = {Consciousness without Borders: Narratology in \textit{Against the Day} and the Works of Thomas Pynchon},
	volume = {52},
	issn = {1536-0342},
	url = {https://muse.jhu.edu/article/407383},
	doi = {10.1353/crt.2010.0018},
	shorttitle = {Consciousness without Borders},
	pages = {91--128},
	number = {1},
	journaltitle = {Criticism},
	shortjournal = {Criticism},
	author = {{Richard Hardack}},
	urldate = {2024-03-29},
	date = {2010},
	langid = {english},
}

@article{hardack_revealing_2013,
	title = {Revealing the bidder: the forgotten lesbian in Pynchon's \textit{The Crying of Lot 49}},
	volume = {27},
	issn = {0950-236X, 1470-1308},
	url = {http://www.tandfonline.com/doi/abs/10.1080/0950236X.2013.781770},
	doi = {10.1080/0950236X.2013.781770},
	shorttitle = {Revealing the bidder},
	pages = {565--595},
	number = {4},
	journaltitle = {Textual Practice},
	shortjournal = {Textual Practice},
	author = {Hardack, Richard},
	urldate = {2024-03-29},
	date = {2013-07},
	langid = {english},
}

@article{harrington_pynchon_1982,
	title = {Pynchon, Beckett, and Entropy: Uses of Metaphor},
	volume = {5},
	issn = {1548-9930},
	url = {https://muse.jhu.edu/article/411631},
	doi = {10.1353/mis.1982.0016},
	shorttitle = {Pynchon, Beckett, and Entropy},
	pages = {129--138},
	number = {3},
	journaltitle = {The Missouri Review},
	shortjournal = {mis},
	author = {Harrington, John P.},
	urldate = {2024-03-29},
	date = {1982-06},
	langid = {english},
}

@article{harris_mr_2018,
	title = {Mr. Pynchon Goes to Iowa: The Search for Community in the Later Novels},
	volume = {6},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/doi/10.16995/orbit.483/},
	doi = {10.16995/orbit.483},
	shorttitle = {Mr. Pynchon Goes to Iowa},
	pages = {1--18},
	number = {1},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Harris, Michael},
	urldate = {2024-03-29},
	date = {2018-05-23},
}

@article{hartnett_high_1987,
	title = {A High School Record for Disturbing The Peace},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2583/},
	doi = {10.16995/pn.340},
	pages = {115--120},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Hartnett, Michael},
	urldate = {2024-03-29},
	date = {1987-09-22},
}

@article{harvey_cry_2013,
	title = {To Cry from Within or Without? Pynchon and the Modern – Postmodern Divide.},
	volume = {2},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v2.1.47},
	doi = {10.7766/orbit.v2.1.47},
	shorttitle = {To Cry from Within or Without?},
	pages = {1--27},
	number = {1},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Harvey, Lawrence Russell},
	urldate = {2024-03-29},
	date = {2013-08-28},
}

@article{hashhozheva_mittelwerke_2008,
	title = {The Mittelwerke: Site–Para-Site–Non-Site},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2560/},
	doi = {10.16995/pn.32},
	shorttitle = {The Mittelwerke},
	pages = {137--153},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Hashhozheva, Galena},
	urldate = {2024-03-29},
	date = {2008-09-22},
}

@article{hausdorff_thomas_1966,
	title = {Thomas Pynchon's Multiple Absurdities},
	volume = {7},
	issn = {01464949},
	url = {https://www.jstor.org/stable/1207143?origin=crossref},
	doi = {10.2307/1207143},
	pages = {258--269},
	number = {3},
	journaltitle = {Wisconsin Studies in Contemporary Literature},
	shortjournal = {Wisconsin Studies in Contemporary Literature},
	author = {Hausdorff, Don},
	urldate = {2024-03-29},
	date = {1966},
}

@article{d_hawthorne_hi_1999,
	title = {"Hi! My Name Is Arnold Snarb!": Homosexuality in \textit{The Crying of Lot 49}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2657/},
	doi = {10.16995/pn.119},
	shorttitle = {"Hi! My Name Is Arnold Snarb!"},
	pages = {65--81},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {D. Hawthorne, Mark},
	urldate = {2024-03-29},
	date = {1999-09-22},
}

@article{hayles_who_1990,
	title = {“Who was Saved?” Families, Snitches, and Recuperation in Pynchon's \textit{Vineland}},
	volume = {32},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1990.9933801},
	doi = {10.1080/00111619.1990.9933801},
	shorttitle = {“Who was Saved?},
	pages = {77--91},
	number = {2},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Hayles, N. Katherine},
	urldate = {2024-03-29},
	date = {1990-12},
	langid = {english},
}

@article{haynes_gravity_2012,
	title = {"Gravity rushes through him": Volk and Fetish in Pynchon's Rilke},
	volume = {58},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/479784},
	doi = {10.1353/mfs.2012.0042},
	shorttitle = {"Gravity rushes through him"},
	abstract = {This paper deals with a central but overlooked and misunderstood concern in Pynchon's Gravity's Rainbow (1973): the influence of Rainer Maria Rilke, especially his Sonnets to Orpheus and Duino Elegies (1922). This study uses contextual and exegetical methods to consider how Pynchon uses Rilke alongside and through his characters to engage critically with the poet's late work, reading it to explore wider issues. Weimar bourgeois irrationality as preparation for Nazism; the redundancy of German existentialism; and Rilke's neo-Romanticism as the representative of a volkisch culture unconsciously rooted in the fetish of the commodity, all come under scrutiny.},
	pages = {308--333},
	number = {2},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Haynes, Doug},
	urldate = {2024-03-29},
	date = {2012-06},
	langid = {english},
}

@article{haynes_under_2014,
	title = {Under the Beach, the Paving-Stones! The Fate of Fordism in Pynchon's \textit{Inherent Vice}},
	volume = {55},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.2011.620646},
	doi = {10.1080/00111619.2011.620646},
	pages = {1--16},
	number = {1},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Haynes, Doug},
	urldate = {2024-03-29},
	date = {2014-01},
	langid = {english},
}

@article{redfield_fugue_1977,
	title = {Fugue as a Structure in Pynchon's "Entropy"},
	volume = {12},
	issn = {00787469},
	url = {https://www.jstor.org/stable/1316482?origin=crossref},
	doi = {10.2307/1316482},
	pages = {50--55},
	journaltitle = {Pacific Coast Philology},
	shortjournal = {Pacific Coast Philology},
	author = {Redfield, Robert and Hays, Peter L.},
	urldate = {2024-03-29},
	date = {1977-10},
}

@article{hays_pynchons_1985,
	title = {Pynchon's "Entropy": A Russian Connection},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2659/},
	doi = {10.16995/pn.378},
	shorttitle = {Pynchon's "Entropy"},
	pages = {78--82},
	number = {16},
	journaltitle = {Pynchon Notes},
	author = {Hays, Peter L.},
	urldate = {2024-03-29},
	date = {1985-03-20},
}

@article{herman_darstellungen_2004,
	title = {Darstellungen von Dora. Thomas Pynchons Gravity's Rainbow im Spannungsfeld von fiktionalen, historiographischen und erinnerungsbasierten Repräsentationen des Konzentrationslagers Mittelbau-Dora},
	volume = {39},
	issn = {0003-7982, 1613-0642},
	url = {https://www.degruyter.com/document/doi/10.1515/arca.39.2.390/html},
	doi = {10.1515/arca.39.2.390},
	pages = {390--409},
	number = {2},
	journaltitle = {Arcadia – International Journal for Literary Studies},
	author = {Herman, Luc and Arich-Gerz, Bruno},
	urldate = {2024-03-29},
	date = {2004-01-19},
}

@article{herman_fast_2007,
	title = {Fast Learner: The Typescript of Pynchon's V. at the Harry Ransom Center in Austin},
	volume = {49},
	issn = {1534-7303},
	url = {http://muse.jhu.edu/content/crossref/journals/texas_studies_in_literature_and_language/v049/49.1herman.html},
	doi = {10.1353/tsl.2007.0005},
	shorttitle = {Fast Learner},
	pages = {1--20},
	number = {1},
	journaltitle = {Texas Studies in Literature and Language},
	shortjournal = {Texas Studies in Literature and Language},
	author = {Herman, Luc. and Krafft, John M.},
	urldate = {2024-03-29},
	date = {2007},
	langid = {english},
}

@article{herman_ground_2006,
	title = {From the Ground Up: The Evolution of the South-West Africa Chapter in Pynchon's V},
	volume = {47},
	issn = {1548-9949},
	url = {http://muse.jhu.edu/content/crossref/journals/contemporary_literature/v047/47.2herman.html},
	doi = {10.1353/cli.2006.0023},
	shorttitle = {From the Ground Up},
	pages = {261--288},
	number = {2},
	journaltitle = {Contemporary Literature},
	shortjournal = {Contemporary Literature},
	author = {Herman, Luc and Krafft, John M},
	urldate = {2024-03-29},
	date = {2006},
	langid = {english},
}

@article{herman_gravitys_2009,
	title = {Gravity's Encyclopedia Revisited: The Illusion of a Totalizing System in \textit{Gravity's Rainbow}},
	volume = {90},
	issn = {0013-838X, 1744-4217},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00138380902743203},
	doi = {10.1080/00138380902743203},
	shorttitle = {Gravity's Encyclopedia Revisited},
	pages = {167--179},
	number = {2},
	journaltitle = {English Studies},
	shortjournal = {English Studies},
	author = {Herman, Luc and Van Ewijk, Petrus},
	urldate = {2024-03-29},
	date = {2009-04},
	langid = {english},
}

@article{herman_hyperfiction_2006,
	title = {Hyperfiction, the Pyndustry, and Luhmann's Systems Theory},
	volume = {54},
	issn = {2196-4726},
	url = {https://www.degruyter.com/document/doi/10.1515/zaa-2006-0306/html},
	doi = {10.1515/zaa-2006-0306},
	abstract = {Abstract
            This article first discusses the new medial literary form of hyperfiction in terms of an exchange with and between the 'old' media of film and print literature and their respective theoretizations by Joachim Paech and the hypertheorists of the 1990s. The calculated failure of the discussion leads, in the second part, to a new framing of literary texts and their criticism that pivots on Niklas Luhmann's systems theory and his medium / form distinction in particular. The writings of Thomas Pynchon and the criticism of the so-called Pyndustry will help exemplify this model, which conceptualizes hyperfictions and their reading / criticism from a new angle. At the same time, the article demonstrates that Gravity's Rainbow, a novel which critics have frequently read in terms of - or even as - film, can equally be focalized not only as prefiguring hypertextuality, but as a case in point for a hypertextual-like collaborative enterprise on the level of its criticism.},
	pages = {299--311},
	number = {3},
	journaltitle = {Zeitschrift für Anglistik und Amerikanistik},
	author = {Herman, Luc and Arich-Gerz, Bruno},
	urldate = {2024-03-29},
	date = {2006-07-01},
	langid = {english},
}

@article{herman_narrative_2009,
	title = {Narrative Interest as Cultural Negotiation},
	volume = {17},
	issn = {1538-974X},
	url = {https://muse.jhu.edu/article/256474},
	doi = {10.1353/nar.0.0012},
	pages = {111--129},
	number = {1},
	journaltitle = {Narrative},
	shortjournal = {nar},
	author = {Herman, Luc and Vervaeck, Bart},
	urldate = {2024-03-29},
	date = {2009-01},
	langid = {english},
}

@article{herman_parody_1999,
	title = {Parody in \textit{gravity's rainbow} (1973) by Thomas Pynchon},
	volume = {3},
	issn = {1382-5577, 1744-4233},
	url = {http://www.tandfonline.com/doi/abs/10.1080/13825579908574439},
	doi = {10.1080/13825579908574439},
	pages = {206--225},
	number = {2},
	journaltitle = {European Journal of English Studies},
	shortjournal = {European Journal of English Studies},
	author = {Herman, Luc},
	urldate = {2024-03-29},
	date = {1999-08},
	langid = {english},
}

@article{herman_pynchon_2003,
	title = {Pynchon, postmodernism and quantification: an empirical content analysis of Thomas Pynchon’s Gravity’s Rainbow},
	volume = {12},
	rights = {http://journals.sagepub.com/page/policies/text-and-data-mining-license},
	issn = {0963-9470, 1461-7293},
	url = {http://journals.sagepub.com/doi/10.1177/096394700301200102},
	doi = {10.1177/096394700301200102},
	shorttitle = {Pynchon, postmodernism and quantification},
	abstract = {Thomas Pynchon’s Gravity’s Rainbow (1973) has been received as a canonical instance of postmodernism. The novel appears to subvert traditional definitions of plot and characterization, yet the narrative retains a nagging sense of order underneath the represented chaos. Simultaneously evoking and undoing patterns on all levels of its narrative structure, Gravity’s Rainbow surreptitiously evokes the presence of a night journey (Martindale, 1979). An empirical content analysis of the novel confirms this ambiguous attitude with respect to patterning in the novel, and thus constitutes a first and modest step towards the quantification of postmodernism. First, a thematic analysis, calculating the co-variations of words across the chapters, corroborates the idea of a connectedness that seems to belie, in part, the pervasive presence of a paranoid hermeneutic. Second, a dictionary-based analysis of narrative sequences reveals an inverse night journey pattern that differs markedly from other patterns found for modernist novels. The configurations that were obtained in these analyses show that content analysis can distinguish empirically between two literary - historical concepts.},
	pages = {27--41},
	number = {1},
	journaltitle = {Language and Literature: International Journal of Stylistics},
	shortjournal = {Language and Literature},
	author = {Herman, Luc and Hogenraad, Robert and Van Mierlo, Wim},
	urldate = {2024-03-29},
	date = {2003-02},
	langid = {english},
}

@article{herman_race_2011,
	title = {Race in Early Pynchon: Rewriting Sphere in \textit{V} .},
	volume = {52},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111611003631660},
	doi = {10.1080/00111611003631660},
	shorttitle = {Race in Early Pynchon},
	pages = {17--29},
	number = {1},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Herman, Luc and Krafft, John M.},
	urldate = {2024-03-29},
	date = {2011-01},
	langid = {english},
}

@article{herzogenrath_possible_1997,
	title = {A Possible Source for the Name Oedipa Maas},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2569/},
	doi = {10.16995/pn.165},
	pages = {107--109},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Herzogenrath, Bernd},
	urldate = {2024-03-29},
	date = {1997-09-22},
}

@article{hess_music_2014,
	title = {Music in Thomas Pynchon’s Mason \& Dixon},
	volume = {2},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v2.2.75},
	doi = {10.7766/orbit.v2.2.75},
	pages = {1--36},
	number = {2},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Hess, John Joseph},
	urldate = {2024-03-29},
	date = {2014-07-04},
}

@article{hill_rationalizing_2003,
	title = {Rationalizing Community: Victims, Institutions and Analogies for America in \textit{Mason \& Dixon}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2450/},
	doi = {10.16995/pn.57},
	shorttitle = {Rationalizing Community},
	pages = {124--165},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Hill, Robert R.},
	urldate = {2024-03-29},
	date = {2003-09-22},
}

@article{hinds_sari_2000,
	title = {Sari, Sorry, and the Vortex of History: Calendar Reform, Anachronism, and Language Change in Mason \& Dixon},
	volume = {12},
	issn = {0896-7148, 1468-4365},
	url = {https://academic.oup.com/alh/article-lookup/doi/10.1093/alh/12.1-2.187},
	doi = {10.1093/alh/12.1-2.187},
	shorttitle = {Sari, Sorry, and the Vortex of History},
	pages = {187--215},
	number = {1},
	journaltitle = {American Literary History},
	shortjournal = {American Literary History},
	author = {Hinds, E. J. W.},
	urldate = {2024-03-29},
	date = {2000-12-01},
	langid = {english},
}

@article{hinds_thomas_2000,
	title = {Thomas Pynchon, Wit, and the Work of the Supernatural},
	volume = {54},
	issn = {1939-9014},
	url = {https://muse.jhu.edu/article/460552},
	doi = {10.1353/rmr.2000.a460552},
	pages = {23--40},
	number = {1},
	journaltitle = {Rocky Mountain Review of Language and Literature},
	shortjournal = {rmr},
	author = {Hinds, Elizabeth Jane Wall},
	urldate = {2024-03-29},
	date = {2000},
	langid = {english},
}

@article{hite_fun_2010,
	title = {"Fun Actually Was Becoming Quite Subversive": Herbert Marcuse, the Yippies, and the Value System of Gravity's Rainbow},
	volume = {51},
	issn = {1548-9949},
	url = {http://muse.jhu.edu/content/crossref/journals/contemporary_literature/v051/51.4.hite.html},
	doi = {10.1353/cli.2011.0004},
	shorttitle = {"Fun Actually Was Becoming Quite Subversive"},
	pages = {677--702},
	number = {4},
	journaltitle = {Contemporary Literature},
	shortjournal = {Contemporary Literature},
	author = {Hite, Molly},
	urldate = {2024-03-29},
	date = {2010},
	langid = {english},
}

@article{hoffman_questing_1963,
	title = {The Questing Comedian: Thomas Pynchon’s \textit{V.}},
	volume = {6},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1963.10689803},
	doi = {10.1080/00111619.1963.10689803},
	shorttitle = {The Questing Comedian},
	pages = {174--177},
	number = {3},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Hoffman, Frederick J.},
	urldate = {2024-03-29},
	date = {1963-12},
	langid = {english},
}

@book{noauthor_vol_1982,
	title = {Vol. 1},
	isbn = {978-3-11-231129-5 978-3-11-232247-5},
	url = {https://www.degruyter.com/view/title/571565},
	publisher = {De Gruyter},
	urldate = {2024-03-29},
	date = {1982-01-01},
	doi = {10.1515/9783112322475},
}

@article{holdsworth_celestina_2021,
	title = {\textit{Celestina{\textless}/I{\textgreater} Times Two and {\textless}i{\textgreater}Entropy}},
	volume = {13},
	rights = {http://creativecommons.org/licenses/by-nc-nd/4.0},
	issn = {2695-7183, 0147-3085},
	url = {https://ojs.uv.es/index.php/celestinesca/article/view/19709},
	doi = {10.7203/Celestinesca.13.19709},
	abstract = {No disponible.},
	pages = {53--58},
	number = {2},
	journaltitle = {Celestinesca},
	shortjournal = {Celestinesca},
	author = {Holdsworth, Carole A.},
	urldate = {2024-03-29},
	date = {2021-01-09},
}

@article{holdsworth_cervantine_1988,
	title = {Cervantine Echoes in Early Pynchon},
	volume = {8},
	issn = {0277-6995, 1943-3840},
	url = {https://utpjournals.press/doi/10.3138/cervantes.8.1.047},
	doi = {10.3138/cervantes.8.1.047},
	abstract = {El novelista norteamericano Thomas Pynchon escribió el cuento “Low-lands” (publicado 1960) cuando era estudiante en la universidad de Cornell. A mi parecer, hay marcadas resonancias de Cervantes en este cuento posiblemente influido por la interpretación del Quijote de V. Nabokov, uno de los profesores de Pynchon. Como don Quijote, el protagonista Flange decide buscar aventuras. Aburrido de su vida respetable y mal comprendido por su mujer, Flange sale de su casa acompañado del grosero marinero Pig Bodine, antiguo compañero suyo que se parece un poco a un Sancho degenerado. Una noche el soñador Flange obedece a la llamada de una hermosa “gitanilla” y desciende con ella a un basurero misterioso, para soñar despierto sus ensueños, como don Quijote en la cueva de Montesinos. En contraste, sin embargo, con el desenlace desengañado del Quijote, el joven Pynchon cierra su cuento con Flange perdido en un mundo fantástico, prefiriendo jugar a la vida con la pequeñita Nerissa.},
	pages = {47--53},
	number = {1},
	journaltitle = {Cervantes},
	shortjournal = {Cervantes},
	author = {Holdsworth, Carole},
	urldate = {2024-03-29},
	date = {1988-03},
	langid = {english},
}

@article{holdsworth_dulcinea_1999,
	title = {Dulcinea and Pynchon’s V.},
	volume = {19},
	issn = {0277-6995, 1943-3840},
	url = {https://utpjournals.press/doi/10.3138/Cervantes.19.1.027},
	doi = {10.3138/Cervantes.19.1.027},
	abstract = {V. (1963), primera novela del distinguido escritor norteamericano Thomas Pynchon, presenta a una ambigua protagonista postmodernista que se puede relacionar con Dulcinea del Toboso, por lo menos en parte. De la misma manera que don Quijote crea a Dulcinea a partir de los “disparatados” libros de caballerías, Herbert Stencil —soltero cincuentón obsesionado— crea a V. a partir de los cuadernos personales de su padre. Al igual que en el caso de Dulcinea, V. se puede interpretar como una influencia positiva o negativa en la loca búsqueda de su creador. La diferencia más notable entre Dulcinea y V. tiene que ver con la falta caótica del orden presentada en el mundo de V., en contraste con la sugerencia de “orden desordenada” encontrada en Don Quijote.},
	pages = {27--39},
	number = {1},
	journaltitle = {Cervantes},
	shortjournal = {Cervantes},
	author = {Holdsworth, Carole A.},
	urldate = {2024-03-29},
	date = {1999-03},
	langid = {english},
}

@article{hollander_abrams_1996,
	title = {Abrams Remembers Pynchon},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2754/},
	doi = {10.16995/pn.187},
	pages = {179--180},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Hollander, Charles},
	urldate = {2024-03-29},
	date = {1996-10-01},
}

@article{hollander_pynchons_1990,
	title = {Pynchon's Politics: The Presence of an Absence},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2395/},
	doi = {10.16995/pn.271},
	shorttitle = {Pynchon's Politics},
	pages = {5--59},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Hollander, Charles},
	urldate = {2024-03-29},
	date = {1990-09-22},
}

@article{hollander_pynchon_1997,
	title = {Pynchon, {JFK} and the {CIA}: Magic Eye Views of \textit{The Crying of Lot 49}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2621/},
	doi = {10.16995/pn.164},
	shorttitle = {Pynchon, {JFK} and the {CIA}},
	pages = {61--106},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Hollander, Charles},
	urldate = {2024-03-29},
	date = {1997-09-22},
}

@article{hollander_wheres_1997,
	title = {Where's Wanda? The Case of the Bag Lady and Thomas Pynchon},
	volume = {38},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1997.10543172},
	doi = {10.1080/00111619.1997.10543172},
	shorttitle = {Where's Wanda?},
	pages = {145--159},
	number = {2},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Hollander, Charles},
	urldate = {2024-03-29},
	date = {1997-01},
	langid = {english},
}

@article{holsberry_faulkner_1981,
	title = {Faulkner, Fitzgerald, and Pynchon: Modernism and Postmodernism in Secondary School},
	volume = {70},
	issn = {00138274},
	url = {https://www.jstor.org/stable/816695?origin=crossref},
	doi = {10.2307/816695},
	shorttitle = {Faulkner, Fitzgerald, and Pynchon},
	pages = {25--30},
	number = {2},
	journaltitle = {The English Journal},
	shortjournal = {The English Journal},
	author = {Holsberry, Carmen W.},
	urldate = {2024-03-29},
	date = {1981-02},
}

@article{holt_zone_1983,
	title = {The Zone and the Real: Philosophical Themes in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2498/},
	doi = {10.16995/pn.426},
	shorttitle = {The Zone and the Real},
	pages = {27--43},
	number = {11},
	journaltitle = {Pynchon Notes},
	author = {Holt, David and Ulm, Melvin},
	urldate = {2024-03-29},
	date = {1983-02-01},
}

@article{holton_rathouse_1988,
	title = {\textit{In the rathouse of history with Thomas Pynchon: Rereading} V.},
	volume = {2},
	issn = {0950-236X, 1470-1308},
	url = {http://www.tandfonline.com/doi/abs/10.1080/09502368808582039},
	doi = {10.1080/09502368808582039},
	shorttitle = {{\textless}i{\textgreater}In the rathouse of history with Thomas Pynchon},
	pages = {324--344},
	number = {3},
	journaltitle = {Textual Practice},
	shortjournal = {Textual Practice},
	author = {Holton, Robert},
	urldate = {2024-03-29},
	date = {1988-12},
	langid = {english},
}

@article{holton_real_1997,
	title = {Real Imaginary Lines in "The Secret Integration"},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2645/},
	doi = {10.16995/pn.160},
	pages = {5--18},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Holton, Robert},
	urldate = {2024-03-29},
	date = {1997-09-22},
}

@article{horstman_transcendence_1998,
	title = {“Transcendence through Saturation”: Thomas Pynchon's Televisual Style in \textit{Vineland}},
	volume = {47},
	rights = {http://journals.sagepub.com/page/policies/text-and-data-mining-license},
	issn = {0148-3331, 2056-5666},
	url = {http://journals.sagepub.com/doi/10.1177/014833319804700309},
	doi = {10.1177/014833319804700309},
	shorttitle = {“Transcendence through Saturation”},
	pages = {331--351},
	number = {3},
	journaltitle = {Christianity \& Literature},
	shortjournal = {Christianity \& Literature},
	author = {Horstman, Joey Earl},
	urldate = {2024-03-29},
	date = {1998-06},
	langid = {english},
}

@article{horvath_linguistic_1982,
	title = {Linguistic Distancing in Gravity's Rainbow},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2860/},
	doi = {10.16995/pn.456},
	pages = {5--22},
	number = {8},
	journaltitle = {Pynchon Notes},
	author = {Horvath, Brooke},
	urldate = {2024-03-29},
	date = {1982-02-01},
}

@article{hume_attenuated_2013,
	title = {Attenuated Realities: Pynchon's Trajectory from V. to Inherent Vice},
	volume = {2},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v2.1.50},
	doi = {10.7766/orbit.v2.1.50},
	shorttitle = {Attenuated Realities},
	pages = {1--19},
	number = {1},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Hume, Kathryn},
	urldate = {2024-03-29},
	date = {2013-12-12},
}

@article{hume_repetition_1992,
	title = {Repetition and the Construction of Character in \textit{Gravity's Rainbow}},
	volume = {33},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1992.9937886},
	doi = {10.1080/00111619.1992.9937886},
	pages = {243--254},
	number = {4},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Hume, Kathryn},
	urldate = {2024-03-29},
	date = {1992-07},
	langid = {english},
}

@article{hume_views_1988,
	title = {Views from Above, Views from Below: The Perspectival Subtext in Gravity's Rainbow},
	volume = {60},
	issn = {00029831},
	url = {https://www.jstor.org/stable/2926661?origin=crossref},
	doi = {10.2307/2926661},
	shorttitle = {Views from Above, Views from Below},
	pages = {625--642},
	number = {4},
	journaltitle = {American Literature},
	shortjournal = {American Literature},
	author = {Hume, Kathryn},
	urldate = {2024-03-29},
	date = {1988-12},
}

@article{hutchinson_cult_2008,
	title = {Cult Fiction: “Good” and “Bad” Communities in the Contemporary American Novel},
	volume = {42},
	rights = {https://www.cambridge.org/core/terms},
	issn = {0021-8758, 1469-5154},
	url = {https://www.cambridge.org/core/product/identifier/S0021875807004367/type/journal_article},
	doi = {10.1017/S0021875807004367},
	shorttitle = {Cult Fiction},
	abstract = {This article examines the way in which three contemporary novelists have interpreted the proliferation of cults and other independent communities in the {USA}. Thomas Pynchon's
              Vineland
              is read as a critique of individualism that regrets the loss of collective identity and purpose. A subsequent reading of Katherine Dunn's
              Geek Love
              demonstrates the destructive consequences of individual submission that draws parallels between the dynamics of “cult” communities and mainstream society. This is developed further in a discussion of Don {DeLillo}'s
              Mao {II}
              , which is represented as an attempt to reconcile libertarian and communitarian discourses, while remaining mindful of the dangers of both.},
	pages = {35--50},
	number = {1},
	journaltitle = {Journal of American Studies},
	shortjournal = {J. Am. Stud.},
	author = {Hutchinson, Colin},
	urldate = {2024-03-29},
	date = {2008-04},
	langid = {english},
}

@article{hutchinson_complicity_2014,
	title = {The Complicity of Consumption: Hedonism and Politics in Thomas Pynchon's \textit{Against the Day} and John Dos Passos's \textit{{USA}}},
	volume = {48},
	rights = {https://www.cambridge.org/core/terms},
	issn = {0021-8758, 1469-5154},
	url = {https://www.cambridge.org/core/product/identifier/S0021875813001436/type/journal_article},
	doi = {10.1017/S0021875813001436},
	shorttitle = {The Complicity of Consumption},
	abstract = {This article is a comparative study of two epic works that share a historical setting and a broad political outlook, but diverge significantly in at least one respect. Frequent and heavy alcohol consumption is a feature of both Thomas Pynchon's
              Against the Day
              and John Dos Passos's
              {USA}
              trilogy, but the way in which these authors describe heavy drinking – and hedonistic behaviour in general – indicates fundamental differences between the modernism of Dos Passos and Pynchon's postmodernist strategies. The article contends that this aspect of Pynchon's novel represents a critique of attitudes within the twentieth-century American left towards sensuality, patriarchy and the failure of leftist aspiration within a contemporary context that invokes such subjects as the complicity of consumption, terrorism and the ethics of political assassination.},
	pages = {173--198},
	number = {1},
	journaltitle = {Journal of American Studies},
	shortjournal = {J. Am. Stud.},
	author = {Hutchinson, Colin},
	urldate = {2024-03-29},
	date = {2014-02},
	langid = {english},
}

@article{ickstadt_history_2008,
	title = {History, Utopia and Transcendence in the Space-Time of \textit{Against the Day}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2580/},
	doi = {10.16995/pn.37},
	pages = {216--244},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Ickstadt, Heinz},
	urldate = {2024-03-29},
	date = {2008-09-22},
}

@article{tsatsoulis_unsupervised_2013,
	title = {Unsupervised text mining methods for literature analysis: a case study for Thomas Pynchon's V.},
	volume = {1},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v1.2.44},
	doi = {10.7766/orbit.v1.2.44},
	shorttitle = {Unsupervised text mining methods for literature analysis},
	pages = {1--34},
	number = {2},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Tsatsoulis, Christos Iraklis},
	urldate = {2024-03-29},
	date = {2013-08-01},
}

@article{irwin_hieroglyphs_1988,
	title = {Hieroglyphs of Revelation: Thomas Browne and Thomas Pynchon},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2807/},
	doi = {10.16995/pn.315},
	shorttitle = {Hieroglyphs of Revelation},
	pages = {47--56},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Irwin, Mark T.},
	urldate = {2024-03-29},
	date = {1988-09-22},
}

@article{ivison_outhouses_1997,
	title = {Outhouses of the European Soul: Imperialism in Thomas Pynchon},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2596/},
	doi = {10.16995/pn.168},
	shorttitle = {Outhouses of the European Soul},
	pages = {134--143},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Ivison, Douglas},
	urldate = {2024-03-29},
	date = {1997-09-22},
}

@article{jarvis_very_2013,
	title = {Very Nice Indeed: Cyprian Latewood's Masochistic Sublime, and the Religious Pluralism of Against the Day},
	volume = {1},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v1.2.45},
	doi = {10.7766/orbit.v1.2.45},
	shorttitle = {Very Nice Indeed},
	pages = {1--23},
	number = {2},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Jarvis, Michael},
	urldate = {2024-03-29},
	date = {2013-04-10},
}

@article{jenkins_systemic_1991,
	title = {Systemic Waste and the Body Boundary in Pynchon's Fiction},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2677/},
	doi = {10.16995/pn.260},
	pages = {91--110},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Jenkins, Ron},
	urldate = {2024-03-29},
	date = {1991-09-22},
}

@article{jin_race_2013,
	title = {Race and Redemption: Impure Spiritualities in Pynchon's \textit{Vineland} and Gibson's \textit{Pattern Recognition}},
	volume = {54},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.2011.578686},
	doi = {10.1080/00111619.2011.578686},
	shorttitle = {Race and Redemption},
	pages = {238--253},
	number = {3},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Jin, Wen},
	urldate = {2024-03-29},
	date = {2013-07-03},
	langid = {english},
}

@article{johnston_american_1994,
	title = {An American Book of the Dead: Media and the Unconscious in \textit{Vineland}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2616/},
	doi = {10.16995/pn.196},
	shorttitle = {An American Book of the Dead},
	pages = {20--37},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Johnston, John},
	urldate = {2024-03-29},
	date = {1994-09-22},
}

@article{johnston_pynchons_1990,
	title = {Pynchon's "Zone": A Postmodern Multiplicity},
	volume = {46},
	issn = {1558-9595},
	url = {https://muse.jhu.edu/article/445056},
	doi = {10.1353/arq.1990.0002},
	shorttitle = {Pynchon's "Zone"},
	pages = {91--122},
	number = {3},
	journaltitle = {Arizona Quarterly: A Journal of American Literature, Culture, and Theory},
	shortjournal = {arq},
	author = {Johnston, John},
	urldate = {2024-03-29},
	date = {1990-09},
	langid = {english},
}

@article{jordan_what_2015,
	title = {“What Arises from This?”: The Autostereogrammatical in Thomas Pynchon's \textit{Mason \& Dixon}},
	volume = {56},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/full/10.1080/00111619.2014.897932},
	doi = {10.1080/00111619.2014.897932},
	shorttitle = {“What Arises from This?},
	pages = {270--283},
	number = {3},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Jordan, Julia},
	urldate = {2024-03-29},
	date = {2015-05-27},
	langid = {english},
}

@article{judy_entropic_2020,
	title = {Entropic Anxieties: Thomas Pynchon’s \textit{V} . And Obsessional Modernism},
	volume = {61},
	issn = {0011-1619, 1939-9138},
	url = {https://www.tandfonline.com/doi/full/10.1080/00111619.2020.1767027},
	doi = {10.1080/00111619.2020.1767027},
	shorttitle = {Entropic Anxieties},
	pages = {503--517},
	number = {5},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Judy, Ron S.},
	urldate = {2024-03-29},
	date = {2020-10-19},
	langid = {english},
}

@article{kakela-puumala_there_2013,
	title = {“There Is Money Everywhere”: Representation, Authority, and the Money Form in Thomas Pynchon's \textit{Against the Day}},
	volume = {54},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.2011.553846},
	doi = {10.1080/00111619.2011.553846},
	shorttitle = {“There Is Money Everywhere”},
	pages = {147--160},
	number = {2},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Käkelä-Puumala, Tiina},
	urldate = {2024-03-29},
	date = {2013-04},
	langid = {english},
}

@article{kakela_this_2019,
	title = {‘This land is my land, this land also is my land’: real estate narratives in Pynchon’s fiction},
	volume = {33},
	issn = {0950-236X, 1470-1308},
	url = {https://www.tandfonline.com/doi/full/10.1080/0950236X.2019.1580504},
	doi = {10.1080/0950236X.2019.1580504},
	shorttitle = {‘This land is my land, this land also is my land’},
	pages = {383--398},
	number = {3},
	journaltitle = {Textual Practice},
	shortjournal = {Textual Practice},
	author = {Käkelä, Tiina},
	urldate = {2024-03-29},
	date = {2019-03-16},
	langid = {english},
}

@article{kakela-puumala_weird_2008,
	title = {A Weird Death: The Schwarzkommando and the Symbolic Challenge in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2494/},
	doi = {10.16995/pn.36},
	shorttitle = {A Weird Death},
	pages = {195--215},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Käkelä-Puumala, Tiina},
	urldate = {2024-03-29},
	date = {2008-09-22},
}

@article{labine_lolita_2020,
	title = {The Lolita of \textit{Lot 49} : Pynchon’s Inversion of Nabokov},
	volume = {33},
	issn = {0895-769X, 1940-3364},
	url = {https://www.tandfonline.com/doi/full/10.1080/0895769X.2019.1579634},
	doi = {10.1080/0895769X.2019.1579634},
	shorttitle = {The Lolita of \textit{Lot 49}},
	pages = {95--97},
	number = {1},
	journaltitle = {{ANQ}: A Quarterly Journal of Short Articles, Notes and Reviews},
	shortjournal = {{ANQ}: A Quarterly Journal of Short Articles, Notes and Reviews},
	author = {{LaBine}, Joseph},
	urldate = {2024-03-29},
	date = {2020-05-04},
	langid = {english},
}

@article{lalo_bely_1999,
	title = {Bely and Pynchon: Anatomists of History},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2528/},
	doi = {10.16995/pn.117},
	shorttitle = {Bely and Pynchon},
	pages = {35--50},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Lalo, Alexei},
	urldate = {2024-03-29},
	date = {1999-09-22},
}

@article{kappel_psychic_1980,
	title = {Psychic Geography in "Gravity's Rainbow"},
	volume = {21},
	issn = {00107484},
	url = {http://www.jstor.org/stable/1207918?origin=crossref},
	doi = {10.2307/1207918},
	pages = {225--251},
	number = {2},
	journaltitle = {Contemporary Literature},
	shortjournal = {Contemporary Literature},
	author = {Kappel, Lawrence},
	urldate = {2024-03-29},
	date = {1980},
}

@article{keeble_bleeding_2019,
	title = {\textit{Bleeding Edge} , Neo-Liberalism, and the 9/11 Novel},
	volume = {49},
	issn = {0007-7720, 1710-114X},
	url = {https://utpjournals.press/doi/10.3138/cras.2017.028},
	doi = {10.3138/cras.2017.028},
	abstract = {This article argues that Thomas Pynchon’s Bleeding Edge (2013) can be read within the canon of 9/11 novels in unexpected and productive ways. Its rich, intertwined narrative of the Internet and 9/11 both echoes early 9/11 novels and departs from them as it builds a trenchant critique of neo-liberalism.},
	pages = {249--270},
	number = {3},
	journaltitle = {Canadian Review of American Studies},
	shortjournal = {Canadian Review of American Studies},
	author = {Keeble, Arin},
	urldate = {2024-03-29},
	date = {2019-11},
	langid = {english},
}

@article{keesey_flaw_1988,
	title = {"A Flaw Not Only in Him": Rereading Thomas Pynchon},
	volume = {15},
	issn = {01903659},
	url = {https://www.jstor.org/stable/303263?origin=crossref},
	doi = {10.2307/303263},
	shorttitle = {"A Flaw Not Only in Him"},
	pages = {215--237},
	number = {3},
	journaltitle = {boundary 2},
	shortjournal = {boundary 2},
	author = {Keesey, Douglas},
	urldate = {2024-03-29},
	date = {1988},
}

@article{keesey_nature_1986,
	title = {Nature and The Supernatural: Pynchon's Ecological Ghost Stories},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2489/},
	doi = {10.16995/pn.352},
	shorttitle = {Nature and The Supernatural},
	pages = {84--95},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Keesey, Douglas},
	urldate = {2024-03-29},
	date = {1986-09-22},
}

@article{lalo_life_2008,
	title = {The Life We All Really Live: German References as Metaphors in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2501/},
	doi = {10.16995/pn.27},
	shorttitle = {The Life We All Really Live},
	pages = {78--84},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Lalo, Alexei},
	urldate = {2024-03-29},
	date = {2008-09-22},
}

@article{keesey_ideology_1993,
	title = {The Ideology of Detection in Pynchon and Delillo},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2602/},
	doi = {10.16995/pn.214},
	pages = {44--59},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Keesey, Douglas},
	urldate = {2024-03-29},
	date = {1993-09-22},
}

@article{lambropoulos_sin_1985,
	title = {The sin of the sign: The rhetoric of moral violence},
	volume = {54},
	issn = {0037-1998, 1613-3692},
	url = {https://www.degruyter.com/document/doi/10.1515/semi.1985.54.1-2.201/html},
	doi = {10.1515/semi.1985.54.1-2.201},
	shorttitle = {The sin of the sign},
	number = {1},
	journaltitle = {Semiotica},
	author = {Lambropoulos, Vassilis},
	urldate = {2024-03-29},
	date = {1985},
}

@article{keesey_politics_1989,
	title = {The Politics of Doubling in "Mortality and Mercy in Vienna"},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2794/},
	doi = {10.16995/pn.289},
	pages = {5--19},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Keesey, Douglas},
	urldate = {2024-03-29},
	date = {1989-09-22},
}

@article{ketzan_clash_2020,
	title = {Clash of the Modern/Postmodern Titans? James Joyce in \textit{Gravity’s Rainbow}},
	volume = {101},
	issn = {0013-838X, 1744-4217},
	url = {https://www.tandfonline.com/doi/full/10.1080/0013838X.2020.1727176},
	doi = {10.1080/0013838X.2020.1727176},
	shorttitle = {Clash of the Modern/Postmodern Titans?},
	pages = {333--356},
	number = {3},
	journaltitle = {English Studies},
	shortjournal = {English Studies},
	author = {Ketzan, Erik},
	urldate = {2024-03-29},
	date = {2020-04-02},
	langid = {english},
}

@article{ketzan_pynchon_2012,
	title = {Pynchon Nods: Proust in \textit{Gravity’s Rainbow}},
	volume = {1},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v1.1.30},
	doi = {10.7766/orbit.v1.1.30},
	shorttitle = {Pynchon Nods},
	pages = {1--7},
	number = {1},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Ketzan, Erik},
	urldate = {2024-03-29},
	date = {2012-07-08},
}

@article{kharpertian_models_1985,
	title = {Of Models, Muddles, and Middles: Menippean Satire and Pynchon's \textit{V.}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2368/},
	doi = {10.16995/pn.362},
	shorttitle = {Of Models, Muddles, and Middles},
	pages = {3--14},
	number = {17},
	journaltitle = {Pynchon Notes},
	author = {Kharpertian, Theodore D.},
	urldate = {2024-03-29},
	date = {1985-09-22},
}

@article{lannark_relocationdislocation_2008,
	title = {Relocation/Dislocation: Rocketman in Berlin},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2452/},
	doi = {10.16995/pn.25},
	shorttitle = {Relocation/Dislocation},
	pages = {54--65},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Lannark, Douglas},
	urldate = {2024-03-29},
	date = {2008-09-22},
}

@article{larsson_berkshires_1988,
	title = {From the Berkshires to the Brocken: Transformations of a Source in "The Secret Integration" and \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2810/},
	doi = {10.16995/pn.320},
	shorttitle = {From the Berkshires to the Brocken},
	pages = {87--98},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Larsson, Donald F.},
	urldate = {2024-03-29},
	date = {1988-09-22},
}

@article{kharpertian_apocalyptic_1987,
	title = {The Apocalyptic Angel},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2497/},
	doi = {10.16995/pn.343},
	pages = {141--144},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Kharpertian, Theodore D.},
	urldate = {2024-03-29},
	date = {1987-09-22},
}

@article{larsson_rooney_1989,
	title = {Rooney and the Rocketman},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2797/},
	doi = {10.16995/pn.297},
	pages = {113--115},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Larsson, Donald F.},
	urldate = {2024-03-29},
	date = {1989-09-22},
}

@article{kinsley_sexe_1986,
	title = {Sexe et association dans Tristram Shandy et Gravity’s Rainbow},
	volume = {22},
	issn = {0014-2085, 1492-1405},
	url = {http://id.erudit.org/iderudit/036878ar},
	doi = {10.7202/036878ar},
	pages = {37--52},
	number = {1},
	journaltitle = {Études françaises},
	shortjournal = {Études françaises},
	author = {Kinsley, William},
	urldate = {2024-03-29},
	date = {1986},
	langid = {french},
}

@article{le_vot_contre_1977,
	title = {Contre l’entropie : Les stratégies de la Fiction américaine post-moderniste},
	volume = {10},
	issn = {0557-6989},
	url = {https://www.persee.fr/doc/ranam_0557-6989_1977_num_10_1_1021},
	doi = {10.3406/ranam.1977.1021},
	shorttitle = {Contre l’entropie},
	pages = {298--319},
	number = {1},
	journaltitle = {Recherches anglaises et nord-américaines},
	shortjournal = {ranam},
	author = {Le Vot, André},
	urldate = {2024-03-29},
	date = {1977},
	langid = {french},
}

@article{le_vot_rocket_1975,
	title = {The Rocket and the Pig : Thomas Pynchon and science fiction},
	volume = {12},
	issn = {0575-2124},
	url = {https://www.persee.fr/doc/calib_0575-2124_1975_num_12_1_1044},
	doi = {10.3406/calib.1975.1044},
	shorttitle = {The Rocket and the Pig},
	pages = {111--118},
	number = {1},
	journaltitle = {Caliban},
	shortjournal = {calib},
	author = {Le Vot, André},
	urldate = {2024-03-29},
	date = {1975},
	langid = {french},
}

@article{leclair_death_1975,
	title = {Death and Black Humor},
	volume = {17},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1975.10690099},
	doi = {10.1080/00111619.1975.10690099},
	pages = {5--40},
	number = {1},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {{LeClair}, Thomas},
	urldate = {2024-03-29},
	date = {1975-10},
	langid = {english},
}

@article{kittler_pynchon_2008,
	title = {Pynchon and Electro-Mysticism},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2700/},
	doi = {10.16995/pn.30},
	pages = {108--121},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Kittler, Friedrich},
	urldate = {2024-03-29},
	date = {2008-09-22},
}

@article{leclair_prodigious_1996,
	title = {The Prodigious Fiction of Richard Powers, William Vollmann, and David Foster Wallace},
	volume = {38},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1996.9936496},
	doi = {10.1080/00111619.1996.9936496},
	pages = {12--37},
	number = {1},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {{LeClair}, Tom},
	urldate = {2024-03-29},
	date = {1996-10},
	langid = {english},
}

@article{wallhead_accommodating_2018,
	title = {Accommodating different conspiratorial views on 9/11 through ambiguity in \textit{Bleeding Edge}},
	volume = {59},
	issn = {0011-1619, 1939-9138},
	url = {https://www.tandfonline.com/doi/full/10.1080/00111619.2018.1427542},
	doi = {10.1080/00111619.2018.1427542},
	pages = {397--418},
	number = {4},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Wallhead, Celia M. and Leismer, Melissa},
	urldate = {2024-03-29},
	date = {2018-08-08},
	langid = {english},
}

@article{klahn_leibniz_2008,
	title = {The Leibniz Connection: Nazi Symbolism, Calculus and Leibnizian Worldmaking in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2441/},
	doi = {10.16995/pn.34},
	shorttitle = {The Leibniz Connection},
	pages = {169--182},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Klähn, Bernd},
	urldate = {2024-03-29},
	date = {2008-09-22},
}

@article{leland_pynchons_1974,
	title = {Pynchon’s Linguistic Demon: The Crying of Lot 49},
	volume = {16},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1974.10690082},
	doi = {10.1080/00111619.1974.10690082},
	shorttitle = {Pynchon’s Linguistic Demon},
	pages = {45--53},
	number = {2},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Leland, John P.},
	urldate = {2024-03-29},
	date = {1974-12},
	langid = {english},
}

@article{leonet_waking_1988,
	title = {Waking from the Apollonian Dream: Correspondences between the Birth of Tragedy and Gravity's Rainbow},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2806/},
	doi = {10.16995/pn.314},
	shorttitle = {Waking from the Apollonian Dream},
	pages = {35--45},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Leonet, Yves-Marie},
	urldate = {2024-03-29},
	date = {1988-09-22},
}

@article{kocela_re-stenciling_2001,
	title = {Re-Stenciling Lesbian Fetishism in Pynchon's \textit{V.}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2721/},
	doi = {10.16995/pn.91},
	pages = {105--130},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Kocela, Christopher},
	urldate = {2024-03-29},
	date = {2001-09-22},
}

@article{letzler_phenomenology_2016,
	title = {A Phenomenology of the Present: Toward a Digital Understanding of \textit{Gravity’s Rainbow}},
	volume = {4},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/doi/10.16995/orbit.131/},
	doi = {10.16995/orbit.131},
	shorttitle = {A Phenomenology of the Present},
	pages = {1--32},
	number = {2},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Letzler, David},
	urldate = {2024-03-29},
	date = {2016-08-08},
}

@article{kolbuszewska_it_1998,
	title = {"It Has to Be More Than the Simple Conditioning of a Child, Once Upon a Time": The Use of the Child in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2424/},
	doi = {10.16995/pn.143},
	shorttitle = {"It Has to Be More Than the Simple Conditioning of a Child, Once Upon a Time"},
	pages = {111--120},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Kolbuszewska, Zofia},
	urldate = {2024-03-29},
	date = {1998-09-22},
}

@article{kolbuszewska_fidelity_2018,
	title = {Fidelity, Betrayals, and Contingent Utopian Solidarity in Thomas Pynchon's \textit{Vineland}},
	volume = {29},
	issn = {1045-991X, 2154-9648},
	url = {https://scholarlypublishingcollective.org/utopian-studies/article/29/2/197/197692/Fidelity-Betrayals-and-Contingent-Utopian},
	doi = {10.5325/utopianstudies.29.2.0197},
	abstract = {{ABSTRACT}
            This article addresses Thomas Pynchon's examination in Vineland of utopian desire that gives rise to the flawed and contingent solidarity of those victimized and hurt by American history. The Reaganite media appropriations of representations of the 1960s cultural and political revolution and mediated history of the political betrayals that contributed to the failure of political communities in the 1960s and 1970s are coupled in Pynchon's novel with an aesthetic reflection about the relationship between mimesis and fidelity. The utopian promise in Vineland is presented as inseparable from violent irruptions of past traumas into the present. In invoking a spectralized traumatic history of America, Pynchon inscribes the novel in the tradition of cryptomimetic writing. In conclusion it is demonstrated that, according to the writer, contingent and imperfect utopian solidarity with the living and the dead is the only, precarious, mainstay against fascist appropriations of the narrative of America.},
	pages = {197--211},
	number = {2},
	journaltitle = {Utopian Studies},
	author = {Kolbuszewska, Zofia},
	urldate = {2024-03-29},
	date = {2018-07-01},
	langid = {english},
}

@article{konstantinou_one_2013,
	title = {The One Incorruptible Still Point: A Review Of Thomas Pynchon's Bleeding Edge},
	volume = {43},
	issn = {0021-065X, 2330-0361},
	url = {http://pubs.lib.uiowa.edu/iowareview/article/id/21454/},
	doi = {10.17077/0021-065X.7366},
	shorttitle = {The One Incorruptible Still Point},
	pages = {170--174},
	number = {3},
	journaltitle = {The Iowa Review},
	shortjournal = {The Iowa Review},
	author = {Konstantinou, Lee},
	urldate = {2024-03-29},
	date = {2013-12},
	langid = {english},
}

@article{letzler_response_2017,
	title = {Response to Albert Rolls, and a Brief Institutional History of Literary Hermeneutics},
	volume = {5},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/doi/10.16995/orbit.222/},
	doi = {10.16995/orbit.222},
	pages = {1--5},
	number = {2},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Letzler, David},
	urldate = {2024-03-29},
	date = {2017-06-16},
}

@article{nick_levey_mindless_2016,
	title = {Mindless Pleasures: Playlists, Unemployment, and Thomas Pynchon's Inherent Vice},
	volume = {39},
	issn = {0022281X},
	url = {https://muse.jhu.edu/article/630908},
	doi = {10.2979/jmodelite.39.3.04},
	shorttitle = {Mindless Pleasures},
	pages = {41--56},
	number = {3},
	journaltitle = {Journal of Modern Literature},
	shortjournal = {Journal of Modern Literature},
	author = {{Nick Levey}},
	urldate = {2024-03-29},
	date = {2016},
}

@article{krafft_and_1977,
	title = {“And How Far-Fallen”: Puritan Themes in \textit{Gravity’s Rainbow}},
	volume = {18},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1977.10690145},
	doi = {10.1080/00111619.1977.10690145},
	shorttitle = {“And How Far-Fallen”},
	pages = {55--73},
	number = {3},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Krafft, John M.},
	urldate = {2024-03-29},
	date = {1977-04},
	langid = {english},
}

@article{lhamon_pentecost_1975,
	title = {Pentecost, Promiscuity, and Pynchon's V.: From the Scaffold to the Impulsive},
	volume = {21},
	issn = {0041462X},
	url = {https://www.jstor.org/stable/440706?origin=crossref},
	doi = {10.2307/440706},
	shorttitle = {Pentecost, Promiscuity, and Pynchon's V.},
	pages = {163--176},
	number = {2},
	journaltitle = {Twentieth Century Literature},
	shortjournal = {Twentieth Century Literature},
	author = {Lhamon, W. T.},
	urldate = {2024-03-29},
	date = {1975-05},
}

@article{kuberski_gravitys_1986,
	title = {Gravity's Angel: The Ideology of Pynchon's Fiction},
	volume = {15},
	issn = {01903659},
	url = {https://www.jstor.org/stable/303427?origin=crossref},
	doi = {10.2307/303427},
	shorttitle = {Gravity's Angel},
	pages = {135--151},
	number = {1},
	journaltitle = {boundary 2},
	shortjournal = {boundary 2},
	author = {Kuberski, Philip},
	urldate = {2024-03-29},
	date = {1986},
}

@article{liner_utopia_2016,
	title = {Utopia and Debt in Postmodernity; or, Time Management in \textit{Inherent Vice}},
	volume = {4},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/doi/10.16995/orbit.174/},
	doi = {10.16995/orbit.174},
	pages = {1--63},
	number = {1},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Liner, James},
	urldate = {2024-03-29},
	date = {2016-05-05},
}

@article{kupsch_finding_1998,
	title = {Finding V.},
	volume = {44},
	issn = {0041462X},
	url = {https://www.jstor.org/stable/441592?origin=crossref},
	doi = {10.2307/441592},
	pages = {428--446},
	number = {4},
	journaltitle = {Twentieth Century Literature},
	shortjournal = {Twentieth Century Literature},
	author = {Kupsch, Kenneth},
	urldate = {2024-03-29},
	date = {1998},
}

@article{link_luddism_1992,
	title = {Luddism in "Under the Rose"},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2558/},
	doi = {10.16995/pn.238},
	pages = {157--164},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Link, Eric Carl},
	urldate = {2024-03-29},
	date = {1992-09-22},
}

@article{lloyd-smith_abjectionabjectivism_2005,
	title = {Abjectionabjectivism},
	volume = {24},
	issn = {1466-0407, 1758-9118},
	url = {https://intellectdiscover.com/content/journals/10.1386/ejac.24.3.191/1},
	doi = {10.1386/ejac.24.3.191/1},
	abstract = {The article offers an account of the post-humanist uses of abjection in contemporary art and literature. The discussion ranges from Julia Kristeva and Brit Art to Don {DeLillo}, Bret Easton Ellis, Thomas Pynchon, Donald Barthelme and Jonathan Franzen. If the realm of the sign insists
 upon a cleaned-up, happy and healthy world of the real, in which all oppositions can be mediated or negotiated away, and in which the merely human is seen as powerless and determined from the outside by immense state and economic power as well as from the inside by the psychological imperatives
 of brand names, insistence on the designer body, and the manipulation of desire, the situation of the human is becoming increasingly that of abjection. This concept is partly thought about by way of Kristeva's psychoanalytical formulation, but more than that in terms of what might be called
 a pyscho-cultural appreciation of the way that patterns, usually seen in terms of individual acculturation based on Freudian and Lacanian understandings, seem also to operate in the wider field of society. Critical interest in this theory so far has been primarily located within the context
 of gothic and horror fiction, but arguably the question of abjection is only fully to be understood in this wider framework of resistance to the colonization of the sign, and of meaning itself. In short, the artistic fascination with abjection represents the oppositional production of an antithesis
 to colonized and cleaned-up meaning structures, an in-your-face riposte to what we might call, rather than a brave new world, a clean new world.},
	pages = {191--203},
	number = {3},
	journaltitle = {European Journal of American Culture},
	author = {Lloyd-Smith, Allan},
	urldate = {2024-03-29},
	date = {2005-12-01},
	langid = {english},
}

@article{lynd_science_2004,
	title = {Science, Narrative, and Agency in Gravity's Rainbow},
	volume = {46},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.3200/CRIT.46.1.63-80},
	doi = {10.3200/CRIT.46.1.63-80},
	pages = {63--80},
	number = {1},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Lynd, Margaret},
	urldate = {2024-03-29},
	date = {2004-10},
	langid = {english},
}

@article{lyons_thomas_1973,
	title = {Thomas Pynchon's "Classic" Presentation of the Second Law of Thermodynamics},
	volume = {27},
	issn = {2325-7660},
	url = {https://muse.jhu.edu/article/459357},
	doi = {10.1353/rmr.1973.0024},
	pages = {195--204},
	number = {4},
	journaltitle = {Bulletin of the Rocky Mountain Modern Language Association},
	shortjournal = {rmr},
	author = {Lyons, Thomas R. and Franklin, Allan D.},
	urldate = {2024-03-29},
	date = {1973-12},
	langid = {english},
}

@article{kay_mindless_1989,
	title = {Mindless Pleasures},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2796/},
	doi = {10.16995/pn.295},
	pages = {105--110},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Kay, Mw. Mac},
	urldate = {2024-03-29},
	date = {1989-09-22},
}

@article{mackey_paranoia_1981,
	title = {Paranoia, Pynchon, and Preterition},
	volume = {10},
	issn = {00492426},
	url = {http://www.jstor.org/stable/3684395?origin=crossref},
	doi = {10.2307/3684395},
	pages = {16--30},
	number = {1},
	journaltitle = {{SubStance}},
	shortjournal = {{SubStance}},
	author = {Mackey, Louis},
	urldate = {2024-03-29},
	date = {1981},
}

@article{mackey_thomas_1984,
	title = {Thomas Pynchon and the American Dream},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2508/},
	doi = {10.16995/pn.398},
	pages = {7--22},
	number = {14},
	journaltitle = {Pynchon Notes},
	author = {Mackey, Louis},
	urldate = {2024-03-29},
	date = {1984-02-01},
}

@article{maguire_september_2017,
	title = {September 11 and the Question of Innocence in Thomas Pynchon’s \textit{Against the Day} and \textit{Bleeding Edge}},
	volume = {58},
	issn = {0011-1619, 1939-9138},
	url = {https://www.tandfonline.com/doi/full/10.1080/00111619.2016.1160865},
	doi = {10.1080/00111619.2016.1160865},
	pages = {95--107},
	number = {2},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Maguire, Michael P.},
	urldate = {2024-03-29},
	date = {2017-03-15},
	langid = {english},
}

@article{manning_plots_1989,
	title = {“The plots of God are perfect”: Poe's \textit{Eureka} and American Creative Nihilism},
	volume = {23},
	rights = {https://www.cambridge.org/core/terms},
	issn = {0021-8758, 1469-5154},
	url = {https://www.cambridge.org/core/product/identifier/S0021875800003753/type/journal_article},
	doi = {10.1017/S0021875800003753},
	shorttitle = {“The plots of God are perfect”},
	abstract = {Your diddler is ingenious. He has constructiveness large. He understands plot. He invents and circumvents.
            The attempt to bridge the chasm between multiplicity and unity is the oldest problem of philosophy, religion and science, but the flimsiest bridge of all is the human Concept, unless somewhere, within or beyond it, an energy not individual is hidden; and in that case the old question instantly reappears: – What is that Energy?},
	pages = {235--251},
	number = {2},
	journaltitle = {Journal of American Studies},
	shortjournal = {J. Am. Stud.},
	author = {Manning, Susan},
	urldate = {2024-03-29},
	date = {1989-08},
	langid = {english},
}

@article{maragos_for_2014,
	title = {“For every They there ought to be a We”: The (Almost) Equivalence of Power and Resistance in Mason \& Dixon and Against the Day.},
	volume = {2},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v2.2.71},
	doi = {10.7766/orbit.v2.2.71},
	shorttitle = {“For every They there ought to be a We”},
	pages = {1--17},
	number = {2},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Maragos, Georgios},
	urldate = {2024-03-29},
	date = {2014-03-19},
}

@article{marquez_cinematic_1979,
	title = {The Cinematic Imagination in Thomas Pynchon's Gravity's Rainbow},
	volume = {33},
	issn = {1939-9014},
	url = {https://muse.jhu.edu/article/459028},
	doi = {10.1353/rmr.1979.a459028},
	pages = {165--179},
	number = {4},
	journaltitle = {Rocky Mountain Review of Language and Literature},
	shortjournal = {rmr},
	author = {Marquez, Antonio},
	urldate = {2024-03-29},
	date = {1979-09},
	langid = {english},
}

@article{marriott_gravitys_1985,
	title = {\textit{Gravity's Rainbow} : Apocryphal History or Historical Apocrypha?},
	volume = {19},
	rights = {https://www.cambridge.org/core/terms},
	issn = {0021-8758, 1469-5154},
	url = {https://www.cambridge.org/core/product/identifier/S0021875800020053/type/journal_article},
	doi = {10.1017/S0021875800020053},
	shorttitle = {\textit{Gravity's Rainbow}},
	abstract = {Nineteenth century novelists felt constrained to supply their readers with well-chosen epigraphs, and the personal canons from which they drew them, whilst seldom exclusively Biblical, provided a convenient index to their individual literary and philosophical predilections. Thomas Pynchon's canon is wilfully idiosyncratic and frequently apocryphal, but his epigraphs are no less apposite than George Eliot's; for in creating a fictional world out of what is largely palpable history Pynchon produces a homogenous medium which is neither fiction nor history. I have chosen the epigraph above because in addition to illustrating this admixture of fiction and history it also intimates to the reader an aspect of Pynchon's technique which may go some way towards explaining the rationale behind it. Some parts of
              Gravity's Rainbow
              , I think, might best be described as an attempt at writing a twentieth century “gospel.”
            
            
              The Oxyrhynchus papyri, referred to in the epigraph actually exist. They were discovered in 1898 and 1904 in Egypt, and were fragments of purported sayings of Jesus of Nazareth dating from the second century A.D. Not until 1956, when the translation of a gnostic library discovered at Nag Hammedai in Egypt was completed, did it become clear that the Oxyrhynchus papyri were fragments of a work calling itself the
              Gospel of Thomas
              .},
	pages = {69--80},
	number = {1},
	journaltitle = {Journal of American Studies},
	shortjournal = {J. Am. Stud.},
	author = {Marriott, David},
	urldate = {2024-03-29},
	date = {1985-04},
	langid = {english},
}

@article{marriott_moviegoing_1985,
	title = {Moviegoing},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2830/},
	doi = {10.16995/pn.377},
	pages = {46--77},
	number = {16},
	journaltitle = {Pynchon Notes},
	author = {Marriott, David},
	urldate = {2024-03-29},
	date = {1985-03-20},
}

@article{marshall_making_2003,
	title = {The ‘making of the reader’ and the withdrawal of the world: Cavell, Pynchon, Sedgwick, scepticism},
	volume = {45},
	rights = {http://onlinelibrary.wiley.com/{termsAndConditions}\#vor},
	issn = {0011-1562, 1467-8705},
	url = {https://onlinelibrary.wiley.com/doi/10.1111/1467-8705.00506},
	doi = {10.1111/1467-8705.00506},
	shorttitle = {The ‘making of the reader’ and the withdrawal of the world},
	pages = {52--59},
	number = {3},
	journaltitle = {Critical Quarterly},
	shortjournal = {Critical Quarterly},
	author = {Marshall, Alan},
	urldate = {2024-03-29},
	date = {2003-10},
	langid = {english},
}

@article{martinez_under_2002,
	title = {From “Under the Rose” to \textit{V} .: A Linguistic Approach to Human Agency in Pynchon's Fiction},
	volume = {23},
	issn = {0333-5372, 1527-5507},
	url = {https://read.dukeupress.edu/poetics-today/article/23/4/633/20748/From-Under-the-Rose-to-V-A-Linguistic-Approach-to},
	doi = {10.1215/03335372-23-4-633},
	shorttitle = {From “Under the Rose” to \textit{V} .},
	abstract = {This study investigates linguistic differences between two fictional narrative texts—one a revision of the other—by Thomas Pynchon. New syntactic and lexical choices made by Pynchon when rewriting his early short story “Under the Rose” as chapter 3 in the novel V. are analyzed in the light of the changes they bring about in the transitivity of the clause and consequently in the reader's conceptualizing of the fictional world, especially the characters. The analysis is grounded on cognitive theories of information processing, and on the assumption that language form is not fortuitous, but performs a communicative function.},
	pages = {633--656},
	number = {4},
	journaltitle = {Poetics Today},
	author = {Martínez, M. Angeles},
	urldate = {2024-03-29},
	date = {2002-12-01},
	langid = {english},
}

@article{martin_clio_1980,
	title = {Clio Bemused: The Uses of History in Contemporary American Fiction},
	volume = {9},
	issn = {00492426},
	url = {http://www.jstor.org/stable/3683873?origin=crossref},
	doi = {10.2307/3683873},
	shorttitle = {Clio Bemused},
	pages = {13--24},
	number = {2},
	journaltitle = {{SubStance}},
	shortjournal = {{SubStance}},
	author = {Martin, Richard},
	urldate = {2024-03-29},
	date = {1980},
}

@article{martinson_hyperobjects_2015,
	title = {The Hyperobject's Atomization of "Self" in Gravity's Rainbow},
	volume = {3},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v3.1.145},
	doi = {10.7766/orbit.v3.1.145},
	pages = {1--31},
	number = {1},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Martinson, T. J.},
	urldate = {2024-03-29},
	date = {2015-08-15},
}

@article{mason_just_1998,
	title = {"Just a Bunch of Stuff That Happened": Narratives of Resistance in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2570/},
	doi = {10.16995/pn.147},
	shorttitle = {"Just a Bunch of Stuff That Happened"},
	pages = {167--180},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Mason, Fran},
	urldate = {2024-03-29},
	date = {1998-09-22},
}

@article{mattessich_imperium_1998,
	title = {Imperium, Misogyny, and Postmodern Parody in Thomas Pynchon's V.},
	volume = {65},
	issn = {1080-6547},
	url = {https://muse.jhu.edu/article/11407},
	doi = {10.1353/elh.1998.0018},
	pages = {503--521},
	number = {2},
	journaltitle = {{ELH}},
	shortjournal = {elh},
	author = {Mattessich, Stefan},
	urldate = {2024-03-29},
	date = {1998-06},
	langid = {english},
}

@article{mattessich_telluric_1997,
	title = {Telluric Texts, Implicate Spaces},
	volume = {8},
	issn = {1053-1920},
	url = {https://muse.jhu.edu/article/27640},
	doi = {10.1353/pmc.1997.0041},
	number = {1},
	journaltitle = {Postmodern Culture},
	shortjournal = {pmc},
	author = {Mattessich, Stefan},
	urldate = {2024-03-29},
	date = {1997-09},
	langid = {english},
}

@article{maus_kneeling_1999,
	title = {Kneeling before the fathers’ wand: Violence, eroticism and paternalism in Thomas Pynchon's \textit{V.} and J.M. Coetzee's \textit{Dusklands}},
	volume = {15},
	issn = {0256-4718, 1753-5387},
	url = {http://www.tandfonline.com/doi/abs/10.1080/02564719908530225},
	doi = {10.1080/02564719908530225},
	shorttitle = {Kneeling before the fathers’ wand},
	pages = {195--217},
	number = {1},
	journaltitle = {Journal of Literary Studies},
	shortjournal = {Journal of Literary Studies},
	author = {Maus, Derek},
	urldate = {2024-03-29},
	date = {1999-06},
	langid = {english},
}

@article{mazurek_courses_1990,
	title = {Courses and Canons: The Post-1945 U.S. Novel},
	volume = {31},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1990.9934690},
	doi = {10.1080/00111619.1990.9934690},
	shorttitle = {Courses and Canons},
	pages = {143--156},
	number = {3},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Mazurek, Raymond},
	urldate = {2024-03-29},
	date = {1990-04},
	langid = {english},
}

@article{mccallum_hawthorne_2000,
	title = {Hawthorne and Pynchon on the Line},
	volume = {56},
	issn = {1558-9595},
	url = {https://muse.jhu.edu/article/444670},
	doi = {10.1353/arq.2000.0018},
	pages = {65--96},
	number = {2},
	journaltitle = {Arizona Quarterly: A Journal of American Literature, Culture, and Theory},
	shortjournal = {arq},
	author = {{McCallum}, E. L.},
	urldate = {2024-03-29},
	date = {2000-06},
	langid = {english},
}

@article{mccarron_coincidental_1985,
	title = {Coincidental and Contrived Dates in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2466/},
	doi = {10.16995/pn.370},
	pages = {84--85},
	number = {17},
	journaltitle = {Pynchon Notes},
	author = {{McCarron}, William E.},
	urldate = {2024-03-29},
	date = {1985-09-22},
}

@article{mcclintock_united_1977,
	title = {United State Revisited: Pynchon and Zamiatin},
	volume = {18},
	issn = {00107484},
	url = {http://www.jstor.org/stable/1208173?origin=crossref},
	doi = {10.2307/1208173},
	shorttitle = {United State Revisited},
	pages = {475--490},
	number = {4},
	journaltitle = {Contemporary Literature},
	shortjournal = {Contemporary Literature},
	author = {{McClintock}, James I.},
	urldate = {2024-03-29},
	date = {1977},
}

@article{mcclure_postmodernpost-secular_1995,
	title = {Postmodern/Post-Secular: Contemporary Fiction and Spirituality},
	volume = {41},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/20964},
	doi = {10.1353/mfs.1995.0005},
	shorttitle = {Postmodern/Post-Secular},
	pages = {141--163},
	number = {1},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {{McClure}, John A.},
	urldate = {2024-03-29},
	date = {1995-03},
	langid = {english},
}

@article{mcconnell_pynchon_1993,
	title = {Pynchon, Foucault, Power, and Strategies of Resistance},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2571/},
	doi = {10.16995/pn.220},
	pages = {152--168},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {{McConnell}, Will},
	urldate = {2024-03-29},
	date = {1993-09-22},
}

@article{mcdonald_frame-breakers_2014,
	title = {The Frame-Breakers: Thomas Pynchon’s Post-human Luddites},
	volume = {44},
	issn = {0007-7720, 1710-114X},
	url = {https://utpjournals.press/doi/10.3138/cras.2013.033},
	doi = {10.3138/cras.2013.033},
	shorttitle = {The Frame-Breakers},
	abstract = {Abstract:
            Thomas Pynchon’s Vineland depicts an America moving inexorably toward what Gilles Deleuze calls a “control society,” one where intangible power structures enmesh agentless subjects. This article elaborates on the ways radical politics must be met by an equally revolutionary reconceptualization of the body. While, in Vineland, the activist film collective 24fps attempts to resist governmental power, their instrumentalization of their media technology (the film camera) leads to their own appropriation by hegemonic forces. Instead, it is the Thanatoids, liminal creatures inextricably linked with the television, who disrupt the control apparatus and present both a resistant (post)human body and a revolutionary new politics.},
	pages = {101--121},
	number = {1},
	journaltitle = {Canadian Review of American Studies},
	shortjournal = {Canadian Review of American Studies},
	author = {{McDonald}, Riley},
	urldate = {2024-03-29},
	date = {2014-01},
	langid = {english},
}

@article{mcentee_pynchons_2003,
	title = {Pynchon's Age of Reason: \textit{Mason \& Dixon} and America's Rise of Rational Discourse},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2500/},
	doi = {10.16995/pn.59},
	shorttitle = {Pynchon's Age of Reason},
	pages = {185--207},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {{McEntee}, Jason T.},
	urldate = {2024-03-29},
	date = {2003-09-22},
}

@article{mchale_difference_1992,
	title = {Difference Engines},
	volume = {5},
	issn = {0895-769X, 1940-3364},
	url = {http://www.tandfonline.com/doi/abs/10.1080/0895769X.1992.10542775},
	doi = {10.1080/0895769X.1992.10542775},
	pages = {220--223},
	number = {4},
	journaltitle = {{ANQ}: A Quarterly Journal of Short Articles, Notes and Reviews},
	shortjournal = {{ANQ}: A Quarterly Journal of Short Articles, Notes and Reviews},
	author = {{McHale}, Brian},
	urldate = {2024-03-29},
	date = {1992-10},
	langid = {english},
}

@article{mchale_gravitys_1998,
	title = {Gravity's Angels in America, or, Pynchon's Angelology Revisited},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2743/},
	doi = {10.16995/pn.154},
	pages = {303--316},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {{McHale}, Brian},
	urldate = {2024-03-29},
	date = {1998-09-22},
}

@article{mchale_modernist_1979,
	title = {Modernist Reading, Post-Modern Text: The Case of Gravity's Rainbow},
	volume = {1},
	issn = {03335372},
	url = {https://www.jstor.org/stable/1772042?origin=crossref},
	doi = {10.2307/1772042},
	shorttitle = {Modernist Reading, Post-Modern Text},
	pages = {85--110},
	number = {1},
	journaltitle = {Poetics Today},
	shortjournal = {Poetics Today},
	author = {{McHale}, Brian},
	urldate = {2024-03-29},
	date = {1979},
}

@article{mchoul_vineland_1990,
	title = {\textit{Vineland}: {TEENAGE} {MUTANT} {NINJA} {FICTION} (Or, St. Ruggles' Struggles, Chapter 4)},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2430/},
	doi = {10.16995/pn.276},
	shorttitle = {\textit{Vineland}},
	pages = {97--106},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {{McHoul}, Alec},
	urldate = {2024-03-29},
	date = {1990-09-22},
}

@article{mchoul_labyrinths_1987,
	title = {Labyrinths: Writing Radical Hermeneutics and the Post-ethical},
	volume = {31},
	issn = {0031-8256},
	url = {http://www.pdcnet.org/oom/service?url_ver=Z39.88-2004&rft_val_fmt=&rft.imuse_id=philtoday_1987_0031_0003_0211_0222&svc_id=info:www.pdcnet.org/collection},
	doi = {10.5840/philtoday19873132},
	shorttitle = {Labyrinths},
	pages = {211--222},
	number = {3},
	journaltitle = {Philosophy Today},
	author = {McHoul, Alec and {DePaul University}},
	urldate = {2024-03-29},
	date = {1987},
}

@article{mchoul_terminology_1986,
	title = {Terminology Part I: \textit{Lot 49} and the Post-Ethical},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2459/},
	doi = {10.16995/pn.349},
	shorttitle = {Terminology Part I},
	pages = {39--54},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {{McHoul}, Alec},
	urldate = {2024-03-29},
	date = {1986-09-22},
}

@article{mckenna_kiss_2000,
	title = {"A Kiss of Cosmic Pool Balls": Technological Paradigms and Narrative Expectations Collide in "The Crying of Lot 49"},
	issn = {08824371},
	url = {https://www.jstor.org/stable/1354601?origin=crossref},
	doi = {10.2307/1354601},
	shorttitle = {"A Kiss of Cosmic Pool Balls"},
	pages = {29--42},
	number = {44},
	journaltitle = {Cultural Critique},
	shortjournal = {Cultural Critique},
	author = {{McKenna}, Christopher J.},
	urldate = {2024-03-29},
	date = {2000},
}

@article{mclaughlin_pynchons_1988,
	title = {Pynchon's Angels and Supernatural Systems in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2524/},
	doi = {10.16995/pn.313},
	pages = {25--33},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {{McLaughlin}, Robert L.},
	urldate = {2024-03-29},
	date = {1988-09-22},
}

@article{l_mclaughlin_unreadable_2002,
	title = {Unreadable Stares: Imperial Narratives and the Colonial Gaze in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2715/},
	doi = {10.16995/pn.72},
	shorttitle = {Unreadable Stares},
	pages = {83--96},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {L. {McLaughlin}, Robert},
	urldate = {2024-03-29},
	date = {2002-09-22},
}

@article{melley_bodies_1994,
	title = {Bodies Incorporated: Scenes of Agency Panic in "Gravity's Rainbow"},
	volume = {35},
	issn = {00107484},
	url = {http://www.jstor.org/stable/1208705?origin=crossref},
	doi = {10.2307/1208705},
	shorttitle = {Bodies Incorporated},
	pages = {709--738},
	number = {4},
	journaltitle = {Contemporary Literature},
	shortjournal = {Contemporary Literature},
	author = {Melley, Timothy},
	urldate = {2024-03-29},
	date = {1994},
}

@article{mendelson_encyclopedic_1976,
	title = {Encyclopedic Narrative: From Dante to Pynchon},
	volume = {91},
	issn = {00267910},
	url = {https://www.jstor.org/stable/2907136?origin=crossref},
	doi = {10.2307/2907136},
	shorttitle = {Encyclopedic Narrative},
	pages = {1267--1275},
	number = {6},
	journaltitle = {{MLN}},
	shortjournal = {{MLN}},
	author = {Mendelson, Edward},
	urldate = {2024-03-29},
	date = {1976-12},
}

@article{meyer_oppositional_1989,
	title = {Oppositional Discourses, Unnatural Practices: \textit{Gravity's} History and "The '60s"},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2404/},
	doi = {10.16995/pn.294},
	shorttitle = {Oppositional Discourses, Unnatural Practices},
	pages = {81--104},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Meyer, Eric},
	urldate = {2024-03-29},
	date = {1989-09-22},
}

@article{mikics_postmodernism_1991,
	title = {Postmodernism, Ethnicity and Underground Revisionism in Ishmael Reed},
	volume = {1},
	issn = {1053-1920},
	url = {https://muse.jhu.edu/article/27309},
	doi = {10.1353/pmc.1991.0018},
	number = {3},
	journaltitle = {Postmodern Culture},
	shortjournal = {pmc},
	author = {Mikics, David},
	urldate = {2024-03-29},
	date = {1991-05},
	langid = {english},
}

@article{milesi_postmodern_1998,
	title = {Postmodern Ana-Apocalyptics: Pynchon's V-Effect and the End (of Our Century)},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2742/},
	doi = {10.16995/pn.150},
	shorttitle = {Postmodern Ana-Apocalyptics},
	pages = {213--243},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Milesi, Laurent},
	urldate = {2024-03-29},
	date = {1998-09-22},
}

@article{miller_naming_2012,
	title = {The Naming of Oedipa Maas},
	volume = {1},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v1.1.12},
	doi = {10.7766/orbit.v1.1.12},
	pages = {1--23},
	number = {1},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Miller, Emma V.},
	urldate = {2024-03-29},
	date = {2012-07-08},
}

@article{miller_present_2013,
	title = {Present Subjunctive: Pynchon's California Novels},
	volume = {54},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.2011.578685},
	doi = {10.1080/00111619.2011.578685},
	shorttitle = {Present Subjunctive},
	pages = {225--237},
	number = {3},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Miller, John},
	urldate = {2024-03-29},
	date = {2013-07-03},
	langid = {english},
}

@article{miller_oedipas_2017,
	title = {Oedipa’s Unsentimental Journey: Preempted Pathos in The Crying of Lot 49},
	volume = {49},
	issn = {1934-1512},
	url = {https://muse.jhu.edu/article/651485},
	doi = {10.1353/sdn.2017.0003},
	shorttitle = {Oedipa’s Unsentimental Journey},
	pages = {69--89},
	number = {1},
	journaltitle = {Studies in the Novel},
	shortjournal = {Studies in the Novel},
	author = {Miller, Sydney},
	urldate = {2024-03-29},
	date = {2017},
	langid = {english},
}

@article{molloy_escaping_2010,
	title = {Escaping the Politics of the Irredeemable Earth—Anarchy and Transcendence in the Novels of Thomas Pynchon},
	volume = {13},
	issn = {1092-311X},
	url = {https://muse.jhu.edu/article/396496},
	doi = {10.1353/tae.2010.0004},
	number = {3},
	journaltitle = {Theory \& Event},
	shortjournal = {tae},
	author = {Molloy, Seán},
	urldate = {2024-03-29},
	date = {2010},
	langid = {english},
}

@article{mooney_notes_1983,
	title = {Notes},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2470/},
	doi = {10.16995/pn.421},
	pages = {56--57},
	number = {12},
	journaltitle = {Pynchon Notes},
	author = {Mooney, Barbara and Mendelson, Edward},
	urldate = {2024-03-29},
	date = {1983-06-01},
}

@article{moore_parallel_1983,
	title = {"Parallel, Not Series": Thomas Pynchon and William Gaddis},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2665/},
	doi = {10.16995/pn.425},
	shorttitle = {"Parallel, Not Series"},
	pages = {6--26},
	number = {11},
	journaltitle = {Pynchon Notes},
	author = {Moore, Steven},
	urldate = {2024-03-29},
	date = {1983-02-01},
}

@article{moore_world_1984,
	title = {"The World is at Fault"},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2474/},
	doi = {10.16995/pn.393},
	pages = {84--85},
	number = {15},
	journaltitle = {Pynchon Notes},
	author = {Moore, Steven},
	urldate = {2024-03-29},
	date = {1984-09-22},
}

@article{moore_pynchon_1982,
	title = {Pynchon on Record},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2546/},
	doi = {10.16995/pn.439},
	pages = {56--57},
	number = {10},
	journaltitle = {Pynchon Notes},
	author = {Moore, Steven},
	urldate = {2024-03-29},
	date = {1982-10-01},
}

@article{morgan_crying_2004,
	title = {The Crying of Rule 49},
	volume = {54},
	issn = {1710-1174},
	url = {https://muse.jhu.edu/article/52269},
	doi = {10.1353/tlj.2004.0004},
	pages = {45--74},
	number = {1},
	journaltitle = {University of Toronto Law Journal},
	shortjournal = {tlj},
	author = {Morgan, Edward M.},
	urldate = {2024-03-29},
	date = {2004-12},
	langid = {english},
}

@article{muste_mandala_1981,
	title = {The Mandala in Gravity's Rainbow},
	volume = {9},
	issn = {01903659},
	url = {https://www.jstor.org/stable/303054?origin=crossref},
	doi = {10.2307/303054},
	pages = {163--180},
	number = {2},
	journaltitle = {boundary 2},
	shortjournal = {boundary 2},
	author = {Muste, John M.},
	urldate = {2024-03-29},
	date = {1981},
}

@article{muth_grammars_2019,
	title = {The grammars of the system: Thomas Pynchon at Boeing},
	volume = {33},
	issn = {0950-236X, 1470-1308},
	url = {https://www.tandfonline.com/doi/full/10.1080/0950236X.2019.1580514},
	doi = {10.1080/0950236X.2019.1580514},
	shorttitle = {The grammars of the system},
	pages = {473--493},
	number = {3},
	journaltitle = {Textual Practice},
	shortjournal = {Textual Practice},
	author = {Muth, Katie},
	urldate = {2024-03-29},
	date = {2019-03-16},
	langid = {english},
}

@article{nagano_remembering_2017,
	title = {Remembering Home in Foreign Lands: Thomas Pynchon’s \textit{Gravity’s Rainbow}},
	volume = {58},
	issn = {0011-1619, 1939-9138},
	url = {https://www.tandfonline.com/doi/full/10.1080/00111619.2016.1149797},
	doi = {10.1080/00111619.2016.1149797},
	shorttitle = {Remembering Home in Foreign Lands},
	pages = {53--63},
	number = {1},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Nagano, Yoshihiro},
	urldate = {2024-03-29},
	date = {2017-01},
	langid = {english},
}

@article{najarian_pressing_2018,
	title = {“Pressing the Wrong Button”: Pynchon’s Postmodernism and the Threat of Nuclear War in \textit{The Crying of Lot 49}},
	volume = {59},
	issn = {0011-1619, 1939-9138},
	url = {https://www.tandfonline.com/doi/full/10.1080/00111619.2017.1357530},
	doi = {10.1080/00111619.2017.1357530},
	shorttitle = {“Pressing the Wrong Button”},
	pages = {41--56},
	number = {1},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Najarian, Jonathan},
	urldate = {2024-03-29},
	date = {2018-01},
	langid = {english},
}

@article{j_paul_narkunas_corporatizing_2016,
	title = {Corporatizing Life in A World System with Thomas Pynchon: “Networks of Interest” and Dispersed Organization},
	volume = {58},
	issn = {00111589},
	url = {https://muse.jhu.edu/article/683241},
	doi = {10.13110/criticism.58.4.0647},
	shorttitle = {Corporatizing Life in A World System with Thomas Pynchon},
	pages = {647--677},
	number = {4},
	journaltitle = {Criticism},
	shortjournal = {Criticism},
	author = {{J. Paul Narkunas}},
	urldate = {2024-03-29},
	date = {2016},
}

@article{neighbors_ilselies_2008,
	title = {Ilse/Lies: Nietzsche and/in Pynchon},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2702/},
	doi = {10.16995/pn.35},
	shorttitle = {Ilse/Lies},
	pages = {183--194},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Neighbors, Jim},
	urldate = {2024-03-29},
	date = {2008-09-22},
}

@article{neighbors_kant_1998,
	title = {Kant, Terror and Aporethics in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2410/},
	doi = {10.16995/pn.152},
	pages = {275--291},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Neighbors, Jim},
	urldate = {2024-03-29},
	date = {1998-09-22},
}

@article{nicholson-roberts_road_2019,
	title = {On the road with the blood of this kingdom: theology, economy, and blood in \textit{The Crying of Lot 49}},
	volume = {33},
	issn = {0950-236X, 1470-1308},
	url = {https://www.tandfonline.com/doi/full/10.1080/0950236X.2019.1580505},
	doi = {10.1080/0950236X.2019.1580505},
	shorttitle = {On the road with the blood of this kingdom},
	pages = {399--414},
	number = {3},
	journaltitle = {Textual Practice},
	shortjournal = {Textual Practice},
	author = {Nicholson-Roberts, Joel},
	urldate = {2024-03-29},
	date = {2019-03-16},
	langid = {english},
}

@article{nicholson_words_1985,
	title = {"Words You Never Wants to Hear" : Fiction, History and Narratology in \textit{The Crying of Lot 49}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2604/},
	doi = {10.16995/pn.380},
	shorttitle = {"Words You Never Wants to Hear"},
	pages = {89--109},
	number = {16},
	journaltitle = {Pynchon Notes},
	author = {Nicholson, C.E. and Stevenson, R.W.},
	urldate = {2024-03-29},
	date = {1985-03-20},
}

@article{obryan_anarchist_2008,
	title = {Anarchist Withdrawal and Spiritual Redemption in James Joll and Thomas Pynchon},
	volume = {21},
	issn = {0895-769X, 1940-3364},
	url = {http://www.tandfonline.com/doi/abs/10.3200/ANQQ.21.1.57-62},
	doi = {10.3200/ANQQ.21.1.57-62},
	pages = {57--62},
	number = {1},
	journaltitle = {{ANQ}: A Quarterly Journal of Short Articles, Notes and Reviews},
	shortjournal = {{ANQ}: A Quarterly Journal of Short Articles, Notes and Reviews},
	author = {O'Bryan, Michael},
	urldate = {2024-03-29},
	date = {2008-01},
	langid = {english},
}

@article{odonnell_engendering_1992,
	title = {Engendering Paranoia in Contemporary Narrative},
	volume = {19},
	issn = {01903659},
	url = {https://www.jstor.org/stable/303455?origin=crossref},
	doi = {10.2307/303455},
	pages = {181--204},
	number = {1},
	journaltitle = {boundary 2},
	shortjournal = {boundary 2},
	author = {O'Donnell, Patrick},
	urldate = {2024-03-29},
	date = {1992},
}

@article{ohara_line_1994,
	title = {On the Line of Flight: Pynchon's Entropy Machine},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2366/},
	doi = {10.16995/pn.198},
	shorttitle = {On the Line of Flight},
	pages = {56--69},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {O'Hara, Dan},
	urldate = {2024-03-29},
	date = {1994-09-22},
}

@article{ocker_spike_1996,
	title = {Spike Jones and Lotion: Connected by a Fragile Pynchon Thread},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2394/},
	doi = {10.16995/pn.189},
	shorttitle = {Spike Jones and Lotion},
	pages = {184--188},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Ocker, David},
	urldate = {2024-03-29},
	date = {1996-10-01},
}

@article{oleksy_kesey_1986,
	title = {Kesey and Pynchon : a trip to the Wasteland},
	volume = {64},
	issn = {0035-0818},
	url = {https://www.persee.fr/doc/rbph_0035-0818_1986_num_64_3_3552},
	doi = {10.3406/rbph.1986.3552},
	shorttitle = {Kesey and Pynchon},
	pages = {520--531},
	number = {3},
	journaltitle = {Revue belge de philologie et d'histoire},
	shortjournal = {rbph},
	author = {Oleksy, Elzbieta},
	urldate = {2024-03-29},
	date = {1986},
	langid = {french},
}

@article{olsen_pynchons_1983,
	title = {pynchon's New Nature : The Uncertainty Principle and Indeterminacy in The Crying of Lot 49},
	volume = {14},
	issn = {0007-7720, 1710-114X},
	url = {https://utpjournals.press/doi/10.3138/CRAS-014-02-03},
	doi = {10.3138/CRAS-014-02-03},
	shorttitle = {pynchon's New Nature},
	abstract = {Pynchon's penchant for science—particularly for the science of physics— is common knowledge and commonplace. He employs science as a metaphor, a guiding schema for his art. an esthetic model representing the phenomenal and spiritual worlds. For Wittgenstein, of whom Pynchon makes multiple mention in V..1 "Die Welt ist allés, was {derFall} ist. "and for Pynchon the case is primarily one of disorder, heat-death, white noise, communication collapse and existential blur. In criticism concerning Pynchon's use of science as metaphor, one most often finds discussed the concept of entropy, in which nature, according to the second law of thermodynamics, will reach a state of maximum disorganization and minimum available energy, at which time all change will cease.2 Entropy is most often spoken about with respect to Pynchon's early stories and V. The next most commonly discussed scientific notion is that of white noise and distortion in information systems.-1 This appears in relation to all of Pynchon's work. Then comes "Maxwell's Demon." the idea of nineteenth-century physicist James Clerk Maxwell, who posed the existence of a small intelligent being who can sort out swifter and slower Molecules in a box divided into two compartments, thereby creating an inequality in energy (heat) without the expenditure of work.4 One usually finds "Maxwell's Demon" mentioned with respect to The Crying of Lot 49. very little criticism has been devoted to Pynchon's use of relativity theory. which emphasizes the subjectivity of the observer, and it appears most often in Conjunction with Gravity's Rainbow.},
	pages = {153--164},
	number = {2},
	journaltitle = {Canadian Review of American Studies},
	shortjournal = {Canadian Review of American Studies},
	author = {Olsen, Lance},
	urldate = {2024-03-29},
	date = {1983-05-01},
	langid = {english},
}

@article{olster_patch_2004,
	title = {A "Patch of England, at a three-thousand-Mile Off-set"? Representing America in Mason \& Dixon},
	volume = {50},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/170108},
	doi = {10.1353/mfs.2004.0037},
	shorttitle = {A "Patch of England, at a three-thousand-Mile Off-set"?},
	abstract = {Mason \& Dixon's examination of America's origins is informed by a dual temporal perspective: that of the late eighteenth century during which the modern nation-state was conceived and the late twentieth century in which a globalized economy and rise of huge conglomerates have led critics to proclaim the era of the nation-state as over. With New World slavery jettisoning all notions of American exceptionalism, colonial faction preventing national consolidation, and the very shape of the earth making the actuality of America impossible to determine with any fixity, establishing what is American becomes an act of representation. Pynchon portrays that act as less a function of politics, as the colonists demanded, and more a question of aesthetics, as the pictorial mapping in which his surveyors engage illustrates.},
	pages = {283--302},
	number = {2},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Olster, Stacey Michele},
	urldate = {2024-03-29},
	date = {2004-06},
	langid = {english},
}

@article{olster_rediscovering_1990,
	title = {Rediscovering the Humane in the Human},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2790/},
	doi = {10.16995/pn.283},
	pages = {163--166},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Olster, Stacey},
	urldate = {2024-03-29},
	date = {1990-09-22},
}

@article{ozier_calculus_1975,
	title = {The Calculus of Transformation: More Mathematical Imagery in Gravity's Rainbow},
	volume = {21},
	issn = {0041462X},
	url = {https://www.jstor.org/stable/440708?origin=crossref},
	doi = {10.2307/440708},
	shorttitle = {The Calculus of Transformation},
	pages = {193--210},
	number = {2},
	journaltitle = {Twentieth Century Literature},
	shortjournal = {Twentieth Century Literature},
	author = {Ozier, Lance W.},
	urldate = {2024-03-29},
	date = {1975-05},
}

@article{palmeri_neither_1987,
	title = {Neither Literally nor as Metaphor: Pynchon's the Crying of Lot 49 and the Structure of Scientific Revolutions},
	volume = {54},
	issn = {00138304},
	url = {https://www.jstor.org/stable/2873106?origin=crossref},
	doi = {10.2307/2873106},
	shorttitle = {Neither Literally nor as Metaphor},
	pages = {979--999},
	number = {4},
	journaltitle = {{ELH}},
	shortjournal = {{ELH}},
	author = {Palmeri, Frank},
	urldate = {2024-03-29},
	date = {1987},
}

@article{palmeri_other_2001,
	title = {Other than Postmodern?--Foucault, Pynchon, Hybridity, Ethics},
	volume = {12},
	issn = {1053-1920},
	url = {https://muse.jhu.edu/article/27749},
	doi = {10.1353/pmc.2001.0022},
	shorttitle = {Other than Postmodern?},
	number = {1},
	journaltitle = {Postmodern Culture},
	shortjournal = {pmc},
	author = {Palmeri, Frank},
	urldate = {2024-03-29},
	date = {2001-09},
	langid = {english},
}

@article{palmeri_plutocratic_2017,
	title = {Plutocratic Dystopia and Workers’ Utopias in Morris’s \textit{News from Nowhere} and Pynchon’s \textit{Against the Day}},
	volume = {5},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/doi/10.16995/orbit.219/},
	doi = {10.16995/orbit.219},
	pages = {1--27},
	number = {2},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Palmeri, Frank},
	urldate = {2024-03-29},
	date = {2017-08-30},
}

@article{parry_who_1997,
	title = {Who Broke the Bank at Monte Carlo?: Musical Moods in the Casino Hermann Goering},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2419/},
	doi = {10.16995/pn.171},
	shorttitle = {Who Broke the Bank at Monte Carlo?},
	pages = {176--179},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Parry, Sally E.},
	urldate = {2024-03-29},
	date = {1997-09-22},
}

@article{patteson_horus_1981,
	title = {Horus, Harmakhis, and Harpokrates in Chapter {III} of \textit{V.} and "Under the Rose"},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2868/},
	doi = {10.16995/pn.479},
	pages = {39--40},
	number = {6},
	journaltitle = {Pynchon Notes},
	author = {Patteson, Richard F.},
	urldate = {2024-03-29},
	date = {1981-06-01},
}

@article{patteson_what_1974,
	title = {What Stencil Knew: Structure and Certitude in Pynchon’s \textit{V.}},
	volume = {16},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1974.10690081},
	doi = {10.1080/00111619.1974.10690081},
	shorttitle = {What Stencil Knew},
	pages = {30--44},
	number = {2},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Patteson, Richard},
	urldate = {2024-03-29},
	date = {1974-12},
	langid = {english},
}

@article{pearce_pynchons_1985,
	title = {Pynchon's Endings},
	volume = {18},
	issn = {00295132},
	url = {https://www.jstor.org/stable/1345773?origin=crossref},
	doi = {10.2307/1345773},
	pages = {145--153},
	number = {2},
	journaltitle = {{NOVEL}: A Forum on Fiction},
	shortjournal = {{NOVEL}: A Forum on Fiction},
	author = {Pearce, Richard},
	urldate = {2024-03-29},
	date = {1985},
}

@article{perez-llantada_beyond_1991,
	title = {Beyond linguistic Barriers : The Musical Fugue Structure of Thomas Pynchon's "Entropy"},
	volume = {17},
	issn = {1699-292X, 0211-0547},
	url = {https://publicaciones.unirioja.es/ojs/index.php/cif/article/view/2302},
	doi = {10.18172/cif.2302},
	shorttitle = {Beyond linguistic Barriers},
	pages = {127--140},
	number = {0},
	journaltitle = {Cuadernos de Investigación Filológica},
	shortjournal = {Cuadernos de Investigación Filológica},
	author = {Pérez-Llantada, Carmen},
	urldate = {2024-03-29},
	date = {1991-07-15},
}

@article{perez-llantada_auria_escaping_1999,
	title = {The escaping presence of the female en Thomas Pynchon's novels},
	volume = {25},
	issn = {1699-292X, 0211-0547},
	url = {https://publicaciones.unirioja.es/ojs/index.php/cif/article/view/2250},
	doi = {10.18172/cif.2250},
	pages = {239--251},
	number = {0},
	journaltitle = {Cuadernos de Investigación Filológica},
	shortjournal = {Cuadernos de Investigación Filológica},
	author = {Pérez-Llantada Auría, Carmen},
	urldate = {2024-03-29},
	date = {1999-07-15},
}

@article{philippo_note_2008,
	title = {A Note on Propitiating Leprechauns in \textit{The Crying of Lot 49}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2378/},
	doi = {10.16995/pn.38},
	pages = {245--248},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Philippo, Christopher K.},
	urldate = {2024-03-29},
	date = {2008-09-22},
}

@article{pierssens_what_1988,
	title = {What Does Fiction Know?},
	volume = {17},
	issn = {00492426},
	url = {http://www.jstor.org/stable/3685210?origin=crossref},
	doi = {10.2307/3685210},
	pages = {3--17},
	number = {1},
	journaltitle = {{SubStance}},
	shortjournal = {{SubStance}},
	author = {Pierssens, Michel},
	urldate = {2024-03-29},
	date = {1988},
}

@article{pike_urban_1998,
	title = {Urban Nightmares and Future Visions: Life Beneath New York},
	volume = {20},
	issn = {1086-3354},
	url = {https://muse.jhu.edu/article/36224},
	doi = {10.1353/wan.1998.0039},
	shorttitle = {Urban Nightmares and Future Visions},
	pages = {9--50},
	number = {4},
	journaltitle = {Wide Angle},
	shortjournal = {wan},
	author = {Pike, David L. (David Lawrence)},
	urldate = {2024-03-29},
	date = {1998-10},
	langid = {english},
}

@article{pittman_dangerously_1992,
	title = {"Dangerously Absent Dreamers": Genealogy, History and the Political Left in \textit{Vineland}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2594/},
	doi = {10.16995/pn.232},
	shorttitle = {"Dangerously Absent Dreamers"},
	pages = {39--51},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Pittman, Barbara L.},
	urldate = {2024-03-29},
	date = {1992-09-22},
}

@article{pohlmann_i_2016,
	title = {“I Just Look at Books”: Reading the Monetary Metareality of \textit{Bleeding Edge}},
	volume = {4},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/doi/10.16995/orbit.189/},
	doi = {10.16995/orbit.189},
	shorttitle = {“I Just Look at Books”},
	pages = {1--37},
	number = {1},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Pöhlmann, Sascha},
	urldate = {2024-03-29},
	date = {2016-02-15},
}

@article{poirier_importance_1975,
	title = {The Importance of Thomas Pynchon},
	volume = {21},
	issn = {0041462X},
	url = {https://www.jstor.org/stable/440705?origin=crossref},
	doi = {10.2307/440705},
	pages = {151--162},
	number = {2},
	journaltitle = {Twentieth Century Literature},
	shortjournal = {Twentieth Century Literature},
	author = {Poirier, Richard},
	urldate = {2024-03-29},
	date = {1975-05},
}

@article{pordzik_inside_1995,
	title = {{FROM} {INSIDE} {THE} {FUNHOUSE}: {ASPEKTE} {DER} {DIALOGIZITÄT} {UND} {DES} {KARNEVALESKEN} {IN} {THOMAS} {PYNCHONS} {GRAVITY}'S {RAINBOW}},
	volume = {1995},
	issn = {0340-5222, 1865-8938},
	url = {https://www.degruyter.com/document/doi/10.1515/angl.1995.1995.113.330/html},
	doi = {10.1515/angl.1995.1995.113.330},
	shorttitle = {{FROM} {INSIDE} {THE} {FUNHOUSE}},
	pages = {330--358},
	number = {113},
	journaltitle = {Anglia - Zeitschrift für englische Philologie},
	author = {Pordzik, Ralph},
	urldate = {2024-03-29},
	date = {1995},
}

@article{porush_hacker_1994,
	title = {"The Hacker We Call God": Transcendent Writing Machines in Kafka and Pynchon},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2588/},
	doi = {10.16995/pn.202},
	shorttitle = {"The Hacker We Call God"},
	pages = {129--147},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Porush, David},
	urldate = {2024-03-29},
	date = {1994-09-22},
}

@article{porush_cybernetic_1989,
	title = {Cybernetic Fiction and Postmodern Science},
	volume = {20},
	issn = {00286087},
	url = {https://www.jstor.org/stable/469106?origin=crossref},
	doi = {10.2307/469106},
	pages = {373--396},
	number = {2},
	journaltitle = {New Literary History},
	shortjournal = {New Literary History},
	author = {Porush, David},
	urldate = {2024-03-29},
	date = {1989},
}

@article{porush_purring_1990,
	title = {“Purring into Transcendence”: Pynchon's Puncutron Machine},
	volume = {32},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1990.9933802},
	doi = {10.1080/00111619.1990.9933802},
	shorttitle = {“Purring into Transcendence”},
	pages = {93--105},
	number = {2},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Porush, David},
	urldate = {2024-03-29},
	date = {1990-12},
	langid = {english},
}

@article{profit_rhetoric_1982,
	title = {The Rhetoric of Death in \textit{The Crying of Lot 49}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2490/},
	doi = {10.16995/pn.435},
	pages = {18--36},
	number = {10},
	journaltitle = {Pynchon Notes},
	author = {Profit, Marie-Claude},
	urldate = {2024-03-29},
	date = {1982-10-01},
}

@article{punday_pynchons_2003,
	title = {Pynchon's Ghosts},
	volume = {44},
	issn = {00107484},
	url = {http://cl.uwpress.org/cgi/doi/10.2307/1209097},
	doi = {10.2307/1209097},
	pages = {250--274},
	number = {2},
	journaltitle = {Contemporary Literature},
	shortjournal = {Contemporary Literature},
	author = {Punday, Daniel},
	urldate = {2024-03-29},
	date = {2003},
}

@article{walsh_new_2011,
	title = {A New New Orleans Novel},
	volume = {32},
	issn = {2153-4578},
	url = {https://muse.jhu.edu/article/423981},
	doi = {10.1353/abr.2011.0004},
	pages = {9},
	number = {2},
	journaltitle = {American Book Review},
	shortjournal = {abr},
	author = {Walsh, M.O.},
	urldate = {2024-03-29},
	date = {2011-01},
	langid = {english},
}

@article{qazi_pynchon_1980,
	title = {Pynchon in Central Asia: The Use of Sources and Resources},
	volume = {34},
	issn = {1939-9014},
	url = {https://muse.jhu.edu/article/459433},
	doi = {10.1353/rmr.1980.a459433},
	shorttitle = {Pynchon in Central Asia},
	pages = {229--242},
	number = {4},
	journaltitle = {Rocky Mountain Review of Language and Literature},
	shortjournal = {rmr},
	author = {Qazi, Javaid},
	urldate = {2024-03-29},
	date = {1980-09},
	langid = {english},
}

@article{qazi_source_1980,
	title = {Source Materials for Thomas Pynchon's Fiction: An Annotated Bibliography},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2877/},
	doi = {10.16995/pn.509},
	shorttitle = {Source Materials for Thomas Pynchon's Fiction},
	pages = {7--19},
	number = {2},
	journaltitle = {Pynchon Notes},
	author = {Qazi, Javaid},
	urldate = {2024-03-29},
	date = {1980-02-01},
}

@article{salami_pynchons_2018,
	title = {Pynchon’s Against the Day: Bilocation, Duplication, and Differential Repetition},
	volume = {9},
	issn = {1798-4769},
	url = {http://www.academypublication.com/issues2/jltr/vol09/05/08.pdf},
	doi = {10.17507/jltr.0905.08},
	shorttitle = {Pynchon’s Against the Day},
	abstract = {In Against the Day, Pynchon is obsessed with twoness, double worlds, as well as dual realities, and like Deleuze’s concept of repetition, these duplications and twinships are not merely repetition of the same, rather they allow for creativity, reinvention, and becoming. Pynchon’s duplication of fictional and spectral characters intends to critique the notion of identity as does Deleuzian concept of repetition. Not attached to the representational concept of identity as the recurrence of the same, Pynchon’s duplications decenter the transcendental concept in favor of a perpetual becoming and reproduces difference and singularity. Like Deleuze, Pynchon eschews an identity that is always guaranteed, and shows that the repetition of an object or a subject is not the recurrence of the original self-identical object or person. Moreover, Iceland spar, the mystifying calcite, with its doubling effect provides the reader with a view of a world beyond the ordinary, actual world, which is quite similar to what Pynchon’s novel does per se.},
	pages = {953--960},
	number = {5},
	journaltitle = {Journal of Language Teaching and Research},
	shortjournal = {{JLTR}},
	author = {Salami, Ali and Rahmani, Razieh},
	urldate = {2024-03-29},
	date = {2018-09-01},
}

@article{rando_like_2014,
	title = {Like the \textit{Odyssey} , Only Different: Olympian Omnipotence versus Karmic Adjustment in Pynchon's \textit{Vineland}},
	volume = {55},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.2011.626813},
	doi = {10.1080/00111619.2011.626813},
	shorttitle = {Like the \textit{Odyssey} , Only Different},
	pages = {17--32},
	number = {1},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Rando, David P.},
	urldate = {2024-03-29},
	date = {2014-01},
	langid = {english},
}

@article{rando_reading_2002,
	title = {Reading Gravity's Rainbow After September Eleventh: An Anecdotal Approach},
	volume = {13},
	issn = {1053-1920},
	url = {https://muse.jhu.edu/article/37859},
	doi = {10.1353/pmc.2002.0034},
	shorttitle = {Reading Gravity's Rainbow After September Eleventh},
	number = {1},
	journaltitle = {Postmodern Culture},
	shortjournal = {pmc},
	author = {Rando, David},
	urldate = {2024-03-29},
	date = {2002-09},
	langid = {english},
}

@article{raudaskoski_feathery_1997,
	title = {"The Feathery Rilke Mustaches and Porky Pig Tattoo on Stomach": High and Low Pressures in Gravity's Rainbow},
	volume = {7},
	issn = {1053-1920},
	url = {https://muse.jhu.edu/article/27606},
	doi = {10.1353/pmc.1997.0007},
	shorttitle = {"The Feathery Rilke Mustaches and Porky Pig Tattoo on Stomach"},
	number = {2},
	journaltitle = {Postmodern Culture},
	shortjournal = {pmc},
	author = {Raudaskoski, Heikki},
	urldate = {2024-03-29},
	date = {1997-01},
	langid = {english},
}

@article{redfield_pynchons_1989,
	title = {Pynchon's Postmodern Sublime},
	volume = {104},
	rights = {https://www.cambridge.org/core/terms},
	issn = {0030-8129, 1938-1530},
	url = {https://www.cambridge.org/core/product/identifier/S0030812900136879/type/journal_article},
	doi = {10.2307/462501},
	abstract = {Theoretical accounts of the “postmodern” have recently invoked the aesthetic category of the sublime, but without attending to the rhetorical complexities that the category names and conceals. This essay opens by considering disturbances legible in Fredric Jameson's proposal of a postmodern sublime, then goes on to consider narratives by Thomas Pynchon that interrogate and allegorize the burdens of such a proposition. From the early short stories to
              V.
              and
              Gravity's Rainbow
              , Pynchon's texts develop increasingly complex stagings of the sublime, putting into question the psychological and epistemological consolations that these scenarios exist to afford.},
	pages = {152--162},
	number = {2},
	journaltitle = {{PMLA}/Publications of the Modern Language Association of America},
	shortjournal = {Publ. Mod. Lang. Assoc. Am.},
	author = {Redfield, Marc W.},
	urldate = {2024-03-29},
	date = {1989-03},
	langid = {english},
}

@article{reilly_they_2019,
	title = {“{THEY} {DON}'T {KNOW} {IT}, {BUT} {WE}'{RE} {INTEGRATED}”: {THOMAS} {PYNCHON}'S “{THE} {SECRET} {INTEGRATION}” {AND} {THE} {SATURDAY} {EVENING} {POST}},
	volume = {107},
	issn = {1467-9736},
	url = {https://muse.jhu.edu/article/791654},
	doi = {10.1353/tyr.2019.0021},
	shorttitle = {“{THEY} {DON}'T {KNOW} {IT}, {BUT} {WE}'{RE} {INTEGRATED}”},
	pages = {94--102},
	number = {1},
	journaltitle = {The Yale Review},
	shortjournal = {The Yale Review},
	author = {Reilly, Terry},
	urldate = {2024-03-29},
	date = {2019},
	langid = {english},
}

@article{reilly_couple-three_1999,
	title = {A Couple-Three Bonzos: "Introduction," \textit{Slow Learner and 1984}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2563/},
	doi = {10.16995/pn.115},
	shorttitle = {A Couple-Three Bonzos},
	pages = {5--13},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Reilly, Terry},
	urldate = {2024-03-29},
	date = {1999-09-22},
}

@article{ricciardi_lightness_1999,
	title = {Lightness and Gravity: Calvino, Pynchon, and Postmodernity},
	volume = {114},
	issn = {1080-6598},
	url = {https://muse.jhu.edu/article/22591},
	doi = {10.1353/mln.1999.0078},
	shorttitle = {Lightness and Gravity},
	pages = {1062--1077},
	number = {5},
	journaltitle = {{MLN}},
	shortjournal = {mln},
	author = {Ricciardi, Alessia},
	urldate = {2024-03-29},
	date = {1999-12},
	langid = {english},
}

@article{richard_causality_1983,
	title = {Causality and Mimesis in Contemporary Fiction},
	volume = {12},
	issn = {00492426},
	url = {http://www.jstor.org/stable/3684259?origin=crossref},
	doi = {10.2307/3684259},
	pages = {84--93},
	number = {3},
	journaltitle = {{SubStance}},
	shortjournal = {{SubStance}},
	author = {Richard, Claude},
	urldate = {2024-03-29},
	date = {1983},
}

@article{robberds_new_1995,
	title = {The New Historicist Creepers of \textit{Vineland}},
	volume = {36},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1995.9935255},
	doi = {10.1080/00111619.1995.9935255},
	pages = {237--248},
	number = {4},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Robberds, Mark},
	urldate = {2024-03-29},
	date = {1995-06},
	langid = {english},
}

@article{robberds_visions_1997,
	title = {Visions of Excess: Pynchon and Bataille},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2385/},
	doi = {10.16995/pn.161},
	shorttitle = {Visions of Excess},
	pages = {19--27},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Robberds, Mark},
	urldate = {2024-03-29},
	date = {1997-09-22},
}

@article{robertson_bending_2003,
	title = {Bending the Parabola, Breaking the Circle: The Idea of a Cusp in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2564/},
	doi = {10.16995/pn.55},
	shorttitle = {Bending the Parabola, Breaking the Circle},
	pages = {100--105},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Robertson, Robert L.},
	urldate = {2024-03-29},
	date = {2003-09-22},
}

@article{rohland_child_1997,
	title = {A Child Roaming the Night: Oedipa's Dead Issue in \textit{The Crying of Lot 49}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2370/},
	doi = {10.16995/pn.166},
	shorttitle = {A Child Roaming the Night},
	pages = {110--124},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Rohland, M. W.},
	urldate = {2024-03-29},
	date = {1997-09-22},
}

@article{rolls_dual_2016,
	title = {“A Dual Man [and Oeuvre], Aimed Two Ways at Once”: The Two Directions of Pynchon’s Life and Thought},
	volume = {4},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/doi/10.16995/orbit.188/},
	doi = {10.16995/orbit.188},
	shorttitle = {“A Dual Man [and Oeuvre], Aimed Two Ways at Once”},
	pages = {1--51},
	number = {1},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Rolls, Albert},
	urldate = {2024-03-29},
	date = {2016-05-03},
}

@article{rolls_pynchon_2012,
	title = {Pynchon, In His Absence},
	volume = {1},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v1.1.27},
	doi = {10.7766/orbit.v1.1.27},
	pages = {1--7},
	number = {1},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Rolls, Albert},
	urldate = {2024-03-29},
	date = {2012-07-08},
}

@article{rolls_pynchons_2017,
	title = {Pynchon’s Creative Misuse of Entropy},
	volume = {5},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/doi/10.16995/orbit.220/},
	doi = {10.16995/orbit.220},
	pages = {1--6},
	number = {2},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Rolls, Albert},
	urldate = {2024-03-29},
	date = {2017-06-16},
}

@article{rolls_review_2013,
	title = {Review of Bleeding Edge, by Thomas Pynchon},
	volume = {2},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v2.1.51},
	doi = {10.7766/orbit.v2.1.51},
	pages = {1--6},
	number = {1},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Rolls, Albert},
	urldate = {2024-03-29},
	date = {2013-08-28},
}

@article{rolls_two_2012,
	title = {The Two V.s of Thomas Pynchon, or From Lippincott to Jonathan Cape and Beyond},
	volume = {1},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v1.1.33},
	doi = {10.7766/orbit.v1.1.33},
	pages = {1--6},
	number = {1},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Rolls, Albert},
	urldate = {2024-03-29},
	date = {2012-07-08},
}

@article{rolls_thomas_2013,
	title = {Thomas Pynchon and the Vacuum Salesman in Guadalajara},
	volume = {1},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v1.2.43},
	doi = {10.7766/orbit.v1.2.43},
	pages = {1--6},
	number = {2},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Rolls, Albert},
	urldate = {2024-03-29},
	date = {2013-02-06},
}

@article{alberts_william_2013,
	title = {William Gaddis’s Immortality: Celebration, Cartoon, or Corruption?},
	volume = {2},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v2.1.66},
	doi = {10.7766/orbit.v2.1.66},
	shorttitle = {William Gaddis’s Immortality},
	pages = {1--10},
	number = {1},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Alberts, Crystal},
	urldate = {2024-03-29},
	date = {2013-11-24},
}

@article{rosenberg_invisibility_1992,
	title = {Invisibility, the War Machine and Prigogine: Physics, Philosophy and the Threshold of Historical Consciousness in Pynchon's Zone},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2766/},
	doi = {10.16995/pn.236},
	shorttitle = {Invisibility, the War Machine and Prigogine},
	pages = {91--138},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Rosenberg, Martin E.},
	urldate = {2024-03-29},
	date = {1992-09-22},
}

@article{rosenberg_portals_1994,
	title = {Portals in Duchamp and Pynchon},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2415/},
	doi = {10.16995/pn.203},
	pages = {148--175},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Rosenberg, Martin E.},
	urldate = {2024-03-29},
	date = {1994-09-22},
}

@article{rosenfeld_scanty_2004,
	title = {The “Scanty Plot”: Orwell, Pynchon, and the Poetics of Paranoia},
	volume = {50},
	issn = {0041-462X, 2325-8101},
	url = {https://read.dukeupress.edu/twentieth-century-lit/article/50/4/337/22444/The-Scanty-Plot-Orwell-Pynchon-and-the-Poetics-of},
	doi = {10.1215/0041462X-2004-1004},
	shorttitle = {The “Scanty Plot”},
	pages = {337--367},
	number = {4},
	journaltitle = {Twentieth-Century Literature},
	author = {Rosenfeld, Aaron S.},
	urldate = {2024-03-29},
	date = {2004-12-01},
	langid = {english},
}

@article{rosenthal_gravitys_1989,
	title = {Gravity’s Rainbow and the postmodern picaro},
	volume = {42},
	issn = {0397-7870},
	url = {https://www.persee.fr/doc/rfea_0397-7870_1989_num_42_1_1376},
	doi = {10.3406/rfea.1989.1376},
	abstract = {Dans Gravity's Rainbow, de Thomas Pynchon, Tyrone Slothrop, le picaro postmoderne tente de se donner un certain nombre de rôles mais l'indif
          , 
            Dans Gravity's Rainbow, de Thomas Pynchon, Tyrone Slothrop, le picaro postmoderne tente de se donner un certain nombre de rôles mais l'indif férence grandissante dont il fait preuve pour sa quête du moi a pour résultat final une totale diffusion de son identité. En cela, son histoire se distingue de celle du picaro moderne dont la quête d'identité et le désir d'une existence individuelle significative le faisaient ressembler au héros du Bildungsroman, même si la quête du picaro moderne demeurait vaine. En tant que picaro postmoderne, Slothrop vit dans un monde contingent et dénué de sens où se sont dissous cadre religieux et concept d'identité personnelle. Il ne leur reste que ce choix entre système contraignant de soumission et vide ou indifférence absolue.},
	pages = {407--426},
	number = {1},
	journaltitle = {Revue française d’études américaines},
	shortjournal = {rfea},
	author = {Rosenthal, Régine},
	urldate = {2024-03-29},
	date = {1989},
	langid = {french},
}

@article{rossi_something_2014,
	title = {“Something More Than a Rifle”: Firearms in and around Thomas Pynchon’s Mason \& Dixon},
	volume = {2},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v2.2.77},
	doi = {10.7766/orbit.v2.2.77},
	shorttitle = {“Something More Than a Rifle”},
	pages = {1--29},
	number = {2},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Rossi, Umberto},
	urldate = {2024-03-29},
	date = {2014-03-23},
}

@article{rossi_harmless_2003,
	title = {The Harmless Yank Hobby: Maps, Games, Missiles and Sundry Paranoias in \textit{Time Out of Joint} and \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2679/},
	doi = {10.16995/pn.56},
	shorttitle = {The Harmless Yank Hobby},
	pages = {106--123},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Rossi, Umberto},
	urldate = {2024-03-29},
	date = {2003-09-22},
}

@article{rothberg_dead_2003,
	title = {Dead Letter Office: Conspiracy, Trauma, and Song of Solomon's Posthumous Communication},
	volume = {37},
	issn = {10624783},
	url = {http://www.jstor.org/stable/1512383?origin=crossref},
	doi = {10.2307/1512383},
	shorttitle = {Dead Letter Office},
	pages = {501--516},
	number = {4},
	journaltitle = {African American Review},
	shortjournal = {African American Review},
	author = {Rothberg, Michael},
	urldate = {2024-03-29},
	date = {2003},
}

@article{rother_parafiction_1976,
	title = {Parafiction: The Adjacent Universe of Barth, Barthelme, Pynchon, and Nabokov},
	volume = {5},
	issn = {01903659},
	url = {https://www.jstor.org/stable/302011?origin=crossref},
	doi = {10.2307/302011},
	shorttitle = {Parafiction},
	pages = {20--44},
	number = {1},
	journaltitle = {boundary 2},
	shortjournal = {boundary 2},
	author = {Rother, James},
	urldate = {2024-03-29},
	date = {1976},
}

@article{rothfork_tantra_2017,
	title = {Tantra in Pynchon’s \textit{Against the Day}},
	volume = {58},
	issn = {0011-1619, 1939-9138},
	url = {https://www.tandfonline.com/doi/full/10.1080/00111619.2016.1226159},
	doi = {10.1080/00111619.2016.1226159},
	pages = {276--286},
	number = {3},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Rothfork, John},
	urldate = {2024-03-29},
	date = {2017-05-27},
	langid = {english},
}

@article{rouyan_movies_2013,
	title = {“The movies had not prepared him for this Teutonic version here”: The Significance of the Hansel and Gretel Fairy Tale in Thomas Pynchon’s Gravity’s Rainbow},
	volume = {2},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v2.1.46},
	doi = {10.7766/orbit.v2.1.46},
	shorttitle = {“The movies had not prepared him for this Teutonic version here”},
	pages = {1--25},
	number = {1},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Rouyan, Anahita},
	urldate = {2024-03-29},
	date = {2013-11-18},
}

@article{rouyan_singing_2017,
	title = {Singing Thomas Pynchon’s Gravity’s Rainbow: Interfaces of Song, Narrative, and Sonic Performance},
	volume = {15},
	issn = {1936-9247},
	url = {https://muse.jhu.edu/article/646677},
	doi = {10.1353/pan.2017.0007},
	shorttitle = {Singing Thomas Pynchon’s Gravity’s Rainbow},
	pages = {117--133},
	number = {1},
	journaltitle = {Partial Answers: Journal of Literature and the History of Ideas},
	shortjournal = {Partial Answers},
	author = {Rouyan, Anahita},
	urldate = {2024-03-29},
	date = {2017},
	langid = {english},
}

@article{rovit_shapes_1974,
	title = {Some Shapes in Recent American Fiction},
	volume = {15},
	issn = {00107484},
	url = {http://www.jstor.org/stable/1207777?origin=crossref},
	doi = {10.2307/1207777},
	pages = {539--561},
	number = {4},
	journaltitle = {Contemporary Literature},
	shortjournal = {Contemporary Literature},
	author = {Rovit, Earl},
	urldate = {2024-03-29},
	date = {1974},
}

@article{rowberry_reassessing_2012,
	title = {Reassessing the \textit{Gravity’s Rainbow} Pynchon Wiki: a new research paradigm?},
	volume = {1},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v1.1.24},
	doi = {10.7766/orbit.v1.1.24},
	shorttitle = {Reassessing the \textit{Gravity’s Rainbow} Pynchon Wiki},
	pages = {1--25},
	number = {1},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Rowberry, Simon Peter},
	urldate = {2024-03-29},
	date = {2012-07-08},
}

@article{rowcroft_crunch_2019,
	title = {Crunch time: \textit{Bleeding Edge} , Marxism, and financial capital},
	volume = {33},
	issn = {0950-236X, 1470-1308},
	url = {https://www.tandfonline.com/doi/full/10.1080/0950236X.2019.1580502},
	doi = {10.1080/0950236X.2019.1580502},
	shorttitle = {Crunch time},
	pages = {345--360},
	number = {3},
	journaltitle = {Textual Practice},
	shortjournal = {Textual Practice},
	author = {Rowcroft, Andrew},
	urldate = {2024-03-29},
	date = {2019-03-16},
	langid = {english},
}

@article{rundle_double_1989,
	title = {The Double Bind of Metafiction: Implicating Narrative in \textit{The Crying of Lot 49} and \textit{Travesty}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2689/},
	doi = {10.16995/pn.291},
	shorttitle = {The Double Bind of Metafiction},
	pages = {31--44},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Rundle, Vivienne},
	urldate = {2024-03-29},
	date = {1989-09-22},
}

@article{rushing_am_2006,
	title = {Am I Paranoid Enough?},
	volume = {18},
	issn = {0896-7148, 1468-4365},
	url = {https://academic.oup.com/alh/article-lookup/doi/10.1093/alh/ajj023},
	doi = {10.1093/alh/ajj023},
	pages = {390--393},
	number = {2},
	journaltitle = {American Literary History},
	shortjournal = {American Literary History},
	author = {Rushing, R. A.},
	urldate = {2024-03-29},
	date = {2006-03-01},
	langid = {english},
}

@article{russell_individual_1980,
	title = {Individual Voice in the Collective Discourse: Literary Innovation in Postmodern American Fiction},
	volume = {9},
	issn = {00492426},
	url = {http://www.jstor.org/stable/3683875?origin=crossref},
	doi = {10.2307/3683875},
	shorttitle = {Individual Voice in the Collective Discourse},
	pages = {29--39},
	number = {2},
	journaltitle = {{SubStance}},
	shortjournal = {{SubStance}},
	author = {Russell, Charles},
	urldate = {2024-03-29},
	date = {1980},
}

@article{safer_pynchons_1990,
	title = {Pynchon's World and its Legendary Past: Humor and the Absurd in a Twentieth-Century Vineland},
	volume = {32},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1990.9933803},
	doi = {10.1080/00111619.1990.9933803},
	shorttitle = {Pynchon's World and its Legendary Past},
	pages = {107--125},
	number = {2},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Safer, Elaine B.},
	urldate = {2024-03-29},
	date = {1990-12},
	langid = {english},
}

@article{safer_allusive_1980,
	title = {The Allusive Mode and Black Humor in Barth's Giles Goat-Boy and Pynchon's Gravity's Rainbow:},
	volume = {32},
	issn = {0034-4346},
	url = {http://www.pdcnet.org/oom/service?url_ver=Z39.88-2004&rft_val_fmt=&rft.imuse_id=renascence_1980_0032_0002_0089_0104&svc_id=info:www.pdcnet.org/collection},
	doi = {10.5840/renascence198032218},
	shorttitle = {The Allusive Mode and Black Humor in Barth's Giles Goat-Boy and Pynchon's Gravity's Rainbow},
	pages = {89--104},
	number = {2},
	journaltitle = {Renascence},
	author = {Safer, Elaine B. and {Marquette University Press}},
	urldate = {2024-03-29},
	date = {1980},
}

@article{sandberg_remembering_2019,
	title = {“Remembering Is the Essence of What I Am”: Thomas Pynchon and the Politics of Nostalgia},
	volume = {60},
	issn = {0011-1619, 1939-9138},
	url = {https://www.tandfonline.com/doi/full/10.1080/00111619.2019.1601613},
	doi = {10.1080/00111619.2019.1601613},
	shorttitle = {“Remembering Is the Essence of What I Am”},
	pages = {475--486},
	number = {4},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Sandberg, Eric},
	urldate = {2024-03-29},
	date = {2019-08-08},
	langid = {english},
}

@article{sandberg_inherent_2020,
	title = {Inherent Vice, Bleeding Edge, and Thomas Pynchon's Hardboiled},
	volume = {18},
	issn = {1936-9247},
	url = {https://muse.jhu.edu/article/745025},
	doi = {10.1353/pan.2020.0006},
	pages = {125--148},
	number = {1},
	journaltitle = {Partial Answers: Journal of Literature and the History of Ideas},
	shortjournal = {Partial Answers},
	author = {Sandberg, Eric},
	urldate = {2024-03-29},
	date = {2020},
	langid = {english},
}

@article{sanders_politics_1997,
	title = {The Politics of Literary Reinscription in Thomas Pynchon's V},
	volume = {39},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619709599522},
	doi = {10.1080/00111619709599522},
	pages = {81--96},
	number = {1},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Sanders, Mark},
	urldate = {2024-03-29},
	date = {1997-12},
	langid = {english},
}

@article{sanders_pynchons_1975,
	title = {Pynchon's Paranoid History},
	volume = {21},
	issn = {0041462X},
	url = {https://www.jstor.org/stable/440707?origin=crossref},
	doi = {10.2307/440707},
	pages = {177--192},
	number = {2},
	journaltitle = {Twentieth Century Literature},
	shortjournal = {Twentieth Century Literature},
	author = {Sanders, Scott},
	urldate = {2024-03-29},
	date = {1975-05},
}

@article{maria_about_2000,
	title = {About Books: In Praise of Thomas Pynchon},
	volume = {89},
	issn = {00138274},
	url = {https://www.jstor.org/stable/821288?origin=crossref},
	doi = {10.2307/821288},
	shorttitle = {About Books},
	pages = {136--137},
	number = {6},
	journaltitle = {The English Journal},
	shortjournal = {The English Journal},
	author = {Maria, Michael Santa},
	urldate = {2024-03-29},
	date = {2000-07},
}

@article{schachterle_information_1996,
	title = {Information Entropy in Pynchon's Fiction},
	volume = {4},
	issn = {1080-6520},
	url = {https://muse.jhu.edu/article/8106},
	doi = {10.1353/con.1996.0017},
	pages = {185--214},
	number = {2},
	journaltitle = {Configurations},
	shortjournal = {con},
	author = {Schachterle, Lance},
	urldate = {2024-03-29},
	date = {1996-03},
	langid = {english},
}

@article{schachterle_teaching_1988,
	title = {Teaching Technology Through Contemporary Literature: "Thomas Pynchon's the Crying of Lot 49"},
	volume = {8},
	rights = {http://journals.sagepub.com/page/policies/text-and-data-mining-license},
	issn = {0270-4676, 1552-4183},
	url = {http://journals.sagepub.com/doi/10.1177/027046768800800207},
	doi = {10.1177/027046768800800207},
	shorttitle = {Teaching Technology Through Contemporary Literature},
	pages = {159--162},
	number = {2},
	journaltitle = {Bulletin of Science, Technology \& Society},
	shortjournal = {Bulletin of Science, Technology \& Society},
	author = {Schachterle, Lance},
	urldate = {2024-03-29},
	date = {1988-04},
	langid = {english},
}

@article{schaub_atonalism_2008,
	title = {Atonalism, Nietzsche and \textit{Gravity's Rainbow}: Pynchon's Use of German Music History and Culture},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2567/},
	doi = {10.16995/pn.23},
	shorttitle = {Atonalism, Nietzsche and \textit{Gravity's Rainbow}},
	pages = {26--38},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Schaub, Thomas},
	urldate = {2024-03-29},
	date = {2008-09-22},
}

@article{schaub_environmental_1998,
	title = {The Environmental Pynchon: \textit{Gravity's Rainbow} and the Ecological Context},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2738/},
	doi = {10.16995/pn.140},
	shorttitle = {The Environmental Pynchon},
	pages = {59--72},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Schaub, Thomas},
	urldate = {2024-03-29},
	date = {1998-09-22},
}

@article{schell_engaging_2014,
	title = {Engaging Foundational Narratives in Morrison’s Paradise and Pynchon’s Mason \& Dixon},
	volume = {2014},
	issn = {1542-4286},
	url = {https://muse.jhu.edu/article/549723},
	doi = {10.1353/lit.2014.0029},
	abstract = {This essay examines how Toni Morrison’s Paradise and Thomas Pynchon’s Mason \& Dixon construct foundational narratives as critiques of national imaginings. Setting up the idea of the nation as imagined communities coming together through shared narratives, Morrison and Pynchon probe the possibility of future national imaginings through narratives which continually breakdown in establishing the past. In the seeming paradox of narrating pasts that destroy and delimit the future, their novels display the disjuncture between the need to narrate the nation and the collective narratives that often emerge to define national boundaries. Their texts point toward the limits of national imaginings and spaces that unsuccessfully map onto the populations they purport to represent. In the context of the transnational turn in American studies, foundational narratives signal national narratives as self-destructive operations of power that can compel a populace to construct space–less histories and obscure social relations. Simultaneously, foundational narratives can also signal spaces beyond national boundaries, understandings of the nation as transnational and reliant on fictional modes in order to reestablish historical and social links.},
	pages = {69--94},
	number = {3},
	journaltitle = {College Literature},
	shortjournal = {lit},
	author = {Schell, David},
	urldate = {2024-03-29},
	date = {2014-06},
	langid = {english},
}

@article{s_schieweg_decline_2002,
	title = {The Decline of the Baedeker Country: The Representation of Geographical and Cultural Identity in Pynchon's Novels},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2666/},
	doi = {10.16995/pn.74},
	shorttitle = {The Decline of the Baedeker Country},
	pages = {108--117},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {S. Schieweg, Larissa},
	urldate = {2024-03-29},
	date = {2002-09-22},
}

@article{schmundt-thomas_grab-bagging_1990,
	title = {Grab-bagging in \textit{Gravity's Rainbow}: Incidental (Further) Notes and Sources},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2786/},
	doi = {10.16995/pn.275},
	shorttitle = {Grab-bagging in \textit{Gravity's Rainbow}},
	pages = {91--95},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Schmundt-Thomas, Georg},
	urldate = {2024-03-29},
	date = {1990-09-22},
}

@article{schroeder_puritanism_1990,
	title = {From Puritanism to Paranoia: Trajectories of History in Weber and Pynchon},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2629/},
	doi = {10.16995/pn.273},
	shorttitle = {From Puritanism to Paranoia},
	pages = {69--80},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Schroeder, Ralph},
	urldate = {2024-03-29},
	date = {1990-09-22},
}

@article{schroeder_inheriting_2002,
	title = {Inheriting Chaos: Burroughs, Pynchon, Sterling, Rucker},
	volume = {43},
	issn = {0014-5483, 2047-7708},
	url = {http://www.liverpooluniversitypress.co.uk/doi/10.3828/extr.2002.43.1.08},
	doi = {10.3828/extr.2002.43.1.08},
	shorttitle = {Inheriting Chaos},
	pages = {89--97},
	number = {1},
	journaltitle = {Extrapolation},
	shortjournal = {Extrapolation},
	author = {Schroeder, Randy},
	urldate = {2024-03-29},
	date = {2002-01},
	langid = {english},
}

@article{schuber_rereading_1983,
	title = {Rereading Pynchon: Negative Entropy and "Entropy"},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2376/},
	doi = {10.16995/pn.409},
	shorttitle = {Rereading Pynchon},
	pages = {47--60},
	number = {13},
	journaltitle = {Pynchon Notes},
	author = {Schuber, Stephen P.},
	urldate = {2024-03-29},
	date = {1983-10-01},
}

@article{schuber_textual_1984,
	title = {Textual Orbits/Orbiting Criticism: Deconstructing \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2492/},
	doi = {10.16995/pn.402},
	shorttitle = {Textual Orbits/Orbiting Criticism},
	pages = {65--74},
	number = {14},
	journaltitle = {Pynchon Notes},
	author = {Schuber, Stephen P.},
	urldate = {2024-03-29},
	date = {1984-02-01},
}

@article{schwartzman_art_1977,
	title = {Art, Science, and Change in Western Society},
	volume = {5},
	rights = {http://onlinelibrary.wiley.com/{termsAndConditions}\#vor},
	issn = {0091-2131, 1548-1352},
	url = {https://anthrosource.onlinelibrary.wiley.com/doi/10.1525/eth.1977.5.3.02a00010},
	doi = {10.1525/eth.1977.5.3.02a00010},
	pages = {239--262},
	number = {3},
	journaltitle = {Ethos},
	shortjournal = {Ethos},
	author = {Schwartzman, John},
	urldate = {2024-03-29},
	date = {1977-09},
	langid = {english},
}

@article{scott_new_1973,
	title = {"New Heav'ns, New Earth": The Landscape of Contemporary Apocalypse},
	volume = {53},
	issn = {0022-4189, 1549-6538},
	url = {https://www.journals.uchicago.edu/doi/10.1086/486320},
	doi = {10.1086/486320},
	shorttitle = {"New Heav'ns, New Earth"},
	pages = {1--35},
	number = {1},
	journaltitle = {The Journal of Religion},
	shortjournal = {The Journal of Religion},
	author = {Scott,, Nathan A.},
	urldate = {2024-03-29},
	date = {1973-01},
	langid = {english},
}

@article{seed_fantasy_1983,
	title = {Fantasy and Dream in Thomas Pynchon's "Low-lands"},
	volume = {37},
	issn = {1939-9014},
	url = {https://muse.jhu.edu/article/460425},
	doi = {10.1353/rmr.1983.a460425},
	pages = {54--68},
	number = {1},
	journaltitle = {Rocky Mountain Review of Language and Literature},
	shortjournal = {rmr},
	author = {Seed, David},
	urldate = {2024-03-29},
	date = {1983},
	langid = {english},
}

@article{seed_further_1985,
	title = {Further Notes and Sources for \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2503/},
	doi = {10.16995/pn.375},
	pages = {25--36},
	number = {16},
	journaltitle = {Pynchon Notes},
	author = {Seed, David},
	urldate = {2024-03-29},
	date = {1985-03-20},
}

@article{seed_pynchon_1982,
	title = {Pynchon in Watts},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2671/},
	doi = {10.16995/pn.448},
	pages = {54--60},
	number = {9},
	journaltitle = {Pynchon Notes},
	author = {Seed, David},
	urldate = {2024-03-29},
	date = {1982-06-01},
}

@article{seed_pynchons_1982,
	title = {Pynchon's Herero},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2852/},
	doi = {10.16995/pn.436},
	pages = {37--44},
	number = {10},
	journaltitle = {Pynchon Notes},
	author = {Seed, David},
	urldate = {2024-03-29},
	date = {1982-10-01},
}

@article{seed_pynchons_1981,
	title = {Pynchon's Names: Some Further Considerations},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2669/},
	doi = {10.16995/pn.480},
	shorttitle = {Pynchon's Names},
	pages = {41--43},
	number = {6},
	journaltitle = {Pynchon Notes},
	author = {Seed, David},
	urldate = {2024-03-29},
	date = {1981-06-01},
}

@article{seed_pynchons_1983,
	title = {Pynchon's Textual Revisions of \textit{The Crying of Lot 49}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2519/},
	doi = {10.16995/pn.417},
	pages = {39--45},
	number = {12},
	journaltitle = {Pynchon Notes},
	author = {Seed, David},
	urldate = {2024-03-29},
	date = {1983-06-01},
}

@article{seed_pynchons_1981-1,
	title = {Pynchon's Two Tchitcherines},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2871/},
	doi = {10.16995/pn.486},
	pages = {11--12},
	number = {5},
	journaltitle = {Pynchon Notes},
	author = {Seed, David},
	urldate = {2024-03-29},
	date = {1981-02-01},
}

@article{seed_central_1983,
	title = {The Central Asian Uprising of 1916},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2448/},
	doi = {10.16995/pn.428},
	pages = {49--53},
	number = {11},
	journaltitle = {Pynchon Notes},
	author = {Seed, David},
	urldate = {2024-03-29},
	date = {1983-02-01},
}

@article{seed_fictional_1976,
	title = {The fictional labyrinths of Thomas Pynchon},
	volume = {18},
	rights = {http://onlinelibrary.wiley.com/{termsAndConditions}\#vor},
	issn = {0011-1562, 1467-8705},
	url = {https://onlinelibrary.wiley.com/doi/10.1111/j.1467-8705.1976.tb02370.x},
	doi = {10.1111/j.1467-8705.1976.tb02370.x},
	pages = {73--81},
	number = {4},
	journaltitle = {Critical Quarterly},
	shortjournal = {Critical Quarterly},
	author = {Seed, David},
	urldate = {2024-03-29},
	date = {1976-12},
	langid = {english},
}

@article{serpell_mutual_2008,
	title = {Mutual Exclusion, Oscillation, and Ethical Projection in The Crying of Lot 49 and The Turn of the Screw},
	volume = {16},
	issn = {1538-974X},
	url = {https://muse.jhu.edu/article/249542},
	doi = {10.1353/nar.0.0006},
	pages = {223--255},
	number = {3},
	journaltitle = {Narrative},
	shortjournal = {nar},
	author = {Serpell, C. Namwali},
	urldate = {2024-03-29},
	date = {2008-10},
	langid = {english},
}

@article{severijnen_bin_1991,
	title = {"Bin ichein gott?": The problem of narrative in Umberto Eco's Foucault's pendulum and Thomas Pynchon's Gravity's rainbow},
	volume = {75},
	rights = {http://www.springer.com/tdm},
	issn = {0028-2677, 1572-8668},
	url = {http://link.springer.com/10.1007/BF00406698},
	doi = {10.1007/BF00406698},
	shorttitle = {?},
	pages = {327--341},
	number = {3},
	journaltitle = {Neophilologus},
	shortjournal = {Neophilologus},
	author = {Severijnen, Olaf},
	urldate = {2024-03-29},
	date = {1991-07},
	langid = {english},
}

@article{severs_city_2016,
	title = {“A City of the Future”: \textit{Gravity’s Rainbow} and the 1962 Seattle World’s Fair},
	volume = {62},
	issn = {0041-462X, 2325-8101},
	url = {https://read.dukeupress.edu/twentieth-century-lit/article/62/2/145/30152/A-City-of-the-Future-Gravity-s-Rainbow-and-the},
	doi = {10.1215/0041462X-3616564},
	shorttitle = {“A City of the Future”},
	abstract = {Drawing on archival sources, I argue that the 1962 Seattle World’s Fair (also known as Century 21) was an important source for Thomas Pynchon’s surreal depictions of the Raketen-Stadt in Gravity’s Rainbow. Accounts of the influence of Seattle on Pynchon have been limited to his work as a Boeing technical writer, and Century 21 goes unmentioned in work on the novel’s allusions by Steven Weisenburger and others. Pynchon responds throughout Gravity’s Rainbow to Century 21, particularly its Cold War views of space-age futurism and nuclear weapons. I draw new connections between the angel of Lübeck and John Glenn’s World’s Fair appearance; aspects of the Raketen-Stadt and the fair’s {US} Science Pavilion; and Pynchon’s many towers and elevators and that signature feature of Century 21, the Space Needle. The conclusion attends to the fair’s traces in Against the Day and Bleeding Edge, demonstrating Pynchon’s nearly career-long fascination with the event.},
	pages = {145--169},
	number = {2},
	journaltitle = {Twentieth-Century Literature},
	author = {Severs, Jeffrey},
	urldate = {2024-03-29},
	date = {2016-06-01},
	langid = {english},
}

@article{severs_where_2019,
	title = {‘Where all the paperwork’s done’: Pynchon’s critique of contracts},
	volume = {33},
	issn = {0950-236X, 1470-1308},
	url = {https://www.tandfonline.com/doi/full/10.1080/0950236X.2019.1580503},
	doi = {10.1080/0950236X.2019.1580503},
	shorttitle = {‘Where all the paperwork’s done’},
	pages = {361--382},
	number = {3},
	journaltitle = {Textual Practice},
	shortjournal = {Textual Practice},
	author = {Severs, Jeffrey},
	urldate = {2024-03-29},
	date = {2019-03-16},
	langid = {english},
}

@article{shapiro_teaching_1992,
	title = {Teaching Modernism and Postmodernism in a Values Elective},
	volume = {81},
	issn = {00138274},
	url = {https://www.jstor.org/stable/818342?origin=crossref},
	doi = {10.2307/818342},
	pages = {60--63},
	number = {1},
	journaltitle = {The English Journal},
	shortjournal = {The English Journal},
	author = {Shapiro, Steven G.},
	urldate = {2024-03-29},
	date = {1992-01},
}

@article{sherard_birth_1993,
	title = {The Birth of the Female Subject in \textit{The Crying of Lot 49}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2554/},
	doi = {10.16995/pn.215},
	pages = {60--74},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Sherard, Tracey},
	urldate = {2024-03-29},
	date = {1993-09-22},
}

@incollection{shimura_basic_1989,
	title = {Basic Semiconductor Physics},
	rights = {https://www.elsevier.com/tdm/userlicense/1.0/},
	isbn = {978-0-12-640045-8},
	url = {https://linkinghub.elsevier.com/retrieve/pii/B9780126400458500082},
	pages = {82--113},
	booktitle = {Semiconductor Silicon Crystal Technology},
	publisher = {Elsevier},
	author = {Shimura, Fumio},
	urldate = {2024-03-29},
	date = {1989},
	langid = {english},
	doi = {10.1016/B978-0-12-640045-8.50008-2},
}

@article{shoop_thomas_2012,
	title = {Thomas Pynchon, Postmodernism, and the Rise of the New Right in California},
	volume = {53},
	issn = {1548-9949},
	url = {http://muse.jhu.edu/content/crossref/journals/contemporary_literature/v053/53.1.shoop.html},
	doi = {10.1353/cli.2012.0001},
	pages = {51--86},
	number = {1},
	journaltitle = {Contemporary Literature},
	shortjournal = {Contemporary Literature},
	author = {Shoop, Casey},
	urldate = {2024-03-29},
	date = {2012},
	langid = {english},
}

@article{siegel_meatspace_2016,
	title = {Meatspace is Cyberspace: The Pynchonian Posthuman in \textit{Bleeding Edge}},
	volume = {4},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/doi/10.16995/orbit.187/},
	doi = {10.16995/orbit.187},
	shorttitle = {Meatspace is Cyberspace},
	pages = {1--27},
	number = {2},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Siegel, Jason},
	urldate = {2024-03-29},
	date = {2016-06-23},
}

@article{siegel_creative_1977,
	title = {Creative Paranoia: Understanding the System of \textit{Gravity’s Rainbow}},
	volume = {18},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1977.10690144},
	doi = {10.1080/00111619.1977.10690144},
	shorttitle = {Creative Paranoia},
	pages = {39--54},
	number = {3},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Siegel, Mark R.},
	urldate = {2024-03-29},
	date = {1977-04},
	langid = {english},
}

@article{siegel_pynchons_1980,
	title = {Pynchon's Anti-Quests},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2471/},
	doi = {10.16995/pn.503},
	pages = {5--9},
	number = {3},
	journaltitle = {Pynchon Notes},
	author = {Siegel, Mark},
	urldate = {2024-03-29},
	date = {1980-06-01},
}

@article{siegel_thomas_1981,
	title = {Thomas Pynchon and the Science Fiction Controversy},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2865/},
	doi = {10.16995/pn.470},
	pages = {38--42},
	number = {7},
	journaltitle = {Pynchon Notes},
	author = {Siegel, Mark},
	urldate = {2024-03-29},
	date = {1981-10-01},
}

@article{simberloff_entropy_1978,
	title = {Entropy, Information, and Life: Biophysics in the Novels of Thomas Pynchon},
	volume = {21},
	issn = {1529-8795},
	url = {https://muse.jhu.edu/article/404177},
	doi = {10.1353/pbm.1978.0021},
	shorttitle = {Entropy, Information, and Life},
	pages = {617--625},
	number = {4},
	journaltitle = {Perspectives in Biology and Medicine},
	shortjournal = {pbm},
	author = {Simberloff, Daniel},
	urldate = {2024-03-29},
	date = {1978-06},
	langid = {english},
}

@article{simmon_gravitys_1974,
	title = {\textit{Gravity’s Rainbow} Described},
	volume = {16},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1974.10690083},
	doi = {10.1080/00111619.1974.10690083},
	pages = {54--67},
	number = {2},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Simmon, Scott},
	urldate = {2024-03-29},
	date = {1974-12},
	langid = {english},
}

@article{simon_profane_1992,
	title = {Profane Illuminations: Benny Profane, Herbert Stencil and Walter Benjamin's \textit{Flâneur}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2462/},
	doi = {10.16995/pn.240},
	shorttitle = {Profane Illuminations},
	pages = {172--178},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Simon, Jr. P.},
	urldate = {2024-03-29},
	date = {1992-09-22},
}

@article{slade_communication_1990,
	title = {Communication, Group Theory, and Perception in \textit{Vineland}},
	volume = {32},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1990.9933804},
	doi = {10.1080/00111619.1990.9933804},
	pages = {126--144},
	number = {2},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Slade, Joseph W.},
	urldate = {2024-03-29},
	date = {1990-12},
	langid = {english},
}

@article{slade_escaping_1977,
	title = {Escaping Rationalization: Options for the Self in \textit{Gravity’s Rainbow}},
	volume = {18},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1977.10690143},
	doi = {10.1080/00111619.1977.10690143},
	shorttitle = {Escaping Rationalization},
	pages = {27--38},
	number = {3},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Slade, Joseph W.},
	urldate = {2024-03-29},
	date = {1977-04},
	langid = {english},
}

@article{smetak_thomas_1983,
	title = {Thomas Pynchon's "Morality and Mercy in Vienna": Major Themes in an Early Work},
	volume = {4},
	issn = {0743-2747, 2325-8845},
	url = {http://pubs.lib.uiowa.edu/ijls/article/id/2235/},
	doi = {10.17077/0743-2747.1065},
	shorttitle = {Thomas Pynchon's "Morality and Mercy in Vienna"},
	pages = {65--76},
	number = {1},
	journaltitle = {Iowa Journal of Literary Studies},
	shortjournal = {Iowa Journal of Literary Studies},
	author = {Smetak, Jacqueline},
	urldate = {2024-03-29},
	date = {1983},
	langid = {english},
}

@article{smetak_whos_1987,
	title = {Who's Talking Here: Finding the Voice in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2668/},
	doi = {10.16995/pn.337},
	shorttitle = {Who's Talking Here},
	pages = {93--103},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Smetak, Jacqueline R.},
	urldate = {2024-03-29},
	date = {1987-09-22},
}

@article{smith_all_2014,
	title = {All Maps Were Useless - Resisting Genre and Recovering Spirituality in Pynchon's Against the Day},
	volume = {2},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v2.2.52},
	doi = {10.7766/orbit.v2.2.52},
	pages = {1--22},
	number = {2},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Smith, Jared},
	urldate = {2024-03-29},
	date = {2014-02-23},
}

@article{smith_pre_2015,
	title = {Pre Cold War British Spy Fiction, the “albatross of self” and lines of flight in \textit{Gravity’s Rainbow}},
	volume = {3},
	rights = {https://creativecommons.org/licenses/by/4.0/},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/id/448/},
	doi = {10.16995/orbit.74},
	pages = {1--43},
	number = {1},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Smith, Kyle Wishart},
	urldate = {2024-03-29},
	date = {2015-08-21},
}

@article{smith_paracinematic_1982,
	title = {The Paracinematic Reality of \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2422/},
	doi = {10.16995/pn.446},
	pages = {17--37},
	number = {9},
	journaltitle = {Pynchon Notes},
	author = {Smith, Mack},
	urldate = {2024-03-29},
	date = {1982-06-01},
}

@article{smith_v_1980,
	title = {\textit{V.} and The Maltese Falcon: A Connection?},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2499/},
	doi = {10.16995/pn.508},
	shorttitle = {\textit{V.} and The Maltese Falcon},
	pages = {6},
	number = {2},
	journaltitle = {Pynchon Notes},
	author = {Smith, Marcus},
	urldate = {2024-03-29},
	date = {1980-02-01},
}

@article{snart_entropy_2001,
	title = {Entropy in Pynchon's "Entropy" and Lefebvre's The Production of Space},
	volume = {3},
	issn = {1481-4374},
	url = {https://docs.lib.purdue.edu/clcweb/vol3/iss4/5},
	doi = {10.7771/1481-4374.1136},
	pages = {1--11},
	number = {4},
	journaltitle = {{CLCWeb}: Comparative Literature and Culture},
	shortjournal = {{CLCWeb}: Comparative Literature and Culture},
	author = {Snart, Jason},
	urldate = {2024-03-29},
	date = {2001-12-01},
	langid = {english},
}

@article{solomon_schizoid_2013,
	title = {The Schizoid Ethics of Black Humor: Southern, Fariña, and Pynchon},
	volume = {54},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.2011.580391},
	doi = {10.1080/00111619.2011.580391},
	shorttitle = {The Schizoid Ethics of Black Humor},
	pages = {254--275},
	number = {3},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Solomon, Bill},
	urldate = {2024-03-29},
	date = {2013-07-03},
	langid = {english},
}

@article{solomon_secret_2003,
	title = {Secret Integrations: Black Humor and the Critique of Whiteness},
	volume = {49},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/46601},
	doi = {10.1353/mfs.2003.0054},
	shorttitle = {Secret Integrations},
	abstract = {The category of black humor has a
racial resonance when applied to American fiction of the 1960s. A recurrent
object of critical interest in this body of comic writing was the function of
"blackness" in the formation of "white" identities. In
Bruce Jay Friedman's "Black Angels" and Terry Southern's
"Twirlin' At Ole Miss" desperate individuals are shown negotiating
their sense of self in ambivalent exchanges with an imaginary other. Thomas
Pynchon, in "The Secret Integration," analyzes an adolescent act of
imitation across racial lines as an effort to overcome socially prescribed
differences. And in "Lost in the Funhouse," John Barth locates
racialized fantasy as a constitutive element of sexual maturation.},
	pages = {469--495},
	number = {3},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Solomon, William},
	urldate = {2024-03-29},
	date = {2003-09},
	langid = {english},
}

@article{sorfa_small_1993,
	title = {"Small Comfort": Significance and the Uncanny in \textit{The Crying of Lot 49}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2761/},
	doi = {10.16995/pn.216},
	shorttitle = {"Small Comfort"},
	pages = {75--85},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Sorfa, David},
	urldate = {2024-03-29},
	date = {1993-09-22},
}

@article{justin_st_clair_borrowed_2011,
	title = {Borrowed Time: Thomas Pynchon’s Against the Day and the Victorian Fourth Dimension},
	volume = {38},
	issn = {00917729},
	url = {http://www.jstor.org/stable/10.5621/sciefictstud.38.1.0046},
	doi = {10.5621/sciefictstud.38.1.0046},
	shorttitle = {Borrowed Time},
	pages = {46--66},
	number = {1},
	journaltitle = {Science Fiction Studies},
	shortjournal = {Science Fiction Studies},
	author = {{Justin St. Clair}},
	urldate = {2024-03-29},
	date = {2011},
}

@article{staes_quaternionist_2010,
	title = {“Quaternionist Talk”: Luddite Yearning and the Colonization of Time in Thomas Pynchon's \textit{Against the Day}},
	volume = {91},
	issn = {0013-838X, 1744-4217},
	url = {http://www.tandfonline.com/doi/abs/10.1080/0013838X.2010.488850},
	doi = {10.1080/0013838X.2010.488850},
	shorttitle = {“Quaternionist Talk”},
	pages = {531--547},
	number = {5},
	journaltitle = {English Studies},
	shortjournal = {English Studies},
	author = {Staes, Toon},
	urldate = {2024-03-29},
	date = {2010-08},
	langid = {english},
}

@article{stevenson_greenwich_2000,
	title = {Greenwich Meanings: Clocks and Things in Modernist and Postmodernist Fiction},
	volume = {30},
	issn = {03062473},
	url = {https://www.jstor.org/stable/3509247?origin=crossref},
	doi = {10.2307/3509247},
	shorttitle = {Greenwich Meanings},
	pages = {124--136},
	journaltitle = {The Yearbook of English Studies},
	shortjournal = {The Yearbook of English Studies},
	author = {Stevenson, Randall},
	urldate = {2024-03-29},
	date = {2000},
}

@article{stonehill_pynchons_1994,
	title = {Pynchon's Prophecies of Cyberspace},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2756/},
	doi = {10.16995/pn.195},
	pages = {11--19},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Stonehill, Brian},
	urldate = {2024-03-29},
	date = {1994-09-22},
}

@article{storey_william_1983,
	title = {William Slothrop: Gentleman},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2842/},
	doi = {10.16995/pn.410},
	shorttitle = {William Slothrop},
	pages = {61--70},
	number = {13},
	journaltitle = {Pynchon Notes},
	author = {Storey, Philip},
	urldate = {2024-03-29},
	date = {1983-10-01},
}

@article{strehle_actualism_1983,
	title = {Actualism: Pynchon's Debt to Nabokov},
	volume = {24},
	issn = {00107484},
	url = {http://www.jstor.org/stable/1208067?origin=crossref},
	doi = {10.2307/1208067},
	shorttitle = {Actualism},
	pages = {30--50},
	number = {1},
	journaltitle = {Contemporary Literature},
	shortjournal = {Contemporary Literature},
	author = {Strehle, Susan},
	urldate = {2024-03-29},
	date = {1983},
}

@article{swanson_versions_1984,
	title = {Versions of Doublethink in Gravity's Rainbow, Darkness Visible, Riddley Walker and Travels to the Enu},
	volume = {58},
	issn = {01963570},
	url = {https://www.jstor.org/stable/10.2307/40139948?origin=crossref},
	doi = {10.2307/40139948},
	pages = {203--208},
	number = {2},
	journaltitle = {World Literature Today},
	author = {Swanson, Roy Arthur},
	urldate = {2024-03-29},
	date = {1984},
	langid = {english},
}

@article{swartzlander_tests_1988,
	title = {The Tests of Reality: The Use of History in \textit{Ulysses} and \textit{Gravity's Rainbow}},
	volume = {29},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1988.9937844},
	doi = {10.1080/00111619.1988.9937844},
	shorttitle = {The Tests of Reality},
	pages = {133--143},
	number = {2},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Swartzlander, Susan},
	urldate = {2024-03-29},
	date = {1988-01},
	langid = {english},
}

@article{sweeney_gothic_2016,
	title = {Gothic Traces in the Metaphysical Detective Story: The Female Sleuth in Pynchon’s \textit{The Crying of Lot 49} and Gibson’s \textit{Pattern Recognition}},
	volume = {4},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/doi/10.16995/orbit.195/},
	doi = {10.16995/orbit.195},
	shorttitle = {Gothic Traces in the Metaphysical Detective Story},
	pages = {1--24},
	number = {2},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Sweeney, Susan Elizabeth},
	urldate = {2024-03-29},
	date = {2016-07-08},
}

@article{swope_approaching_1998,
	title = {Approaching the Threshold(s) in Postmodern Detective Fiction: Hawthorne's “Wakefield” and Other Missing Persons},
	volume = {39},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619809599531},
	doi = {10.1080/00111619809599531},
	shorttitle = {Approaching the Threshold(s) in Postmodern Detective Fiction},
	pages = {207--227},
	number = {3},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Swope, Richard},
	urldate = {2024-03-29},
	date = {1998-01},
	langid = {english},
}

@article{tabbi_strung_1992,
	title = {"Strung into the Apollonian Dream": Pynchon's Psychology of Engineers},
	volume = {25},
	issn = {00295132},
	url = {https://www.jstor.org/stable/1346003?origin=crossref},
	doi = {10.2307/1346003},
	shorttitle = {"Strung into the Apollonian Dream"},
	pages = {160--180},
	number = {2},
	journaltitle = {{NOVEL}: A Forum on Fiction},
	shortjournal = {{NOVEL}: A Forum on Fiction},
	author = {Tabbi, Joseph},
	urldate = {2024-03-29},
	date = {1992},
}

@article{tabbi_mailers_1991,
	title = {Mailer's Psychology of Machines},
	volume = {106},
	issn = {00308129},
	url = {https://www.jstor.org/stable/462660?origin=crossref},
	doi = {10.2307/462660},
	pages = {238--250},
	number = {2},
	journaltitle = {{PMLA}},
	shortjournal = {{PMLA}},
	author = {Tabbi, Joseph},
	urldate = {2024-03-29},
	date = {1991-03},
}

@article{tabbi_merging_1984,
	title = {Merging Orders: The Shaping Influence of Science on "Entropy"},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2650/},
	doi = {10.16995/pn.387},
	shorttitle = {Merging Orders},
	pages = {58--68},
	number = {15},
	journaltitle = {Pynchon Notes},
	author = {Tabbi, Joseph},
	urldate = {2024-03-29},
	date = {1984-09-22},
}

@article{tabbi_medial_1998,
	title = {The Medial Turn},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2744/},
	doi = {10.16995/pn.155},
	pages = {317--327},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Tabbi, Joseph},
	urldate = {2024-03-29},
	date = {1998-09-22},
}

@article{tabbi_wind_1987,
	title = {The Wind At Zwölfkinder: Technology and Personal Identity in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2421/},
	doi = {10.16995/pn.335},
	shorttitle = {The Wind At Zwölfkinder},
	pages = {69--90},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Tabbi, Joseph},
	urldate = {2024-03-29},
	date = {1987-09-22},
}

@article{tate_gravitys_1983,
	title = {\textit{Gravity's Rainbow}: The Original Soundtrack},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2548/},
	doi = {10.16995/pn.407},
	shorttitle = {\textit{Gravity's Rainbow}},
	pages = {3--24},
	number = {13},
	journaltitle = {Pynchon Notes},
	author = {Tate, J. O.},
	urldate = {2024-03-29},
	date = {1983-10-01},
}

@article{tate_note_1984,
	title = {A Note on "Convergence"},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2835/},
	doi = {10.16995/pn.391},
	pages = {80--82},
	number = {15},
	journaltitle = {Pynchon Notes},
	author = {Tate, J. O.},
	urldate = {2024-03-29},
	date = {1984-09-22},
}

@article{tatham_tarot_1986,
	title = {Tarot and Gravity's Rainbow},
	volume = {32},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/242104},
	doi = {10.1353/mfs.0.0046},
	pages = {581--590},
	number = {4},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Tatham, Campbell},
	urldate = {2024-03-29},
	date = {1986-12},
	langid = {english},
}

@article{thomas_whats_1983,
	title = {What's the Point? On Comparing Joyce and Pynchon},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2849/},
	doi = {10.16995/pn.427},
	shorttitle = {What's the Point?},
	pages = {44--48},
	number = {11},
	journaltitle = {Pynchon Notes},
	author = {Thomas, Brook},
	urldate = {2024-03-29},
	date = {1983-02-01},
}

@article{thomas_metkovic_2010,
	title = {Metković to Mostar: Pynchon and the Balkans},
	volume = {24},
	issn = {0950-236X, 1470-1308},
	url = {http://www.tandfonline.com/doi/abs/10.1080/09502360903422758},
	doi = {10.1080/09502360903422758},
	shorttitle = {Metković to Mostar},
	pages = {353--377},
	number = {2},
	journaltitle = {Textual Practice},
	shortjournal = {Textual Practice},
	author = {Thomas, Samuel},
	urldate = {2024-03-29},
	date = {2010-04},
	langid = {english},
}

@article{thomas_gaucho_2013,
	title = {The Gaucho Sells Out: Thomas Pynchon and Argentina},
	volume = {40},
	issn = {2158-5806},
	url = {https://muse.jhu.edu/article/507677},
	doi = {10.1353/saf.2013.0003},
	shorttitle = {The Gaucho Sells Out},
	pages = {53--85},
	number = {1},
	journaltitle = {Studies in American Fiction},
	shortjournal = {saf},
	author = {Thomas, Samuel},
	urldate = {2024-03-29},
	date = {2013-03},
	langid = {english},
}

@article{thompson_kairotic_2019,
	title = {The Kairotic View of History in Thomas Pynchon's Novels},
	volume = {7},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/doi/10.16995/orbit.589/},
	doi = {10.16995/orbit.589},
	pages = {1--21},
	number = {1},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Thompson, Gary},
	urldate = {2024-03-29},
	date = {2019-01-11},
}

@article{thoreen_economy_1992,
	title = {The Economy of Consumption: The Entropy of Leisure in Pynchon's \textit{Vineland}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2624/},
	doi = {10.16995/pn.233},
	shorttitle = {The Economy of Consumption},
	pages = {53--62},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Thoreen, David},
	urldate = {2024-03-29},
	date = {1992-09-22},
}

@article{thoreen_thomas_2001,
	title = {Thomas Pynchon's Political Parable: Parallels between \textit{Vineland} and “Rip Van Winkle”},
	volume = {14},
	issn = {0895-769X, 1940-3364},
	url = {http://www.tandfonline.com/doi/abs/10.1080/08957690109598165},
	doi = {10.1080/08957690109598165},
	shorttitle = {Thomas Pynchon's Political Parable},
	pages = {45--50},
	number = {3},
	journaltitle = {{ANQ}: A Quarterly Journal of Short Articles, Notes and Reviews},
	shortjournal = {{ANQ}: A Quarterly Journal of Short Articles, Notes and Reviews},
	author = {Thoreen, David},
	urldate = {2024-03-29},
	date = {2001-01},
	langid = {english},
}

@article{tololyan_pynchons_1990,
	title = {Pynchon's Intertextual Circuits},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2789/},
	doi = {10.16995/pn.282},
	pages = {153--161},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Tölölyan, Khachig},
	urldate = {2024-03-29},
	date = {1990-09-22},
}

@article{tololyan_second_1990,
	title = {The Second Time as Farce Postmodernism without Consequences},
	volume = {2},
	issn = {0896-7148, 1468-4365},
	url = {https://academic.oup.com/alh/article-lookup/doi/10.1093/alh/2.4.756},
	doi = {10.1093/alh/2.4.756},
	pages = {756--771},
	number = {4},
	journaltitle = {American Literary History},
	shortjournal = {Am Lit Hist},
	author = {Tölölyan, Khachig},
	urldate = {2024-03-29},
	date = {1990},
	langid = {english},
}

@article{tumir_city_1998,
	title = {The City, the Labyrinth and the Terror Beyond: Delineating a Site of the Possible in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2740/},
	doi = {10.16995/pn.145},
	shorttitle = {The City, the Labyrinth and the Terror Beyond},
	pages = {134--151},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Tumir, Vaska},
	urldate = {2024-03-29},
	date = {1998-09-22},
}

@article{twigg_sell_2014,
	title = {“Sell Out With Me Tonight”: Popular Music, Commercialization and Commodification in Vineland, The Crying of Lot 49, and V.},
	volume = {2},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v2.2.55},
	doi = {10.7766/orbit.v2.2.55},
	shorttitle = {“Sell Out With Me Tonight”},
	pages = {1--16},
	number = {2},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Twigg, George William},
	urldate = {2024-03-29},
	date = {2014-08-18},
}

@article{tylee_spot_1985,
	title = {"Spot this Mumbo Jumbo": Thomas Pynchon's Emblems for American Culture in "Mortality and Mercy in Vienna"},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2513/},
	doi = {10.16995/pn.366},
	shorttitle = {"Spot this Mumbo Jumbo"},
	pages = {52--72},
	number = {17},
	journaltitle = {Pynchon Notes},
	author = {Tylee, Claire M.},
	urldate = {2024-03-29},
	date = {1985-09-22},
}

@article{tyson_existential_1991,
	title = {Existential Subjectivity on Trial: \textit{The Crying of Lot 49} and the Politics of Despair},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2775/},
	doi = {10.16995/pn.254},
	shorttitle = {Existential Subjectivity on Trial},
	pages = {5--25},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Tyson, Lois},
	urldate = {2024-03-29},
	date = {1991-09-22},
}

@article{delden_modernism_1990,
	title = {Modernism, the New Criticism and Thomas Pynchon's "V"},
	volume = {23},
	issn = {00295132},
	url = {https://www.jstor.org/stable/1345734?origin=crossref},
	doi = {10.2307/1345734},
	pages = {117--136},
	number = {2},
	journaltitle = {{NOVEL}: A Forum on Fiction},
	shortjournal = {{NOVEL}: A Forum on Fiction},
	author = {Delden, Maarten Van},
	urldate = {2024-03-29},
	date = {1990},
}

@article{vanderbeke_subliminal_1999,
	title = {Subliminal Cues: Psychoanalysis and Entropy in Pynchon's Novels},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2730/},
	doi = {10.16995/pn.118},
	shorttitle = {Subliminal Cues},
	pages = {51--64},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Vanderbeke, Dirk},
	urldate = {2024-03-29},
	date = {1999-09-22},
}

@article{varsava_dialectics_2002,
	title = {The Dialectics of Self and Community in Toni Morrison and Thomas Pynchon},
	volume = {43},
	issn = {00107484},
	url = {http://www.jstor.org/stable/1209043?origin=crossref},
	doi = {10.2307/1209043},
	pages = {794--803},
	number = {4},
	journaltitle = {Contemporary Literature},
	shortjournal = {Contemporary Literature},
	author = {Varsava, Jerry A. and Patell, Cyrus R. K.},
	urldate = {2024-03-29},
	date = {2002},
}

@article{varsava_thomas_1995,
	title = {Thomas Pynchon and Postmodern Liberalism},
	volume = {25},
	issn = {0007-7720, 1710-114X},
	url = {https://utpjournals.press/doi/10.3138/CRAS-025-03-05},
	doi = {10.3138/CRAS-025-03-05},
	abstract = {Introduction Thomas Pynchon has written some of America's most imaginative and intellectually suggestive fiction of the postwar period. And, responsive to his work's richness, critical attention has in due course been paid to a myriad of topics he has examined. One important subject, however, has not been ade- quately addressed in Pynchonian scholarship. No sustained effort has been made to see Pynchon's work as embracing a determinate political stance or political philosophy.1 It is the latter that will provide the focus of this essay. It should be said from the outset that important features of postmodern American fiction have discouraged readers from looking for philosophical coherence of any sort. As reflected in various works by, for example, Walter Abish, Paul Auster, Frederick Barth, Robert Coover, Raymond Federman, William Gass, Gilbert Sorrentino, and Ronald Sukenick, unrelieved epistem- ological doubt and antic involution of form do not provide the method- ological foundations for a coherent political philosophy. Scepticism typically yields local and often ambiguous insights, not comprehensive understanding. And for its part, formal experimentation—and certainly postmodern fiction's recurrent obsession with parody—inevitably invites readings that, advertently or otherwise, emphasize aesthetic autonomy.2 In the case of Pynchon, readers have quite astutely identified the general lines of his critique of modern America and Western civilization as a whole, but, with rare exception, Pynchon's political philosophy has typically been either overlooked or reduced to an amorphous postmodern disillusionment or some sort of dark pessimism or even disappointed humanism.3},
	pages = {63--100},
	number = {3},
	journaltitle = {Canadian Review of American Studies},
	shortjournal = {Canadian Review of American Studies},
	author = {Varsava, Jerry A.},
	urldate = {2024-03-29},
	date = {1995-12-01},
	langid = {english},
}

@article{veggian_thomas_2008,
	title = {Thomas Pynchon Against the Day},
	volume = {35},
	issn = {0190-3659, 1527-2141},
	url = {https://read.dukeupress.edu/boundary-2/article/35/1/197/25293/Thomas-Pynchon-Against-the-Day},
	doi = {10.1215/01903659-2007-032},
	pages = {197--215},
	number = {1},
	journaltitle = {boundary 2},
	author = {Veggian, Henry},
	urldate = {2024-03-29},
	date = {2008-02-01},
	langid = {english},
}

@article{vella_surrealism_1989,
	title = {Surrealism, Postmodernism, and Roger, Mexico},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2798/},
	doi = {10.16995/pn.298},
	pages = {117--119},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Vella, Michael W.},
	urldate = {2024-03-29},
	date = {1989-09-22},
}

@article{vesterman_pynchons_1975,
	title = {Pynchon's Poetry},
	volume = {21},
	issn = {0041462X},
	url = {https://www.jstor.org/stable/440709?origin=crossref},
	doi = {10.2307/440709},
	pages = {211--220},
	number = {2},
	journaltitle = {Twentieth Century Literature},
	shortjournal = {Twentieth Century Literature},
	author = {Vesterman, William},
	urldate = {2024-03-29},
	date = {1975-05},
}

@article{wallhead_mason_2014,
	title = {Mason \& Dixon and Hamlet},
	volume = {2},
	issn = {2047-2870},
	url = {https://doi.org/10.7766/orbit.v2.2.57},
	doi = {10.7766/orbit.v2.2.57},
	pages = {1--25},
	number = {2},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Wallhead, Celia},
	urldate = {2024-03-29},
	date = {2014-08-29},
}

@article{watson_suffusion_2017,
	title = {The Suffusion of the Televisual in The Crying of Lot 49},
	volume = {51},
	issn = {2374-6629},
	url = {https://muse.jhu.edu/article/659193},
	doi = {10.1353/sty.2017.0012},
	pages = {146--166},
	number = {2},
	journaltitle = {Style},
	shortjournal = {Style},
	author = {Watson, Jacob T.},
	urldate = {2024-03-29},
	date = {2017},
	langid = {english},
}

@article{weber_west_1984,
	title = {West, Pynchon, Mailer, and the Jeremiad Tradition},
	volume = {83},
	issn = {0038-2876, 1527-8026},
	url = {https://read.dukeupress.edu/south-atlantic-quarterly/article/83/3/259/343694/West-Pynchon-Mailer-and-the-Jeremiad-Tradition},
	doi = {10.1215/00382876-83-3-259},
	pages = {259--268},
	number = {3},
	journaltitle = {South Atlantic Quarterly},
	author = {Weber, Donald},
	urldate = {2024-03-29},
	date = {1984-07-01},
	langid = {english},
}

@article{weisenburger_further_1985,
	title = {Further Further Notes and Sources …},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2675/},
	doi = {10.16995/pn.369},
	pages = {81--83},
	number = {17},
	journaltitle = {Pynchon Notes},
	author = {Weisenburger, Steven},
	urldate = {2024-03-29},
	date = {1985-09-22},
}

@article{weisenburger_hyper-embedded_1994,
	title = {Hyper-Embedded Narration in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2527/},
	doi = {10.16995/pn.199},
	pages = {70--87},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Weisenburger, Steven},
	urldate = {2024-03-29},
	date = {1994-09-22},
}

@article{weisenburger_pynchons_1985,
	title = {Pynchon's Hereros: A Textual and Bibliographical Note},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2405/},
	doi = {10.16995/pn.376},
	shorttitle = {Pynchon's Hereros},
	pages = {37--45},
	number = {16},
	journaltitle = {Pynchon Notes},
	author = {Weisenburger, Steven},
	urldate = {2024-03-29},
	date = {1985-03-20},
}

@article{weisenburger_chronology_1984,
	title = {The Chronology of Episodes in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2673/},
	doi = {10.16995/pn.401},
	pages = {50--64},
	number = {14},
	journaltitle = {Pynchon Notes},
	author = {Weisenburger, Steven},
	urldate = {2024-03-29},
	date = {1984-02-01},
}

@article{weisenburger_end_1979,
	title = {The End of History? Thomas Pynchon and the Uses of the Past},
	volume = {25},
	issn = {0041462X},
	url = {https://www.jstor.org/stable/441400?origin=crossref},
	doi = {10.2307/441400},
	shorttitle = {The End of History?},
	pages = {54--72},
	number = {1},
	journaltitle = {Twentieth Century Literature},
	shortjournal = {Twentieth Century Literature},
	author = {Weisenburger, Steven},
	urldate = {2024-03-29},
	date = {1979},
}

@article{weisenburger_origin_1982,
	title = {The Origin of Pynchon's Tchitcherine},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2861/},
	doi = {10.16995/pn.459},
	pages = {39--42},
	number = {8},
	journaltitle = {Pynchon Notes},
	author = {Weisenburger, Steven},
	urldate = {2024-03-29},
	date = {1982-02-01},
}

@article{weisenburger_thomas_1990,
	title = {Thomas Pynchon at Twenty-Two: A Recovered Autobiographical Sketch},
	volume = {62},
	issn = {00029831},
	url = {https://www.jstor.org/stable/2927077?origin=crossref},
	doi = {10.2307/2927077},
	shorttitle = {Thomas Pynchon at Twenty-Two},
	pages = {692--697},
	number = {4},
	journaltitle = {American Literature},
	shortjournal = {American Literature},
	author = {Weisenburger, Steven},
	urldate = {2024-03-29},
	date = {1990-12},
}

@article{westerath_pynchons_1987,
	title = {Pynchon's Parker Passage: A Source and Sound Analysis},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2612/},
	doi = {10.16995/pn.339},
	shorttitle = {Pynchon's Parker Passage},
	pages = {109--114},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Westerath, Gerhard},
	urldate = {2024-03-29},
	date = {1987-09-22},
}

@article{white_ironic_1981,
	title = {Ironic equivalence: a reading of Thomas Pynchon's ‘Mortality and mercy in Vienna’},
	volume = {23},
	rights = {http://onlinelibrary.wiley.com/{termsAndConditions}\#vor},
	issn = {0011-1562, 1467-8705},
	url = {https://onlinelibrary.wiley.com/doi/10.1111/j.1467-8705.1981.tb01844.x},
	doi = {10.1111/j.1467-8705.1981.tb01844.x},
	shorttitle = {Ironic equivalence},
	pages = {55--62},
	number = {3},
	journaltitle = {Critical Quarterly},
	shortjournal = {Critical Quarterly},
	author = {White, Allon},
	urldate = {2024-03-29},
	date = {1981-09},
	langid = {english},
}

@article{whitmarsh_specters_2017,
	title = {Specters Of Communication: Supernatural Media In Thomas Pynchon's Gravity's Rainbow},
	volume = {63},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/669434},
	doi = {10.1353/mfs.2017.0035},
	shorttitle = {Specters Of Communication},
	pages = {524--546},
	number = {3},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {{MFS} Modern Fiction Studies},
	author = {Whitmarsh, Patrick},
	urldate = {2024-03-29},
	date = {2017},
	langid = {english},
}

@article{willman_spectres_2010,
	title = {Spectres of Marx in Thomas Pynchon's \textit{Vineland}},
	volume = {51},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111610903379925},
	doi = {10.1080/00111610903379925},
	pages = {198--222},
	number = {3},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Willman, Skip},
	urldate = {2024-03-29},
	date = {2010-04-30},
	langid = {english},
}

@article{wilson_pacific_2010,
	title = {On the Pacific Edge of Catastrophe, or Redemption: California Dreaming in Thomas Pynchon's \textit{Inherent Vice}},
	volume = {37},
	issn = {0190-3659, 1527-2141},
	url = {https://read.dukeupress.edu/boundary-2/article/37/2/217/6412/On-the-Pacific-Edge-of-Catastrophe-or-Redemption},
	doi = {10.1215/01903659-2010-010},
	shorttitle = {On the Pacific Edge of Catastrophe, or Redemption},
	abstract = {Inherent Vice continues Thomas Pynchon's interrogation into California as American edge-site perpetually situated on the brink of catastrophe, metamorphosis, or redemption. In his latest novel, Pynchon labors in the time-honored generic trenches of American “hardboiled fiction” to elaborate the transformative energies of what California still stands for as worlding edge-space, as a temporal promise of social transformation and popular-cultural redemption not quite over. In bleaker plot strands, we witness an American vernacular revolution of pop-carnivalesque energies being infiltrated and hollowed out, as if the utopic energies of the 1960s were foreclosed at birth by the security apparatus of police forces, land development, and the global totality of capital as situated on the Pacific Rim.},
	pages = {217--225},
	number = {2},
	journaltitle = {boundary 2},
	author = {Wilson, Rob},
	urldate = {2024-03-29},
	date = {2010-05-01},
	langid = {english},
}

@article{wisnicki_trove_2001,
	title = {A Trove of New Works by Thomas Pynchon? \textit{Bomarc Service News} Rediscovered},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2402/},
	doi = {10.16995/pn.88},
	shorttitle = {A Trove of New Works by Thomas Pynchon?},
	pages = {9--34},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Wisnicki, Adrian},
	urldate = {2024-03-29},
	date = {2001-09-22},
}

@article{witzling_sensibility_2006,
	title = {The Sensibility of Postmodern Whiteness in V., or Thomas Pynchon's Identity Problem},
	volume = {47},
	issn = {1548-9949},
	url = {http://muse.jhu.edu/content/crossref/journals/contemporary_literature/v047/47.3witzling.html},
	doi = {10.1353/cli.2007.0011},
	pages = {381--415},
	number = {3},
	journaltitle = {Contemporary Literature},
	shortjournal = {Contemporary Literature},
	author = {Witzling, David},
	urldate = {2024-03-29},
	date = {2006},
	langid = {english},
}

@article{wolfley_repressions_1977,
	title = {Repression's Rainbow: The Presence of Norman O. Brown in Pynchon's Big Novel},
	volume = {92},
	rights = {https://www.cambridge.org/core/terms},
	issn = {0030-8129, 1938-1530},
	url = {https://www.cambridge.org/core/product/identifier/S0030812900050306/type/journal_article},
	doi = {10.2307/461843},
	shorttitle = {Repression's Rainbow},
	abstract = {In
              Gravity's Rainbow
              , Thomas Pynchon shows his indebtedness to the school of psychoanalytic culture criticism best exhibited in the two major works of Norman O. Brown—
              Life against Death
              and
              Love's Body
              . Brown's neo-Freudian view of
              repression
              as the source of man's uniqueness in nature is mirrored in virtually every thematic aspect of
              Gravity's Rainbow
              . In one sense, the physical gravity of the title is a metaphor for the human repression that engages Pynchon on the psychological level. Pynchon's understanding of history, like Brown's, reflects “the slow return of the repressed.” Other themes include the hypertrophy of the death instinct as manifested in weapons of destruction, the pernicious influence of Calvinist dualism opposing true dialectics, the interdependent abuses of sexuality and power, and the need for an antirational conception of art based in transcendental symbolism. The novel enacts the struggle of life against death, and its style affirms man's freedom.},
	pages = {873--889},
	number = {5},
	journaltitle = {{PMLA}/Publications of the Modern Language Association of America},
	shortjournal = {Publ. Mod. Lang. Assoc. Am.},
	author = {Wolfley, Lawrence C.},
	urldate = {2024-03-29},
	date = {1977-10},
	langid = {english},
}

@article{workman_role_1981,
	title = {The Role of Mythology in Modern Literature},
	volume = {18},
	issn = {00155934},
	url = {https://www.jstor.org/stable/3814186?origin=crossref},
	doi = {10.2307/3814186},
	pages = {35--48},
	number = {1},
	journaltitle = {Journal of the Folklore Institute},
	shortjournal = {Journal of the Folklore Institute},
	author = {Workman, Mark E.},
	urldate = {2024-03-29},
	date = {1981-01},
}

@article{young_pynchon_2003,
	title = {Pynchon in Popular Magazines},
	volume = {44},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111610309598891},
	doi = {10.1080/00111610309598891},
	pages = {389--404},
	number = {4},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Young, John K.},
	urldate = {2024-03-29},
	date = {2003-01},
	langid = {english},
}

@article{young_enigma_1967,
	title = {The Enigma Variations of Thomas Pynchon},
	volume = {10},
	issn = {0011-1619, 1939-9138},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00111619.1967.10689912},
	doi = {10.1080/00111619.1967.10689912},
	pages = {69--77},
	number = {1},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Young, James Dean},
	urldate = {2024-03-29},
	date = {1967-12},
	langid = {english},
}

@book{ketzan_thomas_2022,
	location = {London},
	title = {Thomas Pynchon and the digital humanities: computational approaches to style},
	isbn = {978-1-350-21183-4},
	series = {New horizons in contemporary writing},
	shorttitle = {Thomas Pynchon and the digital humanities},
	pagetotal = {271},
	publisher = {Bloomsbury Academic},
	author = {Ketzan, Erik},
	date = {2022},
}

@book{herman_becoming_2023,
	location = {Columbus},
	title = {Becoming Pynchon: genetic narratology and V},
	isbn = {978-0-8142-5865-1 978-0-8142-1535-7},
	series = {Theory and interpretation of narrative},
	shorttitle = {Becoming Pynchon},
	abstract = {"Examines development of Thomas Pynchon's first novel, V., from typescript to published work, making theoretical space for the author's process in the field of narratology"--},
	pagetotal = {176},
	publisher = {The Ohio State University Press},
	author = {Herman, Luc and Krafft, John M.},
	date = {2023},
}

@book{francisco_collado_rodriguez_orden_2014,
	title = {El orden del caos: literatura, política y posthumanidad en la narrativa de Thomas Pynchon},
	isbn = {978-84-370-8551-7},
	shorttitle = {El orden del caos},
	publisher = {{UNIVERSITAT} {DE} {VALÈNCIA}},
	author = {{Francisco Collado Rodríguez}},
	date = {2014},
	note = {{OCLC}: 1222924426},
}

@book{damico_matrici_1992,
	title = {Le matrici dell'apprendista i racconti di Thomas Pynchon},
	url = {https://books.google.co.uk/books?id=aEcv0AEACAAJ},
	publisher = {Adriatica editrice},
	author = {D'Amico, Maria Vittoria},
	date = {1992},
}

@book{damico_matrici_1992-1,
	location = {Bari},
	title = {Le matrici dell'apprendista : i racconti di Thomas Pyncon},
	series = {Perspectives (Bari, Italy); 3},
	pagetotal = {237},
	publisher = {Adriatica},
	author = {D'Amico, Maria Vittoria},
	date = {1992},
	note = {Section: 237 pages ; 18 cm.},
}

@book{helterman_thomas_1976,
	location = {New York},
	title = {Thomas Pynchon's Gravity's rainbow; a critical commentary},
	series = {Monarch notes; 00974},
	pagetotal = {75},
	publisher = {Simon \& Schuster},
	author = {Helterman, Jeffrey},
	date = {1976},
	note = {Section: 75 pages},
}

@book{selmeci_schwarzkommando_1995-1,
	location = {Bielefeld},
	title = {Das Schwarzkommando: Thomas Pynchon und die Geschichte der Herero},
	isbn = {978-3-89528-122-8},
	series = {Aisthesis-Essay},
	shorttitle = {Das Schwarzkommando},
	pagetotal = {141},
	number = {6},
	publisher = {Aisthesis-Verl},
	author = {Selmeci, Andreas and Henrichsen, Dag and Pynchon, Thomas},
	date = {1995},
}

@book{hendin_vulnerable_1978,
	location = {New York},
	title = {Vulnerable people: a view of American fiction since 1945},
	isbn = {978-0-19-502319-0},
	shorttitle = {Vulnerable people},
	pagetotal = {237},
	publisher = {Oxford University Press},
	author = {Hendin, Josephine},
	date = {1978},
	keywords = {American fiction, History and criticism, 20th century, Social problems in literature},
}

@book{kopp_triangulating_2004,
	location = {Essen},
	title = {Triangulating Thomas Pynchon's eighteenth-century world : theory, structure, and paranoia in Mason \& Dixon},
	isbn = {3-89924-107-X 978-3-89924-107-5},
	series = {Arbeiten zur Amerikanistik; Bd. 37},
	pagetotal = {300},
	publisher = {Die Blaue Eule},
	author = {Kopp, Manfred},
	date = {2004},
	note = {Section: 300 pages ; 21 cm.},
}

@book{lalo_thomas_2001,
	location = {Minsk},
	title = {Thomas Pynchon and His America: Enigmas, Parallels, Cultural Contexts},
	pagetotal = {268},
	publisher = {{RIVSH}-{BGU}},
	author = {Lalo, Alexei},
	date = {2001},
}

@book{sun___2008,
	title = {品欽小說中的混沌與秩序 [Chaos and Order in Pynchon’s fiction]},
	pagetotal = {253},
	author = {Sun [孫], Wanjun [萬軍]},
	date = {2008},
	note = {Text in English; with preface, introduction and postscript in Chinese},
}

@book{sun___2011,
	title = {美国文化的反映者——托马斯·品钦 [The Reflector of American Culture - Thomas Pynchon]},
	pagetotal = {273},
	publisher = {Intellectual Property Publishing House},
	author = {Sun [孫], Wanjun [萬軍]},
	date = {2011},
}

@book{liu___2013,
	location = {Jinan},
	title = {后现代语境中的托马斯·品钦小说研究 [A Study of Thomas Pynchon’s Fiction in a Postmodern Context]},
	pagetotal = {216},
	publisher = {Shandong University Press},
	author = {Liu [刘], Fengshan [凤山]},
	date = {2013},
}

@book{liu___2011,
	location = {Beijing},
	title = {奇幻背后的世界 [A World Behind Fantasy: A Study of Thomas Pynchon’s Fiction]},
	pagetotal = {372},
	publisher = {Foreign Language Teaching and Research Press},
	author = {Liu [刘], Fengshan [凤山]},
	date = {2011},
}

@book{wang__thomas_2015,
	location = {Beijing},
	title = {Thomas Pynchon: A Critical Study},
	pagetotal = {388},
	publisher = {Foreign Language Teaching and Research Press},
	author = {Wang [王], Jianping [建平]},
	date = {2015},
}

@book{dugdale_thomas_1990-2,
	location = {Houndmills, Basingstoke, Hampshire},
	title = {Thomas Pynchon: allusive parables of power},
	isbn = {978-0-333-49110-2 978-0-333-51509-9},
	shorttitle = {Thomas Pynchon},
	pagetotal = {214},
	publisher = {Macmillan},
	author = {Dugdale, John},
	date = {1990},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@book{mchoul_writing_1990,
	location = {Urbana (Ill.) Chicago (Ill.)},
	title = {Writing Pynchon: strategies in fictional analysis},
	isbn = {978-0-252-01700-1},
	shorttitle = {Writing Pynchon},
	pagetotal = {239},
	publisher = {University of Illinois press},
	author = {{McHoul}, Alec W. and Wills, David Robert},
	date = {1990},
}

@book{park_study_2000,
	location = {Seoul},
	title = {A Study on Thomas Pynchon: Empire and the Postmodern},
	pagetotal = {309},
	publisher = {Daesun},
	author = {Park, Eunjung},
	date = {2000},
}

@book{tanner_tomas_2000,
	location = {Belgrade},
	title = {Tomas Pinčon},
	series = {Biblioteka Groš; knj. 12},
	pagetotal = {61},
	publisher = {Književna reč},
	author = {Tanner, Tony},
	date = {2000},
	note = {Section: 61 pages ; 13 cm.},
}

@book{la_polla_posto_1983,
	location = {Ravenna},
	title = {Un posto nella mente : il nuovo romanzo americano, 1962-1982},
	series = {Portico; 74},
	publisher = {Longo},
	author = {La Polla, Franco},
	date = {1983},
	note = {Section: 202 pages ; 22 cm.},
}

@collection{claro_face_2008,
	location = {Paris},
	title = {Face à Pynchon},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pagetotal = {495},
	publisher = {le Cherche midi Éd. Inculte},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{abadi-nagy_egy_1982,
	location = {Budapest},
	title = {"Egy mõ példája: Entrópia és komikum Thomas Pynchon The Crying of Lot 49 címõ regényében"},
	isbn = {978-963-271-600-8},
	pages = {413--441},
	booktitle = {Válság és Komikum: A Hatvanas Évek Amerikai Regénye},
	publisher = {Magvetõ},
	author = {Abádi-Nagy, Zoltan},
	date = {1982},
}

@incollection{abadi-nagy_innovative_1981,
	location = {Poznan},
	title = {"Innovative Uses of Some Traditional Comic Techniques in the American Novel of the Sixties"},
	pages = {9--21},
	booktitle = {Traditions in the Twentieth Century American Literature: A Symposium},
	publisher = {Adam Mickiewicz University Press},
	author = {Abádi-Nagy, Zoltan},
	date = {1981},
}

@collection{ruppersburg_critical_2000,
	location = {New York, {NY}},
	title = {Critical essays on Don {DeLillo}},
	isbn = {978-0-7838-0458-3},
	series = {Critical essays on American literature},
	pagetotal = {321},
	publisher = {Hall},
	editor = {Ruppersburg, Hugh M. and Engles, Tim},
	date = {2000},
}

@collection{gundersen_fortellingens_1992,
	location = {Oslo},
	title = {Fortellingens teori},
	isbn = {978-82-7216-827-7},
	series = {{EST}},
	pagetotal = {234},
	number = {5},
	editor = {Gundersen, Karin and {Norges Almenvitenskapelige Forskningsråd}},
	date = {1992},
}

@book{kolek_approaches_1996,
	location = {Lublin [Poland]},
	title = {Approaches to fiction},
	isbn = {978-83-86239-24-5},
	series = {{PASE} studies and monographs},
	pagetotal = {242},
	number = {v. 2},
	publisher = {Folium},
	author = {Kolek, Leszek},
	date = {1996},
	keywords = {English fiction, History and criticism Theory, etc, Kolek, Leszek},
}

@book{koloze_ethical_2005-1,
	location = {Lewiston, {NY}},
	title = {An ethical analysis of the portrayal of abortion in American fiction: Dreiser, Hemingway, Faulkner, Dos Passos, Brautigan, and Irving},
	isbn = {978-0-88946-166-6 978-0-7734-5964-9},
	series = {Studies in American literature},
	shorttitle = {An ethical analysis of the portrayal of abortion in American fiction},
	pagetotal = {375},
	number = {78},
	publisher = {Mellen},
	author = {Koloze, Jeff},
	date = {2005},
}

@incollection{bakker_leatherstocking_1991,
	location = {Lewiston (N.Y.)},
	title = {"From Leatherstocking to Rocketman: Cooper's Leatherstocking Tales and Pynchon's Gravity's Rainbow Reconsidered"},
	isbn = {978-0-7734-9713-9},
	series = {Studies in American literature},
	pages = {15--37},
	number = {13},
	booktitle = {The role of the mythic West in some representative examples of classic and modern American literature: the shaping force of the American frontier},
	publisher = {E. Mellen press},
	author = {Bakker, Jan},
	date = {1991},
}

@incollection{frank_about_1977,
	location = {Arlington, Tex.},
	title = {"About America's 'White Terror': James, Poe, Pyncheon, and Others"},
	pages = {31--53},
	booktitle = {Literature and the occult : essays in comparative literature},
	publisher = {University of Texas at Arlington},
	author = {Banta, Martha},
	editor = {Frank, Luanne T.},
	date = {1977},
	note = {Section: 273 pages : illustrations ; 24 cm},
}

@incollection{barth_literature_1984,
	location = {New York},
	title = {"The Literature of Replenishment: Postmodernist Fiction"},
	isbn = {978-0-399-12997-1},
	pages = {193--206},
	booktitle = {The friday book: essays and other nonfiction},
	publisher = {G.P. Putman's sons},
	author = {Barth, John},
	date = {1984},
}

@incollection{binni_notitle_1974,
	location = {Roma},
	series = {Nuovi quaderni / {ERI}; 13},
	pages = {78--83},
	booktitle = {Narrativa americana degli anni sessanta},
	publisher = {{ERI}},
	author = {Binni, Francesco},
	date = {1974},
	note = {Section: 299 p. ; 21 cm.},
}

@collection{international_comparative_literature_association_general_1985,
	location = {New York},
	title = {General problems of literary history =: Problèmes généraux de l'histoire littéraire},
	isbn = {978-0-8240-4011-6},
	series = {Proceedings of the Xth Congress of the International Comparative Literature Association = Actes du Xe Congrès de l'Association internationale de littérature comparée},
	shorttitle = {General problems of literary history =},
	pagetotal = {516},
	number = {1},
	publisher = {Garland Pub},
	editor = {{International Comparative Literature Association} and Fokkema, Douwe Wessel and Smith, Edward C.},
	date = {1985},
	keywords = {Literature, History and criticism Theory, etc. Congresses},
}

@incollection{bulgheroni_il_1968,
	location = {Milano-Varese},
	title = {"Il Demone del Luogo: Letture Americane"},
	series = {Collana di letterature straniere; 1; 1]},
	pages = {98, 106--107, 130--133},
	booktitle = {Il demone del luogo. Letture americane},
	publisher = {Istituto editoriale cisalpino},
	author = {Bulgheroni, Marisa},
	date = {1968},
	note = {Section: 137 pages 23 cm},
}

@incollection{crow_state_1978,
	location = {Princeton},
	title = {"State of Mind: The California Setting of The Crying of Lot 49"},
	pages = {105--113},
	booktitle = {Itinerary 7 : criticism : essays on California writers},
	publisher = {Bowling Green University Press},
	author = {Carpenter, Richard C.},
	editor = {Crow, Charles L.},
	date = {1978},
	note = {Section: xviii, 144 pages ; 22 cm},
}

@incollection{caviola_ii_1991,
	location = {Basel Berlin},
	title = {"{II}. Inside the Disembodied Eye: The Postmodernist Loss of Phenomenological Orientation: B. Film (Peter Handke, Robert Coover, Thomas Pynchon)"},
	isbn = {978-3-7643-2696-8 978-0-8176-2696-9},
	series = {International cooper series in English language and literature},
	pages = {97--109},
	booktitle = {In the zone: perception and presentation of space in German and American postmodernism},
	publisher = {Birkhäuser},
	author = {Caviola, Hugo},
	date = {1991},
}

@incollection{caviola_i_1991-1,
	location = {Basel Berlin},
	title = {"I. A Historical Approach to the Zone: The Body and Physical Space in the 19th Century and Modernism: B.Placelessness in Modernism (Heinrich Boll, Thomas Pynchon, Joan Didion)"},
	isbn = {978-3-7643-2696-8 978-0-8176-2696-9},
	series = {International cooper series in English language and literature},
	pages = {41--59},
	booktitle = {In the zone: perception and presentation of space in German and American postmodernism},
	publisher = {Birkhäuser},
	author = {Caviola, Hugo},
	date = {1991},
}

@incollection{caviola_iii_1991,
	location = {Basel Berlin},
	title = {"{III}. Reading the Zone: A. Enclosures (Thomas Pynchon, Wolfgang Hildesheimer, Marien Haushofer, John Fowles)"},
	isbn = {978-3-7643-2696-8 978-0-8176-2696-9},
	series = {International cooper series in English language and literature},
	pages = {127--152},
	booktitle = {In the zone: perception and presentation of space in German and American postmodernism},
	publisher = {Birkhäuser},
	author = {Caviola, Hugo},
	date = {1991},
}

@incollection{collado-rodriguez_mason_1999,
	location = {Zaragoza},
	title = {"Mason \& Dixon or That Corrosive Pynchonian Universe: The Clash of Reason and the Imagination"},
	isbn = {84-930940-0-5 978-84-930940-0-3},
	pages = {165--175},
	booktitle = {Culture and power {IV} : cultural confrontations},
	publisher = {[La Universitat]},
	author = {Collado-Rodriguez, Francisco},
	date = {1999},
	note = {Section: 346 p. ; 22 cm},
}

@incollection{congreso_nacional_de_aedan_nueva_1991,
	location = {Barcelona},
	title = {"La nueva fìsica y el sentido de la transcendencia en el (Post)Modernismo: Cien años de soledad y The Crying of Lot 49"},
	isbn = {84-7665-840-0 978-84-7665-840-6},
	pages = {159--172},
	booktitle = {Actas del {XIII} congreso nacional de A.E.D.E.A.N. Influencencias e intercambios culturales, lingüísticos y literarios entre Norteamérica y Gran Bretanya e Irlanda en el siglo {XX} : Tarragona 18-20 de diciembre de 1989},
	publisher = {{PPU}},
	author = {Collado-Rodriguez, Francisco},
	editor = {Congreso nacional de A.E.D.A.N, 1989 : and {Asociación Española de Estudios Anglo-Norteamericanos}},
	date = {1991},
	note = {Section: 265 p. ; 24 cm},
}

@book{sociedad_espanola_para_el_estudio_de_los_estados_unidos_actas_1999,
	location = {León},
	title = {Actas {III} Congreso de la Sociedad Española para el Estudio de los Estados Unidos = Spanish Association for American Studies ({SAAS}) : Fin de siglo, crisis y nuevos principios = Century ends, crises \& new beginnings},
	isbn = {84-7719-751-2 978-84-7719-751-5},
	publisher = {Universidad},
	author = {Sociedad Española para el Estudio de los Estados Unidos, 1997. and Alvarez Maurín, María José and {Universidad de León}},
	date = {1999},
	note = {Section: 437 p. ; 24 cm},
}

@incollection{alvarez_maurin_dreams_1999,
	location = {León},
	title = {"On Dreams and Nightmares: Reflections on American Dystopia in the Cyberspace Era"},
	isbn = {978-84-7719-751-5},
	pages = {73--80},
	booktitle = {Actas {III} Congreso de la Sociedad Española para el Estudio de los Estados Unidos = Spanish Association for American Studies ({SAAS}): Fin de siglo, crisis y nuevos principios = Century ends, crises \& new beginnings},
	publisher = {Universidad},
	author = {Collado-Rodriguez, Francisco},
	editor = {Alvarez Maurín, María José},
	date = {1999},
	note = {{OCLC}: 640030788},
}

@incollection{conte_excluded_2002,
	location = {Tuscaloosa},
	title = {"The Excluded Middle: Complexity in Thomas Pynchon's Gravity's Rainbow"},
	isbn = {978-0-8173-1114-8 978-0-8173-1115-5},
	pages = {163--192, 199--204},
	booktitle = {Design and debris: a chaotics of postmodern American fiction},
	publisher = {University of Alabama Press},
	author = {Conte, Joseph M.},
	date = {2002},
	keywords = {American fiction, History and criticism, 20th century, History, Postmodernism (Literature), United States, Literature and science, Chaotic behavior in systems in literature},
}

@incollection{cornis-pope_innovative_2002,
	location = {New York, {NY} Basingstoke},
	edition = {1. ed},
	title = {"Innovative Responses to the Metanarratives of Modern History: Polysystemic Fiction, Surfiction, and the Postmodern Feminist Novel"},
	isbn = {978-0-312-23837-7},
	pages = {47--100},
	booktitle = {Narrative innovation and cultural rewriting in the Cold War and after},
	publisher = {Palgrave},
	author = {Cornis-Pope, Marcel},
	date = {2002},
}

@incollection{cornis-pope_postmodernisms_2002,
	location = {New York, {NY} Basingstoke},
	edition = {1. ed},
	title = {"Postmodernism's Polytropic Imagination: {UnwritingjRewriting} the Cold War Narratives of Polarization"},
	isbn = {978-0-312-23837-7},
	pages = {1--46},
	booktitle = {Narrative innovation and cultural rewriting in the Cold War and after},
	publisher = {Palgrave},
	author = {Cornis-Pope, Marcel},
	date = {2002},
}

@incollection{associazione_italiana_di_studi_nord-americani_rubbish_2003,
	location = {Siracusa},
	title = {"Rubbish, Rubble, Ruins: The Allegorical in Gravity's Rainbow"},
	pages = {559--565},
	booktitle = {America today : highways and labyrinths : proceedings of the {XV} Biennial conference Siracusa, November 4-7, 1999},
	publisher = {Grafià},
	author = {Costigliola, Giuseppe},
	editor = {{Associazione italiana di studi nord-americani} and Nocera, Gigliola},
	date = {2003},
	note = {Section: 700 pages : illustrations ; 21 cm + 1 {CD}-{ROM}},
}

@incollection{magill_thomas_1983,
	location = {Englewood Cliffs, N.J.},
	title = {"Thomas Pynchon"},
	isbn = {0-89356-359-5 978-0-89356-359-2 0-89356-360-9 978-0-89356-360-8 0-89356-361-7 978-0-89356-361-5 0-89356-362-5 978-0-89356-362-2 0-89356-363-3 978-0-89356-363-9 0-89356-364-1 978-0-89356-364-6 0-89356-365-X 978-0-89356-365-3 0-89356-366-8 978-0-89356-366-0 0-89356-367-6 978-0-89356-367-7},
	pages = {2186--2194},
	booktitle = {Critical survey of long fiction. English language series},
	publisher = {Salem Press},
	author = {Cowart, David G.},
	editor = {Magill, 1907-1997., Frank N.},
	date = {1983},
	note = {Section: 8 volumes (xiv, 3352, xlviii pages) ; 24 cm},
}

@incollection{nocera_hippie_2003,
	location = {Siracusa},
	title = {"The Hippie Hero in the Postmodern Landscape: Vineland and The Big Lebowski"},
	pages = {639--647},
	booktitle = {America today : highways and labyrinths : proceedings of the {XV} Biennial conference Siracusa, November 4-7, 1999},
	publisher = {Grafià},
	author = {Daniele, Daniela},
	editor = {Nocera, Gigliola},
	date = {2003},
	note = {Section: 700 pages : illustrations ; 21 cm + 1 {CD}-{ROM}},
}

@incollection{__notitle_1985,
	location = {Kiev},
	pages = {294--297},
	booktitle = {Экзистенциализм и современный американский роман},
	publisher = {Наук. думка},
	author = {{Т.Н. Денисова.} and Denisova, T. N.},
	date = {1985},
	note = {Section: 243 pages ; 21 cm},
}

@incollection{giles_thomas_1996,
	location = {Detroit, {MI}},
	title = {"Thomas Pynchon"},
	isbn = {978-0-8103-9936-5},
	series = {Dictionary of literary biography},
	pages = {177--201},
	number = {v. 173},
	booktitle = {American novelists since World War {II}. Fifth series},
	publisher = {Gale Research},
	author = {Duyfhuizen, Bernard and Krafft, John M},
	editor = {Giles, James Richard and Giles, Wanda H.},
	date = {1996},
	keywords = {American fiction, Dictionaries, 20th century, Novelists, American, Bio-bibliography Dictionaries, Biography Dictionaries},
}

@incollection{earnshaw_well_1996,
	location = {New York},
	title = {"Well and Truly Fact: Postmodernism and History"},
	isbn = {978-0-312-15915-3 978-0-312-15914-6},
	pages = {59--81},
	booktitle = {The direction of literary theory},
	publisher = {St. Martin's Press},
	author = {Earnshaw, Steven},
	date = {1996},
}

@incollection{conference_of_the_society_for_the_interdisciplinary_study_of_social_imagery_physics_2000,
	location = {Pueblo, Colorado},
	title = {"The Physics of Postmodern Laughter - Laughing Cosmology in Thomas Pynchon's Latest Novel, Mason \& Dixon: A Review and Synthesis of Twentieth-Century Humor Theory"},
	pages = {520--528},
	booktitle = {The image of the twentieth century in literature, media, and society : selected papers : 2000 Conference [of the] Society for the Interdisciplinary Study of Social Imagery, March 9-11, 2000, Colorado Springs, Colorado},
	publisher = {Society for the Interdisciplinary Study of Social Imagery},
	author = {Fern, Miriam},
	editor = {Conference of the Society for the Interdisciplinary Study of Social Imagery, (2000 : and Wright, Will and Kaplan, 1953-, Steven and {Society for the Interdisciplinary Study of Social Imagery}},
	date = {2000},
	note = {Section: [ix], 533 pages ; 28 cm},
}

@incollection{freese_chapter_1997-1,
	location = {Essen},
	title = {"Chapter 5. The Entropic End of the American Dream: Thomas Pynchon's The Crying of Lot 49"},
	isbn = {978-3-89206-800-6},
	series = {Arbeiten zur Amerikanistik},
	pages = {493--559},
	number = {19},
	booktitle = {From apocalypse to entropy and beyond: the second law of thermodynamics in post-war American fiction},
	publisher = {Verl. Die Blaue Eule},
	author = {Freese, Peter},
	date = {1997},
}

@incollection{freese_lecture_1988,
	location = {[S.l.]},
	title = {"Lecture 3. Surviving the End: Bernard Malamud, Kurt Vonnegut, and Thomas Pynchon"},
	series = {Center for Humanistic Studies; 1},
	pages = {34--48},
	booktitle = {Surviving the End : Beyond Apocalypse and Entropy in American Literature},
	publisher = {Claremont {MacKenna} College},
	author = {Freese, Peter},
	date = {1988},
	note = {Section: 48 p. ; 22 cm},
}

@incollection{quinn_notitle_1968,
	location = {New York},
	pages = {435--439},
	booktitle = {The sense of the sixties},
	publisher = {Free Press},
	author = {Friedman, Bruce Jay},
	editor = {Quinn, 1932-2012, , Edward and Dolan, Paul J.},
	date = {1968},
	note = {Section: xii, 528 pages 21 cm},
}

@incollection{marx_1984_1997,
	title = {"In 1984, Make Love [Not War]: Thomas Pynchon's Vineland - An Alternative History of the {USA}"},
	pages = {115--119},
	booktitle = {Fissions and Fusions : proceedings of the first conference of the Cape American Studies Association, 4 July 1996},
	author = {Gebhardt, Hartwin},
	editor = {Marx, 1955-, Lesley and Nas, Loes and Dunwell, Lara Dalene and {Cape American Studies Association}},
	date = {1997},
	note = {Section: vi, 175 pages : illustrations},
}

@incollection{hoffman_experimental_1982,
	location = {Cambridge, Mass.},
	edition = {2. printing},
	title = {"Experimental Fiction"},
	isbn = {978-0-674-37537-6},
	pages = {240--286},
	booktitle = {Harvard guide to contemporary American writing},
	publisher = {Harvard-Univ. Press},
	author = {Hendin, Josephine},
	editor = {Hoffman, Daniel},
	date = {1982},
}

@incollection{elliott_postmodern_1991,
	location = {New York},
	title = {"Postmodern Fiction"},
	isbn = {978-0-231-07360-8},
	pages = {697--725},
	booktitle = {The Columbia history of the American novel: Emory Elliott, general editor ; associate editors, Cathy N. Davidson ... [et al.]},
	publisher = {Columbia University Press},
	author = {Hite, Molly},
	editor = {Elliott, Emory and Davidson, Cathy N.},
	date = {1991},
	keywords = {American fiction, History and criticism},
}

@incollection{busch_thomas_1975,
	location = {München},
	title = {"Thomas Pynchon: The Crying of Lot 49"},
	series = {Kritische Information; Bd. 28},
	pages = {126--141},
	booktitle = {Amerikanische Erzählliteratur : 1950-1970},
	publisher = {Fink},
	author = {Ickstadt, Heinz},
	editor = {Busch, Frieder and Bardeleben, Renate von},
	date = {1975},
	note = {Section: 260 pages ; 21 cm.},
}

@incollection{ickstadt_trash_2001,
	location = {Heidelberg},
	title = {"Trash and Collage: The City in Post-Modern American Fiction"},
	isbn = {978-3-8253-1244-2},
	series = {American studies},
	pages = {331--351},
	number = {92},
	booktitle = {Faces of fiction: essays on American literature and culture from the Jacksonian period to postmodernity},
	publisher = {Winter},
	author = {Ickstadt, Heinz},
	editor = {Rohr, Susanne and Sielke, Sabine},
	date = {2001},
}

@collection{bock_essays_1986-1,
	location = {München},
	edition = {1. Aufl},
	title = {Essays on the contemporary British novel},
	isbn = {978-3-19-002254-0},
	pagetotal = {284},
	publisher = {M. Hueber},
	editor = {Bock, Hedwig and Wertheim, Albert},
	date = {1986},
	keywords = {English fiction, History and criticism, 20th century},
}

@incollection{bock_thomas_1986,
	location = {München},
	edition = {1. Aufl},
	title = {"Thomas Pynchon: Old Myths, New Frontiers"},
	isbn = {3-19-002255-0 978-3-19-002255-7},
	pages = {183--203},
	booktitle = {Essays on the contemporary American novel},
	publisher = {Max Hueber Verlag},
	author = {Isaacs, Neil D.},
	editor = {Bock, Hedwig and Wertheim, Albert},
	date = {1986},
	note = {Section: 391 pages ; 21 cm},
}

@book{__2000,
	location = {Tōkyō},
	title = {アメリカ文学と狂気},
	isbn = {4-269-74013-2 978-4-269-74013-6},
	publisher = {英宝社},
	author = {早瀬博範, 1954-},
	date = {2000},
	note = {Section: 367 pages ; 20 cm},
}

@incollection{chenetier_modernismpostmodernism_1986,
	location = {Carbondale},
	title = {"Modernism/Postmodernism: Continuities of a 'Split' Repertoire of Narrative Themes and Strategies: [A Provisional Restatement of a Traditional View of Twentieth Century Literary Avant-gardism]"},
	isbn = {978-0-8093-1216-0},
	series = {Crosscurrents/Modern critiques Third series},
	pages = {15--28},
	booktitle = {Critical angles: European views of contemporary American literature},
	publisher = {Southern Illinois Univ. Press},
	author = {Isernhagen, Hartwig},
	editor = {Chénetier, Marc},
	date = {1986},
}

@incollection{johnston_information_1998,
	location = {Baltimore, Md.},
	title = {"Information and Mediality: The Novel as Psychic Apparatus"},
	isbn = {978-0-8018-5705-8 978-0-8018-5704-1},
	pages = {38--58},
	booktitle = {Information multiplicity: American fiction in the age of media saturation},
	publisher = {Johns Hopkins University Press},
	author = {Johnston, John},
	date = {1998},
}

@incollection{johnston_rocket-state_1998,
	location = {Baltimore, Md.},
	title = {"Rocket-State Assemblage: Gravity's Rainbow"},
	isbn = {978-0-8018-5705-8 978-0-8018-5704-1},
	pages = {61--96},
	booktitle = {Information multiplicity: American fiction in the age of media saturation},
	publisher = {Johns Hopkins University Press},
	author = {Johnston, John},
	date = {1998},
}

@incollection{makkonen_jumalatar_1995,
	location = {[Helsinki]},
	title = {"Jumalatar Joka Katosi: Fragmentoitunut Teksti ja Vartalo Thomas Pynchonin Romaanissa V."},
	isbn = {951-45-7230-0 978-951-45-7230-2},
	series = {Helsingin yliopiston yleisen kirjallisuustieteen, teatteritieteen ja estetiikan laitoksen julkaisusarja; n:o 1},
	pages = {66--88},
	booktitle = {Karnevaali ja autiomaa : kirjallisuustieteellisiä tutkielmia},
	publisher = {Helsingin yliopisto},
	author = {Käkelä-Puumala, Tiina},
	editor = {Makkonen, Anna and Ikonen, Teemu},
	date = {1995},
	note = {Section: 191 s. ; 21 cm.},
}

@incollection{kermode_use_1973,
	location = {New York},
	title = {"The Use of the Codes"},
	isbn = {0-231-03781-3 978-0-231-03781-5},
	series = {Selected papers from the English Institute; 1973},
	pages = {51--79},
	booktitle = {Approaches to poetics},
	publisher = {Columbia University},
	author = {Kermode, Frank},
	date = {1973},
	note = {Section: 184 pages.},
}

@incollection{kim_gullivers_1984,
	location = {Seoul},
	title = {"Gulliver's Travels wa V. eui poongsok eui yusasung"},
	pages = {401--413},
	booktitle = {Ubo Chang Wang-nok Paksa hoegap kinyŏm nonmunjip / Ubo Chang Wang-nok Paksa Hoegap Kinyŏm Nonmunjip Kanhaeng Wiwŏnhoe pʻyŏn 又步張旺祿博士回甲紀念論文集 / 又步張旺祿博士回甲紀念論文集刊行委員會編},
	publisher = {{TAP}},
	author = {Kim, Sang Koo},
	date = {1984},
}

@book{kim_journey_1985,
	location = {Seoul, Korea},
	title = {Journey into the past : the historical and mythical imagination of Barth and Pynchon},
	series = {American studies monograph series; no. 10},
	publisher = {American Studies Institute, Seoul National University},
	author = {Kim, 1949-, Sŏng-gon},
	date = {1985},
	note = {Section: ix, 194 pages ; 23 cm.},
}

@incollection{tabbi_media_1997,
	location = {Ithaca, N.Y},
	title = {"Media and Drugs in Pynchon's Second World War"},
	isbn = {978-0-8014-8403-2},
	pages = {157--172},
	booktitle = {Reading matters: narrative in the new media ecology},
	publisher = {Cornell University Press},
	author = {Kittler, Friedrich},
	editor = {Tabbi, Joseph and Wutz, Michael},
	date = {1997},
	keywords = {History and criticism, 20th century, Narration (Rhetoric), Postmodernism (Literature), Literature, Modern, Literature and technology},
}

@incollection{klepper_vorspiel_1996,
	location = {Frankfurt/Main},
	title = {Vorspiel - Thomas Pynchons V.: Die Moderne entlaesst ihre Kinder"},
	isbn = {978-3-593-35618-1},
	series = {Nordamerikastudien},
	pages = {13--41},
	number = {3},
	booktitle = {Pynchon, Auster, {DeLillo}: die amerikanische Postmoderne zwischen Spiel und Rekonstruktion},
	publisher = {Campus-Verl},
	author = {Klepper, Martin},
	date = {1996},
}

@incollection{hoffmann_making_1989,
	location = {München},
	title = {"Making Sense of History: The Sense of the Past in Postmodern Times"},
	isbn = {978-3-7705-2149-4},
	series = {American studies a monograph series},
	pages = {169--197},
	number = {68},
	booktitle = {Making sense: the role of the reader in contemporary American fiction},
	publisher = {Fink},
	author = {Kunow, Rüdiger},
	editor = {Hoffmann, Gerhard},
	date = {1989},
}

@incollection{magill_secret_1986,
	location = {Englewood Cliffs, N.J},
	title = {"'The Secret Integration'"},
	isbn = {978-0-89356-456-8},
	abstract = {Includes more than 360 interpretative essays on works of twentieth-century fiction published in the United States and Latin America},
	pages = {2053--2056},
	booktitle = {Masterplots {II}. American fiction series},
	publisher = {Salem Press},
	author = {Larsson, Donald F.},
	editor = {Magill, Frank N.},
	date = {1986},
	keywords = {Fiction, History and criticism, 20th century, Stories, plots, etc, America, Literatures History and criticism, Literatures Stories, plots, etc},
}

@incollection{lasch_notitle_1984,
	location = {New York, N.Y.},
	edition = {1. ed},
	isbn = {978-0-393-01922-3 978-0-393-30263-9},
	pages = {155--162},
	booktitle = {The minimal self: psychic survival in troubled times},
	publisher = {Norton},
	author = {Lasch, Christopher},
	date = {1984},
}

@incollection{johnson_new_1978,
	location = {Port Washington, N.Y},
	title = {"New Modes of Story-Telling in Recent American Writings: The Dismantling of Contemporary Fiction"},
	isbn = {978-0-8046-9176-5},
	series = {National university publications},
	pages = {110--129},
	booktitle = {Les américanistes: new French criticism on modern American fiction},
	publisher = {Kennikat Press},
	author = {Le Vot, André},
	editor = {Johnson, Ira D. and Johnson, Christiane},
	date = {1978},
	keywords = {American fiction, 20th century, Appreciation, Criticism, France, History and criticism Theory, etc, History Sources},
}

@incollection{leclair_chapter_1989,
	location = {Urbana, Ill.},
	title = {"Chapter 2. Prologue: Thomas Pynchon's Gravity's Rainbow"},
	isbn = {978-0-252-01636-3 978-0-252-06102-8},
	pages = {36--72},
	booktitle = {The art of excess: mastery in contemporary American fiction},
	publisher = {Univ. of Ill. Pr},
	author = {{LeClair}, Tom},
	date = {1989},
}

@incollection{lehan_notitle_1973,
	location = {Carbondale [usw.]},
	isbn = {978-0-8093-0607-7},
	series = {Crosscurrents: modern critiques},
	pages = {157--162},
	booktitle = {A dangerous crossing: French literary existentialism and the modern American novel},
	publisher = {Southern Illinois Univ. Pr. [usw.]},
	author = {Lehan, Richard Daniel},
	date = {1973},
}

@incollection{lehan_myth_2007,
	location = {Berkeley, Calif.},
	edition = {Nachdr.},
	title = {"From Myth to Mystery"},
	isbn = {978-0-520-21256-5},
	series = {Literature Urban studies},
	pages = {265--283},
	booktitle = {The city in literature: an intellectual and cultural history},
	publisher = {Univ. of California Press},
	author = {Lehan, Richard Daniel},
	date = {2007},
}

@book{fine_angeles_1984,
	location = {Albuquerque},
	edition = {1st ed},
	title = {Los Angeles in fiction : a collection of original essays},
	isbn = {0-8263-0759-0 978-0-8263-0759-0 0-8263-0760-4 978-0-8263-0760-6},
	publisher = {University of New Mexico Press},
	author = {Fine, 1934-, David M.},
	date = {1984},
	note = {Section: vii, 262 pages ; 24 cm},
}

@book{leise_story_2017,
	location = {Tuscaloosa},
	title = {The story upon a hill},
	isbn = {978-0-8173-1947-2},
	publisher = {the University of Alabama press},
	author = {Leise, Christopher},
	date = {2017},
}

@incollection{lewis_notitle_1965,
	location = {New Haven},
	pages = {63, 185, 228--234},
	booktitle = {Trials of the word; essays in American literature and the humanistic tradition},
	publisher = {Yale University Press},
	author = {Lewis, R. W. B.},
	date = {1965},
	note = {Section: x, 239 pages 23 cm},
}

@incollection{odonnell_search_1989,
	location = {Baltimore, Md.},
	title = {"In Search of the Figure in the Carpet of History: Thomas Pynchon, Ishmael Reed, and Umberto Eco"},
	isbn = {978-0-8018-3773-9},
	pages = {185--196},
	booktitle = {Intertextuality and contemporary American fiction},
	publisher = {Johns Hopkins Univ. Press},
	author = {Linz, Frank},
	editor = {O'Donnell, Patrick and Davis, Robert Con},
	date = {1989},
}

@incollection{sharpe_reading_1987,
	location = {Baltimore},
	title = {"Reading the Illegible: Some Modern Representations of Urban Experience"},
	isbn = {0-8018-3539-9 978-0-8018-3539-1 0-8018-3540-2 978-0-8018-3540-7},
	pages = {228--243},
	booktitle = {Visions of the modern city : essays in history, art, and literature},
	publisher = {Johns Hopkins University Press},
	author = {Marcus, Steven},
	editor = {Sharpe, William and Wallock, Leonard},
	date = {1987},
	note = {Section: ix, 268 pages : illustrations ; 23 cm},
}

@incollection{asociacion_espanola_de_estudios_anglo-americanos_vision_1989,
	location = {León},
	title = {"La Vision Apocaliptica de Thomas Pynchon"},
	isbn = {978-84-7719-094-3},
	pages = {49--52},
	booktitle = {Actas {XI} Congreso {AEDEAN}: translation across cultures: la traducción entre el mundo hispánico y anglosajon: relaciones lingüísticas, culturales y literarias},
	publisher = {Universidad de León, Secretariado de Publicaciones},
	author = {Mateo, Leopoldo},
	editor = {{Asociación Española de Estudios Anglo-Americanos} and Santoyo, Julio-César},
	date = {1989},
	keywords = {English language, Congresses, Spanish language, Translating and interpreting, Translating into English Congresses, Translating into Spanish Congresses},
}

@incollection{stoneback_order_2008,
	location = {New Paltz, New York},
	title = {"The Order of Chaos: Tracing the Visions of the Promised Land in Elizabeth Madox Roberts' The Great Meadow and Thomas Pynchon's Mason \& Dixon"},
	pages = {117--124},
	booktitle = {Elizabeth Madox Roberts: Essays of Discovery and Recovery},
	publisher = {Elizabeth Madox Roberts Society, State Unversity of New York},
	author = {{McDuffie}, Brad},
	editor = {Stoneback, H. R. and Camastra, Nicole and Florczyk, Steven},
	date = {2008},
}

@incollection{mchale_modernist_2002,
	location = {London},
	edition = {Repr},
	title = {"Modernist Reading, Post-Modern Text: The Case of Gravity's Rainbow"},
	isbn = {978-0-415-06014-1 978-0-415-06013-4},
	pages = {61--86},
	booktitle = {Constructing postmodernism},
	publisher = {Routledge},
	author = {{McHale}, Brian},
	date = {2002},
}

@incollection{mchale_zapping_2002,
	location = {London},
	edition = {Repr},
	title = {"Zapping, The Art of Switching Channels: On Vineland"},
	isbn = {978-0-415-06014-1 978-0-415-06013-4},
	pages = {115--143},
	booktitle = {Constructing postmodernism},
	publisher = {Routledge},
	author = {{McHale}, Brian},
	date = {2002},
}

@incollection{lucy_postcybermodernpunkism_2000,
	location = {Malden, Mass.},
	title = {"{POSTcyberMODERNpunkISM}"},
	isbn = {978-0-631-21027-6 978-0-631-21028-3},
	pages = {247--263},
	booktitle = {Postmodern literary theory: an anthology},
	publisher = {Blackwell Publishers},
	author = {{McHale}, Brian},
	editor = {Lucy, Niall},
	date = {2000},
}

@incollection{mccaffery_postcybermodernpunkism_1991,
	location = {Durham [N.C.]},
	title = {"{POSTcyberMODERNpunkISM}"},
	isbn = {0-8223-1158-5 978-0-8223-1158-4 0-8223-1168-2 978-0-8223-1168-3},
	pages = {308--323},
	booktitle = {Storming the reality studio : a casebook of cyberpunk and postmodern science fiction},
	publisher = {Duke University Press},
	author = {{McHale}, Brian},
	editor = {{McCaffery}, 1946-, Larry},
	date = {1991},
	note = {Section: xv, 387 pages : illustrations ; 24 cm},
}

@incollection{freese_ig_1990,
	location = {Essen},
	title = {"{IG} Farben and the War Against Nature in Gravity''s Rainbow"},
	isbn = {978-3-89206-382-7},
	series = {Arbeiten zur Amerikanistik},
	pages = {319--336},
	number = {Bd. 6},
	booktitle = {Germany and German thought in American literature and cultural criticism: proceedings of the German-American conference in Paderborn, May 16-19, 1990},
	publisher = {Die Blaue Eule},
	author = {{McLaughlin}, Robert L.},
	editor = {Freese, Peter},
	date = {1990},
	keywords = {In literature, American literature, United States, Congresses, Appreciation, Relations, German influences, German literature, Germany, Civilization German influences, Philosophy, German, in literature},
}

@incollection{meikle_notitle_1995,
	location = {New Brunswick, N.J},
	isbn = {978-0-8135-2234-0 978-0-8135-2235-7},
	pages = {293--301},
	booktitle = {American plastic: a cultural history},
	publisher = {Rutgers University Press},
	author = {Meikle, Jeffrey L.},
	date = {1995},
	keywords = {History, United States, Plastics, Plastics industry and trade},
}

@incollection{conference_of_the_society_for_the_interdisciplinary_study_of_social_imagery_postmoderns_2000,
	location = {Pueblo, Colorado},
	title = {"Postmoderns, Puritans and the Technology of the American Palimpsest"},
	pages = {70--73},
	booktitle = {The image of the twentieth century in literature, media, and society : selected papers : 2000 Conference [of the] Society for the Interdisciplinary Study of Social Imagery, March 9-11, 2000, Colorado Springs, Colorado},
	publisher = {Society for the Interdisciplinary Study of Social Imagery},
	author = {Mitchell, David T.},
	editor = {Conference of the Society for the Interdisciplinary Study of Social Imagery, (2000 : and Wright, Will and Kaplan, 1953-, Steven and {Society for the Interdisciplinary Study of Social Imagery}},
	date = {2000},
	note = {Section: [ix], 533 pages ; 28 cm},
}

@book{neureuter_ordnung_2001,
	location = {[Regensburg]},
	title = {Ordnung und Chaos in amerikanischen Romanen nach 1960 : Joseph Heller Catch 22, John Barth Giles goat-boy, Thomas Pynchon Gravity's rainbow},
	series = {Regensburger Skripten zur Literaturwissenschaft (Series); Bd. 22},
	publisher = {Regensburger Skripten zur Literaturwissenschaft},
	author = {Neureuter, Elisabeth},
	date = {2001},
	note = {Section: 106 pages ; 21 cm},
}

@incollection{newport_thomas_1971,
	location = {Waco, Tex.},
	title = {"Thomas Pynchon"},
	pages = {55--57},
	booktitle = {Christianity and contemporary art forms},
	publisher = {Word Books},
	author = {Newport, John P.},
	date = {1971},
	note = {Section: 131 pages ; 22 cm},
}

@incollection{tigges_cognitive_1999,
	location = {Amsterdam},
	title = {"Cognitive and Pragmatic Linguistic Moments: Literary Epiphany in Thomas Pynchon and Seamus Heaney"},
	isbn = {978-90-420-0636-2},
	series = {{DQR} studies in literature},
	pages = {467--480},
	number = {25},
	booktitle = {Moments of moment: aspects of the literary epiphany},
	publisher = {Rodopi},
	author = {Nichols, Ashton},
	editor = {Tigges, Wim},
	date = {1999},
}

@incollection{magill_v_1986,
	location = {Englewood Cliffs, N.J},
	title = {"V."},
	isbn = {978-0-89356-456-8},
	abstract = {Includes more than 360 interpretative essays on works of twentieth-century fiction published in the United States and Latin America},
	pages = {727--732},
	booktitle = {Masterplots {II}. American fiction series},
	publisher = {Salem Press},
	author = {O'Donnell, Patrick},
	editor = {Magill, Frank N.},
	date = {1986},
	keywords = {Fiction, History and criticism, 20th century, Stories, plots, etc, America, Literatures History and criticism, Literatures Stories, plots, etc},
}

@incollection{__notitle_1985-1,
	location = {Kiev},
	series = {Literaturovedenie (Kiev, Ukraine)},
	pages = {229--245},
	booktitle = {Модернистская новелла США, 60-70-е годы / Modernistskai︠a︡ novella {SShA}, 60-70-e gody},
	publisher = {Наук. думка},
	author = {{В.И. Оленева.} and Oleneva, Valentina Ivanovna},
	date = {1985},
	note = {Section: 293 pages ; 17 cm.},
}

@incollection{dewey_pynchon_2002,
	location = {Newark},
	title = {"Pynchon and {DeLillo}"},
	isbn = {978-0-87413-785-9},
	pages = {79--92},
	booktitle = {{UnderWords}: perspectives on Don {DeLillo}'s Underworld},
	publisher = {Univ. of Delaware Press [u.a.]},
	author = {Parrish, Timothy L.},
	editor = {Dewey, Joseph and Kellman, Steven G. and Malin, Irving},
	date = {2002},
}

@incollection{paul_great_1981,
	location = {San Francisco, Calif},
	title = {"The Great Reach of Gravity's Rainbow"},
	pages = {311--330},
	booktitle = {Lawrence and Mann overarching, Once up the country of Ujamaa, Roll away der Rock and other essays},
	publisher = {Paul},
	author = {Paul, Don},
	date = {1981},
	note = {Section: 355 S.},
}

@incollection{tabbi_literary_1997,
	location = {Ithaca, N.Y},
	title = {"The Literary Canon in the Age of Its Technological Obsolescence"},
	isbn = {978-0-8014-8403-2},
	pages = {227--249},
	booktitle = {Reading matters: narrative in the new media ecology},
	publisher = {Cornell University Press},
	author = {Paulson, William},
	editor = {Tabbi, Joseph and Wutz, Michael},
	date = {1997},
	keywords = {History and criticism, 20th century, Narration (Rhetoric), Postmodernism (Literature), Literature, Modern, Literature and technology},
}

@incollection{magill_crying_1977,
	location = {Englewood Cliffs, N.J},
	edition = {Rev. ed},
	title = {"The Crying of Lot 49"},
	volume = {3},
	isbn = {978-0-89356-050-8},
	pages = {1662--1665},
	booktitle = {Survey of contemporary literature: updated reprints of 2,300 essay-reviews from Masterplots annuals, 1954-1976, and survey of contemporary literature supplement: with 3,300 bibliographical reference sources},
	publisher = {Salem Press},
	author = {Pearce, Richard},
	editor = {Magill, Frank N.},
	date = {1977},
	keywords = {Literature, Stories, plots, etc},
}

@incollection{petersen_thomas_2011,
	location = {Kiel},
	edition = {2., Überarbeitete Nachauflage},
	title = {"Thomas Pynchons Gravity's Rainbow"},
	isbn = {978-3-86935-091-2},
	pages = {14--63},
	booktitle = {Der postmoderne Text. Rekonstruktion einer zeitgenössischen Ästhetik am Beispiel Thomas Pynchon, Peter Greenaway und Paul Wühr},
	publisher = {Steve-Holger Ludwig},
	author = {Petersen, Christer},
	date = {2011},
	note = {{OCLC}: 892102991},
}

@incollection{poirier_introduction_1963,
	location = {New York},
	edition = {1a. ed},
	title = {"Introduction"},
	pages = {7--15},
	booktitle = {Prize stories 1962 : the O Henry awards},
	publisher = {Editorial Doubleday and Company.},
	author = {Poirier, Richard},
	editor = {Poirier, Richard},
	date = {1963},
	note = {Section: 253 p.},
}

@incollection{nocera_vineland_2003,
	location = {Siracusa},
	title = {"Vineland: The Final [Political] Frontier"},
	pages = {239--246},
	booktitle = {America today : highways and labyrinths : proceedings of the {XV} Biennial conference Siracusa, November 4-7, 1999},
	publisher = {Grafià},
	author = {Prezzavento, Paolo},
	editor = {Nocera, Gigliola and Daniele, Daniela},
	date = {2003},
	note = {Section: 700 pages : illustrations ; 21 cm + 1 {CD}-{ROM}},
}

@incollection{puschmann-nalenz_2122_1986,
	location = {Meitingen},
	edition = {1. Aufl},
	title = {"2.1.2.2 Deutung des Romans und seiner Interferenzen mit The Crying of Lot 49"},
	isbn = {978-3-89048-111-1},
	series = {Studien zur phantastischen Literatur},
	number = {2},
	booktitle = {Science-fiction und ihre Grenzbereiche: ein Beitrag zur Gattungsproblematik zeitgenössischer anglo-amerikanischer Erzählliteratur},
	publisher = {Corian-Verl. Wimmer},
	author = {Puschmann-Nalenz, Barbara},
	date = {1986},
}

@collection{bauer_space_1990,
	location = {München},
	title = {Space and boundaries. 2: Space and boundaries in literature = Espace et frontières dans la littérature / gen. ed. Roger Bauer},
	isbn = {978-3-89129-031-6},
	series = {Proceedings of the ... congress of the International Comparative Literature Association},
	shorttitle = {Space and boundaries. 2},
	pagetotal = {606},
	number = {12},
	publisher = {Iudicium-Verl},
	editor = {Bauer, Roger},
	date = {1990},
}

@book{rushdie_imaginary_1991,
	title = {Imaginary homelands : essays and criticisms 1981-90},
	isbn = {0-14-014224-X 978-0-14-014224-2},
	author = {Rushdie, Salman},
	date = {1991},
}

@incollection{rushdie_thomas_1991,
	location = {Harmondsworth},
	edition = {1st American ed},
	title = {"Thomas Pynchon"},
	pages = {352--357.},
	booktitle = {Imaginary homelands : essays and criticism, 1981-1991},
	publisher = {Penguin},
	author = {Rushdie, Salman},
	date = {1991},
}

@incollection{rushdie_thomas_1991-1,
	location = {Harmondsworth},
	title = {"Thomas Pynchon"},
	pages = {352--357},
	booktitle = {Imaginary homelands : essays and criticism, 1981-1991},
	publisher = {Penguin},
	author = {Rushdie, Salman},
	date = {1991},
	note = {Section: 432 pages ; 24 cm},
}

@incollection{greenberg_technology_1992,
	location = {Bethlehem},
	title = {"Technology, Pynchon, and the Meaning of Death"},
	isbn = {978-0-934223-20-1},
	series = {Research in technology studies},
	pages = {35--65},
	number = {5},
	booktitle = {Literature and technology},
	publisher = {Lehigh Univ. Press [u.a.]},
	author = {Schachterle, Lance},
	editor = {Greenberg, Mark L.},
	date = {1992},
}

@incollection{friedman_lingering_1997,
	location = {Newark},
	edition = {Nachdr.},
	title = {"Lingering Hopes, Faltering Dreams: Marilynne Robinson and the Politics of Contemporary American Fiction"},
	isbn = {978-0-87413-556-5},
	pages = {298--321},
	booktitle = {Traditions, voices, and dreams: the American novel since the 1960s},
	publisher = {Univ. of Delaware Press [u.a.]},
	author = {Schaub, Thomas H.},
	editor = {Friedman, Melvin J.},
	date = {1997},
}

@incollection{freese_americas_1990,
	location = {Essen},
	title = {"America's Germany and the Pseudo-Origins of Manned Spaceflight in Gravity's Rainbow"},
	isbn = {978-3-89206-382-7},
	series = {Arbeiten zur Amerikanistik},
	pages = {337--353},
	number = {6},
	booktitle = {Germany and German thought in American literature and cultural criticism: proceedings of the German-American conference in Paderborn, May 16 - 19, 1990},
	publisher = {Verl. Die Blaue Eule},
	author = {Schmundt-Thomas, Georg},
	editor = {Freese, Peter},
	date = {1990},
}

@incollection{schopp_hochentropische_1990,
	location = {München},
	title = {"Hochentropische Systeme: Heller und Pynchon"},
	isbn = {978-3-7705-2596-6},
	series = {American studies},
	pages = {74--106},
	number = {66},
	booktitle = {Ausbruch aus der Mimesis: der amerikanische Roman im Zeichen der Postmoderne},
	publisher = {Fink},
	author = {Schöpp, Joseph C.},
	date = {1990},
}

@incollection{hoffmann_creative_1989,
	location = {München},
	title = {"Creative Paranoia and Frost Patterns of White Words: Making Sense in and of Thomas Pynchon's Gravity's Rainbow"},
	isbn = {978-3-7705-2149-4},
	series = {American studies a monograph series},
	pages = {288--305},
	number = {68},
	booktitle = {Making sense: the role of the reader in contemporary American fiction},
	publisher = {Fink},
	author = {Schwab, Gabriele},
	editor = {Hoffmann, Gerhard},
	date = {1989},
}

@incollection{individual_and_community_conference_faustus_1979,
	location = {[Msida]},
	title = {"The Faustus of Malta: An Interface of Fact and Fiction in Pynchon's V."},
	pages = {224--237},
	booktitle = {Individual and community in Commonwealth literature},
	publisher = {University Press of Malta},
	author = {Serracino-Inglott, Peter},
	editor = {Individual \{and\} community conference, (1978) and Massa, Daniel},
	date = {1979},
	note = {Section: 241p.},
}

@incollection{fine_history_1995,
	location = {Albuquerque, N.M.},
	edition = {Rev. ed},
	title = {"History as Mystery, or Who Killed L.A.?"},
	isbn = {978-0-585-18771-6},
	abstract = {This important collection of essays on the writers who have made Los Angeles one of the great cities of twentieth-century literature has been made even stronger by the inclusion of three new essays. John Fante, Walter Mosley, and Chester Himes join Aldous Huxley, F. Scott Fitzgerald, Evelyn Waugh, Nathanael West, Norman Mailer, James M. Cain, Ross Macdonald, Raymond Chandler, Budd Schulberg, Joan Didion, John Gregory Dunne, and Thomas Pynchon as well as less familiar writers - Oscar Zeta Acosta, Horace {McCoy}, Thomas Sanchez, Marc Norman, and Hysaye Yamamoto - in a text that provides a basic literary history of the region. Thoughtful consideration is given to such special Los Angeles genres as the detective story and the Hollywood novel, and a chapter is devoted to the film Chinatown},
	pages = {223--241},
	booktitle = {Los Angeles in fiction: a collection of essays},
	publisher = {University of New Mexico Press},
	author = {Skenazy, Paul},
	editor = {Fine, David M.},
	date = {1995},
	note = {{OCLC}: 44965886},
}

@incollection{magill_entropy_1986,
	location = {Pasadena, Calif},
	title = {"'Entropy'"},
	isbn = {978-0-89356-461-2},
	abstract = {Examines the theme, characters, plot, style and technique of more than 700 nineteenth- and twentieth-century works by prominent authors from around the world},
	pages = {709--711},
	booktitle = {Masterplots {II}. Short story series},
	publisher = {Salem Press},
	author = {Sprinker, Michael},
	editor = {Magill, Frank N. and May, Charles E.},
	date = {1986},
	keywords = {Fiction, History and criticism, 20th century, 19th century, Short stories, Short story, Stories, plots, etc},
}

@collection{antwerp_james_1982-1,
	location = {Detroit, Mich},
	title = {James Gould Cozzens, James T. Farrell, William Faulkner, John O'Hara, John Steinbeck, Thomas Wolfe, Richard Wright},
	isbn = {978-0-8103-1114-5},
	series = {Dictionary of literary biography Documentary series},
	pagetotal = {480},
	number = {2},
	publisher = {Gale Research},
	editor = {Antwerp, Margaret A. van},
	date = {1982},
}

@incollection{stark_thomas_1978,
	location = {Detroit},
	title = {"Thomas Pynchon"},
	volume = {2},
	pages = {411--417},
	booktitle = {Dictionary of Literary Biography},
	publisher = {Gale},
	author = {Stark, John O.},
	date = {1978},
}

@incollection{magill_gravitys_1977,
	location = {Englewood Cliffs, N.J},
	edition = {Rev. ed},
	title = {"Gravity's Rainbow"},
	volume = {5},
	isbn = {978-0-89356-050-8},
	pages = {3087--3091},
	booktitle = {Survey of contemporary literature: updated reprints of 2,300 essay-reviews from Masterplots annuals, 1954-1976, and survey of contemporary literature supplement: with 3,300 bibliographical reference sources},
	publisher = {Salem Press},
	author = {Sullivan, Phil},
	editor = {Magill, Frank N.},
	date = {1977},
	keywords = {Literature, Stories, plots, etc},
}

@incollection{tabbi_technology_1995,
	location = {Ithaca},
	title = {"Technology and Identity in the Pökler Story"},
	isbn = {978-0-8014-3074-9},
	pages = {104--126},
	booktitle = {Postmodern sublime: technology and American writing from Mailer to Cyberpunk},
	publisher = {Cornell University Press},
	author = {Tabbi, Joseph},
	date = {1995},
	keywords = {History and criticism, 20th century, History, American literature, Postmodernism (Literature), United States, Literature and technology, Sublime, The, in literature, Technology in literature},
}

@incollection{lucy_miracles_2000,
	location = {Malden, Mass.},
	title = {"Miracles: Hot Air and Histories of the Improbable"},
	isbn = {978-0-631-21027-6 978-0-631-21028-3},
	pages = {264--281},
	booktitle = {Postmodern literary theory: an anthology},
	publisher = {Blackwell Publishers},
	author = {Thwaites, Anthony G.},
	editor = {Lucy, Niall},
	date = {2000},
}

@book{homewood_ends_2022-1,
	location = {Sydney},
	title = {Ends of painting: art in the 1960s and 1970s},
	isbn = {978-0-909952-06-8},
	shorttitle = {Ends of painting},
	abstract = {Contemporary art begins where painting ends, or so goes one of recent art history's most dominant narratives. This book is a postmortem of the supposed death of painting in the period following World War {II}. In eleven essays by a global array of leading scholars, Ends of Painting offers a counter-history, showing how the practice and discourse of painting remained integral to art throughout the 1960s and 1970s. Written by art historians from Australia, Asia, Europe, and North America, each chapter captures a renewed critical approach to topics as diverse as conceptualism and anachronism, photography and autobiography, theater and politics, nationalism and consumerism, race and modernism.0The book reveals a vast constellation in which painting?s ends are also beginnings?from Warhol?s Cow Wallpaper at the Leo Castelli Gallery in New York to Naoyoshi Hikosaka?s act of pouring latex over tatami mats on his bedroom floor in Tokyo; from the first canvas boards by Aboriginal artists at Papunya in Australia?s Western Desert to the Collective Actions Group?s documentation of people holding up arrangements of colored envelopes in snowfields outside Moscow. These unlikely correspondences between times and places sustain this book?s return to the medium. It reveals how history is brushed by painting, and painting by history},
	publisher = {Power publications},
	author = {Homewood, David and Lettau, Paris},
	date = {2022},
}

@incollection{grosz_miracles_1986,
	location = {[Sydney]},
	title = {"Miracles: Hot Air and Histories of the Improbable"},
	isbn = {0-909952-08-6 978-0-909952-08-2},
	series = {Power Institute publications; 4},
	pages = {82--96},
	booktitle = {Futur*fall : excursions into post-modernity},
	publisher = {Power Institute of Fine Arts, University of Sydney and Futur*Fall},
	author = {Thwaites, Anthony G.},
	editor = {Grosz, Elizabeth},
	date = {1986},
	note = {Section: 167 pages : illustrations ; 21 cm},
}

@incollection{ascari_valletta_2006,
	location = {Amsterdam},
	title = {"Valletta (Meta)Fictionalized Historiographically in Thomas Pynchon's V.".},
	isbn = {978-90-420-2015-3},
	series = {Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft},
	pages = {207--213},
	number = {103},
	booktitle = {Sites of exchange: European crossroads and faultlines},
	publisher = {Rodopi},
	author = {Vassallo, Peter},
	editor = {Ascari, Maurizio and Corrado, Adriana},
	date = {2006},
}

@incollection{vella_heresy_1992,
	location = {New York},
	edition = {facsimile ed. of the 1650 original},
	title = {"Heresy and The Meritorious Price of Our Redemption (1650)"},
	isbn = {978-0-8204-1760-8},
	series = {Worcester Polytechnic Institute studies in science, technology, and culture},
	pages = {xix--xxx},
	number = {10},
	booktitle = {The meritorious price of our redemption},
	publisher = {Peter Lang},
	author = {Vella, Michael W.},
	editor = {Vella, Michael W.},
	date = {1992},
}

@article{alter_new_1975,
	title = {The New American Novel},
	volume = {60},
	pages = {44--51},
	number = {5},
	journaltitle = {Commentary},
	author = {Alter, Robert},
	date = {1975},
}

@article{abadi-nagy_entropic_1977,
	title = {The Entropic Rhythm of Thomas Pynchon's Comedy in The Crying of Lot 49},
	volume = {11},
	pages = {117--130},
	journaltitle = {Hungarian Studies in English: Hungarian Journal of English and American Studies},
	author = {Abádi-Nagy, Zoltan},
	date = {1977},
}

@article{accardo_crying_1984,
	title = {The Crying of Lot 49 e Slaughterhouse-Five: due romanzi contemporanie},
	pages = {86--98},
	number = {22},
	journaltitle = {Cultura e Scuola},
	author = {Accardo, Annalucia and Tattoni, Igina},
	date = {1984},
}

@article{adams_american_1991,
	title = {The American Short Story in the Cybernetic Age},
	pages = {9--22},
	number = {17},
	journaltitle = {Journal of the Short Story in English},
	author = {Adams, Alice},
	date = {1991},
}

@article{adams_benzene_1981,
	title = {The Benzene Uroboros: Plastic and Catastrophe in Gravity's Rainbow},
	volume = {41},
	pages = {149--161},
	journaltitle = {Spring: An Annual of Archetypal Psychology and Jungian Thought},
	author = {Adams, Michael V.},
	date = {1981},
}

@article{adams_dynamic_1978,
	title = {Dynamic Duos},
	volume = {86},
	pages = {527--538},
	number = {4},
	journaltitle = {Sewanee Review},
	author = {Adams, Robert M.},
	date = {1978},
}

@article{aguero_assembling_2000,
	title = {Assembling the Molecular: Following the Flows of Pynchon's Vision-Machine},
	pages = {9--48},
	number = {4},
	journaltitle = {Crossings},
	author = {Aguero, John and Osborne, Jeff},
	date = {2000},
}

@article{ahn_crying_1987,
	title = {The Crying of Lot 49: Entropy of Information},
	volume = {33},
	pages = {709--725},
	number = {4},
	journaltitle = {Journal of English Language and Literature: (영어영문학)},
	author = {Ahn, Yong Chul},
	date = {1987},
}

@article{akiba_maxwells_1986,
	title = {Maxwell's Demon as Metaphor- with The Crying of Lot 49 as a Clue to Go},
	pages = {115--139},
	number = {15},
	journaltitle = {Tohoku Gakuin Daigaku Eigo Eibungaku Kenkyusho Kiyou},
	author = {Akiba, Tsutomu},
	date = {1986},
}

@article{akiba_thomas_1984,
	title = {On Thomas Pynchon's 'Entropy'},
	pages = {87--107},
	number = {75},
	journaltitle = {Tohoku Gakuin University Review - Essays and Studies in English Language and Literature: (東北学院大学論集. 歴史学・地理学)},
	author = {Akiba, Tsutomu},
	date = {1984},
}

@article{albright_toy_1988,
	title = {Toy Nightingales and Dancing Dolls: The Origins of Stravinsky's Drama},
	volume = {10},
	pages = {102--119},
	number = {1},
	journaltitle = {Kenyon Review},
	author = {Albright, Daniel},
	date = {1988},
}

@article{alfano_traccia_2006,
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@article{celmer_pynchons_1993,
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@article{chauche_fidelite_1996,
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@article{chauvin_harmonie_1997,
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@article{chen_lun_2007,
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@article{choo_literary_2002,
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@article{fischer_civic_1999,
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@article{ganter_rioting_1993,
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@article{goolrick_pieces_1978,
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@article{grace_fritz_1984,
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	number = {4},
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	date = {1984},
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@article{grace_wastelands_1981,
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	number = {2},
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@article{green_personal_1979,
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@article{greiner_fiction_1977,
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	number = {1},
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@article{greiner_pynchon_1983,
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	date = {1983},
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@article{grim_mondstrahl_1989,
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	volume = {1},
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	date = {1989},
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@article{guetti_aggressive_1982,
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	date = {1982},
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@article{guzlowski_crying_1982,
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	number = {9},
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	date = {1982},
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@article{guzlowski_hollow_1983,
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	volume = {12},
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	number = {2},
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	author = {Guzlowski, John Z.},
	date = {1983},
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@article{guzlowski_masks_1983,
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@article{hackett_freedom_2008,
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	number = {3},
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	date = {2008},
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@article{hackett_scattered_2009,
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@article{hanak_few_1990,
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@article{hansen_law_1999,
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@article{hans_emptiness_1995,
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@article{harris_pynchons_1986,
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	volume = {31},
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	number = {1},
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@article{hassan_this_1993,
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	pages = {86--98},
	number = {32},
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	author = {Hassan, Waïl},
	date = {1993},
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@article{hatayama_about_1990,
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@article{hatayama_commentary_1989,
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@article{hatayama_commentary_1989-1,
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@article{hatayama_method_1994,
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@article{hatooka_gravitys_2008,
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@article{hatooka_pynchon_2008,
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@article{hatooka_sea_2009,
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@article{hawthorne_hermaphrodite_1997,
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@article{hawthorne_homoerotic_2000,
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	date = {1992},
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@article{hawthorne_pynchons_1998,
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@article{hayasaka_text_1994,
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@article{hayashi_fable_1991,
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@article{hayashi_grotesque_1994,
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@article{hayles_cosmology_1983,
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@article{hays_pynchons_1984,
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	volume = {5},
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@article{hays_pynchons_1979,
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@article{held_men_1979,
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@article{herman_enzians_1994,
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@article{herzberg_breakfast_1983,
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@article{hescher_paranoia_1997,
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@article{higuchi_theory_1992,
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@article{hill_decoding_1997,
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@article{hinds_making_1998,
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@article{hinds_visible_1992,
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@article{hiraishi_pynchon_1989,
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@article{hite_holy_1982,
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@article{hite_pynchons_1983,
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@article{hoffman_philosophy_1997,
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@article{hoffman_social_1983,
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@article{holdsworth_versiones_1987,
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	pages = {97--104},
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@article{holdsworth_fateful_1983,
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	author = {Holdsworth, Carole A.},
	date = {1983},
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@article{holdsworth_two_1993,
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@article{hollander_jokes_2000,
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	date = {2000},
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@article{hollander_pynchons_1978,
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@article{hollander_pynchons_2008,
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@article{holmes_hand_1983,
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@article{holton_useless_2009,
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	date = {2009},
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@article{hosaka_pinchon_2002,
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@article{howard_anarchist_2003,
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	date = {2003},
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@article{howe_power_1992,
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	date = {1992},
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@article{hume_orpheus_1985,
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@article{hume_pynchons_1986,
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@article{hume_religious_2007,
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@article{hurley_pynchon_2000,
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@article{ickstadt_haunted_1999,
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@article{ickstadt_trash_1991,
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@article{ikesawa_navigability_1989,
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@article{irwin_note_1991,
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@article{isaacs_fiction_1989,
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@article{ishiwari_anti-oedipa_1999,
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@article{iudicello_intruding_1999,
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	number = {3},
	journaltitle = {Oklahoma City University Law Review},
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@article{iwasaki_miracle_1991,
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@article{iwasaki_meaning_1991,
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	number = {38},
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@article{jackson_intertextualism_2000,
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@article{jarvis_vietnamization_2003,
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	date = {1983},
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@article{marquez_nightmare_1981,
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	date = {1981},
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@article{martinez_function_1996,
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	volume = {4},
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	journaltitle = {Estudios ingleses de la Universidad Complutense},
	author = {Martínez, María Ángeles},
	date = {1996},
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@article{matthijs_reel_2001,
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@article{mazurek_ideology_1985,
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@article{mcaulay_abusing_2000,
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	author = {{McAulay}, Alex},
	date = {2000},
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@article{mccarron_catch_1999,
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	volume = {24},
	pages = {664--680},
	number = {3},
	journaltitle = {Oklahoma City University Law Review},
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	date = {1999},
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@article{mccarron_pynchon_1987,
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	author = {{McCarron}, William},
	date = {1987},
}

@article{mccarron_farinand_1992,
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	number = {4},
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	author = {{McCarron}, William},
	date = {1992},
}

@article{mccarron_mickey_1998,
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	volume = {28},
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	number = {2},
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	date = {1998},
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@article{mccarron_names_2002,
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	date = {2002},
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	date = {1990},
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@article{mccarron_pynchon_1987-1,
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	number = {5},
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	author = {{McCarron}, William},
	date = {1986},
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@article{mccarron_pynchon_1991,
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	date = {1991},
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@article{mccarron_pynchon_1988,
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	date = {1988},
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	date = {1989},
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	date = {1996},
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	number = {5},
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	date = {1990},
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@article{mccarron_pynchons_1990,
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@article{mccarron_pynchons_1988,
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	date = {1988},
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@article{mccarron_separation_1998,
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	date = {1988},
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@article{mccarron_figurative_1989,
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	pages = {34--41},
	journaltitle = {Conference of College Teachers of English of Texas},
	author = {{McCarron}, William},
	date = {1988},
}

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	date = {1975},
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@article{mchale_you_1985,
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	volume = {18},
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	number = {1},
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	author = {{McHale}, Brian},
	date = {1985},
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@article{mchale_gravitys_1986,
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	number = {2},
	journaltitle = {The Southern Review},
	author = {{McHale}, Brian and Wills, David},
	date = {1986},
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@article{mchale_abime_1985,
	title = {L'abîme américain: Pour une théorie systématique de la fiction américaine},
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	number = {57},
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	date = {1985},
}

@article{mchale_moral_1981,
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	pages = {34--38},
	number = {6},
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	author = {{McHale}, Brian},
	date = {1981},
}

@article{mchale_thomas_1981,
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	pages = {2--3},
	number = {5},
	journaltitle = {Cencrastus: Scottish \& International Literature, Arts and Affairs},
	author = {{McHale}, Brian},
	date = {1981},
}

@article{mchale_unmaking_1985,
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	number = {1},
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@article{mchale_what_2007,
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@article{wills_welt_1983,
	title = {'Die Welt ist alles was der Fall ist' (Wittgenstein, Weissmann, Pynchon) / 'Le signe est tours le signe de la chute' (Derrida)},
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	pages = {274--291},
	number = {2},
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@article{mchugh_cultural_2001,
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	number = {2},
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	date = {2001},
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@article{mclaughlin_franz_1997,
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	pages = {159--175},
	number = {40},
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	author = {{McLaughlin}, Robert L.},
	date = {1997},
}

@article{mclaughlin_james_1989,
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	pages = {121--123},
	number = {24},
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	author = {{McLaughlin}, Robert L.},
	date = {1989},
}

@article{mclaughlin_movie_1991,
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	pages = {143--145},
	number = {28},
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	author = {{McLaughlin}, Robert L.},
	date = {1991},
}

@article{mclaughlin_review_2009,
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	volume = {29},
	number = {3},
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	date = {2009},
}

@article{mclaughlin_review_1997,
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	date = {1997},
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@article{medoro_sieve_1998,
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	date = {1998},
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@article{medoro_traces_1999,
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	number = {44},
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	author = {Medoro, Dana},
	date = {1999},
}

@article{meikle_other_1981,
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	number = {2},
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	date = {1981},
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@article{meikle_culture_1983,
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@article{melander_review_1998,
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	number = {1},
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	date = {1998},
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@article{mendelson_note_1983,
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	number = {12},
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	date = {1983},
}

@article{mendelson_oedipa_1993,
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	date = {1993},
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@article{mendelson_unpublished_2008,
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	date = {2008},
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@article{mendelson_pynchons_1973,
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@article{merrill_pynchons_1978,
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@article{merrill_form_1977,
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	number = {1},
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@article{mesher_corrigenda_1981,
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@article{mesher_pynchon_1981,
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@article{mills_review_1973,
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@article{minganti_il_1993,
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@article{mitchell_dark_2008,
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@article{miyamoto_gravitys_1989,
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@article{miyamoto_history_1989,
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	number = {2},
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	date = {1989},
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@article{miyamoto_acting_1987,
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	number = {23},
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	date = {1987},
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@article{miyamoto_toshi_1983,
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	volume = {129},
	pages = {14--15},
	number = {2},
	journaltitle = {Eigo Seinen/The Rising Generation: (英語青年)},
	author = {Miyamoto, Yoichiro},
	date = {1983},
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@article{mobilio_close_2004,
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@article{mockel-rieke_media_1998,
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@article{moddelmog_oedipus_1987,
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@article{modick_elektronische_1990,
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@article{gabor_vonalak_2015,
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	date = {2015},
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@article{moore_decade_1983,
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	number = {1},
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	author = {Moore, Thomas},
	date = {1983},
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@article{moran_how_1999,
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	volume = {24},
	pages = {448--470},
	number = {3},
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	date = {1999},
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@article{moran_postmodernisms_1997,
	title = {Postmodernism's Misguided Place in Legal Scholarship: Chaos Theory, Deconstruction, and Some Insights from Thomas Pynchon's Fiction},
	volume = {6},
	pages = {155--199},
	number = {2},
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	date = {1997},
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@article{moraru_zonal_1997,
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	number = {2},
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@article{morgan_gravitys_1977,
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@article{morris_gravitys_1998,
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@article{muste_singing_1984,
	title = {Singing Back the Silence: Gravity's Rainbow and the War Novel},
	volume = {30},
	pages = {5--23},
	number = {1},
	journaltitle = {Modern Fiction Studies},
	author = {Muste, John M.},
	date = {1984},
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@article{muste_thomas_1981,
	title = {Thomas Pynchon/Gwenhidwy: Who's Behind That Beard?},
	volume = {5},
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@article{raudaskoski_somethings_1998,
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	title = {The Crying of Lot 49: A Source Study},
	pages = {78--80},
	number = {17},
	journaltitle = {Pynchon Notes},
	author = {Richwell, Adrian E.},
	date = {1985},
}

@article{riese_thomas_1984,
	title = {Thomas Pynchon: Antimonopolist Perspectives in Postmodernist Fiction},
	volume = {33},
	pages = {445--446},
	number = {4},
	journaltitle = {Wissenschaftliche Zeitschrift der Humboldt-Universität zu Berlin},
	author = {Riese, Utz},
	date = {1984},
}

@article{riese_thomas_1990,
	title = {Thomas Pynchon: Vineland},
	volume = {36},
	pages = {1641--1648},
	number = {10},
	journaltitle = {Weimarer Beiträge: Zeitschrift für Literaturwissenschaft, Ästhetik und Kulturwissenschaften},
	author = {Riese, Utz},
	date = {1990},
}

@article{riese_thomas_1986,
	title = {Thomas Pynchon: Die Versteigerung von No. 49},
	volume = {32},
	pages = {1687--1699},
	number = {10},
	journaltitle = {Weimarer Beiträge: Zeitschrift für Literaturwissenschaft, Ästhetik und Kulturwissenschaften},
	author = {Riese, Utz},
	date = {1986},
}

@article{riese_thomas_1989,
	title = {Thomas Pynchon 'in der Zone': Historischer Raum beständiger Grenzverschiebung},
	volume = {35},
	pages = {1323--1333},
	number = {8},
	journaltitle = {Weimarer Beiträge: Zeitschrift für Literaturwissenschaft, Ästhetik und Kulturwissenschaften},
	author = {Riese, Utz},
	date = {1989},
}

@article{rogers_pynchon_1988,
	title = {Pynchon on Black Humor},
	volume = {18},
	pages = {13},
	number = {5},
	journaltitle = {Notes on Contemporary Literature},
	author = {Rogers, Brett},
	date = {1988},
}

@article{roraback_para-baroque_2004,
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	number = {2},
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	author = {Roraback, Erik S.},
	date = {2004},
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@article{ronnov-jessen_california_1990,
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	pages = {74--79},
	number = {26},
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	author = {Rønnov-Jessen, Peter},
	date = {1990},
}

@article{salazar_historicizing_1988,
	title = {Historicizing Phrenology: Wordsworth, Pynchon, and the Discursive Economy of the Cranial Text},
	volume = {8},
	pages = {80--91},
	journaltitle = {Raritan},
	author = {Salazar, Rothman},
	date = {1988},
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@article{sale_american_1973,
	title = {American Fiction in 1973},
	volume = {14},
	pages = {834--846},
	number = {4},
	journaltitle = {The Massachusetts Review},
	author = {Sale, Roger},
	date = {1973},
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@article{salvan_ideas_2009,
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	number = {56},
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	date = {2009},
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@article{sanders_arco_1980,
	title = {El Arco Iris de Gravedad: Historia Paranoide de Pynchon},
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	pages = {19--38},
	number = {102},
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	date = {1980},
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@article{sato_mittsu_2003,
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	author = {Sato, Mitsushige},
	date = {2003},
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@article{sato_bunka_1978,
	title = {Bunka O Nugu Koto, Kigaeru Koto: Gendai Amerika Taiko-Bunka Bungaku Ron: [On Undressing and Redressing Culture: An Essay on Contemporary American Countercultural Literature]},
	volume = {55},
	pages = {291--302},
	number = {2},
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	author = {Sato, Yoshiaki},
	date = {1978},
}

@article{sato_introduction_1978,
	title = {Introduction to Thomas Pynchon},
	volume = {12},
	pages = {112--117},
	journaltitle = {Bokushin: (牧神)},
	author = {Sato, Yoshiaki},
	date = {1978},
}

@article{sato_live_1989,
	title = {The Live Records of Pynchon: From the Letter of 1969},
	volume = {21},
	pages = {94--102},
	number = {2},
	journaltitle = {Yuriika: [Eureka] (ユリイカ)},
	author = {Sato, Yoshiaki},
	date = {1989},
}

@article{sato_thomas_1979,
	title = {Thomas Pynchon O Oritsumugu: [Embroidering Thomas Pynchon]},
	volume = {11},
	pages = {195--205},
	number = {5},
	journaltitle = {Yuriika: [Eureka] (ユリイカ)},
	author = {Sato, Yoshiaki},
	date = {1979},
}

@article{sato_thomas_1980,
	title = {Thomas Pynchon O Oritsumugu: Embroidering Thomas Pynchon},
	volume = {12},
	pages = {210--217},
	number = {2},
	journaltitle = {Yuriika: [Eureka] (ユリイカ)},
	author = {Sato, Yoshiaki},
	date = {1980},
}

@article{sato_thomas_1980-1,
	title = {Thomas Pynchon O Oritsumugu: Embroidering Thomas Pynchon},
	volume = {12},
	pages = {170--179},
	number = {4},
	journaltitle = {Yuriika: [Eureka] (ユリイカ)},
	author = {Sato, Yoshiaki},
	date = {1980},
}

@article{sato_thomas_1988,
	title = {Thomas Pynchon's V.: The Storm of Entropy},
	volume = {33},
	pages = {164--167},
	number = {4},
	journaltitle = {Kokubungaku: Kaishaku to Kyōzai no Kenkyū},
	author = {Sato, Yoshiaki},
	date = {1988},
}

@article{schachterle_pynchon_1996,
	title = {Pynchon on Latin Americans},
	volume = {3.1/2-4.1/2},
	pages = {270--279},
	journaltitle = {Ometeca},
	author = {Schachterle, Lance},
	date = {1996},
}

@article{schachterle_pynchon_1996-1,
	title = {Pynchon y los latinoamericanos},
	volume = {3.1/2-4.1/2},
	pages = {280--290},
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	author = {Schachterle, Lance},
	date = {1996},
}

@article{schafer_vaterlandischen_2000,
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	volume = {54},
	pages = {157--163},
	number = {2},
	journaltitle = {Merkur},
	author = {Schäfer, Gerd},
	date = {2000},
}

@article{schafer_zukunft_2003,
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	pages = {19--24},
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	author = {Schäfer, Gerd},
	date = {2003},
}

@article{scheer-schazler_language_1976,
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	pages = {497--508},
	number = {5},
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@article{schlegel_rebellion_2000,
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	number = {46},
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	date = {2000},
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@article{schopp_narrative_1990,
	title = {Narrative Displacements: World War {II} as an Aesthetic Challenge in Joseph Heller's Catch-22, Kurt Vonnegut's Slaughterhouse-Five, and Thomas Pynchon's Gravity's Rainbow},
	volume = {2},
	pages = {53--64},
	number = {3},
	journaltitle = {Krieg und Literatur/War and Literature},
	author = {Schöpp, Joseph C.},
	date = {1990},
}

@article{schroeder_weber_2001,
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	number = {2},
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	date = {2001},
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@article{schwab_creative_1985,
	title = {Creative Paranoia and Frost Patterns of White Words: Making Sense in and of Thomas Pynchon's Gravity's Rainbow},
	pages = {1--19},
	number = {4},
	journaltitle = {Center for Twentieth Century Studies: Working Paper},
	author = {Schwab, Gabriele},
	date = {1985},
}

@article{schwab_okologie_1987,
	title = {Die Ökologie des Textes : Zu Thomas Pynchons Gravity's Rainbow},
	volume = {32},
	pages = {345--356},
	number = {3},
	journaltitle = {Amerikastudien: A Monograph Series},
	author = {Schwab, Gabriele},
	date = {1987},
}

@article{schwan_light_1987,
	title = {The Light Bulb Fake},
	pages = {121--133},
	number = {20},
	journaltitle = {Pynchon Notes},
	author = {Schwan, Helke},
	date = {1987},
}

@article{schwartz_thomas_1981,
	title = {Thomas Pynchon and the Evolution of Fiction},
	volume = {8},
	pages = {165--172},
	number = {2},
	journaltitle = {Science Fiction Studies},
	author = {Schwartz, Richard A.},
	date = {1981},
}

@article{seed_borrowing_1982,
	title = {A Borrowing from Joyce in The Crying of Lot 49},
	volume = {6},
	pages = {Item 17},
	number = {3},
	journaltitle = {Notes on Modern American Literature},
	author = {Seed, David},
	date = {1982},
}

@article{seed_naming_1990,
	title = {Naming and Identity in Modern American Fiction},
	volume = {20},
	pages = {120--137},
	number = {2},
	journaltitle = {Dutch Quarterly Review of Anglo-American Letters},
	author = {Seed, David},
	date = {1990},
}

@article{seed_order_1981,
	title = {Order in Thomas Pynchon's 'Entropy'},
	volume = {11},
	pages = {135--153},
	number = {2},
	journaltitle = {Journal of Narrative Technique},
	author = {Seed, David},
	date = {1981},
}

@article{seed_thomas_1984,
	title = {Thomas Hooker in Pynchon's Gravity's Rainbow},
	volume = {8},
	pages = {Item 15},
	number = {3},
	journaltitle = {Notes on Modern American Literature},
	author = {Seed, David},
	date = {1984},
}

@article{selleri_thomas_2003,
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	volume = {45},
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	journaltitle = {Cristallo: rassegna di vària umanità},
	author = {Selleri, Vittorio},
	date = {2003},
}

@article{severs_fascisms_2009,
	title = {In Fascism's Footprint: The History of 'Creeping' and Vineland's Poetics},
	pages = {212--228},
	number = {56},
	journaltitle = {Pynchon Notes},
	author = {Severs, Jeffrey},
	date = {2009},
}

@article{sherman_case_1999,
	title = {A Case Study in Legal Deconstruction: History, Community and Authority in The Crying of Lot 49},
	volume = {24},
	pages = {640--663},
	number = {3},
	journaltitle = {Oklahoma City University Law Review},
	author = {Sherman, David R.},
	date = {1999},
}

@article{shibata_-it-yourself_1989,
	title = {Do-It-Yourself Pynchon Kit: The Myth of Pynchon},
	volume = {21},
	pages = {108--113},
	number = {2},
	journaltitle = {Yuriika: [Eureka] (ユリイカ)},
	author = {Shibata, Motoyuki},
	date = {1989},
}

@article{shimura_gendai_1975,
	title = {Gendai Amerika no Gothic Shosetsu: Thomas Pynchon no Baai: Thomas Pynchon: A Contemporary American Gothicist},
	pages = {166--170},
	number = {1},
	journaltitle = {Bokushin: (牧神)},
	author = {Shimura, Masao},
	date = {1975},
}

@article{shimura_katari_1978,
	title = {Katari, Plot, Pynchon: [Deception, Plot and Pynchon]},
	volume = {21},
	pages = {50--56},
	number = {5},
	journaltitle = {Gendaishi Techo},
	author = {Shimura, Masao},
	date = {1978},
}

@article{shimura_pynchon_1993,
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	volume = {47},
	pages = {154--162},
	number = {11},
	journaltitle = {Bungakkai: [Literature World]},
	author = {Shimura, Masao},
	date = {1993},
}

@article{shimura_pynchon_1978,
	title = {Pynchon: Hito to Sakuhin – Story to Plot: [Pynchon and His Works: Story-Telling and Plot-Making]},
	volume = {10},
	pages = {314--328},
	number = {6},
	journaltitle = {Umi},
	author = {Shimura, Masao},
	date = {1978},
}

@article{shimura_thomas_1975,
	title = {Thomas Pynchon Note},
	volume = {120},
	pages = {458--459},
	journaltitle = {Eigo Seinen/The Rising Generation: (英語青年)},
	author = {Shimura, Masao},
	date = {1975},
}

@article{siegel_pynchons_1999,
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	volume = {24},
	pages = {438--447},
	number = {3},
	journaltitle = {Oklahoma City University Law Review},
	author = {Siegel, Mark R.},
	date = {1999},
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@article{siegel_review_1998,
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	volume = {31},
	pages = {176--177},
	number = {4},
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	date = {1998},
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@article{simmon_beyond_1978,
	title = {Beyond the Theatre of War: Gravity's Rainbow as Film},
	volume = {4},
	pages = {347--363},
	number = {6},
	journaltitle = {Literature/Film Quarterly},
	author = {Simmon, Scott A.},
	date = {1978},
}

@article{simonetti_bye_2011,
	title = {'Bye Bye Black Dahlia': Pynchon, Coover e il 'vizio intrinseco' della detective fiction},
	volume = {10},
	pages = {45--53},
	journaltitle = {Fictions: Studi sulla narratività},
	author = {Simonetti, Paolo},
	date = {2011},
}

@article{simonetti_historical_2011,
	title = {Historical Fiction After 9/11: Thomas Pynchon's Against the Day},
	volume = {41},
	pages = {26--41},
	number = {1},
	journaltitle = {Modern Language Studies},
	author = {Simonetti, Paolo},
	date = {2011},
}

@article{simonetti_arcobaleno_2008,
	title = {L'arcobaleno della paranoia: Dalla paranoia di Gravity's Rainbow alla dietrologia di Underworld},
	pages = {61--76},
	number = {35},
	journaltitle = {Acoma: rivista internazionale di studi nordamericani},
	author = {Simonetti, Paolo},
	date = {2008},
}

@article{simonetti_like_2008,
	title = {Like Metaphor, Only Different},
	volume = {3},
	pages = {56--64},
	journaltitle = {G.R.A.A.T.: Groupe de recherches anglo-américaines},
	author = {Simonetti, Paolo},
	date = {2008},
}

@article{simonetti_strade-geroglifico_2007,
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	pages = {39--50},
	journaltitle = {Fictions: Studi sulla narratività},
	author = {Simonetti, Paolo},
	date = {2007},
}

@article{simons_third_1977,
	title = {Third Story Man: Biblical Irony in Thomas Pynchon's 'Entropy'},
	volume = {14},
	pages = {88--93},
	number = {1},
	journaltitle = {Studies in Short Fiction},
	author = {Simons, John L.},
	date = {1977},
}

@article{skarzenski_enzian_1977,
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	number = {4},
	journaltitle = {Notes on Modern American Literature},
	author = {Skarzenski, Donald},
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@article{skenazy_unfinished_1995,
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	number = {4},
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	date = {1995},
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@article{skredsvig_pynchons_1992,
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	number = {1},
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	date = {1992},
}

@article{smith_arthurian_1990,
	title = {The Arthurian Underworld of Modernism: Thomas Mann, Thomas Pynchon and Robertson Davies},
	volume = {4},
	pages = {50--64},
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	author = {Smith, Evans L.},
	date = {1990},
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@article{smith_performing_1983,
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	volume = {12},
	pages = {245--260},
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	journaltitle = {Clio: A Journal of Literature, History, and the Philosophy of History},
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	date = {1983},
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@article{solberg_comparing_1979,
	title = {On Comparing Apples and Oranges: James Joyce and Thomas Pynchon},
	volume = {16},
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	number = {1},
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@article{spencer_clausewitz_nodate,
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@article{spencer_law_1999,
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	pages = {680--695},
	number = {3},
	journaltitle = {Oklahoma City University Law Review},
	author = {Spencer, Nicholas P.},
	date = {1999},
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@article{stahlberg_calculus_1980,
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	pages = {18--25},
	journaltitle = {Humanities and Technology},
	author = {Stahlberg, Lawrence},
	date = {1980},
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@article{steiner_pynchon_1989,
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	date = {1989},
}

@article{stern_interfaces_1980,
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	volume = {39-50},
	pages = {51--57},
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	author = {Stern, Jerome H.},
	date = {1980},
}

@article{stoltzfus_aesthetics_1983,
	title = {The Aesthetics of Nouveau Roman and Innovative Fiction},
	volume = {10},
	pages = {108--116},
	number = {2},
	journaltitle = {The International Fiction Review},
	author = {Stoltzfus, Ben},
	date = {1983},
}

@article{strube_letzte_1983,
	title = {Der letzte große Orgasmus ist der Tod: Die erotischen Weltuntergangsphantasien des Thomas Pynchon},
	volume = {22},
	pages = {87--93},
	journaltitle = {Schreibheft: Zeitschrift für Literatur},
	author = {Strube, Rolf},
	date = {1983},
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@article{styhre_thomas_2004,
	title = {Thomas Pynchon and the Scrambling of Literary Codes: Implications for Organization Theory},
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	pages = {315--327},
	number = {4},
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	date = {2004},
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@article{sugiura_pynchon_1989,
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	author = {Sugiura, Ginsaku},
	date = {1989},
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@article{sugiura_nature_1988,
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	number = {11},
	journaltitle = {Eigo Seinen/The Rising Generation: (英語青年)},
	author = {Sugiura, Ginsaku},
	date = {1988},
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@article{suhama_thomas_1994,
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	number = {340},
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	date = {1994},
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@article{sweeney_v-shaped_1995,
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	number = {2},
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	date = {1995},
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@article{szeky_sehova_1990,
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	date = {1990},
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@article{szeky_sulyos_2015,
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	date = {2015},
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@article{tabbi_generous_1990,
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	date = {1990},
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@article{tabbi_pynchons_1991,
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	date = {1991},
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@article{tachizaki_entropical_1987,
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	pages = {169--196},
	number = {20},
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	author = {Tachizaki, Hidekazu},
	date = {1987},
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@article{takada_under_1996,
	title = {'Under the Rose' as the Archetype of Pynchon's Fiction},
	pages = {9--18},
	number = {37},
	journaltitle = {Kyushu American Literature: (九州アメリカ文学)},
	author = {Takada, Shuhei},
	date = {1996},
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@article{takada_metaphor_1997,
	title = {Metaphor and Value in Technological Society: A Reading of Pynchon's V.},
	pages = {67--81},
	number = {9},
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@article{takada_subject_1998,
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	number = {39},
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	author = {Takada, Shuhei},
	date = {1998},
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@article{takada_thomas_1996,
	title = {Thomas Pynchon's Gravity's Rainbow as Postmodernist Fiction},
	pages = {93--103},
	number = {8},
	journaltitle = {Journal of the Research Institute of General Education},
	author = {Takada, Shuhei},
	date = {1996},
}

@article{takahashi_jump_1985,
	title = {The Jump to Zero: Thomas Pynchon's The Crying of Lot 49},
	pages = {29--46},
	number = {21},
	journaltitle = {Studies in Foreign Language \& Literature},
	author = {Takahashi, Isao},
	date = {1985},
}

@article{takahashi_trap_1987,
	title = {The Trap of Thomas Pynchon: Thomas Pynchon's The Crying of Lot 49},
	pages = {71--80},
	number = {36},
	journaltitle = {Aichi University of Education Research Report (Humanities)},
	author = {Takahashi, Isao},
	date = {1987},
}

@article{takahashi_entropy_1995,
	title = {Entropy as Metaphor - from Unsociable To Sociable - Deciphering Thomas Pynchon's Entropy},
	pages = {57--80},
	number = {30},
	journaltitle = {Hiroshima Women's University Literature Department Journal},
	author = {Takahashi, Wataru},
	date = {1995},
}

@article{takahashi_thomas_1991,
	title = {Thomas Pynchon 'Low-Lands': Possibility of Novel},
	pages = {1--16},
	number = {26},
	journaltitle = {Hiroshima Women's University Literature Department Journal},
	author = {Takahashi, Wataru},
	date = {1991},
}

@article{takas_models_1981,
	title = {Models Or Metaphors: Pattern and Paranoia in Pynchon's The Crying of Lot 49},
	volume = {23},
	pages = {297--306},
	number = {3},
	journaltitle = {Acta Litteraria Academiae Scientiarum Hungaricae},
	author = {Takás, Ferenc},
	date = {1981},
}

@article{takayama_elle_1989,
	title = {Elle s'est pass},
	volume = {21},
	pages = {130--137},
	number = {2},
	journaltitle = {Yuriika: [Eureka] (ユリイカ)},
	author = {Takayama, Hiroshi},
	date = {1989},
}

@article{takeda_is_1987,
	title = {Is It Empty Air Outside the Frame?: Thomas Pynchon's The Crying of Lot 49},
	pages = {44--53},
	number = {7},
	journaltitle = {Shumposhion (Shumposhion Dojin)},
	author = {Takeda, Haruko},
	date = {1987},
}

@article{tanner_games_1976,
	title = {Games American Writers Play: Ceremony, Complicity, Contestation and Carnival},
	pages = {110--140},
	number = {35},
	journaltitle = {Salmagundi},
	author = {Tanner, Tony},
	date = {1976},
}

@article{tanner_patterns_1971,
	title = {Patterns and Paranoia or Caries and Cabals},
	pages = {78--99},
	number = {15},
	journaltitle = {Salmagundi},
	author = {Tanner, Tony},
	date = {1971},
}

@article{tatsumi_amerika_1999,
	title = {Amerika shosetsushi no kakumei (24[kan])},
	volume = {144},
	pages = {765--767},
	number = {12},
	journaltitle = {Eigo Seinen/The Rising Generation: (英語青年)},
	author = {Tatsumi, Takayuki},
	date = {1999},
}

@article{tatsumi_beyond_1994,
	title = {Beyond Oz - Hypertext Edition of Gravity's Rainbow},
	volume = {140},
	pages = {221--222},
	number = {5},
	journaltitle = {Eigo Seinen/The Rising Generation: (英語青年)},
	author = {Tatsumi, Takayuki},
	date = {1994},
}

@article{thigpen_folklore_1979,
	title = {Folklore in Contemporary American Literature: Thomas Pynchon's V. and the Alligators-In-The-Sewers Legend},
	volume = {43},
	pages = {93--105},
	number = {1},
	journaltitle = {Southern Folklore Quarterly},
	author = {Thigpen, Kenneth A.},
	date = {1979},
}

@article{thigpen_thomas_1994,
	title = {Thomas Pynchon e gli alligatori melle fogne: letteratura e folklore urbano},
	pages = {43--49},
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@article{thoreen_presidents_1999,
	title = {The President's Emergency War Powers and the Erosion of Civil Liberties in Pynchon's Vineland},
	volume = {24},
	number = {3},
	journaltitle = {Oklahoma City University Law Review},
	author = {Thoreen, David},
	date = {1999},
}

@article{tillotson_gravitational_1980,
	title = {Gravitational Entropy in Gravity's Rainbow},
	pages = {23--24},
	number = {4},
	journaltitle = {Pynchon Notes},
	author = {Tillotson, T. S.},
	date = {1980},
}

@article{titon_every_1978,
	title = {Every Day I Have the Blues: Improvisation and Daily Life},
	volume = {42},
	pages = {85--98},
	number = {1},
	journaltitle = {Southern Folklore Quarterly},
	author = {Titon, Jeff Todd},
	date = {1978},
}

@article{tololyan_criticism_1977,
	title = {Criticism as Symptom: Thomas Pynchon and the Crisis of the Humanities},
	volume = {5},
	pages = {314--318},
	number = {4},
	journaltitle = {The New Orleans Review},
	author = {Tölölyan, Khachig},
	date = {1977},
}

@article{tololyan_discoursing_1988,
	title = {Discoursing with Culture: The Novel as Interlocutor},
	volume = {21},
	pages = {228--238},
	journaltitle = {Novel: A Forum on Fiction},
	author = {Tölölyan, Khachig},
	date = {1988},
}

@article{tololyan_fishy_1979,
	title = {The Fishy Poisson: Allusions to Statistics in Gravity's Rainbow},
	volume = {4},
	number = {1},
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	author = {Tölölyan, Khachig},
	date = {1979},
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@article{tomiyama_evil_1989,
	title = {Evil, from One Place to Another},
	volume = {21},
	pages = {123--129},
	number = {2},
	journaltitle = {Yuriika: [Eureka] (ユリイカ)},
	author = {Tomiyama, Takao},
	date = {1989},
}

@article{trachtenberg_counterhumor_1973,
	title = {Counterhumor: Comedy in Contemporary American Fiction},
	volume = {27},
	pages = {33--48},
	number = {1},
	journaltitle = {The Georgia Review},
	author = {Trachtenberg, Stanley},
	date = {1973},
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@article{tsurumi_gendai_1982,
	title = {Gendai Shosetsu no Ending: Pynchon, Barth, Brautigan},
	pages = {80--93},
	number = {42},
	journaltitle = {Oberon},
	author = {Tsurumi, Seiji},
	date = {1982},
}

@article{tsutsui_modern_1991,
	title = {Modern American Authors Research: 2 - Whale and V - For the Elucidation of V.},
	pages = {15--77},
	number = {472},
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	date = {1991},
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	pages = {37--50},
	number = {28},
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	author = {Ueda, Hajime},
	date = {1993},
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@article{ueno_literature_1989,
	title = {Literature in Advanced Capitalistic Society: Pynchon vs. Murakami Haruki, Murakami Ryu, and Takahashi Genichiro},
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	pages = {103--107},
	number = {2},
	journaltitle = {Yuriika: [Eureka] (ユリイカ)},
	author = {Ueno, Tatsurou},
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@article{unami_literature_1989,
	title = {The Literature of Love},
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	pages = {144--150},
	number = {2},
	journaltitle = {Yuriika: [Eureka] (ユリイカ)},
	author = {Unami, Akira},
	date = {1989},
}

@article{van_boheemen-saaf_artist_1977,
	title = {The Artist as Con Man: The Reaction Against Symbolist Aesthetic in Recent American Fiction},
	volume = {7},
	pages = {305--318},
	journaltitle = {Dutch Quarterly Review of Anglo-American Letters},
	author = {van Boheemen-Saaf, Christel},
	date = {1977},
}

@article{vanderbeke_vineland_1999,
	title = {Vineland in the Novels of John Barth and Thomas Pynchon},
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	date = {1999},
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@article{vanderbeke_n_2000,
	title = {N Tropes for Entropy in Pynchon's Early Works},
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	number = {56},
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	date = {2009},
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	number = {56},
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	date = {2009},
}

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	title = {Gravity's Rainbow à la carte: Notes de lecture},
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}

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	pages = {41--48},
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	date = {2001},
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@article{vella_pynchon_1986,
	title = {Pynchon, V., and the French Surrealists},
	pages = {29--38},
	number = {18},
	journaltitle = {Pynchon Notes},
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	date = {1986},
}

@article{vernon_it_2008,
	title = {It Is Just Not Cricket: Cricket as a Metaphor in Against the Day},
	pages = {65--77},
	number = {3},
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	author = {Vernon, Peter},
	date = {2008},
}

@article{vukmirovich_porters_1988,
	title = {Porter's Flowering Judas and Pynchon's V.},
	pages = {71--73},
	number = {22},
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	author = {Vukmirovich, John},
	date = {1988},
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@article{wagner_note_1974,
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@article{wallhead_mason_2000,
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	pages = {178--199},
	number = {46},
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	date = {2000},
}

@article{ward_information_1988,
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	volume = {20},
	pages = {24--37},
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	author = {Ward, Dean A.},
	date = {1988},
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@article{warren_ritual_1986,
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	pages = {55--65},
	number = {18},
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	date = {1986},
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@article{watson_who_1983,
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	author = {Weisenburger, Steven C.},
	date = {2009},
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@article{weisenburger_notes_1983,
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	pages = {3--15},
	number = {12},
	journaltitle = {Pynchon Notes},
	author = {Weisenburger, Steven C.},
	date = {1983},
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@article{wellershoff_im_1988,
	title = {Im Sog der Entropie: Thomas Pynchons Die Enden der Parabel},
	volume = {42},
	pages = {471--488},
	number = {6},
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	date = {1988},
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@article{weltner_thomas_1973,
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	volume = {14},
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	number = {3},
	journaltitle = {The Ohio Review},
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	date = {1973},
}

@article{westervelt_place_1980,
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@article{white_pigs_1982,
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	author = {White, Allon},
	date = {1982},
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@article{wilcox_vineland_1989,
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	number = {24},
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	author = {Wilcox, Rhonda},
	date = {1989},
}

@article{wilson_godgames_1982,
	title = {Godgames and Labyrinths: The Logic of Entrapment},
	volume = {15},
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	number = {4},
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	author = {Wilson, Rawdon R.},
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@article{wilson_iii_cozzens_1979,
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@article{wilson_spookin_1977,
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	date = {1977},
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@article{winkler_programm_1986,
	title = {Programm: Weltuntergang: Die frühen Erzählungen von Thomas Pynchon},
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@article{winston_comic_1984,
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	author = {Winston, Matthew},
	date = {1984},
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@article{winston_w_1976,
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@article{wolfe_review_1974,
	title = {Review of Gravity's Rainbow},
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@article{wood_pynchons_1998,
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@article{woodward_cybernetic_1983,
	title = {Cybernetic Modeling in Recent American Writing: A Critique},
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	author = {Woodward, Kathleen},
	date = {1983},
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@article{workman_gravitys_1983,
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	pages = {16--25},
	number = {12},
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	author = {Workman, Mark E.},
	date = {1983},
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@article{zamora_entropic_1980,
	title = {The Entropic End: Science and Eschatology in the Works of Thomas Pynchon},
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	number = {1},
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	author = {Zamora, Lois P.},
	date = {1980},
}

@article{zencey_brief_1986,
	title = {Some Brief Speculations on the Popularity of Entropy as Metaphor},
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@article{zverev_enigma_1996,
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	pages = {209--213},
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@article{zverev_ssha_1979,
	title = {{SSHA}: Itogi Goda - Moralnoe Porazhenie},
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@article{friedrich_arich-gerz_max_2002,
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	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2713/},
	doi = {10.16995/pn.67},
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	number = {0},
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	author = {Friedrich Arich-Gerz, Bruno},
	urldate = {2024-06-19},
	date = {2002-09-22},
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	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2589/},
	doi = {10.16995/pn.218},
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	pages = {99--131},
	number = {0},
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	author = {S. Baker, Jeffrey},
	urldate = {2024-06-19},
	date = {1993-09-22},
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@article{balitas_charismatic_1982-1,
	title = {Charismatic Figures in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2856/},
	doi = {10.16995/pn.447},
	pages = {38--53},
	number = {9},
	journaltitle = {Pynchon Notes},
	author = {Balitas, Vincent D.},
	urldate = {2024-06-19},
	date = {1982-06-01},
}

@article{bass_gravitys_1983-1,
	title = {\textit{Gravity's Rainbow} as Orphic Text},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2537/},
	doi = {10.16995/pn.408},
	pages = {25--46},
	number = {13},
	journaltitle = {Pynchon Notes},
	author = {Bass, Thomas A.},
	urldate = {2024-06-19},
	date = {1983-10-01},
}

@article{baxter_-faced_1981-1,
	title = {De-faced America: \textit{The Great Gatsby} and \textit{The Crying of Lot} 49},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2432/},
	doi = {10.16995/pn.469},
	shorttitle = {De-faced America},
	pages = {22--37},
	number = {7},
	journaltitle = {Pynchon Notes},
	author = {Baxter, Charles},
	urldate = {2024-06-19},
	date = {1981-10-01},
}

@article{bayerl_tangled_1982-1,
	title = {Tangled Hierarchies: Gödel, Escher, Bach and \textit{Gravity's Rainbow} (An Abstract of Work in Progress)},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2853/},
	doi = {10.16995/pn.438},
	shorttitle = {Tangled Hierarchies},
	pages = {52--55},
	number = {10},
	journaltitle = {Pynchon Notes},
	author = {Bayerl, Elizabeth},
	urldate = {2024-06-19},
	date = {1982-10-01},
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@article{becke_chants_1992,
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	url = {http://pynchonnotes.openlibhums.org/article/id/2586/},
	doi = {10.16995/pn.234},
	shorttitle = {Chants of Dispossession and Exile},
	pages = {63--76},
	number = {0},
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	author = {Becke, Rosita and Vanderbeke, Dirk},
	urldate = {2024-06-19},
	date = {1992-09-22},
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@article{berressem_v_1986-1,
	title = {\textit{V.} In Love: From The "Other Scene" To The "Neill Scene"},
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	url = {http://pynchonnotes.openlibhums.org/article/id/2820/},
	doi = {10.16995/pn.347},
	shorttitle = {\textit{V.} In Love},
	pages = {5--28},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Berressem, Hanjo},
	urldate = {2024-06-19},
	date = {1986-09-22},
}

@article{bohm_cold_2002-1,
	title = {The "Cold Sophie" of \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2423/},
	doi = {10.16995/pn.75},
	pages = {118--121},
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	author = {Bohm, Arnd},
	urldate = {2024-06-19},
	date = {2002-09-22},
}

@article{booker_vineland_1992-1,
	title = {\textit{Vineland} and Dystopian Fiction},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2522/},
	doi = {10.16995/pn.231},
	pages = {5--38},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Booker, M. Keith},
	urldate = {2024-06-19},
	date = {1992-09-22},
}

@article{booker_gravitys_1987-1,
	title = {Gravity's Novel: A Note on the Genre of \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2518/},
	doi = {10.16995/pn.334},
	shorttitle = {Gravity's Novel},
	pages = {61--68},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Booker, M. Keith},
	urldate = {2024-06-19},
	date = {1987-09-22},
}

@article{caesar_texts_1997-1,
	title = {Texts of the Text: Citations in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2532/},
	doi = {10.16995/pn.167},
	shorttitle = {Texts of the Text},
	pages = {125--133},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Caesar, Terry},
	urldate = {2024-06-19},
	date = {1997-09-22},
}

@article{campbell_metaphor_1988-1,
	title = {Metaphor and \textit{V.}: Metaphysics in the Mirror},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2808/},
	doi = {10.16995/pn.316},
	shorttitle = {Metaphor and \textit{V.}},
	pages = {57--69},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Campbell, Elizabeth},
	urldate = {2024-06-19},
	date = {1988-09-22},
}

@article{celmer_pynchons_1993-1,
	title = {Pynchon's \textit{V}. and the Rhetoric of the Cold War},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2403/},
	doi = {10.16995/pn.212},
	pages = {5--32},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Celmer, Jr. W.},
	urldate = {2024-06-19},
	date = {1993-09-22},
}

@article{collado-rodriguez_no_2011,
	title = {No Either/Or: The Stagnation of Forces in Pynchon’s Universe: Ethical and Gender Undecidability in Two Spanish Cases},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2582/},
	doi = {10.16995/pn.4},
	shorttitle = {No Either/Or},
	pages = {46--56},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Collado-Rodríguez, Francisco},
	urldate = {2024-06-19},
	date = {2011-09-22},
}

@article{crowley_before_1998-1,
	title = {"Before the Oven": Aesthetics and Politics in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2618/},
	doi = {10.16995/pn.148},
	shorttitle = {"Before the Oven"},
	pages = {181--198},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Crowley, Denis},
	urldate = {2024-06-19},
	date = {1998-09-22},
}

@article{daw_asymmetry_1982,
	title = {The Asymmetry of Life in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2857/},
	doi = {10.16995/pn.450},
	pages = {66--68},
	number = {9},
	journaltitle = {Pynchon Notes},
	author = {Daw, Lawrence},
	urldate = {2024-06-19},
	date = {1982-06-01},
}

@article{day_countering_2011,
	title = {Countering Entropy in \textit{The Crying of Lot 49} with Reader Involvement: Remedios Varo as a Role Model for Oedipa Maas},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2495/},
	doi = {10.16995/pn.3},
	shorttitle = {Countering Entropy in \textit{The Crying of Lot 49} with Reader Involvement},
	pages = {30--45},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Day, William},
	urldate = {2024-06-19},
	date = {2011-09-22},
}

@article{louis_decker_enigma_1991,
	title = {"The Enigma His Efforts Had Created": Thomas Pynchon and the Legacy of America},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2658/},
	doi = {10.16995/pn.255},
	shorttitle = {"The Enigma His Efforts Had Created"},
	pages = {27--42},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Louis Decker, Jeffrey},
	urldate = {2024-06-19},
	date = {1991-09-22},
}

@article{n_docarmo_history_1999,
	title = {History, Refusal and the Strategic-Essentialist Politics of Pynchon's \textit{Vineland}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2733/},
	doi = {10.16995/pn.127},
	pages = {173--194},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {N. {doCarmo}, Stephen},
	urldate = {2024-06-19},
	date = {1999-09-22},
}

@article{eiser_coloring_1985-1,
	title = {Coloring \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2829/},
	doi = {10.16995/pn.374},
	pages = {3--24},
	number = {16},
	journaltitle = {Pynchon Notes},
	author = {Eiser, Mary B. and Hayles, N. Katherine},
	urldate = {2024-06-19},
	date = {1985-03-20},
}

@article{j_elias_pynchon_1997,
	title = {The Pynchon Intertext of \textit{Lempriere's Dictionary}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2433/},
	doi = {10.16995/pn.162},
	pages = {28--40},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {J. Elias, Amy},
	urldate = {2024-06-19},
	date = {1997-09-22},
}

@article{emery_notes_2001,
	title = {Notes on Shatsk as a Gogol Figure},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2390/},
	doi = {10.16995/pn.97},
	pages = {200--203},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Emery, Jacob},
	urldate = {2024-06-19},
	date = {2001-09-22},
}

@article{eve_historical_2011,
	title = {Historical Sources for Thomas Pynchon’s “Peter Pinguid Society”},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2506/},
	doi = {10.16995/pn.18},
	pages = {242--245},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Eve, Martin Paul},
	urldate = {2024-06-19},
	date = {2011-09-22},
}

@article{j_ferrero_echoes_1999,
	title = {Echoes of Narcissus: Classical Mythology and Postmodern Pessimism in \textit{The Crying of Lot 49}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2400/},
	doi = {10.16995/pn.120},
	shorttitle = {Echoes of Narcissus},
	pages = {82--96},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {J. Ferrero, David},
	urldate = {2024-06-19},
	date = {1999-09-22},
}

@article{guzlowski_crying_1982-1,
	title = {\textit{The Crying of Lot 49} and "The Shadow"},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2514/},
	doi = {10.16995/pn.449},
	pages = {61--65},
	number = {9},
	journaltitle = {Pynchon Notes},
	author = {Guzlowski, John Z.},
	urldate = {2024-06-19},
	date = {1982-06-01},
}

@article{hassan_this_1993-1,
	title = {This is Not a Novel: \textit{The Crying of Lot 49}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2454/},
	doi = {10.16995/pn.217},
	shorttitle = {This is Not a Novel},
	pages = {86--98},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Hassan, {WaïI}},
	urldate = {2024-06-19},
	date = {1993-09-22},
}

@article{hawthorne_imaginary_1992-1,
	title = {Imaginary Locales in Pynchon's \textit{Vineland}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2411/},
	doi = {10.16995/pn.235},
	pages = {77--90},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Hawthorne, Mark D.},
	urldate = {2024-06-19},
	date = {1992-09-22},
}

@article{r_hill_decoding_1997,
	title = {Decoding Community in Pynchon's \textit{Vineland}: Problematic Definitions for Readers and Characters},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2609/},
	doi = {10.16995/pn.173},
	shorttitle = {Decoding Community in Pynchon's \textit{Vineland}},
	pages = {197--217},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {R. Hill, Robert},
	urldate = {2024-06-19},
	date = {1997-09-22},
}

@article{hollander_jokes_2001,
	title = {Jokes and Puns in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2468/},
	doi = {10.16995/pn.98},
	pages = {204--207},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Hollander, Charles},
	urldate = {2024-06-19},
	date = {2001-09-22},
}

@article{holton_useless_2011,
	title = {Useless Lumpens in \textit{Gravity’s Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2619/},
	doi = {10.16995/pn.9},
	pages = {114--126},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Holton, Robert},
	urldate = {2024-06-19},
	date = {2011-09-22},
}

@article{howard_anarchist_2003-1,
	title = {The Anarchist Miracle and Magic in \textit{Mason \& Dixon}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2710/},
	doi = {10.16995/pn.58},
	pages = {166--184},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Howard, Jeffrey},
	urldate = {2024-06-19},
	date = {2003-09-22},
}

@article{howe_power_1992-1,
	title = {The Power of Love in \textit{Chimera} and \textit{V}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2767/},
	doi = {10.16995/pn.239},
	pages = {165--171},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Howe, Darcy E.},
	urldate = {2024-06-19},
	date = {1992-09-22},
}

@article{j_hurley_pynchon_2001,
	title = {Pynchon, Grimm and Swinish Duality: A Note on the Pig Image in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2723/},
	doi = {10.16995/pn.99},
	shorttitle = {Pynchon, Grimm and Swinish Duality},
	pages = {208--210},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {J. Hurley, Patrick},
	urldate = {2024-06-19},
	date = {2001-09-22},
}

@article{irwin_note_1991-1,
	title = {A Note On "Porky Pig and the Anarchist" in \textit{The Crying of Lot 49} and \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2777/},
	doi = {10.16995/pn.257},
	pages = {55--57},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Irwin, Mark},
	urldate = {2024-06-19},
	date = {1991-09-22},
}

@article{jackson_intertextualism_2001,
	title = {Intertextualism: The Case of Pynchon and Patrick White},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2720/},
	doi = {10.16995/pn.90},
	shorttitle = {Intertextualism},
	pages = {60--104},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Jackson, Robert},
	urldate = {2024-06-19},
	date = {2001-09-22},
}

@article{karpinski_v_1993-1,
	title = {From \textit{V}. to \textit{Vineland}: Pynchon's Utopian Moments},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2760/},
	doi = {10.16995/pn.213},
	shorttitle = {From \textit{V}. to \textit{Vineland}},
	pages = {33--43},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Karpinski, Eva C.},
	urldate = {2024-06-19},
	date = {1993-09-22},
}

@article{kelman_form_2011,
	title = {The Form of the Conspiracy: Ricardo Piglia’s Reading of Thomas Pynchon’s \textit{The Crying of Lot 49}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2383/},
	doi = {10.16995/pn.5},
	shorttitle = {The Form of the Conspiracy},
	pages = {57--73},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Kelman, David},
	urldate = {2024-06-19},
	date = {2011-09-22},
}

@article{kolbuszewska_childhood_2011,
	title = {Childhood as a Metaphor: Motif and Narrative Device in Mason \& Dixon},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2695/},
	doi = {10.16995/pn.16},
	shorttitle = {Childhood as a Metaphor},
	pages = {229--241},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Kolbuszewska, Zofia},
	urldate = {2024-06-19},
	date = {2011-09-22},
}

@article{kuznetsov_vassily_1993-1,
	title = {Vassily Aksyonov's Parody of \textit{V.}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2763/},
	doi = {10.16995/pn.222},
	pages = {181--185},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Kuznetsov, Sergey},
	urldate = {2024-06-19},
	date = {1993-09-22},
}

@article{leise_presto_2011,
	title = {“Presto Change-o! Tyrone Slothrop’s English Again!”: Puritan Conversion, Imperfect Assurance, and the Salvific Sloth in \textit{Gravity’s Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2414/},
	doi = {10.16995/pn.10},
	shorttitle = {“Presto Change-o! Tyrone Slothrop’s English Again!”},
	pages = {127--143},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Leise, Christopher},
	urldate = {2024-06-19},
	date = {2011-09-22},
}

@article{l_levine_vagueness_1999,
	title = {The Vagueness of Difference: You, the Reader and the Dream of \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2731/},
	doi = {10.16995/pn.122},
	shorttitle = {The Vagueness of Difference},
	pages = {117--131},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {L. Levine, Michael},
	urldate = {2024-06-19},
	date = {1999-09-22},
}

@article{schaechterle_loranger_his_1999,
	title = {"His Kipling Period": Bakhtinian Reflections on Annotation, Heteroglossia and Terrorism in the Pynchon Trade},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2556/},
	doi = {10.16995/pn.124},
	shorttitle = {"His Kipling Period"},
	pages = {155--168},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Schaechterle Loranger, Carol},
	urldate = {2024-06-19},
	date = {1999-09-22},
}

@article{l_madsen_family_1998,
	title = {Family Legacies: Identifying the Traces of William Pynchon in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2375/},
	doi = {10.16995/pn.138},
	shorttitle = {Family Legacies},
	pages = {29--48},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {L. Madsen, Deborah},
	urldate = {2024-06-19},
	date = {1998-09-22},
}

@article{madsen_business_1997-1,
	title = {The Business of Living: \textit{Gravity's Rainbow}, Evolution, and the Advancement of Capitalism},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2631/},
	doi = {10.16995/pn.169},
	shorttitle = {The Business of Living},
	pages = {144--158},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Madsen, Deborah L.},
	urldate = {2024-06-19},
	date = {1997-09-22},
}

@article{mcaulay_abusing_2001,
	title = {Abusing Surrealism: Pynchon's \textit{V}. and Breton's \textit{Nadja}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2559/},
	doi = {10.16995/pn.92},
	shorttitle = {Abusing Surrealism},
	pages = {131--141},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {{McAulay}, Alex},
	urldate = {2024-06-19},
	date = {2001-09-22},
}

@article{mchale_moral_1981-1,
	title = {On Moral Fiction: One Use of \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2418/},
	doi = {10.16995/pn.478},
	shorttitle = {On Moral Fiction},
	pages = {34--38},
	number = {6},
	journaltitle = {Pynchon Notes},
	author = {{McHale}, Brian},
	urldate = {2024-06-19},
	date = {1981-06-01},
}

@article{mchoul_gravitys_1987,
	title = {\textit{Gravity's Rainbow's} Golden Sections},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2634/},
	doi = {10.16995/pn.332},
	pages = {31--38},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {{McHoul}, Alec},
	urldate = {2024-06-19},
	date = {1987-09-22},
}

@article{mclaughlin_franz_1997-1,
	title = {Franz Pökler's Anti-Story: Narrative and Self in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2747/},
	doi = {10.16995/pn.170},
	shorttitle = {Franz Pökler's Anti-Story},
	pages = {159--175},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {{McLaughlin}, Robert L.},
	urldate = {2024-06-19},
	date = {1997-09-22},
}

@article{mclaughlin_james_1989-1,
	title = {James Bond and \textit{Gravity's Rainbow}: A Possible Connection},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2455/},
	doi = {10.16995/pn.299},
	shorttitle = {James Bond and \textit{Gravity's Rainbow}},
	pages = {121--123},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {{McLaughlin}, Robert L.},
	urldate = {2024-06-19},
	date = {1989-09-22},
}

@article{mclaughlin_movie_1991-1,
	title = {Movie Music in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2780/},
	doi = {10.16995/pn.263},
	pages = {143--145},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {{McLaughlin}, Robert L.},
	urldate = {2024-06-19},
	date = {1991-09-22},
}

@article{medora_traces_1999,
	title = {Traces of Blood and the Matter of a Paraclete's Coming: The Menstrual Economy of Pynchon's \textit{V.}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2461/},
	doi = {10.16995/pn.116},
	shorttitle = {Traces of Blood and the Matter of a Paraclete's Coming},
	pages = {14--34},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Medora, Dana},
	urldate = {2024-06-19},
	date = {1999-09-22},
}

@article{mooney_notes_1983-1,
	title = {Notes},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2470/},
	doi = {10.16995/pn.421},
	pages = {56--57},
	number = {12},
	journaltitle = {Pynchon Notes},
	author = {Mooney, Barbara and Mendelson, Edward},
	urldate = {2024-06-19},
	date = {1983-06-01},
}

@article{mendelson_oedipa_1993-1,
	title = {Oedipa and the \textit{Cristeros}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2600/},
	doi = {10.16995/pn.223},
	pages = {186--187},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Mendelson, Edward},
	urldate = {2024-06-19},
	date = {1993-09-22},
}

@article{mendelson_unpublished_2008-1,
	title = {On an Unpublished Introduction to \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2703/},
	doi = {10.16995/pn.39},
	pages = {249--250},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Mendelson, Edward},
	urldate = {2024-06-19},
	date = {2008-09-22},
}

@article{mesher_corrigenda_1981-1,
	title = {Corrigenda: A Note on \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2440/},
	doi = {10.16995/pn.487},
	shorttitle = {Corrigenda},
	pages = {13--16},
	number = {5},
	journaltitle = {Pynchon Notes},
	author = {Mesher, David R.},
	urldate = {2024-06-19},
	date = {1981-02-01},
}

@article{mesher_pynchon_1982,
	title = {Pynchon and Nabokoy's \textit{V.}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2460/},
	doi = {10.16995/pn.460},
	pages = {43--46},
	number = {8},
	journaltitle = {Pynchon Notes},
	author = {Mesher, David R.},
	urldate = {2024-06-19},
	date = {1982-02-01},
}

@article{mcdaid_not_1993,
	title = {"Not Yet Blindingly One": \textit{Gravity's Rainbow} and the Hypertextualists},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2762/},
	doi = {10.16995/pn.219},
	shorttitle = {"Not Yet Blindingly One"},
	pages = {132--151},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {{McDaid}, John and Moulthrop, Stuart},
	urldate = {2024-06-19},
	date = {1993-09-22},
}

@article{moulthrop_strobes_1989,
	title = {Strobe's Stimulus},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2795/},
	doi = {10.16995/pn.293},
	pages = {71--79},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Moulthrop, Stuart},
	urldate = {2024-06-19},
	date = {1989-09-22},
}

@article{nagano_formation_2003-1,
	title = {The Formation of the Rocket-Nation: Abstract Systems in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2709/},
	doi = {10.16995/pn.54},
	shorttitle = {The Formation of the Rocket-Nation},
	pages = {81--99},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Nagano, Yoshihiro},
	urldate = {2024-06-19},
	date = {2003-09-22},
}

@article{e_parry_catching_2002,
	title = {"Catching the War": Jessica Swanlake's Brief Liberation},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2536/},
	doi = {10.16995/pn.73},
	shorttitle = {"Catching the War"},
	pages = {97--107},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {E. Parry, Sally},
	urldate = {2024-06-19},
	date = {2002-09-22},
}

@article{peirce_pynchons_1982,
	title = {Pynchon's \textit{V.} and Durrell's \textit{Alexandria Quartet}: A Seminar in the Modern Tradition},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2663/},
	doi = {10.16995/pn.457},
	shorttitle = {Pynchon's \textit{V.} and Durrell's \textit{Alexandria Quartet}},
	pages = {23--29},
	number = {8},
	journaltitle = {Pynchon Notes},
	author = {Peirce, Carol Marshall},
	urldate = {2024-06-19},
	date = {1982-02-01},
}

@article{mead_thomas_1984,
	title = {Thomas Pynchon and Aleatory Space},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2393/},
	doi = {10.16995/pn.385},
	pages = {3--46},
	number = {15},
	journaltitle = {Pynchon Notes},
	author = {Mead, Clifford and Langford, Margaret S. and Petillon, Pierre-Yves},
	urldate = {2024-06-19},
	date = {1984-09-22},
}

@article{piela_iii_note_1990-1,
	title = {A Note on Television in \textit{Vineland}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2788/},
	doi = {10.16995/pn.279},
	pages = {125--127},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Piela Iii, Albert},
	urldate = {2024-06-19},
	date = {1990-09-22},
}

@article{pohlmann_silences_2011,
	title = {Silences and Worlds: Wittgenstein and Pynchon},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2472/},
	doi = {10.16995/pn.12},
	shorttitle = {Silences and Worlds},
	pages = {158--180},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Pöhlmann, Sascha},
	urldate = {2024-06-19},
	date = {2011-09-22},
}

@article{purdy_gravitys_1988-1,
	title = {\textit{Gravity's Rainbow} and The Culture of Childhood},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2381/},
	doi = {10.16995/pn.312},
	pages = {7--23},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Purdy, Strother},
	urldate = {2024-06-19},
	date = {1988-09-22},
}

@article{quinn_seeing_2011,
	title = {Seeing the Wood for the Trees: Levels of Reading and Intertextual Mythmaking in Thomas Pynchon’s \textit{Gravity’s Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2694/},
	doi = {10.16995/pn.14},
	shorttitle = {Seeing the Wood for the Trees},
	pages = {192--211},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Quinn, Mark},
	urldate = {2024-06-19},
	date = {2011-09-22},
}

@article{raudaskoski_somethings_1998-1,
	title = {"Something's Stalking Through the City of Smoke": Tracing the Ins and Outs of \textit{Gravity's Rainbow's} London},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2485/},
	doi = {10.16995/pn.144},
	shorttitle = {"Something's Stalking Through the City of Smoke"},
	pages = {121--133},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Raudaskoski, Heikki},
	urldate = {2024-06-19},
	date = {1998-09-22},
}

@article{reich_re-reading_1992-1,
	title = {Re-reading \textit{The Crying of Lot 49}: A Note on the \textit{Oz} Connection},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2590/},
	doi = {10.16995/pn.241},
	shorttitle = {Re-reading \textit{The Crying of Lot 49}},
	pages = {179--184},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Reich, Angela},
	urldate = {2024-06-19},
	date = {1992-09-22},
}

@article{tomaske_hard_2008,
	title = {Hard Science and the Paranormal in Gravity's Rainbow{\textless}/i{\textgreater}: Precognition Machines, Cockroaches, and Not That Helmut Schmidt},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2681/},
	doi = {10.16995/pn.24},
	shorttitle = {Hard Science and the Paranormal in Gravity's Rainbow{\textless}/i{\textgreater}},
	pages = {39--53},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Tomaske, Stephen and Reilly, Terry},
	urldate = {2024-06-19},
	date = {2008-09-22},
}

@article{tomaske_medicine_2011,
	title = {Medicine and the Paranormal in \textit{Gravity’s Rainbow}: Ephyre, Anaphylaxis, and That Charles Richet},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2572/},
	doi = {10.16995/pn.13},
	shorttitle = {Medicine and the Paranormal in \textit{Gravity’s Rainbow}},
	pages = {181--191},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Tomaske, Steve and Reilly, Terry},
	urldate = {2024-06-19},
	date = {2011-09-22},
}

@article{richwell_crying_1985-1,
	title = {\textit{The Crying of Lot 49}: A Source Study},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2827/},
	doi = {10.16995/pn.368},
	shorttitle = {\textit{The Crying of Lot 49}},
	pages = {78--80},
	number = {17},
	journaltitle = {Pynchon Notes},
	author = {Richwell, Adrian Emily},
	urldate = {2024-06-19},
	date = {1985-09-22},
}

@article{salvan_ideas_2011,
	title = {Ideas of Community in \textit{The Crying of Lot 49}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2691/},
	doi = {10.16995/pn.6},
	pages = {74--86},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Salván, Paula Martín},
	urldate = {2024-06-19},
	date = {2011-09-22},
}

@article{w_schlegel_rebellion_2001,
	title = {The Rebellion of the Coprophages},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {https://doi.org/10.16995/pn.95},
	doi = {10.16995/pn.95},
	pages = {170--177},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {W. Schlegel, Keith},
	urldate = {2024-06-19},
	date = {2001-09-22},
}

@article{ritter_light_1987,
	title = {The Light Bulb Fake},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2626/},
	doi = {10.16995/pn.341},
	pages = {121--133},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Ritter, Erich and Schwan, Helke},
	urldate = {2024-06-19},
	date = {1987-09-22},
}

@article{severs_fascisms_2011,
	title = {In Fascism’s Footprint: The History of “Creeping” and \textit{Vineland’s} Poetics of Betrayal},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2463/},
	doi = {10.16995/pn.15},
	shorttitle = {In Fascism’s Footprint},
	pages = {212--228},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Severs, Jeffrey},
	urldate = {2024-06-19},
	date = {2011-09-22},
}

@article{tillotson_gravitational_1980-1,
	title = {Gravitational Entropy in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2585/},
	doi = {10.16995/pn.495},
	pages = {23--24},
	number = {4},
	journaltitle = {Pynchon Notes},
	author = {Tillotson, T. S.},
	urldate = {2024-06-19},
	date = {1980-10-01},
}

@article{vanderbeke_n_2001,
	title = {\textit{N} Tropes for Entropy in Pynchon's Early Works},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2479/},
	doi = {10.16995/pn.89},
	pages = {35--59},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Vanderbeke, Dirk},
	urldate = {2024-06-19},
	date = {2001-09-22},
}

@article{vanwesenbeeck_gravitys_2011,
	title = {\textit{Gravity’s Rainbow}: A Portrait of the Artist as Engineer},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2693/},
	doi = {10.16995/pn.11},
	shorttitle = {\textit{Gravity’s Rainbow}},
	pages = {144--157},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Vanwesenbeeck, Birger},
	urldate = {2024-06-19},
	date = {2011-09-22},
}

@article{vasilenko_apocalyptic_2011,
	title = {Apocalyptic Quest in Thomas Pynchon’s \textit{V}. and Roberto Bolaño’s \textit{2666}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2690/},
	doi = {10.16995/pn.2},
	pages = {21--29},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Vasilenko, Andrei},
	urldate = {2024-06-19},
	date = {2011-09-22},
}

@article{vella_pynchon_1986-1,
	title = {Pynchon, \textit{V.}, and The French Surrealists},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2543/},
	doi = {10.16995/pn.348},
	pages = {29--38},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Vella, Michael W.},
	urldate = {2024-06-19},
	date = {1986-09-22},
}

@article{vukmirovich_porters_1988-1,
	title = {Porter's "Flowering Judas" And Pynchon's \textit{V.}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2412/},
	doi = {10.16995/pn.317},
	pages = {71--73},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Vukmirovich, John},
	urldate = {2024-06-19},
	date = {1988-09-22},
}

@article{m_wallhead_mason_2001,
	title = {Mason and Dixon: Pynchon's Bickering Heroes},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2640/},
	doi = {10.16995/pn.96},
	shorttitle = {Mason and Dixon},
	pages = {178--199},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {M. Wallhead, Celia},
	urldate = {2024-06-19},
	date = {2001-09-22},
}

@article{perrin_warren_ritual_1986,
	title = {Ritual Reluctance: The Poetics of Discontinuity in \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2821/},
	doi = {10.16995/pn.350},
	shorttitle = {Ritual Reluctance},
	pages = {55--65},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Perrin Warren, James},
	urldate = {2024-06-19},
	date = {1986-09-22},
}

@article{weisenburger_haunted_1998-1,
	title = {Haunted History and \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2628/},
	doi = {10.16995/pn.137},
	pages = {12--28},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Weisenburger, Steven},
	urldate = {2024-06-19},
	date = {1998-09-22},
}

@article{weisenburger_zone_2011,
	title = {In the Zone: Sovereignty and Bare Life in \textit{Gravity’s Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2521/},
	doi = {10.16995/pn.8},
	shorttitle = {In the Zone},
	pages = {100--113},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Weisenburger, Steven},
	urldate = {2024-06-19},
	date = {2011-09-22},
}

@article{weisenburger_notes_1983-1,
	title = {Notes for \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2425/},
	doi = {10.16995/pn.414},
	pages = {3--15},
	number = {12},
	journaltitle = {Pynchon Notes},
	author = {Weisenburger, Steven},
	urldate = {2024-06-19},
	date = {1983-06-01},
}

@article{wilcox_vineland_1989-1,
	title = {\textit{Vineland} and Dobie Gillis},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2646/},
	doi = {10.16995/pn.296},
	pages = {111--112},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Wilcox, Rhonda},
	urldate = {2024-06-19},
	date = {1989-09-22},
}

@article{winston_comic_1984-1,
	title = {A Comic Source of \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2525/},
	doi = {10.16995/pn.389},
	pages = {73--76},
	number = {15},
	journaltitle = {Pynchon Notes},
	author = {Winston, Mathew},
	urldate = {2024-06-19},
	date = {1984-09-22},
}

@article{workman_gravitys_1983-1,
	title = {\textit{Gravity's Rainbow}: A Folkloristic Reading},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2844/},
	doi = {10.16995/pn.415},
	shorttitle = {\textit{Gravity's Rainbow}},
	pages = {16--25},
	number = {12},
	journaltitle = {Pynchon Notes},
	author = {Workman, Mark E.},
	urldate = {2024-06-19},
	date = {1983-06-01},
}

@article{amiran_but_1990,
	title = {"But Who, They?": Pynchon's Political Allegory},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2791/},
	doi = {10.16995/pn.284},
	shorttitle = {"But Who, They?},
	pages = {167--172},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Amiran, Eyal},
	urldate = {2024-06-28},
	date = {1990-09-22},
}

@article{arich-gerz_mindful_2003,
	title = {Mindful Pleasure},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2387/},
	doi = {10.16995/pn.61},
	pages = {216--219},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Arich-Gerz, Bruno},
	urldate = {2024-06-28},
	date = {2003-09-22},
}

@article{battesti_luc_2003,
	title = {Luc Herman, ed. Approach and Avoid : Essays on Gravity’s Rainbow.: Pynchon Notes 42-43 (spring-fall 1998) 342 p. \$ 14.},
	issn = {1765-2766},
	url = {http://journals.openedition.org/transatlantica/697},
	doi = {10.4000/transatlantica.697},
	shorttitle = {Luc Herman, ed. Approach and Avoid},
	pages = {1--2},
	number = {1},
	journaltitle = {Transatlantica},
	shortjournal = {transatlantica},
	author = {Battesti, Anne},
	urldate = {2024-06-28},
	date = {2003-10-01},
}

@article{beauregard_book_1992,
	title = {Book Review: Fragmented Urban Images: The American City in Modern Fiction from Stephen Crane to Thomas Pynchon: {GERD} {HURM}, 1991 Frankfurt-am-Main: Peter Lang 361 pp., {DM}36 paperback},
	volume = {29},
	rights = {http://journals.sagepub.com/page/policies/text-and-data-mining-license},
	issn = {0042-0980, 1360-063X},
	url = {http://journals.sagepub.com/doi/10.1080/00420989220080391},
	doi = {10.1080/00420989220080391},
	shorttitle = {Book Review},
	pages = {318--321},
	number = {2},
	journaltitle = {Urban Studies},
	shortjournal = {Urban Studies},
	author = {Beauregard, Robert A.},
	urldate = {2024-06-28},
	date = {1992-04},
	langid = {english},
}

@article{beja_self-conscious_1990,
	title = {\textit{The Self-Conscious Novel: Artifice in Fiction from Joyce to Pynchon} . Brian Stonehill},
	volume = {87},
	issn = {0026-8232, 1545-6951},
	url = {https://www.journals.uchicago.edu/doi/10.1086/391814},
	doi = {10.1086/391814},
	shorttitle = {{\textless}i{\textgreater}The Self-Conscious Novel},
	pages = {428--430},
	number = {4},
	journaltitle = {Modern Philology},
	shortjournal = {Modern Philology},
	author = {Beja, Morris},
	urldate = {2024-06-28},
	date = {1990-05},
	langid = {english},
}

@article{berressem_criticism_2001,
	title = {Criticism \& Pynchon \& "Mason \& Dixon"},
	volume = {42},
	issn = {00107484},
	url = {http://www.jstor.org/stable/1209056?origin=crossref},
	doi = {10.2307/1209056},
	pages = {834--841},
	number = {4},
	journaltitle = {Contemporary Literature},
	shortjournal = {Contemporary Literature},
	author = {Berressem, Hanjo and Clerc, Charles and Horvath, Brooke and Malin, Irving},
	urldate = {2024-06-28},
	date = {2001},
}

@article{berressem_where_1992,
	title = {Where Has All the Theory Gone?},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2534/},
	doi = {10.16995/pn.249},
	pages = {210--213},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Berressem, Hanjo},
	urldate = {2024-06-28},
	date = {1992-09-22},
}

@article{berube_twayne_1992,
	title = {Twayne in Vain},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2771/},
	doi = {10.16995/pn.247},
	pages = {201--204},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Bérubé, Michael},
	urldate = {2024-06-28},
	date = {1992-09-22},
}

@article{black_postmodernist_1986,
	title = {Postmodernist Fictions: A Review Essay},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2396/},
	doi = {10.16995/pn.353},
	shorttitle = {Postmodernist Fictions},
	pages = {96--109},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Black, Joel},
	urldate = {2024-06-28},
	date = {1986-09-22},
}

@article{blaine_thats_1997,
	title = {That's "Post-Bibliocentric" to You},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2562/},
	doi = {10.16995/pn.174},
	pages = {218--220},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Blaine, Diana York},
	urldate = {2024-06-28},
	date = {1997-09-22},
}

@incollection{adams_counterparts_1977,
	title = {Counterparts},
	pages = {170--179},
	booktitle = {Afterjoyce: Studies in Fiction After Ulysses},
	author = {Adams, Robert M.},
	date = {1977},
}

@article{ames_review_1984,
	title = {Review of 'Film Gravity's Rainbow'},
	volume = {11},
	pages = {68--69},
	number = {1},
	journaltitle = {The International Fiction Review},
	author = {Ames, Sanford S.},
	date = {1984},
}

@article{angle_review_1993,
	title = {Review of New Essays on The Crying of Lot 49},
	volume = {23},
	pages = {57--60},
	number = {1},
	journaltitle = {Journal of Narrative Technique},
	author = {Angle, James},
	date = {1993},
}

@article{arich-gerz_brain_2008,
	title = {Brain Drain Against the Grain: A Report on the International Pynchon Week 2008},
	journaltitle = {{EBR}: Electronic Book Review},
	author = {Arich-Gerz, Bruno F.},
	date = {2008},
}

@article{arich-gerz_review_nodate,
	title = {Review of Die Bürde der Geschichte},
	journaltitle = {Sic et Non: Zeitschrift für Philosophie und Kultur im Netz},
	author = {Arich-Gerz, Bruno F.},
}

@article{arich-gerz_review_1996,
	title = {Review of Niran Abbas' [ed], Thomas Pynchon},
	volume = {41},
	pages = {605--608},
	number = {4},
	journaltitle = {Amerikastudien: A Monograph Series},
	author = {Arich-Gerz, Bruno F.},
	date = {1996},
}

@article{arich-gerz_review_2003,
	title = {Review of Blissful Bewilderment},
	volume = {35},
	pages = {572--576},
	number = {4},
	journaltitle = {Studies in the Novel},
	author = {Arich-Gerz, Bruno F.},
	date = {2003},
}

@article{aso_breaking_2000,
	title = {Breaking Through Pynchon Studies in Japan: Review of Kihara's Thomas Pynchon and Ishiwari's Postmodern Metamorphosis},
	pages = {251--259},
	number = {46},
	journaltitle = {Pynchon Notes},
	author = {Aso, Takashi},
	date = {2000},
}

@article{baker_publish_1999,
	title = {Publish and Perish: Review of The Utterance of America},
	pages = {227--231},
	number = {44},
	journaltitle = {Pynchon Notes},
	author = {Baker, Jeffrey S.},
	date = {1999},
}

@article{baker_taking_2002,
	title = {Taking Liberties: Review of Negative Liberties},
	pages = {131--135},
	number = {50},
	journaltitle = {Pynchon Notes},
	author = {Baker, Jeffrey S.},
	date = {2002},
}

@article{baldick_novel_1983,
	title = {Novel Technology: Review of Approaches to Gravity's Rainbow},
	pages = {576},
	journaltitle = {Times Literary Supplement},
	author = {Baldick, Chris},
	date = {1983},
}

@article{battesti_reviewed_2014,
	title = {Reviewed Work: Fonds perdus. coll. 'Fiction et Cie' by Thomas Pynchon},
	volume = {410},
	pages = {157},
	number = {12},
	journaltitle = {Esprit},
	author = {Battesti, Anne},
	date = {2014},
}

@article{baxter_review_1979,
	title = {Review of The Grim Phoenix: Reconstructing Thomas Pynchon, by William M. Plater},
	volume = {21},
	pages = {179--182},
	number = {2},
	journaltitle = {Criticism: A Quarterly for Literature and the Arts},
	author = {Baxter, Charles},
	date = {1979},
}

@article{begnal_review_1992,
	title = {Review of Marginal Forces/Cultural Centers},
	pages = {461},
	journaltitle = {Choice},
	author = {Begnal, Michael H.},
	date = {1992},
}

@article{begnal_review_2002,
	title = {Review of Negative Liberties},
	pages = {881--882},
	journaltitle = {Choice},
	author = {Begnal, Michael H.},
	date = {2002},
}

@article{begnal_review_1992-1,
	title = {Review of The Postmodernist Allegories of Thomas Pynchon},
	pages = {744},
	journaltitle = {Choice},
	author = {Begnal, Michael H.},
	date = {1992},
}

@article{begnal_review_1994,
	title = {Review of The Vineland Papers},
	pages = {1132},
	journaltitle = {Choice},
	author = {Begnal, Michael H.},
	date = {1994},
}

@article{begnal_review_1989,
	title = {Review of Clifford Mead's Thomas Pynchon: A Biliography of Primary and Secondary Materials},
	pages = {290},
	journaltitle = {Choice},
	author = {Begnal, Michael H.},
	date = {1989},
}

@article{bellman_review_1980,
	title = {Review of Stark (1980)},
	volume = {18},
	pages = {461--462},
	journaltitle = {Studies in Short Fiction},
	author = {Bellman, Samuel I.},
	date = {1980},
}

@article{betts_review_1982,
	title = {Review of Thomas Pynchon: The Voice of Ambiguity},
	volume = {9},
	pages = {81--82},
	number = {1},
	journaltitle = {College Literature},
	author = {Betts, Richard A.},
	date = {1982},
}

@article{blaine_seeing_2002,
	title = {Seeing Red: The Female Body and Periodic Renewal. Review of The Bleeding of America},
	pages = {154--157},
	number = {50},
	journaltitle = {Pynchon Notes},
	author = {Blaine, Diana Y.},
	date = {2002},
}

@article{blake_review_1992,
	title = {Review of Beyond and Beneath the Mantle},
	volume = {70},
	pages = {854},
	number = {3},
	journaltitle = {Revue belge de philologie et d'histoire},
	author = {Blake, Nancy},
	date = {1992},
}

@article{blake_review_1992-1,
	title = {Review of Beyond and Beneath the Mantle},
	pages = {237},
	number = {54},
	journaltitle = {Revue française d'études américaines},
	author = {Blake, Nancy},
	date = {1992},
}

@collection{copestake_book_2003,
	location = {New York},
	title = {Book Reviews: American Postmodernity: Essays on the Recent Fiction of Thomas Pynchon},
	pagetotal = {223},
	publisher = {Peter Lang},
	editor = {Copestake, Ian D.},
	date = {2003},
}

@article{booker_postmodernism_1994,
	title = {Postmodernism and the Technological Imagination: Review of Postmodern Sublime},
	pages = {199--204},
	number = {34},
	journaltitle = {Pynchon Notes},
	author = {Booker, Keith M.},
	date = {1994},
}

@article{brivic_review_1980,
	title = {Review of Cowart (1980) and Stark (1980)},
	volume = {8},
	pages = {599--600},
	journaltitle = {Journal of Modern Literature},
	author = {Brivic, Sheldon},
	date = {1980},
}

@article{brivic_review_1982,
	title = {Review of Fowler (1980) and Schaub (1981)},
	volume = {9},
	pages = {520--522},
	journaltitle = {Journal of Modern Literature},
	author = {Brivic, Sheldon},
	date = {1982},
}

@article{brivic_review_1976,
	title = {Review of Levine and Leverenz (1976)},
	volume = {6},
	pages = {704--705},
	journaltitle = {Journal of Modern Literature},
	author = {Brivic, Sheldon},
	date = {1976},
}

@article{brivic_review_1979,
	title = {Review of Plater (1978) and Siegel (1978)},
	volume = {7},
	pages = {800--802},
	journaltitle = {Journal of Modern Literature},
	author = {Brivic, Sheldon},
	date = {1979},
}

@article{brivic_review_1976-1,
	title = {Review of Slade (1974)},
	pages = {791--792},
	number = {5},
	journaltitle = {Journal of Modern Literature},
	author = {Brivic, Sheldon},
	date = {1976},
}

@article{brivic_review_1988,
	title = {Review of The Style of Connectedness},
	volume = {15},
	pages = {398--399},
	number = {2},
	journaltitle = {Journal of Modern Literature},
	author = {Brivic, Sheldon},
	date = {1988},
}

@article{carswell_review_2015,
	title = {Review of Scott {McClintock} and John Miller (eds), Pynchon’s California (Iowa: University of Iowa Press, 2014).},
	volume = {3},
	issn = {2047-2870},
	url = {https://www.pynchon.net/articles/10.7766/orbit.v3.1.130/},
	doi = {10.7766/orbit.v3.1.130},
	shorttitle = {Review of Scott {McClintock} and John Miller (eds), Pynchon’s California (Iowa},
	pages = {1--6},
	number = {1},
	journaltitle = {Orbit: Writing Around Pynchon},
	shortjournal = {O},
	author = {Carswell, Sean M.},
	urldate = {2024-06-28},
	date = {2015-03-29},
}

@article{chambers_emancipatory_1994,
	title = {Emancipatory Predicaments in Postmodern Criticism},
	volume = {35},
	issn = {00107484},
	url = {http://www.jstor.org/stable/1208845?origin=crossref},
	doi = {10.2307/1208845},
	pages = {376--380},
	number = {2},
	journaltitle = {Contemporary Literature},
	shortjournal = {Contemporary Literature},
	author = {Chambers, Judith and Berressem, Hanjo and Maltby, Paul},
	urldate = {2024-06-28},
	date = {1994},
}

@article{chambers_text_1993,
	title = {Text is a Text is a Text},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2443/},
	doi = {10.16995/pn.226},
	pages = {196--200},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Chambers, Judith},
	urldate = {2024-06-28},
	date = {1993-09-22},
}

@article{chambers_case_1987,
	title = {The Case For Ethical Rightness},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2818/},
	doi = {10.16995/pn.342},
	pages = {135--140},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Chambers, Judith},
	urldate = {2024-06-28},
	date = {1987-09-22},
}

@article{chetwynd_political_2019,
	title = {The Political Imagination of Thomas Pynchon’s Later Novels},
	volume = {33},
	rights = {http://creativecommons.org/licenses/by-nc-nd/3.0},
	issn = {1841-964X},
	url = {https://www.sciendo.com/article/10.2478/abcsj-2019-0026},
	doi = {10.2478/abcsj-2019-0026},
	pages = {233--243},
	number = {1},
	journaltitle = {American, British and Canadian Studies},
	author = {Chetwynd, Ali},
	urldate = {2024-06-28},
	date = {2019-12-01},
	langid = {english},
}

@article{clark_rockets_1983,
	title = {Of Rockets and Sprockets, History and Mystery, Philology and Technology},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2846/},
	doi = {10.16995/pn.419},
	pages = {48--51},
	number = {12},
	journaltitle = {Pynchon Notes},
	author = {Clark, Beverly Lyon},
	urldate = {2024-06-28},
	date = {1983-06-01},
}

@article{clarke_marginal_1993,
	title = {Marginal Forces/Cultural Centers: Tolson, Pynchon, and the Politics of the Canon.},
	volume = {65},
	issn = {00029831},
	url = {https://www.jstor.org/stable/2927371?origin=crossref},
	doi = {10.2307/2927371},
	shorttitle = {Marginal Forces/Cultural Centers},
	pages = {383--384},
	number = {2},
	journaltitle = {American Literature},
	shortjournal = {American Literature},
	author = {Clarke, George Elliott and Berube, Michael},
	urldate = {2024-06-28},
	date = {1993-06},
}

@article{coale_pynchon_2009,
	title = {Pynchon and the Political (review)},
	volume = {55},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/269567},
	doi = {10.1353/mfs.0.1618},
	pages = {374--376},
	number = {2},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Coale, Samuel Chase},
	urldate = {2024-06-28},
	date = {2009-06},
	langid = {english},
}

@article{conte_thomas_2013,
	title = {Thomas Pynchon and the Dark Passages of History by David Cowart (review)},
	volume = {45},
	issn = {1934-1512},
	url = {https://muse.jhu.edu/article/536472},
	doi = {10.1353/sdn.2014.0003},
	pages = {709--711},
	number = {4},
	journaltitle = {Studies in the Novel},
	shortjournal = {sdn},
	author = {Conte, Joseph M.},
	urldate = {2024-06-28},
	date = {2013-12},
	langid = {english},
}

@article{cook_negative_2002,
	title = {\textit{Negative Liberties: Morrison, Pynchon, and the Problem of Liberal Ideology; Pynchon Notes 42-43: Approach and Avoid: Essays on “Gravity's Rainbow} ”},
	volume = {74},
	issn = {0002-9831, 1527-2117},
	url = {https://read.dukeupress.edu/american-literature/article/74/3/668/4291/Negative-Liberties-Morrison-Pynchon-and-the},
	doi = {10.1215/00029831-74-3-668},
	shorttitle = {{\textless}i{\textgreater}Negative Liberties},
	pages = {668--670},
	number = {3},
	journaltitle = {American Literature},
	author = {Cook, Don L.},
	urldate = {2024-06-28},
	date = {2002-09-01},
	langid = {english},
}

@article{cowart_baedeker_1981,
	title = {Baedeker to Pynchon},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2872/},
	doi = {10.16995/pn.489},
	pages = {20--27},
	number = {5},
	journaltitle = {Pynchon Notes},
	author = {Cowart, David},
	urldate = {2024-06-28},
	date = {1981-02-01},
}

@article{cowart_pynchon_1979,
	title = {Pynchon: A Collection of Critical Essays},
	volume = {13},
	issn = {00218510},
	url = {https://www.jstor.org/stable/3332001?origin=crossref},
	doi = {10.2307/3332001},
	shorttitle = {Pynchon},
	pages = {125--127},
	number = {3},
	journaltitle = {Journal of Aesthetic Education},
	shortjournal = {Journal of Aesthetic Education},
	author = {Cowart, David and Mendelson, Edward},
	urldate = {2024-06-28},
	date = {1979-07},
}

@article{cowart_writing_1991,
	title = {Writing Pynchon: Strategies in Fictional Analysis.},
	volume = {63},
	issn = {00029831},
	url = {https://www.jstor.org/stable/2926591?origin=crossref},
	doi = {10.2307/2926591},
	shorttitle = {Writing Pynchon},
	pages = {153--154},
	number = {1},
	journaltitle = {American Literature},
	shortjournal = {American Literature},
	author = {Cowart, David and {McHoul}, Alec and Wills, David},
	urldate = {2024-06-28},
	date = {1991-03},
}

@article{cowart_thomas_1993,
	title = {Thomas Pynchon.},
	volume = {65},
	issn = {00029831},
	url = {https://www.jstor.org/stable/2928104?origin=crossref},
	doi = {10.2307/2928104},
	pages = {170--171},
	number = {1},
	journaltitle = {American Literature},
	shortjournal = {American Literature},
	author = {Cowart, David and Slade, Joseph W.},
	urldate = {2024-06-28},
	date = {1993-03},
}

@article{cullen_pynchon_1983,
	title = {Pynchon at the {MLA} Convention},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2848/},
	doi = {10.16995/pn.424},
	pages = {3--5},
	number = {11},
	journaltitle = {Pynchon Notes},
	author = {Cullen, Robert J.},
	urldate = {2024-06-28},
	date = {1983-02-01},
}

@article{cooper_signs_1985,
	title = {Signs and Symptoms: Thomas Pynchon and the Contemporary World by Peter L. Cooper (review)},
	volume = {39},
	issn = {1939-9014},
	url = {https://muse.jhu.edu/article/482747},
	doi = {10.1353/rmr.1985.0050},
	shorttitle = {Signs and Symptoms},
	pages = {66--67},
	number = {1},
	journaltitle = {Rocky Mountain Review of Language and Literature},
	shortjournal = {rmr},
	author = {Cooper, Peter L.},
	urldate = {2024-06-28},
	date = {1985},
	langid = {english},
}

@article{duyfhuizen_included_1984,
	title = {Included Middles and the Trope of the Absent Insight},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2839/},
	doi = {10.16995/pn.403},
	pages = {75--81},
	number = {14},
	journaltitle = {Pynchon Notes},
	author = {Duyfhuizen, Bernard},
	urldate = {2024-06-28},
	date = {1984-02-01},
}

@article{duyfhuizen_putting_1995,
	title = {Putting It All Together},
	volume = {28},
	issn = {00295132},
	url = {https://www.jstor.org/stable/1345511?origin=crossref},
	doi = {10.2307/1345511},
	pages = {201--203},
	number = {2},
	journaltitle = {{NOVEL}: A Forum on Fiction},
	shortjournal = {{NOVEL}: A Forum on Fiction},
	author = {Duyfhuizen, Bernard and {McHale}, Brian},
	urldate = {2024-06-28},
	date = {1995},
}

@article{duyfhuizen_pynchon_1982,
	title = {Pynchon Anthologized},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2858/},
	doi = {10.16995/pn.451},
	pages = {69--72},
	number = {9},
	journaltitle = {Pynchon Notes},
	author = {Duyfhuizen, Bernard},
	urldate = {2024-06-28},
	date = {1982-06-01},
}

@article{duyfhuizen_pynchons_1994,
	title = {Pynchon's Poetics: Interfacing Theory and Text (review)},
	volume = {40},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/243615},
	doi = {10.1353/mfs.0.0463},
	shorttitle = {Pynchon's Poetics},
	pages = {163--164},
	number = {1},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Duyfhuizen, Bernard},
	urldate = {2024-06-28},
	date = {1994-03},
	langid = {english},
}

@article{duyfhuizen_signs_1983,
	title = {Signs and Symptoms: Thomas Pynchon and the Contemporary World.},
	volume = {55},
	issn = {00029831},
	url = {https://www.jstor.org/stable/2925993?origin=crossref},
	doi = {10.2307/2925993},
	shorttitle = {Signs and Symptoms},
	pages = {664--666},
	number = {4},
	journaltitle = {American Literature},
	shortjournal = {American Literature},
	author = {Duyfhuizen, Bernard and Cooper, Peter L.},
	urldate = {2024-06-28},
	date = {1983-12},
}

@article{duyfhuizen_thomas_1982,
	title = {Thomas H. Schaub, Pynchon: The Voice of Ambiguity (Urbana: Univ. of Illinois Press, 1981, \$13.50). Pp. x, 165.},
	volume = {16},
	rights = {https://www.cambridge.org/core/terms},
	issn = {0021-8758, 1469-5154},
	url = {https://www.cambridge.org/core/product/identifier/S0021875800011075/type/journal_article},
	doi = {10.1017/S0021875800011075},
	shorttitle = {Thomas H. Schaub, Pynchon},
	pages = {314--315},
	number = {2},
	journaltitle = {Journal of American Studies},
	shortjournal = {J. Am. Stud.},
	author = {Duyfhuizen, Bernard},
	urldate = {2024-06-28},
	date = {1982-08},
	langid = {english},
}

@article{duyfhuizen_taking_1989,
	title = {Taking Stock: 26 Years since "V." (Over 26 Books on Pynchon!)},
	volume = {23},
	issn = {00295132},
	url = {https://www.jstor.org/stable/1345580?origin=crossref},
	doi = {10.2307/1345580},
	shorttitle = {Taking Stock},
	pages = {75--88},
	number = {1},
	journaltitle = {{NOVEL}: A Forum on Fiction},
	shortjournal = {{NOVEL}: A Forum on Fiction},
	author = {Duyfhuizen, Bernard},
	urldate = {2024-06-28},
	date = {1989},
}

@article{eller_plea_1993,
	title = {A Plea for Interdisciplinary Study: A Supplement to \textit{A “Gravity's Rainbow” Companion}},
	volume = {19},
	issn = {0048-7384, 1529-1502},
	url = {https://scholarlypublishingcollective.org/rals/article/19/1/94/307660/A-Plea-for-Interdisciplinary-Study-A-Supplement-to},
	doi = {10.2307/26366966},
	shorttitle = {A Plea for Interdisciplinary Study},
	pages = {94--106},
	number = {1},
	journaltitle = {Resources for American Literary Study},
	author = {Eller, Jonathan and {McCARRON}, William},
	urldate = {2024-06-28},
	date = {1993-01-01},
	langid = {english},
}

@article{eve_thomas_2012,
	title = {Thomas Pynchon \& the Dark Passages of History / Pynchon and Relativity: Narrative Time in Thomas Pynchon's Later Novels: David Cowart, (Athens, Georgia: University of Georgia Press, 2011), 250 pp., \$24.95 (pbk)},
	volume = {26},
	issn = {0950-236X, 1470-1308},
	url = {https://www.tandfonline.com/doi/full/10.1080/0950236X.2012.730736},
	doi = {10.1080/0950236X.2012.730736},
	shorttitle = {Thomas Pynchon \& the Dark Passages of History / Pynchon and Relativity},
	pages = {973--978},
	number = {5},
	journaltitle = {Textual Practice},
	shortjournal = {Textual Practice},
	author = {Eve, Martin Paul},
	urldate = {2024-06-28},
	date = {2012-10-01},
	langid = {english},
}

@article{eve_review_2013,
	title = {Review of James Gourley, Terrorism and Temporality in the Works of Thomas Pynchon and Don {DeLillo} (2013)},
	volume = {2},
	issn = {2047-2870},
	url = {https://www.pynchon.net/articles/10.7766/orbit.v2.1.60/},
	doi = {10.7766/orbit.v2.1.60},
	pages = {1--4},
	number = {1},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Eve, Martin Paul},
	urldate = {2024-06-28},
	date = {2013-09-28},
}

@article{fogel_gobble_1984,
	title = {Gobble, Gobble, Gobble : Critical Appetites},
	volume = {15},
	issn = {0007-7720, 1710-114X},
	url = {https://utpjournals.press/doi/10.3138/CRAS-015-04-11},
	doi = {10.3138/CRAS-015-04-11},
	shorttitle = {Gobble, Gobble, Gobble},
	abstract = {Arthur D. Casciato and James L. W. West {III}, eds. Critical Essays on William Styron. Boston: G. K, Hall \& Co., 1982.318 pp. Charles Clerc, ed. Approaches to "Gravity's Rainbow. "Columbus: Ohio State University Press, 1983. 307 pp. Robert F. Kiernan. Gore Vidal New York : Frederick Ungar Publishing Co., 1982.165 pp. Charles Molesworth. Donald Barthelme's Fiction: The Ironist Saved From Drowning. Columbia: University of Missouri Press, 1982. 89 pp. M. Gilbert Porter. The Art of Grit: Ken Kesey's Fiction. Columbia : University of Missouri Press, 1982.102 pp. "Literature" is omnivorous. Genteelly, with the proper fork, itself part of the inflexible recipe, it works its way relentlessly through the contemporary American world of words. "Authors" and "oeuvres" are its favorite comestibles. Obligingly, "Gore Vidal" is trussed. This is not, you understand, Gore Vidal, the one who several times taunted William F. Buckley, Jr. with the moniker, "proto-crypto-Nazi," in a television debate, whereupon Buckley replied: "Now listen, you queer. Stop calling me a crypto-Nazi or I'll sock you in your goddam face." This is "Gore Vidal," "author," creator of fifteen or so novels as well as numerous scripts, screenplays and essays, whose output can be shown to reveal growth, consistency, coherence, and whose spat with Buckley would be placed in the category, "anecdote."},
	pages = {487--496},
	number = {4},
	journaltitle = {Canadian Review of American Studies},
	shortjournal = {Canadian Review of American Studies},
	author = {Fogel, Stanley},
	urldate = {2024-06-28},
	date = {1984-12-01},
	langid = {english},
}

@article{freer_review_2012,
	title = {Review of \textit{Pynchon’s Against the Day: A Corrupted Pilgrim’s Guide}},
	volume = {1},
	issn = {2047-2870},
	url = {https://www.pynchon.net/articles/10.7766/orbit.v1.1.26/},
	doi = {10.7766/orbit.v1.1.26},
	shorttitle = {Review of {\textless}i{\textgreater}Pynchon’s Against the Day},
	pages = {1--4},
	number = {1},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Freer, Joanna},
	urldate = {2024-06-28},
	date = {2012-07-08},
}

@article{french_four_1978,
	title = {Four Postwar American Novelists: Bellow, Mailer, Barth, and Pynchon.},
	volume = {49},
	issn = {00029831},
	url = {https://www.jstor.org/stable/2924804?origin=crossref},
	doi = {10.2307/2924804},
	shorttitle = {Four Postwar American Novelists},
	pages = {672--674},
	number = {4},
	journaltitle = {American Literature},
	shortjournal = {American Literature},
	author = {French, Warren},
	urldate = {2024-06-28},
	date = {1978-01},
}

@article{caesar_not_1994,
	title = {Not for Specialists Only: Review of Subjects Without Selves and Fables of Subversion},
	pages = {192--198},
	number = {34},
	journaltitle = {Pynchon Notes},
	author = {Caesar, Terry P.},
	date = {1994},
}

@article{caesar_travel_2000,
	title = {Travel Writing Unbound: Review of Russell's Crossing Boundaries},
	pages = {212--216},
	number = {46},
	journaltitle = {Pynchon Notes},
	author = {Caesar, Terry P.},
	date = {2000},
}

@article{callens_review_1983,
	title = {Review of Pynchon: The Voice of Ambiguity},
	volume = {61},
	pages = {715--718},
	journaltitle = {Revue belge de philologie et d'histoire},
	author = {Callens, Johan},
	date = {1983},
}

@article{carter_review_1992,
	title = {Review of The Gnostic Pynchon},
	volume = {26},
	pages = {380--382},
	number = {4},
	journaltitle = {Southern Humanities Review},
	author = {Carter, Robin C.},
	date = {1992},
}

@article{cassidy_abstracts_1994,
	title = {Abstracts of the Other Papers Presented at the [Warwick] Conference},
	pages = {176--187},
	number = {34},
	journaltitle = {Pynchon Notes},
	author = {Cassidy, Eric and O'Hara, Dan},
	date = {1994},
}

@article{clare_pilgrims_2013,
	title = {Of Pilgrims and Anarchists},
	journaltitle = {{EBR}: Electronic Book Review},
	author = {Clare, Ralph},
	date = {2013},
}

@incollection{clark_review_1981,
	title = {A Review of Major Pynchon Criticism},
	pages = {230--254},
	booktitle = {Critical Essays on Thomas Pynchon},
	author = {Clark, Beverly L and Fuoroli, Cary},
	date = {1981},
}

@article{clerc_review_1989,
	title = {Review of Pynchon's Mythography},
	volume = {16},
	pages = {66--67},
	number = {1},
	journaltitle = {The International Fiction Review},
	author = {Clerc, Charles},
	date = {1989},
}

@article{comnes_review_1989,
	title = {Review of The Self-Conscious Novel: Artifice in Fiction from Joyce to Pynchon},
	volume = {9},
	pages = {267--269},
	number = {1},
	journaltitle = {Review of Contemporary Fiction},
	author = {Comnes, Gregory},
	date = {1989},
}

@article{cornell_pynchons_1991,
	title = {Pynchon's Spiritual Paranoia},
	pages = {64--65},
	number = {18},
	journaltitle = {Gnosis: A Journal of the Western Inner Traditions},
	author = {Cornell, Jay},
	date = {1991},
}

@article{dalsgaard_forms_2000,
	title = {Forms of Space and of the Chronotope in Pynchon: Review of The Poetics of Chronotope},
	pages = {239--243},
	number = {46},
	journaltitle = {Pynchon Notes},
	author = {Dalsgaard, Inger H.},
	date = {2000},
}

@article{dalsgaard_plus_2008,
	title = {Plus Ça Change: Review of The Postmodern Adventure},
	pages = {251--254},
	number = {54},
	journaltitle = {Pynchon Notes},
	author = {Dalsgaard, Inger H.},
	date = {2008},
}

@article{davis_review_1988,
	title = {Review of The Style of Connectedness},
	volume = {20},
	pages = {436--437},
	number = {4},
	journaltitle = {Studies in the Novel},
	author = {Davis, Madison J.},
	date = {1988},
}

@article{daw_review_1990,
	title = {Review of A Gravity's Rainbow Companion},
	volume = {21},
	pages = {131--132},
	number = {1},
	journaltitle = {Canadian Review of American Studies},
	author = {Daw, Laurence F.},
	date = {1990},
}

@article{dedering_review_1995,
	title = {Review of Das Schwarzkommando},
	pages = {313--314},
	journaltitle = {South African Historical Journal},
	author = {Dedering, Tilman},
	date = {1995},
}

@article{duyfhuizen_review_1983,
	title = {Review of Approaches to Gravity's Rainbow, edited by Charles Clerc},
	volume = {29},
	pages = {741--744},
	number = {4},
	journaltitle = {Modern Fiction Studies},
	author = {Duyfhuizen, Bernard},
	date = {1983},
}

@article{eddins_figure_1988,
	title = {The Figure in the Carpet Bombing: Pynchon's Patterns of Chaos},
	volume = {10},
	pages = {155--169},
	journaltitle = {Review},
	author = {Eddins, Dwight},
	date = {1988},
}

@article{fleischmann_pynchon_1981,
	title = {Pynchon Enters the Zone, or Almost Lost in Translation},
	pages = {54--60},
	number = {8},
	journaltitle = {Pynchon Notes},
	author = {Fleischmann, Louisa and Weinshanker, Burt},
	date = {1981},
}

@article{fludernik_review_1989,
	title = {Review of Pynchon's Mythography},
	volume = {39},
	pages = {115--118},
	number = {1},
	journaltitle = {Germanisch-Romanische Monatsschrift},
	author = {Fludernik, Monika},
	date = {1989},
}

@article{fludernik_review_1989-1,
	title = {Review of Hohmann's Thomas Pynchon's Gravity's Rainbow},
	volume = {39},
	pages = {118--121},
	number = {1},
	journaltitle = {Germanisch-Romanische Monatsschrift},
	author = {Fludernik, Monika},
	date = {1989},
}

@article{gauthier_partial_2009,
	title = {Partial Faiths: Postsecular Fiction in the Age of Pynchon and Morrison (review)},
	volume = {55},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/367330},
	doi = {10.1353/mfs.0.1654},
	shorttitle = {Partial Faiths},
	pages = {845--848},
	number = {4},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Gauthier, Marni},
	urldate = {2024-06-28},
	date = {2009-12},
	langid = {english},
}

@article{grace_critical_1985,
	title = {Critical Paradigms of Contemporary American Literature},
	volume = {16},
	issn = {0007-7720, 1710-114X},
	url = {https://utpjournals.press/doi/10.3138/CRAS-016-04-09},
	doi = {10.3138/CRAS-016-04-09},
	abstract = {Charles Caramello. Silverless Mirrors: Book, Self \& Postmodern American Fiction. Tallahassee: University Presses of Florida, 1983.250 pp. Peter L. Cooper. Signs and Symptoms: Thomas Pynchon and the Contemporary World. Berkeley: University of California Press, 1983. 238 pp. Charles B. Harris. Passionate Virtuosity: The Fiction of John Earth. Urbana and Chicago: University of Illinois Press, 1983. 217 pp. Robert F. Kiernan. American Writing Since 1945: A Critical Survey. New York: Frederick Ungar Publishing, 1983.178 pp. Reading books, like the ones under review here, individually is one thing; writing about them as a group is another. Perhaps it would be wisest to abandon any attempt to discuss these four critical studies of contemporary American literature together and to concentrate upon their individual contributions to scholarship. This I shall certainly do; however, these four books, and the attempt to reflect upon their common endeavor, raise a number of interrelated questions, questions which are important to anyone interested in modern literature, contemporary culture, or literary history and critical theory.},
	pages = {483--490},
	number = {4},
	journaltitle = {Canadian Review of American Studies},
	shortjournal = {Canadian Review of American Studies},
	author = {Grace, Sherrill E.},
	urldate = {2024-06-28},
	date = {1985-12-01},
	langid = {english},
}

@article{hagen_grim_1980,
	title = {The Grim Phoenix: Reconstructing Thomas Pynchon},
	volume = {54},
	issn = {01963570},
	url = {https://www.jstor.org/stable/10.2307/40134610?origin=crossref},
	doi = {10.2307/40134610},
	shorttitle = {The Grim Phoenix},
	pages = {111--112},
	number = {1},
	journaltitle = {World Literature Today},
	author = {Hagen, W. M. and Plater, William M.},
	urldate = {2024-06-28},
	date = {1980},
	langid = {english},
}

@article{hagen_four_1978,
	title = {Four Postwar American Novelists: Bellow, Mailer, Barth and Pynchon},
	volume = {52},
	issn = {01963570},
	url = {https://www.jstor.org/stable/10.2307/40132855?origin=crossref},
	doi = {10.2307/40132855},
	shorttitle = {Four Postwar American Novelists},
	pages = {289--290},
	number = {2},
	journaltitle = {World Literature Today},
	author = {Hagen, W. M. and {McConnell}, Frank D.},
	urldate = {2024-06-28},
	date = {1978},
	langid = {english},
}

@article{harneit-sievers_schwarzkommando_1997,
	title = {Das Schwarzkommando: Thomas Pynchon und Die Geschichte der Herero},
	volume = {30},
	issn = {03617882},
	url = {https://www.jstor.org/stable/221596?origin=crossref},
	doi = {10.2307/221596},
	shorttitle = {Das Schwarzkommando},
	pages = {222--224},
	number = {1},
	journaltitle = {The International Journal of African Historical Studies},
	shortjournal = {The International Journal of African Historical Studies},
	author = {Harneit-Sievers, Axel and Selmeci, Andreas and Henrichsen, Dag},
	urldate = {2024-06-28},
	date = {1997},
}

@article{hayles_fractured_1989,
	title = {Fractured Mandala: The Inescapable Ambiguities of \textit{Gravity's Rainbow}},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2800/},
	doi = {10.16995/pn.302},
	shorttitle = {Fractured Mandala},
	pages = {129--132},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Hayles, N. Katherine},
	urldate = {2024-06-28},
	date = {1989-09-22},
}

@article{haynes_gravitys_2016,
	title = {Gravity’s Rainbow Domination and Freedom by Luc Herman, Steven Weisenburger (review)},
	volume = {62},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/613619},
	doi = {10.1353/mfs.2016.0013},
	pages = {164--167},
	number = {1},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Haynes, Doug},
	urldate = {2024-06-28},
	date = {2016-03},
	langid = {english},
}

@article{herman_pynchon_2015,
	title = {Pynchon and Philosophy: Wittgenstein, Foucault and Adorno},
	volume = {29},
	issn = {0950-236X, 1470-1308},
	url = {http://www.tandfonline.com/doi/full/10.1080/0950236X.2015.1019685},
	doi = {10.1080/0950236X.2015.1019685},
	shorttitle = {Pynchon and Philosophy},
	pages = {787--791},
	number = {4},
	journaltitle = {Textual Practice},
	shortjournal = {Textual Practice},
	author = {Herman, Luc},
	urldate = {2024-06-28},
	date = {2015-06-07},
	langid = {english},
}

@article{herman_negotiating_2016,
	title = {Negotiating the Paranoia Narrative: The Critical Reception of \textit{Bleeding Edge} (2013) by Thomas Pynchon},
	volume = {134},
	issn = {1865-8938, 0340-5222},
	url = {https://www.degruyter.com/document/doi/10.1515/ang-2016-0005/html},
	doi = {10.1515/ang-2016-0005},
	shorttitle = {Negotiating the Paranoia Narrative},
	pages = {88--112},
	number = {1},
	journaltitle = {Anglia},
	author = {Herman, Luc and Vervaeck, Bart},
	urldate = {2024-06-28},
	date = {2016-03-01},
	langid = {english},
}

@article{herman_pynchon_2008,
	title = {Pynchon Is Not a Narratologist},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2427/},
	doi = {10.16995/pn.43},
	pages = {261--267},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Herman, Luc},
	urldate = {2024-06-28},
	date = {2008-09-22},
}

@article{hill_between_1992,
	title = {Between Hammerfall and Hammerstroke},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2434/},
	doi = {10.16995/pn.244},
	pages = {192--193},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Hill, Robert R.},
	urldate = {2024-06-28},
	date = {1992-09-22},
}

@article{hite_influences_1983,
	title = {Influences, Parallels, Filiations},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2552/},
	doi = {10.16995/pn.430},
	pages = {57--62},
	number = {11},
	journaltitle = {Pynchon Notes},
	author = {Hite, Molly},
	urldate = {2024-06-28},
	date = {1983-02-01},
}

@article{hite_positioning_1990,
	title = {Positioning Postmodernism},
	volume = {23},
	issn = {00295132},
	url = {https://www.jstor.org/stable/1345958?origin=crossref},
	doi = {10.2307/1345958},
	pages = {324--327},
	number = {3},
	journaltitle = {{NOVEL}: A Forum on Fiction},
	shortjournal = {{NOVEL}: A Forum on Fiction},
	author = {Hite, Molly},
	urldate = {2024-06-28},
	date = {1990},
}

@article{hite_gravitys_1989,
	title = {A "Gravity's Rainbow" Companion: Sources and Contexts for Pynchon's Novel (review)},
	volume = {35},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/243007},
	doi = {10.1353/mfs.0.1004},
	shorttitle = {A "Gravity's Rainbow" Companion},
	pages = {305--306},
	number = {2},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Hite, Molly P.},
	urldate = {2024-06-28},
	date = {1989-06},
	langid = {english},
}

@article{hite_approaches_1985,
	title = {Approaches to "Gravity's Rainbow." ed. by Charles Clerc (review)},
	volume = {13},
	issn = {2158-5806},
	url = {https://muse.jhu.edu/article/440994},
	doi = {10.1353/saf.1985.0012},
	pages = {111--112},
	number = {1},
	journaltitle = {Studies in American Fiction},
	shortjournal = {saf},
	author = {Hite, Molly P.},
	urldate = {2024-06-28},
	date = {1985-03},
	langid = {english},
}

@article{simonetti_book_2016,
	title = {Book Reviews},
	volume = {4},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/doi/10.16995/orbit.193/},
	doi = {10.16995/orbit.193},
	pages = {1--20},
	number = {1},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Simonetti, Paolo and Rossi, Umberto and Hoffman, Todd},
	urldate = {2024-06-28},
	date = {2016-05-23},
}

@article{horvath_postmodern_1987,
	title = {Postmodern Fiction: A Bio-Bibliographical Guide , and: Literary Subversions: New American Fiction and the Practice of Criticism , and: Understanding Thomas Pynchon (review)},
	volume = {33},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/244328},
	doi = {10.1353/mfs.0.1163},
	shorttitle = {Postmodern Fiction},
	pages = {333--337},
	number = {2},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Horvath, Brooke K.},
	urldate = {2024-06-28},
	date = {1987-06},
	langid = {english},
}

@article{horvath_pynchons_1987,
	title = {Pynchon's Mythography: An Approach to Gravity's Rainbow.},
	volume = {59},
	issn = {00029831},
	url = {https://www.jstor.org/stable/2926643?origin=crossref},
	doi = {10.2307/2926643},
	shorttitle = {Pynchon's Mythography},
	pages = {690--691},
	number = {4},
	journaltitle = {American Literature},
	shortjournal = {American Literature},
	author = {Horvath, Brooke K. and Hume, Kathryn},
	urldate = {2024-06-28},
	date = {1987-12},
}

@article{hume_gnostic_1991,
	title = {The Gnostic Pynchon.},
	volume = {63},
	issn = {00029831},
	url = {https://www.jstor.org/stable/2927192?origin=crossref},
	doi = {10.2307/2927192},
	pages = {358--359},
	number = {2},
	journaltitle = {American Literature},
	shortjournal = {American Literature},
	author = {Hume, Kathryn and Eddins, Dwight},
	urldate = {2024-06-28},
	date = {1991-06},
}

@article{hume_review_2015,
	title = {Review of Evans Lansing Smith, Thomas Pynchon and the Postmodern Mythology of the Underworld, Modern American Literature: New Approaches vol. 62 (New York: Peter Lang, 2012)},
	volume = {3},
	issn = {2047-2870},
	url = {https://www.pynchon.net/articles/10.7766/orbit.v3.1.129/},
	doi = {10.7766/orbit.v3.1.129},
	shorttitle = {Review of Evans Lansing Smith, Thomas Pynchon and the Postmodern Mythology of the Underworld, Modern American Literature},
	pages = {1--5},
	number = {1},
	journaltitle = {Orbit: Writing Around Pynchon},
	shortjournal = {O},
	author = {Hume, Kathryn},
	urldate = {2024-06-28},
	date = {2015-03-02},
}

@article{hyles_contemporary_1989,
	title = {The Contemporary American Comic Epic: The Novels of Barth, Pynchon, Gaddis, and Kesey.},
	volume = {61},
	issn = {00029831},
	url = {https://www.jstor.org/stable/2926856?origin=crossref},
	doi = {10.2307/2926856},
	shorttitle = {The Contemporary American Comic Epic},
	pages = {497--498},
	number = {3},
	journaltitle = {American Literature},
	shortjournal = {American Literature},
	author = {Hyles, Vernon and Safer, Elaine B.},
	urldate = {2024-06-28},
	date = {1989-10},
}

@article{ingraham_practical_1983,
	title = {A Practical Duplicity},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2633/},
	doi = {10.16995/pn.420},
	pages = {52--55},
	number = {12},
	journaltitle = {Pynchon Notes},
	author = {Ingraham, Catherine},
	urldate = {2024-06-28},
	date = {1983-06-01},
}

@article{justus_grim_1980,
	title = {The Grim Phoenix: Reconstructing Thomas Pynchon.},
	volume = {51},
	issn = {00029831},
	url = {https://www.jstor.org/stable/2924976?origin=crossref},
	doi = {10.2307/2924976},
	shorttitle = {The Grim Phoenix},
	pages = {582--583},
	number = {4},
	journaltitle = {American Literature},
	shortjournal = {American Literature},
	author = {Justus, James H. and Plater, William M.},
	urldate = {2024-06-28},
	date = {1980-01},
}

@article{keesey_essaying_2002,
	title = {Essaying Pynchon' s Politics},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2718/},
	doi = {10.16995/pn.81},
	pages = {166--173},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Keesey, Douglas},
	urldate = {2024-06-28},
	date = {2002-09-22},
}

@article{keesey_facing_1988,
	title = {Facing up to the Reading Dilemma: A Review and Critical Overview of Pynchon Studies},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2812/},
	doi = {10.16995/pn.322},
	shorttitle = {Facing up to the Reading Dilemma},
	pages = {103--122},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Keesey, Douglas},
	urldate = {2024-06-28},
	date = {1988-09-22},
}

@article{keesey_vineland_1994,
	title = {The Vineland Papers: Critical Takes on Pynchon's Novel},
	volume = {40},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/20925},
	doi = {10.1353/mfs.1994.0023},
	shorttitle = {The Vineland Papers},
	pages = {863--865},
	number = {4},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Keesey, Douglas},
	urldate = {2024-06-28},
	date = {1994-12},
	langid = {english},
}

@article{knight_deborah_1995,
	title = {Deborah L. Madsen, The Postmodernist Allegories of Thomas Pynchon (Leicester: Leicester University Press, 1991, £32.50). Pp. 146. {ISBN} 0 7185 1369X.},
	volume = {29},
	rights = {https://www.cambridge.org/core/terms},
	issn = {0021-8758, 1469-5154},
	url = {https://www.cambridge.org/core/product/identifier/S0021875800021472/type/journal_article},
	doi = {10.1017/S0021875800021472},
	shorttitle = {Deborah L. Madsen, The Postmodernist Allegories of Thomas Pynchon (Leicester},
	pages = {325--326},
	number = {2},
	journaltitle = {Journal of American Studies},
	shortjournal = {J. Am. Stud.},
	author = {Knight, Peter G.},
	urldate = {2024-06-28},
	date = {1995-08},
	langid = {english},
}

@article{kolbuszewska_elated_2002,
	title = {An Elated Eye: Scandinavian Perspectives},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2574/},
	doi = {10.16995/pn.78},
	shorttitle = {An Elated Eye},
	pages = {136--153},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Kolbuszewska, Zofia},
	urldate = {2024-06-28},
	date = {2002-09-22},
}

@article{kopp_metahistoricizing_2008,
	title = {Metahistoricizing Pynchon: A Case for Dr. Smith(?)},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2615/},
	doi = {10.16995/pn.42},
	shorttitle = {Metahistoricizing Pynchon},
	pages = {257--260},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Kopp, Manfred},
	urldate = {2024-06-28},
	date = {2008-09-22},
}

@article{krafft_monument_1988,
	title = {A Monument to Pynchon Scholarship},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2435/},
	doi = {10.16995/pn.326},
	pages = {145--147},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Krafft, John M.},
	urldate = {2024-06-28},
	date = {1988-09-22},
}

@article{krafft_chelsea_1986,
	title = {Chelsea Mourning},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2431/},
	doi = {10.16995/pn.358},
	pages = {124--128},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Krafft, John M.},
	urldate = {2024-06-28},
	date = {1986-09-22},
}

@article{krafft_hit_1980,
	title = {Hit and Miss},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2874/},
	doi = {10.16995/pn.498},
	pages = {29--38},
	number = {4},
	journaltitle = {Pynchon Notes},
	author = {Krafft, John M.},
	urldate = {2024-06-28},
	date = {1980-10-01},
}

@article{krafft_beyond_1989,
	title = {Beyond and Beneath the Mantle: On Thomas Pynchon's "The Crying of Lot 49" , and: The Contemporary American Comic Epic: The Novels of Barth, Pynchon, Gaddis, and Kesey (review)},
	volume = {35},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/250273},
	doi = {10.1353/mfs.0.1411},
	shorttitle = {Beyond and Beneath the Mantle},
	pages = {774--776},
	number = {4},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Krafft, John M.},
	urldate = {2024-06-28},
	date = {1989-12},
	langid = {english},
}

@article{fsadni_genius_1996,
	title = {Genius Spotted in Strait Street: Locals Love Him},
	pages = {33},
	journaltitle = {Sunday Times of Malta},
	author = {Fsadni, Rainier},
	date = {1996},
}

@article{guzlowski_review_1982,
	title = {Review of Pynchon: The Voice of Ambiguity},
	volume = {28},
	pages = {310--311},
	journaltitle = {Modern Fiction Studies},
	author = {Guzlowski, John Z.},
	date = {1982},
}

@article{halpern_academy_1994,
	title = {The Academy as a Cultural Center?},
	volume = {16},
	pages = {24},
	number = {1},
	journaltitle = {The American Book Review},
	author = {Halpern, Richard},
	date = {1994},
}

@article{harmon_review_1983,
	title = {Review of Schaub (1981)},
	volume = {17},
	pages = {379--381},
	journaltitle = {Southern Humanities Review},
	author = {Harmon, William},
	date = {1983},
}

@article{henkle_review_1979,
	title = {Review of The Grim Phoenix: Reconstructing Thomas Pynchon, by William M. Plater, and Pynchon: Creative Paranoia in Gravity's Rainbow, by Mark Richard Siegel},
	volume = {25},
	pages = {340--342},
	number = {2},
	journaltitle = {Modern Fiction Studies},
	author = {Henkle, Roger B.},
	date = {1979},
}

@article{herzogenrath_review_2004,
	title = {Review of Lesen–Beobachten},
	volume = {49},
	pages = {443--444},
	number = {3},
	journaltitle = {Amerikastudien: A Monograph Series},
	author = {Herzogenrath, Bernd},
	date = {2004},
}

@article{hite_review_1985,
	title = {Review of Cooper (1983)},
	pages = {32--34},
	number = {44},
	journaltitle = {Substance},
	author = {Hite, Molly P.},
	date = {1985},
}

@article{holton_national_2000,
	title = {National Fantasies: Review of Melley's Empire of Conspiracy},
	pages = {225--228},
	number = {46},
	journaltitle = {Pynchon Notes},
	author = {Holton, Robert},
	date = {2000},
}

@article{homberger_civility_1980,
	title = {Civility at Bay},
	pages = {622},
	journaltitle = {Times Literary Supplement},
	author = {Homberger, Eric},
	date = {1980},
}

@article{horvath_safer_1988,
	title = {Safer or Sorrier?: Review of The Contemporary American Comic Epic},
	pages = {137--143},
	number = {22},
	journaltitle = {Pynchon Notes},
	author = {Horvath, Brooke K.},
	date = {1988},
}

@article{hume_occupy_2017,
	title = {Occupy Pynchon: Politics after Gravity's Rainbow, Sean Carswell, Athens, {GA}: University of Georgia Press, 2017. x + 203pp},
	volume = {5},
	number = {2},
	journaltitle = {{ORBIT}: A Journal about American Literature},
	author = {Hume, Kathryn},
	date = {2017},
}

@article{hume_interfaces_1986,
	title = {Interfaces, Transitions, and Moiré: Review of The Style of Connectedness},
	pages = {116--117},
	number = {18},
	journaltitle = {Pynchon Notes},
	author = {Hume, Kathryn},
	date = {1986},
}

@article{hume_rev_2005,
	title = {Rev. of Abbas, ed., Thomas Pynchon},
	volume = {37},
	number = {1},
	journaltitle = {Studies in the Novel},
	author = {Hume, Kathryn},
	date = {2005},
}

@article{ickstadt_review_1994,
	title = {Review of Pynchon's Poetics},
	volume = {39},
	pages = {624--625},
	number = {4},
	journaltitle = {Amerikastudien: A Monograph Series},
	author = {Ickstadt, Heinz},
	date = {1994},
}

@article{kakela-puumala_narratologia_2004,
	title = {Narratologia Sateenkaaren Päässä},
	volume = {1},
	pages = {81--85},
	number = {1},
	journaltitle = {{AVAIN}: Finnish Review of Literary Studies},
	author = {Käkelä-Puumala, Tiina},
	date = {2004},
}

@article{keesey_review_1991,
	title = {Review of The Gnostic Pynchon, A Hand to Turn the Time, and Writing Pynchon},
	volume = {32},
	pages = {281--285},
	number = {4},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	author = {Keesey, Douglas},
	date = {1991},
}

@article{kemp_literature_1982,
	title = {Literature as Micro-Dots},
	pages = {20},
	journaltitle = {The Listener},
	author = {Kemp, Peter},
	date = {1982},
}

@article{kemp_pynchon_1982,
	title = {Pynchon},
	pages = {220},
	journaltitle = {Times Literary Supplement},
	author = {Kemp, Peter},
	date = {1982},
}

@article{kharpertian_beating_1991,
	title = {Beating the Binaries: Review of Satire in Narrative and Narcissus from Rubble},
	pages = {151--155},
	number = {28},
	journaltitle = {Pynchon Notes},
	author = {Kharpertian, Theodore D.},
	date = {1991},
}

@article{kharpertian_origins_1986,
	title = {On Origins and Beginnings: Review of Journey into the Past},
	pages = {118--120},
	number = {18},
	journaltitle = {Pynchon Notes},
	author = {Kharpertian, Theodore D.},
	date = {1986},
}

@article{klinkowitz_review_1978,
	title = {Review: The Grim Phoenix: Reconstructing Thomas Pynchon by William M. Plater},
	volume = {78},
	pages = {466--468},
	number = {3},
	journaltitle = {Journal of English and Germanic Philology},
	author = {Klinkowitz, Jerome},
	date = {1978},
}

@article{klinkowitz_review_1991,
	title = {Review of Writing Pynchon and In a Dark Time},
	volume = {23},
	number = {2},
	journaltitle = {Studies in the Novel},
	author = {Klinkowitz, Jerome},
	date = {1991},
}

@article{kolbuszewska_zawiera_2011,
	title = {Zawiera rec. książki: Pynchon's Postnational Imagination / Sascha Pöhlmann. - Heidelberg, 2010},
	volume = {5},
	pages = {200--205},
	journaltitle = {Polish Journal for American Studies},
	author = {Kolbuszewska, Zofia},
	date = {2011},
}

@article{kolesch_deborah_1994,
	title = {Deborah L. Madsen: The Postmodernist Allegories of Thomas Pynchon und Paul Maltby: Dissident Postmodernists. Barthelme, Coover, Pynchon},
	volume = {39},
	pages = {621--623},
	number = {4},
	journaltitle = {Amerikastudien: A Monograph Series},
	author = {Kolesch, Doris},
	date = {1994},
}

@article{kopp_ian_2006,
	title = {Ian D. Copestake, ed., American Postmodernity: Essays on the Recent Fiction of Thomas Pynchon},
	volume = {51},
	pages = {131--134},
	number = {1},
	journaltitle = {Amerikastudien/American Studies: A Quarterly},
	author = {Kopp, Manfred},
	date = {2006},
}

@article{krafft_review_1990,
	title = {Review of Mead's Thomas Pynchon},
	volume = {47},
	pages = {151--152},
	number = {2},
	journaltitle = {Bulletin of Bibliography},
	author = {Krafft, John M.},
	date = {1990},
}

@article{larsson_approach_1981,
	title = {Approach and Avoid: Douglas A. Mackey's The Rainbow Quest of Thomas Pynchon},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2526/},
	doi = {10.16995/pn.472},
	shorttitle = {Approach and Avoid},
	pages = {49--52},
	number = {7},
	journaltitle = {Pynchon Notes},
	author = {Larsson, Donald F.},
	urldate = {2024-06-28},
	date = {1981-10-01},
}

@article{larsson_partially_1986,
	title = {Partially Understanding Pynchon},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2530/},
	doi = {10.16995/pn.357},
	pages = {121--123},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Larsson, Donald F.},
	urldate = {2024-06-28},
	date = {1986-09-22},
}

@article{lenihan_review_2015,
	title = {Review of Stefano Ercolino, \textit{The Maximalist Novel: From Thomas Pynchon’s {\textless}i{\textgreater}Gravity’s Rainbow} to Roberto Bolãno’s \textit{2666}{\textless}/i{\textgreater}. New York and London: Bloomsbury, 2014},
	volume = {3},
	rights = {https://creativecommons.org/licenses/by/4.0/},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/id/466/},
	doi = {10.16995/orbit.176},
	shorttitle = {Review of Stefano Ercolino, {\textless}i{\textgreater}The Maximalist Novel},
	pages = {1--4},
	number = {1},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Lenihan, Liam},
	urldate = {2024-06-28},
	date = {2015-08-21},
}

@article{letzler_review_2012,
	title = {Review of American Postmodernist Fiction and the Past, by Theophilus Savvas (2011)},
	volume = {1},
	issn = {2047-2870},
	url = {https://www.pynchon.net/articles/10.7766/orbit.v1.2.40/},
	doi = {10.7766/orbit.v1.2.40},
	pages = {1--5},
	number = {2},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Letzler, David},
	urldate = {2024-06-28},
	date = {2012-10-21},
}

@article{mackey_jissom_1989,
	title = {Jissom on the Reports: A Thoroughly Post-Modern Pynchon},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2802/},
	doi = {10.16995/pn.306},
	shorttitle = {Jissom on the Reports},
	pages = {143--153},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Mackey, Louis},
	urldate = {2024-06-28},
	date = {1989-09-22},
}

@article{marco_del_pont_thomas_2018,
	title = {Thomas Pynchon and American Counterculture},
	volume = {32},
	issn = {0950-236X, 1470-1308},
	url = {https://www.tandfonline.com/doi/full/10.1080/0950236X.2017.1405629},
	doi = {10.1080/0950236X.2017.1405629},
	pages = {188--190},
	number = {1},
	journaltitle = {Textual Practice},
	shortjournal = {Textual Practice},
	author = {Marcó Del Pont, Xavier},
	urldate = {2024-06-28},
	date = {2018-01-02},
	langid = {english},
}

@article{marco_del_pont_review_2012,
	title = {Review of David Cowart, \textit{Thomas Pynchon \& the Dark Passages of History}},
	volume = {1},
	issn = {2047-2870},
	url = {https://www.pynchon.net/articles/10.7766/orbit.v1.1.35/},
	doi = {10.7766/orbit.v1.1.35},
	pages = {1--4},
	number = {1},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Marco Del Pont, Xavier},
	urldate = {2024-06-28},
	date = {2012-07-08},
}

@article{marquez_pynchon_1979,
	title = {Pynchon: Creative Paranoia in Gravity's Rainbow},
	volume = {33},
	issn = {03611299},
	url = {https://www.jstor.org/stable/1346822?origin=crossref},
	doi = {10.2307/1346822},
	shorttitle = {Pynchon},
	pages = {82},
	number = {2},
	journaltitle = {Rocky Mountain Review of Language and Literature},
	shortjournal = {Rocky Mountain Review of Language and Literature},
	author = {Marquez, Antonio and Siegel, Mark Richard},
	urldate = {2024-06-28},
	date = {1979},
}

@article{martin-phillips_bleeding_2003,
	title = {The Bleeding of America: Menstruation as Symbolic Economy in Pynchon, Faulkner, and Morrison},
	volume = {22},
	issn = {07327730},
	url = {https://www.jstor.org/stable/10.2307/20059163?origin=crossref},
	doi = {10.2307/20059163},
	shorttitle = {The Bleeding of America},
	pages = {417--419},
	number = {2},
	journaltitle = {Tulsa Studies in Women's Literature},
	author = {Martin-Phillips, Olivia and Medoro, Dana},
	urldate = {2024-06-28},
	date = {2003-10-01},
	langid = {english},
}

@article{mchale_pynchons_1987,
	title = {Pynchon's Mythography: An Approach to Gravity's Rainbow},
	volume = {8},
	issn = {03335372},
	url = {https://www.jstor.org/stable/1773054?origin=crossref},
	doi = {10.2307/1773054},
	shorttitle = {Pynchon's Mythography},
	pages = {456--457},
	number = {2},
	journaltitle = {Poetics Today},
	shortjournal = {Poetics Today},
	author = {{McHale}, Brian},
	urldate = {2024-06-28},
	date = {1987},
}

@article{mchale_slade_1990,
	title = {Slade Revisited, or, The End(s) of Pynchon Criticism},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2529/},
	doi = {10.16995/pn.281},
	pages = {139--152},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {{McHale}, Brian},
	urldate = {2024-06-28},
	date = {1990-09-22},
}

@article{mellard_fictional_1989,
	title = {The Fictional Labyrinths of Thomas Pynchon.},
	volume = {61},
	issn = {00029831},
	url = {https://www.jstor.org/stable/2926542?origin=crossref},
	doi = {10.2307/2926542},
	pages = {131--132},
	number = {1},
	journaltitle = {American Literature},
	shortjournal = {American Literature},
	author = {Mellard, James M. and Seed, David},
	urldate = {2024-06-28},
	date = {1989-03},
}

@article{melley_sublime_2002,
	title = {The Sublime Object of Postmodernity},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2716/},
	doi = {10.16995/pn.76},
	pages = {122--130},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Melley, Timothy},
	urldate = {2024-06-28},
	date = {2002-09-22},
}

@article{mendelson_thomas_1992,
	title = {Thomas Pynchon: Allusive Parables of Power.},
	volume = {64},
	issn = {00029831},
	url = {https://www.jstor.org/stable/2927669?origin=crossref},
	doi = {10.2307/2927669},
	shorttitle = {Thomas Pynchon},
	pages = {842--844},
	number = {4},
	journaltitle = {American Literature},
	shortjournal = {American Literature},
	author = {Mendelson, Edward and Dugdale, John},
	urldate = {2024-06-28},
	date = {1992-12},
}

@article{mendelson_schaubs_1981,
	title = {Schaub's Pynchon},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2544/},
	doi = {10.16995/pn.471},
	pages = {43--48},
	number = {7},
	journaltitle = {Pynchon Notes},
	author = {Mendelson, Edward},
	urldate = {2024-06-28},
	date = {1981-10-01},
}

@article{merrill_style_1988,
	title = {The Style of Connectedness: Gravity's Rainbow and Thomas Pynchon.},
	volume = {60},
	issn = {00029831},
	url = {https://www.jstor.org/stable/2926418?origin=crossref},
	doi = {10.2307/2926418},
	shorttitle = {The Style of Connectedness},
	pages = {136--137},
	number = {1},
	journaltitle = {American Literature},
	shortjournal = {American Literature},
	author = {Merrill, Robert and Moore, Thomas},
	urldate = {2024-06-28},
	date = {1988-03},
}

@article{moraru_thomas_2013,
	title = {Thomas Pynchon and the Dark Passages of History by David Cowart (review)},
	volume = {59},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/534084},
	doi = {10.1353/mfs.2013.0062},
	pages = {869--872},
	number = {4},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Moraru, Christian},
	urldate = {2024-06-28},
	date = {2013-12},
	langid = {english},
}

@article{mosch_review_2012,
	title = {Review of \textit{The Last of Something: Critical Essays}},
	volume = {1},
	issn = {2047-2870},
	url = {https://www.pynchon.net/articles/10.7766/orbit.v1.1.36/},
	doi = {10.7766/orbit.v1.1.36},
	shorttitle = {Review of {\textless}i{\textgreater}The Last of Something},
	pages = {1--5},
	number = {1},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Mösch, Matthias},
	urldate = {2024-06-28},
	date = {2012-07-08},
}

@article{moshenberg_self-conscious_1990,
	title = {The Self-Conscious Novel: Artifice in Fiction from Joyce to Pynchon.},
	volume = {62},
	issn = {00029831},
	url = {https://www.jstor.org/stable/2927105?origin=crossref},
	doi = {10.2307/2927105},
	shorttitle = {The Self-Conscious Novel},
	pages = {735--737},
	number = {4},
	journaltitle = {American Literature},
	shortjournal = {American Literature},
	author = {Moshenberg, Daniel and Stonehill, Brian},
	urldate = {2024-06-28},
	date = {1990-12},
}

@article{moss_review_2014,
	title = {Review of Science and American Literature in the 20th and 21st Centuries},
	volume = {2},
	issn = {2047-2870},
	url = {https://www.pynchon.net/articles/10.7766/orbit.v2.2.125/},
	doi = {10.7766/orbit.v2.2.125},
	pages = {1--6},
	number = {2},
	journaltitle = {Orbit: Writing Around Pynchon},
	shortjournal = {O},
	author = {Moss, Richard},
	urldate = {2024-06-28},
	date = {2014-11-02},
}

@article{mowat_judith_1993,
	title = {Judith Chambers, Thomas Pynchon (New York: Twayne Publishers) 1992, Pp. 229, n.p. {ISBN} 0 8057 3960 2.},
	volume = {27},
	rights = {https://www.cambridge.org/core/terms},
	issn = {0021-8758, 1469-5154},
	url = {https://www.cambridge.org/core/product/identifier/S0021875800032205/type/journal_article},
	doi = {10.1017/S0021875800032205},
	shorttitle = {Judith Chambers, Thomas Pynchon (New York},
	pages = {433--434},
	number = {3},
	journaltitle = {Journal of American Studies},
	shortjournal = {J. Am. Stud.},
	author = {Mowat, John},
	urldate = {2024-06-28},
	date = {1993-12},
	langid = {english},
}

@article{nadel_donald_1993,
	title = {Donald Barthleme: An Exhibition , and: Dissident Postmodernists: Barthleme, Coover, Pynchon , and: Fiction in the Quantum Universe , and: Marginal Forces/Cultural Centers: Tolson, Pynchon, and the Politics of the Canon (review)},
	volume = {39},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/243543},
	doi = {10.1353/mfs.0.0250},
	shorttitle = {Donald Barthleme},
	pages = {384--389},
	number = {2},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Nadel, Alan},
	urldate = {2024-06-28},
	date = {1993},
	langid = {english},
}

@article{nadel_women_1992,
	title = {Women Enter the Wilderness: Male Bonding and the American Novel of the 1980's , and: Claiming the Heritage: African-American Women Novelist and History , and: The Postmodernist Allegories of Thomas Pynchon (review)},
	volume = {38},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/244035},
	doi = {10.1353/mfs.0.1044},
	shorttitle = {Women Enter the Wilderness},
	pages = {491--494},
	number = {2},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Nadel, Alan},
	urldate = {2024-06-28},
	date = {1992-06},
	langid = {english},
}

@article{neighbors_negative_2002,
	title = {Negative Liberties: Morrison, Pynchon, and the Problem of Liberal Ideology (review)},
	volume = {48},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/21688},
	doi = {10.1353/mfs.2002.0034},
	shorttitle = {Negative Liberties},
	pages = {503--505},
	number = {2},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Neighbors, Jim},
	urldate = {2024-06-28},
	date = {2002-06},
	langid = {english},
}

@article{newman_passionate_1987,
	title = {Passionate Doubts: Designs of Interpretation in Contemporary American Fiction , and: God the Artist: American Novelists in a Post-Realist Age , and: Journey into the Past: The Historical and Mythical Imagination of Barth and Pynchon (review)},
	volume = {33},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/244394},
	doi = {10.1353/mfs.0.1237},
	shorttitle = {Passionate Doubts},
	pages = {696--699},
	number = {4},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Newman, Robert D.},
	urldate = {2024-06-28},
	date = {1987-12},
	langid = {english},
}

@article{olderman_thomas_1979,
	title = {Thomas Pynchon},
	volume = {20},
	issn = {00107484},
	url = {http://www.jstor.org/stable/1207906?origin=crossref},
	doi = {10.2307/1207906},
	pages = {500--507},
	number = {4},
	journaltitle = {Contemporary Literature},
	shortjournal = {Contemporary Literature},
	author = {Olderman, Raymond M.},
	urldate = {2024-06-28},
	date = {1979},
}

@article{parks_book_1991,
	title = {Book Review: The Gnostic Pynchon},
	volume = {40},
	rights = {http://journals.sagepub.com/page/policies/text-and-data-mining-license},
	issn = {0148-3331, 2056-5666},
	url = {http://journals.sagepub.com/doi/10.1177/014833319104000317},
	doi = {10.1177/014833319104000317},
	shorttitle = {Book Review},
	pages = {316--317},
	number = {3},
	journaltitle = {Christianity \& Literature},
	shortjournal = {Christianity \& Literature},
	author = {Parks, John G.},
	urldate = {2024-06-28},
	date = {1991-06},
	langid = {english},
}

@article{pearce_grim_1979,
	title = {The Grim Phoenix: Reconstructing Thomas Pynchon by William M. Plater (review)},
	volume = {7},
	issn = {2158-5806},
	url = {https://muse.jhu.edu/article/440357},
	doi = {10.1353/saf.1979.0033},
	shorttitle = {The Grim Phoenix},
	pages = {110--112},
	number = {1},
	journaltitle = {Studies in American Fiction},
	shortjournal = {saf},
	author = {Pearce, Richard},
	urldate = {2024-06-28},
	date = {1979-03},
	langid = {english},
}

@article{pohlmann_review_2012,
	title = {Review of Simon de Bourcier, \textit{Pynchon and Relativity}},
	volume = {1},
	issn = {2047-2870},
	url = {https://www.pynchon.net/articles/10.7766/orbit.v1.1.34/},
	doi = {10.7766/orbit.v1.1.34},
	pages = {1--6},
	number = {1},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Pöhlmann, Sascha},
	urldate = {2024-06-28},
	date = {2012-07-08},
}

@article{lago_carta_1998,
	title = {Carta de Nueva York: Cibernesis y literatura},
	pages = {139--142},
	journaltitle = {Cuadernos Hispanoamericanos},
	author = {Lago, Eduardo},
	date = {1998},
}

@article{laird_review_1987,
	title = {Review of Understanding Thomas Pynchon},
	pages = {1062},
	journaltitle = {Choice},
	author = {Laird, D.},
	date = {1987},
}

@article{laird_review_1987-1,
	title = {Review of Pynchon's Mythography},
	pages = {622},
	journaltitle = {Choice},
	author = {Laird, D.},
	date = {1987},
}

@article{laird_review_1990,
	title = {Review of Writing Pynchon},
	pages = {486--487},
	journaltitle = {Choice},
	author = {Laird, D.},
	date = {1990},
}

@article{larsson_pleasures_2008,
	title = {The Pleasures of the Text in the Information Age},
	pages = {268--271},
	number = {54},
	journaltitle = {Pynchon Notes},
	author = {Larsson, Donald F.},
	date = {2008},
}

@article{levitt_review_1989,
	title = {Review of A Gravity's Rainbow Companion},
	volume = {16},
	pages = {402--403},
	number = {2},
	journaltitle = {Journal of Modern Literature},
	author = {Levitt, Morton P.},
	date = {1989},
}

@article{levitt_review_1989-1,
	title = {Review of The Self-Conscious Novel: Artifice in Fiction from Joyce to Pynchon},
	volume = {16},
	pages = {287--288},
	number = {2},
	journaltitle = {Journal of Modern Literature},
	author = {Levitt, Morton P.},
	date = {1989},
}

@article{loranger_response_1999,
	title = {Response to Steven Weisenburger's Response},
	pages = {171--172},
	number = {44},
	journaltitle = {Pynchon Notes},
	author = {Loranger, Carol S.},
	date = {1999},
}

@article{mackey_review_1993,
	title = {Review of Chambers's Thomas Pynchon},
	volume = {13},
	pages = {268--269},
	number = {2},
	journaltitle = {Review of Contemporary Fiction},
	author = {Mackey, Louis},
	date = {1993},
}

@article{madsen_narratives_2000,
	title = {Narratives of the Visto: Review of Pynchon and Mason \& Dixon},
	pages = {229--238},
	number = {46},
	journaltitle = {Pynchon Notes},
	author = {Madsen, Deborah L.},
	date = {2000},
}

@article{marks_review_1980,
	title = {Review of The Grim Phoenix},
	volume = {7},
	pages = {74--76},
	number = {1},
	journaltitle = {College Literature},
	author = {Marks, Harry S.},
	date = {1980},
}

@article{martin_matrix_1992,
	title = {In the Matrix: Review of Marginal Forces/Cultural Centers},
	pages = {198--200},
	number = {30},
	journaltitle = {Pynchon Notes},
	author = {Martin, Reginald},
	date = {1992},
}

@article{mascaro_kant_1999,
	title = {Kant Touch This: Joseph Tabbi's Postmodern Sublime},
	volume = {31},
	pages = {506--515},
	number = {4},
	journaltitle = {Studies in the Novel},
	author = {Mascaro, John A.},
	date = {1999},
}

@article{mascaro_listing_1999,
	title = {Listing Lists: Review of Gatsby's Party and A Companion to The Crying of Lot 49},
	pages = {214--226},
	number = {44},
	journaltitle = {Pynchon Notes},
	author = {Mascaro, John A.},
	date = {1999},
}

@article{mascaro_whos_1994,
	title = {Who's Reading Whose Reading?: Review of Literature and Domination},
	pages = {188--191},
	number = {34},
	journaltitle = {Pynchon Notes},
	author = {Mascaro, John A.},
	date = {1994},
}

@article{mcelwain_review_1983,
	title = {Review of Signs and Symptoms},
	volume = {10},
	pages = {99--101},
	number = {2},
	journaltitle = {Studies in the Humanities},
	author = {{McElwain}, Patric},
	date = {1983},
}

@article{mchale_mastering_1985,
	title = {Mastering the Moderns},
	volume = {12},
	pages = {138--153},
	number = {1},
	journaltitle = {Canadian Review of Comparative Literature},
	author = {{McHale}, Brian},
	date = {1985},
}

@article{mchoul_how_1991,
	title = {How to Write an Essay on Thomas Pynchon: Review of New Essays on The Crying of Lot 49},
	pages = {157--167},
	number = {28},
	journaltitle = {Pynchon Notes},
	author = {{McHoul}, Alec},
	date = {1991},
}

@article{mclaughlin_pynchons_2009,
	title = {Pynchon's Bequest (Review)},
	pages = {246--252},
	number = {56},
	journaltitle = {Pynchon Notes},
	author = {{McLaughlin}, Robert L.},
	date = {2009},
}

@article{mclaughlin_review_1997-1,
	title = {Review of Pynchon Notes 34-35 [Thomas Pynchon: Schizophrenia and Social Control]},
	volume = {17},
	pages = {255},
	number = {3},
	journaltitle = {Review of Contemporary Fiction},
	author = {{McLaughlin}, Robert L.},
	date = {1997},
}

@article{mclaughlin_talking_2000,
	title = {Talking to Themselves: Review of Thomas Pynchon's Narratives and Mason \& Dixon \& Pynchon},
	pages = {217--224},
	number = {46},
	journaltitle = {Pynchon Notes},
	author = {{McLaughlin}, Robert L.},
	date = {2000},
}

@article{medoro_scholar-magicians_2001,
	title = {The Scholar-Magicians of the Zone},
	volume = {33},
	pages = {351--357},
	number = {2},
	journaltitle = {Studies in the Novel},
	author = {Medoro, Dana},
	date = {2001},
}

@article{mercer_review_1976,
	title = {Review of Mindful Pleasures},
	pages = {2177--2178},
	journaltitle = {Library Journal},
	author = {Mercer, Marilyn E.},
	date = {1976},
}

@article{miller_review_1989,
	title = {Review of A Gravity's Rainbow Companion},
	volume = {19},
	pages = {254--255},
	number = {2},
	journaltitle = {Journal of Narrative Technique},
	author = {Miller, Bernard},
	date = {1989},
}

@article{miller_review_1991,
	title = {Review of Beyond and Beneath the Mantle},
	volume = {44},
	pages = {488--489},
	number = {4},
	author = {Miller, James E, Jr.},
	date = {1991},
}

@article{moore_review_1995,
	title = {Review of A Companion to The Crying of Lot 49},
	volume = {15},
	pages = {234--235},
	number = {2},
	journaltitle = {Review of Contemporary Fiction},
	author = {Moore, Steven},
	date = {1995},
}

@article{moore_review_1989,
	title = {Review of The Contemporary American Comic Epic},
	volume = {9},
	pages = {275--276},
	number = {1},
	journaltitle = {Review of Contemporary Fiction},
	author = {Moore, Steven},
	date = {1989},
}

@article{moore_review_1988,
	title = {Review of The Fictional Labyrinths of Thomas Pynchon},
	volume = {8},
	pages = {174--175},
	number = {3},
	journaltitle = {Review of Contemporary Fiction},
	author = {Moore, Steven},
	date = {1988},
}

@article{moore_review_1988-1,
	title = {Review of The Style of Connectedness, Pynchon's Mythography, Thomas Pynchon's Gravity's Rainbow [Hohmann], Understanding Thomas Pynchon, and Thomas Pynchon and Thomas Pynchon's Gravity's Rainbow [ed. Bloom]},
	volume = {8},
	pages = {321--323},
	number = {2},
	journaltitle = {Review of Contemporary Fiction},
	author = {Moore, Steven},
	date = {1988},
}

@article{moraru_review_2001,
	title = {Review of Grant's Companion to V., and Horvath and Malin},
	volume = {33},
	pages = {474--476},
	number = {4},
	journaltitle = {Studies in the Novel},
	author = {Moraru, Christian},
	date = {2001},
}

@article{mowat_review_1993,
	title = {Review of New Essays on The Crying of Lot 49 and New Essays on White Noise},
	volume = {27},
	pages = {107--108},
	number = {1},
	journaltitle = {Journal of American Studies},
	author = {Mowat, John},
	date = {1993},
}

@article{mueller_review_1996,
	title = {Review of New Essays on The Crying of Lot 49 [and other books]},
	volume = {41},
	pages = {705--711},
	number = {4},
	journaltitle = {Amerikastudien: A Monograph Series},
	author = {Mueller, Kurt},
	date = {1996},
}

@article{odonnell_explaining_1979,
	title = {Explaining Thomas Pynchon},
	volume = {6},
	pages = {152--156},
	number = {2},
	journaltitle = {The International Fiction Review},
	author = {O'Donnell, Patrick},
	date = {1979},
}

@article{ohara_phrase_2002,
	title = {On the Phrase 'Ass Backwards': Review of Lines of Flight},
	pages = {158--165},
	number = {50},
	journaltitle = {Pynchon Notes},
	author = {O'Hara, Dan},
	date = {2002},
}

@article{olmstead_review_1988,
	title = {Review of Pynchon's Mythography},
	volume = {56},
	pages = {238--240},
	number = {1},
	journaltitle = {North Dakota Quarterly},
	author = {Olmstead, Edwin},
	date = {1988},
}

@article{olsen_review_1988,
	title = {Review of The Fictional Labyrinths of Thomas Pynchon},
	volume = {15},
	pages = {178--179},
	number = {2},
	journaltitle = {The International Fiction Review},
	author = {Olsen, Lance M.},
	date = {1988},
}

@article{palmeri_aspects_2008,
	title = {Aspects of Mason \& Dixon},
	pages = {255--256},
	number = {54},
	journaltitle = {Pynchon Notes},
	author = {Palmeri, Frank A.},
	date = {2008},
}

@article{park_postmodernist_2000,
	title = {A Postmodernist Challenge to Imperialism: Review of A Study on Thomas Pynchon: Empire and the Postmodern},
	pages = {244--246},
	number = {46},
	journaltitle = {Pynchon Notes},
	author = {Park, Inchan},
	date = {2000},
}

@article{petticoffer_review_1978,
	title = {Review of The Grim Phoenix},
	pages = {1271--1272},
	journaltitle = {Library Journal},
	author = {Petticoffer, Dennis},
	date = {1978},
}

@article{porush_review_1980,
	title = {Review of The Grim Phoenix: Reconstructing Thomas Pynchon, by William M. Plater},
	volume = {2},
	pages = {16},
	number = {3},
	journaltitle = {The American Book Review},
	author = {Porush, David H.},
	date = {1980},
}

@article{punday_review_2005,
	title = {Review of Lines of Flight},
	volume = {37},
	pages = {109--111},
	number = {1},
	journaltitle = {Studies in the Novel},
	author = {Punday, Daniel},
	date = {2005},
}

@article{rankin_historicist_1985,
	title = {A Historicist Approach to Pynchon},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2456/},
	doi = {10.16995/pn.381},
	pages = {110--111},
	number = {16},
	journaltitle = {Pynchon Notes},
	author = {Rankin, Ian J.},
	urldate = {2024-06-28},
	date = {1985-03-20},
}

@article{warren_echo_1982,
	title = {Echo},
	volume = {40},
	issn = {00035769},
	url = {https://www.jstor.org/stable/10.2307/4611159?origin=crossref},
	doi = {10.2307/4611159},
	pages = {434--435},
	number = {4},
	journaltitle = {The Antioch Review},
	author = {Warren, Rosanna},
	urldate = {2024-06-28},
	date = {1982},
	langid = {english},
}

@article{robbins_real_1994,
	title = {"Real Politics" and the Canon Debate},
	volume = {35},
	issn = {00107484},
	url = {http://www.jstor.org/stable/1208844?origin=crossref},
	doi = {10.2307/1208844},
	pages = {365--375},
	number = {2},
	journaltitle = {Contemporary Literature},
	shortjournal = {Contemporary Literature},
	author = {Robbins, Bruce and Berube, Michael and Guillory, John},
	urldate = {2024-06-28},
	date = {1994},
}

@article{rosenhein_letter_1985,
	title = {Letter to Richard Pearce in Response to "Pynchon's Endings"},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2643/},
	doi = {10.16995/pn.364},
	pages = {35--50},
	number = {17},
	journaltitle = {Pynchon Notes},
	author = {Rosenhein, Laurence},
	urldate = {2024-06-28},
	date = {1985-09-22},
}

@article{rowcroft_review_2014,
	title = {Review of Luc Herman and Steven Weisenburger, Gravity’s Rainbow, Domination, and Freedom},
	volume = {2},
	issn = {2047-2870},
	url = {https://www.pynchon.net/articles/10.7766/orbit.v2.2.114/},
	doi = {10.7766/orbit.v2.2.114},
	pages = {1--6},
	number = {2},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Rowcroft, Andrew Stewart},
	urldate = {2024-06-28},
	date = {2014-08-18},
}

@article{rowlinson_review_2012,
	title = {Review of "How had it ever happened here?": A Constructivist Reading of Thomas Pynchon's The Crying of Lot 49 and its Role in the Pynchon Canon, by Yvonne Klose (2012)},
	volume = {1},
	issn = {2047-2870},
	url = {https://www.pynchon.net/articles/10.7766/orbit.v1.2.41/},
	doi = {10.7766/orbit.v1.2.41},
	shorttitle = {Review of "How had it ever happened here?},
	pages = {1--5},
	number = {2},
	journaltitle = {Orbit: Writing Around Pynchon},
	author = {Rowlinson, Zac},
	urldate = {2024-06-28},
	date = {2012-10-31},
}

@article{russell_staying_2001,
	title = {Staying the Course: Pynchon 101},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2726/},
	doi = {10.16995/pn.107},
	shorttitle = {Staying the Course},
	pages = {247--250},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Russell, Alison},
	urldate = {2024-06-28},
	date = {2001-09-22},
}

@article{safer_postmodernist_1994,
	title = {The Postmodernist Allegories of Thomas Pynchon},
	volume = {24},
	issn = {03062473},
	url = {https://www.jstor.org/stable/3507950?origin=crossref},
	doi = {10.2307/3507950},
	pages = {346--347},
	journaltitle = {The Yearbook of English Studies},
	shortjournal = {The Yearbook of English Studies},
	author = {Safer, Elaine B. and Madsen, Deborah L.},
	urldate = {2024-06-28},
	date = {1994},
}

@article{sayres_how_1988,
	title = {How We Have Learned to Stop Worrying},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2655/},
	doi = {10.16995/pn.323},
	pages = {123--132},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Sayres, Sohnya},
	urldate = {2024-06-28},
	date = {1988-09-22},
}

@article{schachterle_review_1987,
	title = {A Review Essay: Contemporary Literature and Science},
	volume = {17},
	issn = {00477729},
	url = {https://www.jstor.org/stable/3194957?origin=crossref},
	doi = {10.2307/3194957},
	shorttitle = {A Review Essay},
	pages = {78--86},
	number = {2},
	journaltitle = {Modern Language Studies},
	shortjournal = {Modern Language Studies},
	author = {Schachterle, Lance},
	urldate = {2024-06-28},
	date = {1987},
}

@article{schaub_mythologies_1986,
	title = {Mythologies New and Old: Hume and Current Theory},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2822/},
	doi = {10.16995/pn.354},
	shorttitle = {Mythologies New and Old},
	pages = {110--115},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Schaub, Thomas},
	urldate = {2024-06-28},
	date = {1986-09-22},
}

@article{schaub_open_1976,
	title = {Open Letter in Response to Edward Mendelson's "The Sacred, the Profane, and The Crying of Lot 49"},
	volume = {5},
	issn = {01903659},
	url = {https://www.jstor.org/stable/302014?origin=crossref},
	doi = {10.2307/302014},
	pages = {93--102},
	number = {1},
	journaltitle = {boundary 2},
	shortjournal = {boundary 2},
	author = {Schaub, Thomas Hill},
	urldate = {2024-06-28},
	date = {1976},
}

@article{schaub_where_1981,
	title = {Where Have We Been, Where Are We Headed?: A Retrospective Review of Pynchon Criticism},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2864/},
	doi = {10.16995/pn.468},
	shorttitle = {Where Have We Been, Where Are We Headed?},
	pages = {5--21},
	number = {7},
	journaltitle = {Pynchon Notes},
	author = {Schaub, Thomas H.},
	urldate = {2024-06-28},
	date = {1981-10-01},
}

@article{schlueter_book_1990,
	title = {Book Review: Christian Allusions in the Novels of Thomas Pynchon},
	volume = {39},
	rights = {http://journals.sagepub.com/page/policies/text-and-data-mining-license},
	issn = {0148-3331, 2056-5666},
	url = {http://journals.sagepub.com/doi/10.1177/014833319003900329},
	doi = {10.1177/014833319003900329},
	shorttitle = {Book Review},
	pages = {351--352},
	number = {3},
	journaltitle = {Christianity \& Literature},
	shortjournal = {Christianity \& Literature},
	author = {Schlueter, Paul},
	urldate = {2024-06-28},
	date = {1990-06},
	langid = {english},
}

@article{seed_j_1996,
	title = {J. Kerry Grant, A Companion to “The Crying of Lot 49” (Athens, Ga.: University of Georgia Press, 1994, \$25.00 cloth, \$12.95 paper). Pp. 154. {ISBN} 0 8203 1636 9.},
	volume = {30},
	rights = {https://www.cambridge.org/core/terms},
	issn = {0021-8758, 1469-5154},
	url = {https://www.cambridge.org/core/product/identifier/S0021875800024798/type/journal_article},
	doi = {10.1017/S0021875800024798},
	shorttitle = {J. Kerry Grant, A Companion to “The Crying of Lot 49” (Athens, Ga.},
	pages = {182--183},
	number = {1},
	journaltitle = {Journal of American Studies},
	shortjournal = {J. Am. Stud.},
	author = {Seed, David},
	urldate = {2024-06-28},
	date = {1996-04},
	langid = {english},
}

@article{seed_revisiting_1992,
	title = {Revisiting Postmodernism},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2371/},
	doi = {10.16995/pn.248},
	pages = {205--209},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Seed, David},
	urldate = {2024-06-28},
	date = {1992-09-22},
}

@article{siegel_point_1980,
	title = {A Point Beyond Degree Zero: A Rebuttal to Khachig Tölölyan's "Remarks" in Pynchon Notes 3},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2601/},
	doi = {10.16995/pn.497},
	shorttitle = {A Point Beyond Degree Zero},
	pages = {26--28},
	number = {4},
	journaltitle = {Pynchon Notes},
	author = {Siegel, Mark},
	urldate = {2024-06-28},
	date = {1980-10-01},
}

@article{slade_cabals_1982,
	title = {From Cabals to Post-Structural Kabbalah},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2531/},
	doi = {10.16995/pn.440},
	pages = {58--62},
	number = {10},
	journaltitle = {Pynchon Notes},
	author = {Slade, Joseph W.},
	urldate = {2024-06-28},
	date = {1982-10-01},
}

@article{slade_pynchons_1988,
	title = {Pynchon's Mythography: An Approach to "Gravity's Rainbow" , and: The Style of Connectedness: "Gravity's Rainbow" and Thomas Pynchon (review)},
	volume = {34},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/242916},
	doi = {10.1353/mfs.0.0815},
	shorttitle = {Pynchon's Mythography},
	pages = {665--666},
	number = {4},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Slade, Joseph W.},
	urldate = {2024-06-28},
	date = {1988-12},
	langid = {english},
}

@article{slade_gnostic_1992,
	title = {The Gnostic Pynchon},
	volume = {57},
	issn = {0277335X},
	url = {https://www.jstor.org/stable/3200359?origin=crossref},
	doi = {10.2307/3200359},
	pages = {149--151},
	number = {1},
	journaltitle = {South Atlantic Review},
	shortjournal = {South Atlantic Review},
	author = {Slade, Joseph W. and Eddins, Dwight},
	urldate = {2024-06-28},
	date = {1992-01},
}

@article{spanos_thomas_2003,
	title = {Thomas Pynchon's Spectral Politics},
	volume = {44},
	issn = {00107484},
	url = {http://cl.uwpress.org/cgi/doi/10.2307/3250592},
	doi = {10.2307/3250592},
	pages = {727--736},
	number = {4},
	journaltitle = {Contemporary Literature},
	shortjournal = {Contemporary Literature},
	author = {Spanos, William V. and Mattessich, Stefan},
	urldate = {2024-06-28},
	date = {2003},
}

@article{stowe_confronting_1984,
	title = {Confronting Mystery with Method},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2382/},
	doi = {10.16995/pn.394},
	pages = {86--90},
	number = {15},
	journaltitle = {Pynchon Notes},
	author = {Stowe, William W.},
	urldate = {2024-06-28},
	date = {1984-09-22},
}

@article{sullivan_celebrate_1992,
	title = {Celebrate, Celebrate},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2770/},
	doi = {10.16995/pn.245},
	pages = {194--197},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Sullivan, Richard},
	urldate = {2024-06-28},
	date = {1992-09-22},
}

@article{tabbi_contemporary_1990,
	title = {Contemporary American Fiction: Critical Reformulations},
	volume = {31},
	issn = {00107484},
	url = {http://www.jstor.org/stable/1208329?origin=crossref},
	doi = {10.2307/1208329},
	shorttitle = {Contemporary American Fiction},
	pages = {553--557},
	number = {4},
	journaltitle = {Contemporary Literature},
	shortjournal = {Contemporary Literature},
	author = {Tabbi, Joseph and {LeClair}, Tom},
	urldate = {2024-06-28},
	date = {1990},
}

@article{tabbi_carnival_1990,
	title = {Carnival of Repetition: Gaddis's "The Recognitions" and Postmodern Theory , and: Alternate Worlds: A Study of Postmodern Antirealistic American Fiction (review)},
	volume = {36},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/243233},
	doi = {10.1353/mfs.0.1009},
	shorttitle = {Carnival of Repetition},
	pages = {579--580},
	number = {4},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Tabbi, Joseph},
	urldate = {2024-06-28},
	date = {1990-12},
	langid = {english},
}

@article{tololyan_seven_1983,
	title = {Seven on Pynchon: The Novelist as Deconstructionist},
	volume = {16},
	issn = {00295132},
	url = {https://www.jstor.org/stable/1345083?origin=crossref},
	doi = {10.2307/1345083},
	shorttitle = {Seven on Pynchon},
	pages = {165--172},
	number = {2},
	journaltitle = {{NOVEL}: A Forum on Fiction},
	shortjournal = {{NOVEL}: A Forum on Fiction},
	author = {Tololyan, Khachig},
	urldate = {2024-06-28},
	date = {1983},
}

@article{tololyan_remarks_1980,
	title = {Some Remarks on Professor Mark Siegel's "Pynchon's Anti-Quests"},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2579/},
	doi = {10.16995/pn.504},
	pages = {10--14},
	number = {3},
	journaltitle = {Pynchon Notes},
	author = {Tölölyan, Khachig},
	urldate = {2024-06-28},
	date = {1980-06-01},
}

@article{toymentsev_full-length_2001,
	title = {Full-Length Portrait in a Post-Soviet Frame},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2547/},
	doi = {10.16995/pn.110},
	pages = {264--266},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Toymentsev, Sergey},
	urldate = {2024-06-28},
	date = {2001-09-22},
}

@article{trachtenberg_contemporary_1989,
	title = {The Contemporary American Comic Epic: The Novels of Barth, Pynchon, Gaddis, and Kesey by Elaine B. Safer},
	volume = {17},
	issn = {2158-5806},
	url = {https://muse.jhu.edu/article/760809},
	doi = {10.1353/saf.1989.0033},
	shorttitle = {The Contemporary American Comic Epic},
	pages = {251--252},
	number = {2},
	journaltitle = {Studies in American Fiction},
	shortjournal = {Studies in American Fiction},
	author = {Trachtenberg, Stanley},
	urldate = {2024-06-28},
	date = {1989},
	langid = {english},
}

@article{twigg_review_2015,
	title = {Review of Simon Malpas and Andrew Taylor, Thomas Pynchon (Manchester University Press, 2013)},
	volume = {3},
	issn = {2047-2870},
	url = {https://www.pynchon.net/articles/10.7766/orbit.v1.2.128/},
	doi = {10.7766/orbit.v1.2.128},
	pages = {1--6},
	number = {2},
	journaltitle = {Orbit: Writing Around Pynchon},
	shortjournal = {O},
	author = {Twigg, George William},
	urldate = {2024-06-28},
	date = {2015-03-02},
}

@article{vanderbeke_nina_2019,
	title = {Nina Engelhardt. 2018. Modernism, Fiction and Mathematics. Edinburgh Critical Studies in Modernist Culture. Edinburgh: Edinburgh University Press, 200 pp., £ 75.00.},
	volume = {137},
	issn = {1865-8938, 0340-5222},
	url = {https://www.degruyter.com/document/doi/10.1515/ang-2019-0030/html},
	doi = {10.1515/ang-2019-0030},
	shorttitle = {Nina Engelhardt. 2018. Modernism, Fiction and Mathematics. Edinburgh Critical Studies in Modernist Culture. Edinburgh},
	pages = {363--369},
	number = {2},
	journaltitle = {Anglia},
	author = {Vanderbeke, Dirk},
	urldate = {2024-06-28},
	date = {2019-06-07},
}

@article{vella_playing_1988,
	title = {Playing Soccer in Left Field},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2813/},
	doi = {10.16995/pn.324},
	pages = {133--136},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Vella, Michael W.},
	urldate = {2024-06-28},
	date = {1988-09-22},
}

@article{waller_america_1983,
	title = {America as Discourse},
	volume = {14},
	issn = {0007-7720, 1710-114X},
	url = {https://utpjournals.press/doi/10.3138/CRAS-014-02-08},
	doi = {10.3138/CRAS-014-02-08},
	abstract = {David Cowart. Thomas Pynchon: The Art of Allusion. Carbondale: Southern Illinois University Press. 1980.154 + ix pp. James M. Mellard. The Exploded Form : The Modernist Novel in America. Urbana: University of Illinois Press. 1980. 208 + xv pp. Sanford Pinsker. Between Two Worlds: The American Novel in the 1960s. Troy, N.Y.: The Whitston Publishing Company, 1980.139 + x pp. Thomas Hill Schaub. Pynchon: The Voice of Ambiguity. Urbana: University of Illinois Press. 1981. 165 + x pp. John 0. Stark. Pynchon's Fictions: Thomas Pynchon and the Literature of Information, Athens: Ohio University Press, 1980. 183 + ix pp. Mark Royden Winchell. Joan Didion. Boston : Twayne Publishers. 1980. 185 pp. America doesn't exist. I know—I've lived there. (Alain Resnais: Mon Oncle {dAmérique}) Toto. I have a feeling we're not in Kansas anymore.... (Dorothy arriving in Oz: epigraph to Part 3 of Gravity's Rainbow) "Why... is everybody so interested in texts?" ( The Crying of Lot 49) "If," Roland Barthes asserted in his inaugural lecture in the Chair of Literary Semiology at the Collège de France, "by some unimaginable excess"' all but one of our learned disciplines "were to be expelled from our education sys- tem, it is the discipline of Literature which would have to be saved, for all knowledge, all the sciences, are present in the literary monument."' That is a large claim and, coming from the iconoclastic semiologist of S/Z and Le Plaisir du Texte, gratifyingly soothing to beleaguered humanists. It is after all in part because of Barthes, Foucault, Derrida and other members of the French nouvelle critique that the much-cherished American insistence on the autonomy of the literary text and the uniqueness of the artistic vision has been so disturbingly and fundamentally challenged in recent years. With Barthes on our side after all, are we perhaps permitted to see texts as more than nodes within differential networks of significance carrying with them an illimitable force of multiple, disseminated meaning? Perhaps we can cau- tiously continue to privilege "literature" as society's unusually acute under- standing (or lack of understanding) of itself? Celebrating the festival of words, we might after all learn to cheat the facticity of the world.},
	pages = {207--218},
	number = {2},
	journaltitle = {Canadian Review of American Studies},
	shortjournal = {Canadian Review of American Studies},
	author = {Waller, Gary F.},
	urldate = {2024-06-28},
	date = {1983-05-01},
	langid = {english},
}

@article{weisenburger_response_1999,
	title = {Response to Carol Schaechterle Loranger},
	volume = {0},
	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2451/},
	doi = {10.16995/pn.125},
	pages = {169--170},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Weisenburger, Steven},
	urldate = {2024-06-28},
	date = {1999-09-22},
}

@article{weisenburger_hand_1990,
	title = {A Hand to Turn the Time: The Menippean Satires of Thomas Pynchon , and: Writing Pynchon: Strategies in Fictional Analysis (review)},
	volume = {36},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/243234},
	doi = {10.1353/mfs.0.0294},
	shorttitle = {A Hand to Turn the Time},
	pages = {580--583},
	number = {4},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Weisenburger, Steven C.},
	urldate = {2024-06-28},
	date = {1990-12},
	langid = {english},
}

@article{weisenburger_new_1992,
	title = {New Essays on Pynchon's "The Crying of Lot 49" (review)},
	volume = {38},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/244864},
	doi = {10.1353/mfs.0.1356},
	pages = {951--952},
	number = {4},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Weisenburger, Steven C.},
	urldate = {2024-06-28},
	date = {1992-12},
	langid = {english},
}

@article{weisenburger_middle_1988,
	title = {Middle Grounds: Studies in Contemporary American Fiction , and: In the Loop: Don {DeLillo} and the Systems Novel , and: The Fictional Labyrinths of Thomas Pynchon , and: At the Field's End: Interviews with 20 Pacific Northwest Writers (review)},
	volume = {34},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/242915},
	doi = {10.1353/mfs.0.0682},
	shorttitle = {Middle Grounds},
	pages = {660--664},
	number = {4},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Weisenburger, Steven C.},
	urldate = {2024-06-28},
	date = {1988-12},
	langid = {english},
}

@article{weisenburger_pynchons_1993,
	title = {Pynchon's Poetics: Interfacing Theory and Text},
	volume = {65},
	issn = {00029831},
	url = {https://www.jstor.org/stable/2927324?origin=crossref},
	doi = {10.2307/2927324},
	shorttitle = {Pynchon's Poetics},
	pages = {814--815},
	number = {4},
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	shortjournal = {American Literature},
	author = {Weisenburger, Steven},
	urldate = {2024-06-28},
	date = {1993-12},
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@article{weisenburger_grim_1979,
	title = {The Grim Phoenix: Reconstructing Thomas Pynchon},
	volume = {40},
	issn = {0026-7929, 1527-1943},
	url = {https://read.dukeupress.edu/modern-language-quarterly/article/40/1/88/18229/The-Grim-Phoenix-Reconstructing-Thomas-Pynchon},
	doi = {10.1215/00267929-40-1-88},
	shorttitle = {The Grim Phoenix},
	pages = {88--91},
	number = {1},
	journaltitle = {Modern Language Quarterly},
	author = {Weisenburger, Steven},
	urldate = {2024-06-28},
	date = {1979-03-01},
	langid = {english},
}

@article{weisenburger_thomas_1991,
	title = {Thomas Pynchon: Allusive Parables of Power , and: The Gnostic Pynchon (review)},
	volume = {37},
	issn = {1080-658X},
	url = {https://muse.jhu.edu/article/243327},
	doi = {10.1353/mfs.0.0746},
	shorttitle = {Thomas Pynchon},
	pages = {271--273},
	number = {2},
	journaltitle = {{MFS} Modern Fiction Studies},
	shortjournal = {mfs},
	author = {Weisenburger, Steven C.},
	urldate = {2024-06-28},
	date = {1991-06},
	langid = {english},
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@article{weisenburger_mead_1992,
	title = {{MEAD}, Clifford. \textit{Thomas Pynchon: A Bibliography of Primary and Secondary Materials} .},
	volume = {5},
	issn = {0895-769X, 1940-3364},
	url = {http://www.tandfonline.com/doi/abs/10.1080/0895769X.1992.10542723},
	doi = {10.1080/0895769X.1992.10542723},
	shorttitle = {{MEAD}, Clifford. {\textless}i{\textgreater}Thomas Pynchon},
	pages = {41--43},
	number = {1},
	journaltitle = {{ANQ}: A Quarterly Journal of Short Articles, Notes and Reviews},
	shortjournal = {{ANQ}: A Quarterly Journal of Short Articles, Notes and Reviews},
	author = {Weisenburger, Steven C.},
	urldate = {2024-06-28},
	date = {1992-01},
	langid = {english},
}

@article{wilde_review_1991,
	title = {Review Essay. Love and Death in and around Vineland, U. S. A.},
	volume = {18},
	issn = {01903659},
	url = {https://www.jstor.org/stable/303284?origin=crossref},
	doi = {10.2307/303284},
	pages = {166--180},
	number = {2},
	journaltitle = {boundary 2},
	shortjournal = {boundary 2},
	author = {Wilde, Alan and Pynchon, Thomas},
	urldate = {2024-06-28},
	date = {1991},
}

@article{williams_gravitys_2014,
	title = {Gravity’s Rainbow, Domination, and Freedom by Luc Herman and Steven Weisenburger (review)},
	volume = {53},
	issn = {2153-6856},
	url = {https://muse.jhu.edu/article/566203},
	doi = {10.1353/ams.2014.0153},
	pages = {128--129},
	number = {4},
	journaltitle = {American Studies},
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	urldate = {2024-06-28},
	date = {2014},
	langid = {english},
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@article{winston_critical_1982,
	title = {Critical Cornucopia},
	volume = {0},
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	url = {http://pynchonnotes.openlibhums.org/article/id/2862/},
	doi = {10.16995/pn.461},
	pages = {47--53},
	number = {8},
	journaltitle = {Pynchon Notes},
	author = {Winston, Mathew},
	urldate = {2024-06-28},
	date = {1982-02-01},
}

@article{noauthor_calendar_1989,
	title = {Calendar},
	volume = {78},
	rights = {http://onlinelibrary.wiley.com/{termsAndConditions}\#vor},
	issn = {0027-9013, 1542-7811},
	url = {https://onlinelibrary.wiley.com/doi/10.1002/ncr.4100780112},
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	urldate = {2024-06-28},
	date = {1989-01},
	langid = {english},
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@article{rankin_mannerist_2017,
	title = {Mannerist Fiction: Pathologies of Space from Rabelais to Pynchon, William Donoghue, Toronto: University of Toronto Press, 2014. 185pp},
	volume = {5},
	number = {2},
	journaltitle = {{ORBIT}: A Journal about American Literature},
	author = {Rankin, James M.},
	date = {2017},
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@article{reising_review_1994,
	title = {Review of Marginal Forces/Cultural Centers},
	volume = {93},
	pages = {150--154},
	number = {1},
	journaltitle = {Journal of English and Germanic Philology},
	author = {Reising, Russell J.},
	date = {1994},
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@article{roraback_new_2002,
	title = {New Pathways Through Pynchon: Review of American Postmodernity},
	pages = {174--182},
	number = {50},
	journaltitle = {Pynchon Notes},
	author = {Roraback, Erik S.},
	date = {2002},
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@article{rossi_il_2004,
	title = {Il Transito di Venere: A Malta, sulle Tracce di Thomas Pynchon},
	pages = {66--69},
	journaltitle = {Pulp Libri},
	author = {Rossi, Umberto},
	date = {2004},
}

@article{schaub_continuities_1989,
	title = {Continuities, Echoes and Associations: Review of Reminiscence and Re-Creation in Contemporary American Fiction},
	pages = {135--138},
	number = {24},
	journaltitle = {Pynchon Notes},
	author = {Schaub, Thomas H.},
	date = {1989},
}

@article{seed_review_1990,
	title = {Review of Beyond and Beneath the Mantle (and John Updike)},
	volume = {24},
	pages = {288--289},
	number = {2},
	journaltitle = {Journal of American Studies},
	author = {Seed, David},
	date = {1990},
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@article{seed_review_nodate,
	title = {Review of Pynchon Notes 42-43 [Approach and Avoid: Essays on Gravity's Rainbow]},
	journaltitle = {{EAAS}},
	author = {Seed, David},
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@article{simons_no_1989,
	title = {No Mean Accomplishment: Review of Christian Allusions in the Novels of Thomas Pynchon},
	pages = {133--134},
	number = {24},
	journaltitle = {Pynchon Notes},
	author = {Simons, John L.},
	date = {1989},
}

@article{steiner_liberating_1988,
	title = {The Liberating Maze},
	pages = {1305},
	journaltitle = {Times Literary Supplement},
	author = {Steiner, Wendy},
	date = {1988},
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@article{swanson_postmodernist_1991,
	title = {Postmodernist Criticism of Pynchon},
	volume = {18},
	pages = {405--410},
	number = {3},
	journaltitle = {Science Fiction Studies},
	author = {Swanson, Roy A.},
	date = {1991},
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@article{swanson_putative_1991,
	title = {The Putative Second Edition of Slade's Pynchon},
	volume = {18},
	pages = {262--266},
	number = {2},
	journaltitle = {Science Fiction Studies},
	author = {Swanson, Roy A.},
	date = {1991},
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@article{tabbi_review_1989,
	title = {Review of The Final Frontier},
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	pages = {274--275},
	number = {1},
	journaltitle = {Review of Contemporary Fiction},
	author = {Tabbi, Joseph},
	date = {1989},
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@article{tabbi_medial_1999,
	title = {The Medial Turn},
	number = {10},
	journaltitle = {{EBR}: Electronic Book Review},
	author = {Tabbi, Joseph},
	date = {1999},
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@article{tabbi_pyndustry_1997,
	title = {The Pyndustry in Warwick},
	number = {5},
	journaltitle = {{EBR}: Electronic Book Review},
	author = {Tabbi, Joseph},
	date = {1997},
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@article{tabbi_pyndustry_1998,
	title = {The Pyndustry in Warwick},
	volume = {30},
	pages = {438--443},
	number = {3},
	journaltitle = {Studies in the Novel},
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	date = {1998},
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@article{theroux_review_2001,
	title = {Review of Pynchon and Mason \& Dixon},
	volume = {21},
	pages = {176},
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	journaltitle = {Review of Contemporary Fiction},
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@article{thwaites_review_1992,
	title = {Review of Writing Pynchon},
	pages = {105--108},
	number = {77},
	journaltitle = {{AUMLA}: Journal of the Australasian Universities Modern Language Assocation},
	author = {Thwaites, Anthony G.},
	date = {1992},
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@article{tololyan_prodigious_1979,
	title = {Prodigious Pynchon and His Progeny: Review Essay of Pynchon: Creative Paranoia in Gravity's Rainbow, by Mark R. Siegel, and The Grim Phoenix: Reconstructing Thomas Pynchon, by William M. Plater},
	volume = {11},
	pages = {224--234},
	number = {2},
	journaltitle = {Studies in the Novel},
	author = {Tölölyan, Khachig},
	date = {1979},
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@article{tololyan_review_1989,
	title = {Review of A Gravity's Rainbow Companion},
	pages = {131},
	journaltitle = {Choice},
	author = {Tölölyan, Khachig},
	date = {1989},
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@article{tololyan_review_1990,
	title = {Review of A Hand to Turn the Time: The Menippean Satires of Thomas Pynchon},
	pages = {1678},
	journaltitle = {Choice},
	author = {Tölölyan, Khachig},
	date = {1990},
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@article{tololyan_review_2001,
	title = {Review of Pynchon and Mason \& Dixon},
	pages = {1797},
	journaltitle = {Choice},
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@article{tololyan_review_1988,
	title = {Review of The Fictional Labyrinths of Thomas Pynchon},
	pages = {124},
	journaltitle = {Choice},
	author = {Tölölyan, Khachig},
	date = {1988},
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@article{tololyan_review_1991,
	title = {Review of The Gnostic Pynchon},
	pages = {1307},
	journaltitle = {Choice},
	author = {Tölölyan, Khachig},
	date = {1991},
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@article{tololyan_review_1987,
	title = {Review of The Style of Connectedness},
	pages = {623},
	journaltitle = {Choice},
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	date = {1987},
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@article{tololyan_review_1987-1,
	title = {Review of Hohmann's Thomas Pynchon's Gravity's Rainbow},
	pages = {310},
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	author = {Tölölyan, Khachig},
	date = {1987},
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@article{van_hulle_acts_2000,
	title = {Acts of Observing: Review of Lesen - Beobachten},
	pages = {260--263},
	number = {46},
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	author = {Van Hulle, Dirk},
	date = {2000},
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@article{vanderbeke_review_2002,
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	volume = {47},
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	journaltitle = {Amerikastudien: A Monograph Series},
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	number = {41},
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@article{weisenburger_little_1989,
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	author = {Weisenburger, Steven C.},
	date = {1989},
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@article{werner_review_1993,
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@article{whalen-bridge_review_1992,
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	date = {1988-09-22},
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@article{hume_interfaces_1986-1,
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	date = {1986-09-22},
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@article{kharpertian_beating_1991-1,
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@article{kharpertian_origins_1986-1,
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@article{schaechterle_loranger_response_1999,
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@article{l_madsen_narratives_2001,
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	doi = {10.16995/pn.104},
	pages = {229--238},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {L. Madsen, Deborah},
	urldate = {2024-06-28},
	date = {2001-09-22},
}

@article{martin_matrix_1992-1,
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	url = {http://pynchonnotes.openlibhums.org/article/id/2664/},
	doi = {10.16995/pn.246},
	pages = {198--200},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {Martin, Reginald},
	urldate = {2024-06-28},
	date = {1992-09-22},
}

@article{mascaro_listing_1999-1,
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	doi = {10.16995/pn.130},
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	urldate = {2024-06-28},
	date = {1999-09-22},
}

@article{mascaro_whos_1994-1,
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	rights = {https://creativecommons.org/licenses/authors},
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	url = {http://pynchonnotes.openlibhums.org/article/id/2607/},
	doi = {10.16995/pn.205},
	pages = {188--191},
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	journaltitle = {Pynchon Notes},
	author = {Mascaro, John},
	urldate = {2024-06-28},
	date = {1994-09-22},
}

@article{mchoul_how_1991-1,
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	rights = {https://creativecommons.org/licenses/authors},
	issn = {0278-1891},
	url = {http://pynchonnotes.openlibhums.org/article/id/2782/},
	doi = {10.16995/pn.266},
	pages = {157--167},
	number = {0},
	journaltitle = {Pynchon Notes},
	author = {{McHoul}, Alec},
	urldate = {2024-06-28},
	date = {1991-09-22},
}

@article{mclaughlin_pynchons_2011,
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	journaltitle = {Pynchon Notes},
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	urldate = {2024-06-28},
	date = {2011-09-22},
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@article{l_mclaughlin_talking_2001,
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	date = {2001-09-22},
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@article{ohara_phrase_2002-1,
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	date = {2002-09-22},
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@article{palmeri_aspects_2008-1,
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	date = {2008-09-22},
}

@article{park_postmodernist_2001,
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	date = {2001-09-22},
}

@article{s_roraback_new_2002,
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@article{schaub_continuities_1989-1,
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	urldate = {2024-06-28},
	date = {1989-09-22},
}

@article{simons_no_1989-1,
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	date = {1989-09-22},
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@article{van_hulle_acts_2001,
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@article{weisenburger_little_1989-1,
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	date = {1989-09-22},
}

@article{noauthor_mirror_1990,
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	date = {1990-11},
	langid = {english},
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@article{verity_roman_1973,
	title = {Roman Literature},
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	rights = {https://www.cambridge.org/core/terms},
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	urldate = {2024-06-28},
	date = {1973-10},
	langid = {english},
}

@article{cowart_pynchon_1997,
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	volume = {12},
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	url = {https://tidsskrift.dk/passage/article/view/3983},
	doi = {10.7146/pas.v12i26.3983},
	abstract = {David Cowart: Pynchon og tresserne},
	number = {26},
	journaltitle = {Passage - Tidsskrift for litteratur og kritik},
	shortjournal = {Passage},
	author = {Cowart, David},
	urldate = {2024-06-28},
	date = {1997-08-21},
}

@article{feo_fiction_1973,
	title = {Fiction Chronicle},
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	issn = {0018702X},
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	pages = {773},
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	author = {Feo, Ronald De and Pynchon, Thomas and {McGuane}, Thomas and Sukenick, Ronald and Gardner, John and Boll, Heinrich and Wright, Richard B. and Hughes, Richard and Wilson, Angus and Amis, Kingsley and Ballard, J. G. and Greene, Graham and Murdoch, Iris},
	urldate = {2024-06-28},
	date = {1973},
}

@article{rowell_reviews_1963,
	title = {{REVIEWS}},
	volume = {{XIV}},
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	doi = {10.1093/res/XIV.53.92},
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	urldate = {2024-06-28},
	date = {1963},
	langid = {english},
}

@article{abadi-nagy_ironic_1983,
	title = {Ironic Historicism in the American Novel of the Sixties},
	volume = {5},
	pages = {83--89},
	number = {1},
	journaltitle = {The John O'Hara Journal},
	author = {Abádi-Nagy, Zoltan},
	date = {1983},
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@article{ackroyd_somewhere_1973,
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	pages = {641--642},
	journaltitle = {Spectator},
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	date = {1973-11-17},
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@article{allen_period_1997,
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	journaltitle = {The New Criterion},
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	date = {1997-09},
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@article{allen_review_1973,
	title = {Review of Gravity's Rainbow},
	volume = {98},
	pages = {766},
	journaltitle = {Library Journal},
	author = {Allen, Bruce},
	date = {1973-03-01},
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@article{alter_apocalyptic_1966,
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	pages = {61--66},
	journaltitle = {Commentary},
	author = {Alter, Robert},
	date = {1966-06},
}

@article{andersen_en_2002,
	title = {En kompleks historie: Om Thomas Pynchon og Mason \& Dixon},
	pages = {20--27},
	number = {6},
	journaltitle = {Bogens Verden: tidsskrift for kultur og litteratur},
	author = {Andersen, Tore Rye},
	date = {2002},
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@article{andersen_omslag_2007,
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	number = {57},
	journaltitle = {Passage: tidsskrift for litteratur og kritik},
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	date = {2007},
}

@article{andersen_pynchons_2002,
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	pages = {43--59},
	number = {42},
	journaltitle = {Passage: tidsskrift for litteratur og kritik},
	author = {Andersen, Tore Rye},
	date = {2002},
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@article{aspden_beauty_2006,
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	journaltitle = {New Statesman},
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	date = {2006-12-04},
}

@article{babel_funny_2008,
	title = {The funny Tom show: brève et insuffisante notule sur l'humour de Pynchon},
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	journaltitle = {Cyclocosmia},
	author = {Babel, Pedro},
	date = {2008-09-18},
}

@article{barth_literature_1980,
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	pages = {65--71},
	journaltitle = {Atlantic},
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	date = {1980-01},
}

@article{bergh_gutenberggalaxens_1997,
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	author = {Bergh, Magnus},
	date = {1997},
}

@article{bergh_sandebudets_1994,
	title = {Sändebudets tragedi: Salman Rushdie och Thomas Pynchon rimmar med varandra},
	volume = {63},
	pages = {37--39},
	number = {3},
	journaltitle = {Bonniers Litterära Magasin},
	author = {Bergh, Magnus},
	date = {1994},
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@article{bergh_spokskrivare_1994,
	title = {Spökskrivare och demoner: Om Kilroy, värmedöd och konsten att sortera},
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	number = {3},
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	date = {1994},
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@article{berressem_het_1992,
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	pages = {82--90},
	number = {1},
	journaltitle = {Yang},
	author = {Berressem, Hanjo},
	date = {1992-03},
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@article{bertens_het_1983,
	title = {Het post-modernisme van Thomas Pynchon},
	volume = {146},
	pages = {488--495},
	number = {6},
	journaltitle = {De Gids},
	author = {Bertens, Hans},
	date = {1983},
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@article{bloom_perplexity_1997,
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	journaltitle = {Bostonia},
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	date = {1997},
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@article{bradbury_is_1997,
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	pages = {24--26},
	journaltitle = {Literary Review},
	author = {Bradbury, Malcolm},
	date = {1997-07},
}

@article{bradbury_malcolms_1997,
	title = {Malcolm's Bradbury's Last Word on Thomas Pynchon},
	journaltitle = {Literary Review},
	author = {Bradbury, Malcolm},
	date = {1997-07},
}

@article{brisard_het_1992,
	title = {Het gevecht van de zwaartekracht: De regenboog in Gravity's Rainbow},
	volume = {28},
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	author = {Brisard, Frank},
	date = {1992-03},
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@article{brooks_thomas_2003,
	title = {Thomas Pynchon: Review of A Journey into the Mind of [P]},
	pages = {57--58},
	journaltitle = {Sight and Sound},
	author = {Brooks, Xan},
	date = {2003},
}

@article{brunner_coming_1976,
	title = {Coming Events: An Assessment of Thomas Pynchon's Gravity's Rainbow},
	pages = {20--27},
	number = {10},
	journaltitle = {Foundation},
	author = {Brunner, John},
	date = {1976},
}

@article{burrows_paranoid_1967,
	title = {Paranoid Quests: Review of The Crying of Lot 49},
	pages = {513--514},
	journaltitle = {New Statesman},
	author = {Burrows, Miles},
	date = {1967-04-14},
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@article{callens_van_1992,
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	volume = {28},
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	number = {1},
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	date = {1992-03},
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@article{carlson_lost_2009,
	title = {Lost in the Fog},
	journaltitle = {Spectator},
	author = {Carlson, Michael},
	date = {2009-07-29},
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@article{carter_alt_1992,
	title = {Alt hænger sammen: Oedipa Mass' [sic] Moebius trip i The Crying of Lot 49},
	pages = {123--132},
	number = {11},
	journaltitle = {Passage},
	author = {Carter, Dale A.},
	date = {1992},
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@article{carvill_bong_2009,
	title = {The 'Bong' Goodbye: On Thomas Pynchon's Inherent Vice},
	number = {65},
	journaltitle = {Bright Lights Film Journal},
	author = {Carvill, John},
	date = {2009-08},
}

@article{carvill_fuss_2006,
	title = {The Fuss About Pynchon},
	journaltitle = {{PopMatters}.com},
	author = {Carvill, John},
	date = {2006-11-21},
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@article{chabon_crying_2013,
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	volume = {50},
	journaltitle = {The New York Review of Books},
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	date = {2013-11-07},
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@article{chamerois_arc-en-ciel_2008,
	title = {L'Arc-en-ciel de la création: L'incipit de Mason \& Dixon},
	pages = {69--77},
	journaltitle = {Cyclocosmia},
	author = {Chamerois, Gilles},
	date = {2008-09-18},
}

@article{claro_mason_2008,
	title = {Mason \& Dixon: entre les lignes},
	pages = {80--88},
	journaltitle = {Cyclocosmia},
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	date = {2008-09-18},
}

@article{claude_thomas_1997,
	title = {Thomas Pynchon: Mason \& Dixon},
	journaltitle = {Le Polyglotte: Bulletin de l'Association des Professeurs de Langues Vivantes de l'Enseignement public},
	author = {Claudé, Pierre},
	date = {1997-11},
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@article{cohen_first_2013,
	title = {First Family, Second Life: Thomas Pynchon goes online},
	pages = {99--105},
	journaltitle = {Harper's Magazine},
	author = {Cohen, Joshua},
	date = {2013-10},
}

@article{courtieu_comment_2008,
	title = {Comment interpréter les événements du monde: paraboles et lignes droites, la géométrie paranoïaque de Thomas Pynchon},
	pages = {87--93},
	journaltitle = {Cyclocosmia},
	author = {Courtieu, Marc},
	date = {2008-09-18},
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@article{den_boef_thomas_1985,
	title = {Thomas Pynchon},
	volume = {130},
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	number = {8},
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	author = {Den Boef, August H.},
	date = {1985},
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@article{donadio_america_1966,
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	pages = {448--452},
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	author = {Donadio, Stephen},
	date = {1966},
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@article{donoghue_bonfire_2013,
	title = {A Bonfire of the Inanities: Bleeding Edge, by Thomas Pynchon},
	volume = {November},
	journaltitle = {Open Letters Monthly: An Arts and Literature Review},
	author = {Donoghue, Steve},
	date = {2013},
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@article{dugdale_invisible_2003,
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	pages = {47--48},
	journaltitle = {New Statesman},
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	date = {2003-05-05},
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@article{duyfhuizen_gestencilde_1992,
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	volume = {28},
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@article{egebak_hold_2003,
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	url = {https://tidsskrift.dk/kok/article/view/21177},
	doi = {10.7146/kok.v31i95.21177},
	abstract = {Et forsøg angående Thomas Pynchons The Crying of Lot 49 (1966)},
	pages = {82--94},
	number = {95},
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	shortjournal = {{KoK}},
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	date = {2003-04-29},
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@article{noauthor_commentary_1955,
	title = {{COMMENTARY}},
	volume = {36},
	issn = {0028-4289, 1741-2005},
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	doi = {10.1111/j.1741-2005.1955.tb00667.x},
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	number = {424},
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	date = {1955-07},
	langid = {english},
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@article{lonsdale_reviews_1967,
	title = {Reviews},
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	doi = {10.1093/nq/14-11-425e},
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	date = {1967-11-01},
	langid = {english},
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@article{gilbert-rolfe_gravitys_1976,
	title = {Gravity's Rainbow and the Spiral Jetty},
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	urldate = {2024-06-28},
	date = {1976},
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@article{gilbert-rolfe_gravitys_1976-1,
	title = {Gravity's Rainbow and the Spiral Jetty (Part 2)},
	volume = {2},
	issn = {01622870},
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	date = {1976},
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@article{gilbert-rolfe_gravitys_1977,
	title = {Gravity's Rainbow and the Spiral Jetty (Conclusion)},
	volume = {3},
	issn = {01622870},
	url = {https://www.jstor.org/stable/778439?origin=crossref},
	doi = {10.2307/778439},
	pages = {90},
	journaltitle = {October},
	shortjournal = {October},
	author = {Gilbert-Rolfe, Jeremy and Johnston, John},
	urldate = {2024-06-28},
	date = {1977},
}

@article{hagen_mason_1997,
	title = {Mason \& Dixon},
	volume = {71},
	issn = {01963570},
	url = {https://www.jstor.org/stable/10.2307/40153371?origin=crossref},
	doi = {10.2307/40153371},
	pages = {788},
	number = {4},
	journaltitle = {World Literature Today},
	author = {Hagen, W. M. and Pynchon, Thomas},
	urldate = {2024-06-28},
	date = {1997},
	langid = {english},
}

@article{hagen_vineland_1991,
	title = {Vineland},
	volume = {65},
	issn = {01963570},
	url = {https://www.jstor.org/stable/10.2307/40146217?origin=crossref},
	doi = {10.2307/40146217},
	pages = {115},
	number = {1},
	journaltitle = {World Literature Today},
	author = {Hagen, W. M. and Pynchon, Thomas},
	urldate = {2024-06-28},
	date = {1991},
	langid = {english},
}

@article{koch_imagination_1964,
	title = {Imagination in the Abstract},
	volume = {24},
	issn = {00035769},
	url = {https://www.jstor.org/stable/10.2307/4610602?origin=crossref},
	doi = {10.2307/4610602},
	pages = {253},
	number = {2},
	journaltitle = {The Antioch Review},
	author = {Koch, Stephen and Sontag, Susan and Pynchon, Thomas},
	urldate = {2024-06-28},
	date = {1964},
	langid = {english},
}

@article{edmundson_prophet_1989,
	title = {Prophet of a New Postmodernism: The Greater Challenge of Salman Rushdie},
	pages = {62--71},
	journaltitle = {Harper's Magazine},
	author = {Edmundson, Mark},
	date = {1989-12},
}

@article{eve_pynchon_2012,
	title = {Pynchon Is Here},
	journaltitle = {Berfrois},
	author = {Eve, Martin P.},
	date = {2012-02-24},
}

@article{farran-lee_vad_1994,
	title = {Vad var det jag nyss läste: Attfiska med not i Joyce och Pynchon},
	volume = {63},
	pages = {33},
	number = {3},
	journaltitle = {Bonniers Litterära Magasin},
	author = {Farran-Lee, Stephen},
	date = {1994},
}

@article{farran-lee_volare_1994,
	title = {Volare, å-åh, cantare . . .: Sväva med Thomas Pynchon},
	volume = {63},
	pages = {2--3},
	number = {3},
	journaltitle = {Bonniers Litterära Magasin},
	author = {Farran-Lee, Stephen},
	date = {1994},
}

@article{flusfeder_chandler_2009,
	title = {Chandler in Flares},
	journaltitle = {New Statesman},
	author = {Flusfeder, David},
	date = {2009-07-30},
}

@article{fogel_pista_1988,
	title = {La Pista Pynchon},
	pages = {54--61},
	number = {2},
	journaltitle = {El Urogallo},
	author = {Fogel, Jean-François},
	date = {1988},
}

@article{fokkema_oedipas_1992,
	title = {Oedipa's wake},
	volume = {28},
	pages = {49--56},
	number = {1},
	journaltitle = {Yang},
	author = {Fokkema, Aleid},
	date = {1992-03},
}

@article{frantz_gravitys_2008,
	title = {Gravity's Rainbow: infra-film en molécules longues},
	pages = {57--62},
	journaltitle = {Cyclocosmia},
	author = {Frantz, Julien},
	date = {2008-09-18},
}

@article{frantz_vineland_2008,
	title = {Vineland: À travers le Bardo médiatique},
	pages = {63--66},
	journaltitle = {Cyclocosmia},
	author = {Frantz, Julien},
	date = {2008-09-18},
}

@article{freer_is_2011,
	title = {Is Pynchon a Feminist?},
	journaltitle = {Berfrois},
	author = {Freer, Joanna},
	date = {2011-06-09},
}

@article{freer_reading_2012,
	title = {Reading Pynchon's History},
	journaltitle = {Berfrois},
	author = {Freer, Joanna},
	date = {2012-07-04},
}

@article{fresan_against_2008,
	title = {Against the Day: l'hystérie interminable},
	pages = {98--101},
	journaltitle = {Cyclocosmia},
	author = {Fresan, Rodrigo},
	date = {2008-09-18},
}

@article{fussell_within_1977,
	title = {Within the Conventions},
	pages = {20--21},
	journaltitle = {Spectator},
	author = {Fussell, Paul},
	date = {1977-10-29},
}

@article{gardner_bigger_1997,
	title = {The Bigger ... The Better?},
	pages = {44--46},
	journaltitle = {National Review},
	author = {Gardner, James},
	date = {1997-06-30},
}

@article{glover_mytho-delirium_1990,
	title = {Mytho-delirium},
	pages = {43--44},
	number = {19},
	journaltitle = {Books in Canada},
	author = {Glover, Douglas},
	date = {1990},
}

@article{grant_bright_2000,
	title = {Bright Lights Fade Fast: The Beat Influences of Thomas Pynchon's V.},
	volume = {5},
	pages = {125--137},
	number = {1},
	journaltitle = {Journal x},
	author = {Grant, Richard},
	date = {2000},
}

@article{greenberg_underground_1969,
	title = {The Underground Woman: An Excursion into the V-ness of Thomas Pynchon},
	pages = {58--65},
	number = {27},
	journaltitle = {Chelsea},
	author = {Greenberg, Alvin},
	date = {1969},
}

@article{guerin_viceland_2009,
	title = {Viceland},
	journaltitle = {{PopMatters}.com},
	author = {Guerin, Christopher},
	date = {2009-08-07},
}

@article{guinhut_review_1992,
	title = {Review of Vineland},
	pages = {213},
	number = {751},
	journaltitle = {Europe},
	author = {Guinhut, Thierry},
	date = {1992},
}

@article{handlin_review_1966,
	title = {Review of The Crying of Lot 49},
	pages = {127--128},
	journaltitle = {Atlantic},
	author = {Handlin, Oscar},
	date = {1966-05},
}

@article{hartnett_review_1997,
	title = {Review of Mason \& Dixon},
	pages = {361--363},
	number = {62},
	journaltitle = {Confrontation},
	author = {Hartnett, Michael},
	date = {1997},
}

@article{henderson_review_1997,
	title = {Review of Mason \& Dixon},
	pages = {150},
	journaltitle = {Library Journal},
	author = {Henderson, David W.},
	date = {1997-06-01},
}

@article{hendin_what_1975,
	title = {What is Thomas Pynchon Telling Us?},
	pages = {82--90},
	number = {3},
	journaltitle = {Harper's Magazine},
	author = {Hendin, Josephine},
	date = {1975-03},
}

@article{hensher_best_1997,
	title = {The Best Novel of the Decade},
	pages = {35--36},
	journaltitle = {Spectator},
	author = {Hensher, Philip},
	date = {1997-05-03},
}

@article{herman_blijven_2009,
	title = {Blijven hangen in de Sixties?},
	volume = {1},
	pages = {462--469},
	number = {3},
	journaltitle = {{nY}: Tijdschrift voor literatuur, kritiek en amusement},
	author = {Herman, Luc},
	date = {2009},
}

@article{herman_california_1993,
	title = {California suite: Thomas Pynchon en de beeldmedia},
	pages = {40--45},
	number = {114},
	journaltitle = {Andere Sinema: maandelijks tijdschrift van de andere film},
	author = {Herman, Luc},
	date = {1993},
}

@article{herman_een_1993,
	title = {Een encyclopedie van de twintigste eeuw},
	volume = {10},
	pages = {75--77},
	number = {2},
	journaltitle = {Nieuw Wereldtijdschrift},
	author = {Herman, Luc},
	date = {1993},
}

@article{herman_inleiding_1992,
	title = {Inleiding},
	volume = {28},
	pages = {5--10},
	number = {1},
	journaltitle = {Yang},
	author = {Herman, Luc},
	date = {1992-03},
}

@article{hertzberg_paranoia_1974,
	title = {Paranoia},
	pages = {51--54, 59--60},
	journaltitle = {Harper's Magazine},
	author = {Hertzberg, Hendrick and {McClelland}, David C.},
	date = {1974-06},
}

@article{howard_pynchon_2005,
	title = {Pynchon From A to V},
	pages = {29--34, 36--40},
	journaltitle = {Bookforum},
	author = {Howard, Gerald},
	date = {2005},
}

@article{iannone_pynchons_1990,
	title = {Pynchon's Progress},
	pages = {58--59},
	journaltitle = {Commentary},
	author = {Iannone, Carole},
	date = {1990-04},
}

@article{ickstadt_musik_2008,
	title = {Musik simultanen Geschehens: Über Thomas Pynchons bisher längsten Roman Gegen den Tag},
	volume = {10},
	number = {9},
	journaltitle = {Literaturkritik.de: Rezensionsforum für Literatur und für Kulturwissenschaften},
	author = {Ickstadt, Heinz},
	date = {2008-09},
}

@article{ieven_lied_2008,
	title = {Lied tegen het licht},
	number = {2},
	journaltitle = {{nY}: Tijdschrift voor literatuur, kritiek en amusement},
	author = {Ieven, Bram},
	date = {2008},
}

@article{irmer_thomas_1997,
	title = {Thomas Pynchon: Wanda Tinasky},
	pages = {134--137},
	number = {10},
	journaltitle = {Chelsea Hotel: A Magazine for the Arts},
	author = {Irmer, Thomas},
	date = {1997},
}

@article{jelinek_kein_1976,
	title = {Kein Licht am Ende des Tunnels: Nachrichten ueber Thomas Pynchon},
	volume = {15},
	pages = {36--44},
	issue = {H52},
	journaltitle = {Manuskripte},
	author = {Jelinek, Elfriede},
	date = {1976},
}

@article{jones_call_2009,
	title = {Call It Capitalism},
	volume = {31},
	number = {17},
	journaltitle = {London Review of Books},
	author = {Jones, Thomas},
	date = {2009-09-10},
}

@article{jones_short_2003,
	title = {Short Cuts},
	volume = {25},
	journaltitle = {London Review of Books},
	author = {Jones, Thomas},
	date = {2003-05-08},
}

@article{kachka_thomas_2013,
	title = {On the Thomas Pynchon Trail: From the Long Island of His Boyhood to the 'Yupper West Side' of His New Novel},
	journaltitle = {The Vulture},
	author = {Kachka, Boris},
	date = {2013-08-25},
}

@article{kakela-puumala_arvoituksellinen_1992,
	title = {Arvoituksellinen Thomas Pynchon},
	pages = {30--33},
	journaltitle = {Kulttuurivihkot},
	author = {Käkelä-Puumala, Tiina},
	date = {1992-06},
}

@article{kakela-puumala_epileptinen_2003,
	title = {Epileptinen Sana: Thomas Pynchon ja Kirjallisuus Rajalla},
	pages = {20--27},
	journaltitle = {Parnasso},
	author = {Käkelä-Puumala, Tiina},
	date = {2003-05},
}

@article{kermode_that_1990,
	title = {That Was Another Planet},
	pages = {3--4},
	journaltitle = {London Review of Books},
	author = {Kermode, Frank},
	date = {1990-02-08},
}

@article{kihlgard_absolut_1994,
	title = {Absolut Författare: . . . får man . . . men då kanske man själv skulle . . .?},
	volume = {63},
	pages = {4--23},
	number = {3},
	journaltitle = {Bonniers Litterära Magasin},
	author = {Kihlgård, Peter},
	date = {1994},
}

@article{koskelainen_kuka_1993,
	title = {Kuka hallitsee?: Alaviite Pynchonin Vinelandin sivulle 386},
	pages = {21},
	number = {6},
	journaltitle = {Nuori Voima},
	author = {Koskelainen, Jukka},
	date = {1993},
}

@article{lagobrun_barnum_2001,
	title = {Barnum au musée des colonies},
	pages = {78--79},
	number = {395},
	journaltitle = {Le Magazine Littéraire},
	author = {Lagobrun, Victor},
	date = {2001},
}

@article{lamm_crying_2008,
	title = {The Crying of Lot 49, Gravity's Rainbow, Vineland: 'Slow Whirlwind', du jour d'avant au jour d'après, genèse d'une cosmologie du doute en trois étapes},
	pages = {49--56},
	journaltitle = {Cyclocosmia},
	author = {Lamm, Olivier},
	date = {2008-09-18},
}

@article{langbaum_long_1981,
	title = {The Long Life of Modernism},
	volume = {48},
	pages = {151--160},
	journaltitle = {Partisan Review},
	author = {Langbaum, Robert},
	date = {1981},
}

@article{larner_new_1963,
	title = {The New Schlemihl},
	volume = {30},
	pages = {273--276},
	journaltitle = {Partisan Review},
	author = {Larner, Jeremy},
	date = {1963},
}

@article{le_vot_reviews_1975,
	title = {Reviews},
	volume = {451},
	pages = {740--743},
	number = {11},
	journaltitle = {Esprit},
	author = {Le Vot, André},
	date = {1975-11},
}

@article{leclair_missing_1981,
	title = {Missing Writers},
	volume = {24},
	pages = {48--52},
	number = {10},
	journaltitle = {Horizon: A Magazine of the Arts},
	author = {{LeClair}, Tom},
	date = {1981},
}

@article{leclair_map_1997,
	title = {The Map Is Not the Territory},
	volume = {18},
	pages = {5},
	number = {5},
	journaltitle = {The American Book Review},
	author = {{LeClair}, Tom},
	date = {1997},
}

@article{lehtola_thomas_1993,
	title = {Thomas Pynchon: milloin seminaari alkaa?},
	pages = {18--20},
	number = {6},
	journaltitle = {Nuori Voima},
	author = {Lehtola, Jyrki},
	date = {1993},
}

@article{leith_and_2006,
	title = {And All That Jass},
	journaltitle = {Spectator},
	author = {Leith, Sam},
	date = {2006-11-21},
}

@article{leonard_close_2006,
	title = {Close Encounters of the Fourth Kind},
	journaltitle = {The Nation},
	author = {Leonard, John},
	date = {2006-12-11},
}

@article{leonard_pynchons_1997,
	title = {Pynchon's Crazy Age of Reason},
	pages = {159--164},
	journaltitle = {The Nation},
	author = {Leonard, John},
	date = {1997-05-12},
}

@article{leonard_styxties_1990,
	title = {The Styxties},
	pages = {281--286},
	journaltitle = {The Nation},
	author = {Leonard, John},
	date = {1990-02-26},
}

@article{leonet_radicale_1992,
	title = {De radicale poetica van Gravity's Rainbow},
	volume = {28},
	pages = {68--73},
	number = {1},
	journaltitle = {Yang},
	author = {Léonet, Yves-Marie},
	date = {1992-03},
}

@article{leverenz_point_1975,
	title = {Point Counterpoint},
	volume = {42},
	pages = {643--644},
	number = {4},
	journaltitle = {Partisan Review},
	author = {Leverenz, David and Schmitz, Neil},
	date = {1975},
}

@article{leverenz_v-2_1973,
	title = {V-2},
	volume = {40},
	pages = {517--529},
	number = {3},
	journaltitle = {Partisan Review},
	author = {Leverenz, David},
	date = {1973},
}

@article{lewis_pynchons_1990,
	title = {Pynchon's Grasslands},
	volume = {10-11},
	pages = {386--399},
	journaltitle = {Bête Noire},
	author = {Lewis, Barry},
	date = {1990},
}

@article{lundberg_review_1996,
	title = {Review of Gravitationens Regnbåge},
	pages = {142--145},
	number = {5},
	journaltitle = {Ord \& Bild},
	author = {Lundberg, Anders},
	date = {1996},
}

@article{lundkvist_dagbok_1966,
	title = {Dagbok om böcker},
	volume = {35},
	pages = {604--608},
	number = {8},
	journaltitle = {Bonniers Litterära Magasin},
	author = {Lundkvist, Artur},
	date = {1966},
}

@article{lundkvist_mardrommar_1973,
	title = {Mardrömmar och spex},
	volume = {42},
	pages = {276--281},
	number = {5},
	journaltitle = {Bonniers Litterära Magasin},
	author = {Lundkvist, Artur},
	date = {1973},
}

@article{pritchard_actual_1998,
	title = {Actual Fiction},
	volume = {50},
	issn = {0018702X},
	url = {https://www.jstor.org/stable/3853226?origin=crossref},
	doi = {10.2307/3853226},
	pages = {656},
	number = {4},
	journaltitle = {The Hudson Review},
	shortjournal = {The Hudson Review},
	author = {Pritchard, William H. and Winterson, Jeanette and Banville, John and Berne, Suzanne and Theroux, Paul and Stone, Robert and Ford, Richard and Ozick, Cynthia and Fitzgerald, Penelope and Spark, Muriel and Atwood, Margaret and Pynchon, Thomas and Bellow, Saul},
	urldate = {2024-06-28},
	date = {1998},
}

@article{pritchard_novel_1990,
	title = {Novel Reports},
	volume = {43},
	issn = {0018702X},
	url = {https://www.jstor.org/stable/3852228?origin=crossref},
	doi = {10.2307/3852228},
	pages = {489},
	number = {3},
	journaltitle = {The Hudson Review},
	shortjournal = {The Hudson Review},
	author = {Pritchard, William H.},
	urldate = {2024-06-28},
	date = {1990},
}

@article{quan_law_1998,
	title = {The Law of Love},
	volume = {56},
	issn = {00035769},
	url = {https://www.jstor.org/stable/10.2307/4613632?origin=crossref},
	doi = {10.2307/4613632},
	pages = {113},
	number = {1},
	journaltitle = {The Antioch Review},
	author = {Quan, Adán and Esquivel, Laura and Peden, Margaret Sayers},
	urldate = {2024-06-28},
	date = {1998},
	langid = {english},
}

@article{bradley_electrical_1984,
	title = {Electrical coronas and burner flame stability},
	volume = {55},
	rights = {https://www.elsevier.com/tdm/userlicense/1.0/},
	issn = {00102180},
	url = {https://linkinghub.elsevier.com/retrieve/pii/0010218084901482},
	doi = {10.1016/0010-2180(84)90148-2},
	pages = {53--58},
	number = {1},
	journaltitle = {Combustion and Flame},
	shortjournal = {Combustion and Flame},
	author = {Bradley, Derek and Nasser, S.H.},
	urldate = {2024-06-28},
	date = {1984-01},
	langid = {english},
}

@article{watson_thomas_2008,
	title = {Thomas Pynchon: Realism in an Age of Ontological Uncertainty?},
	volume = {5},
	issn = {1741-4113, 1741-4113},
	url = {https://compass.onlinelibrary.wiley.com/doi/10.1111/j.1741-4113.2007.00512.x},
	doi = {10.1111/j.1741-4113.2007.00512.x},
	shorttitle = {Thomas Pynchon},
	abstract = {Abstract
            This paper considers literary realism in the novels of Thomas Pynchon as a means to examine the ways in which realism is embedded within a post‐modern context. After first considering some of the problems surrounding the concept of realism – its historical lineage, conflation with philosophical realism and the changing nature of reality itself – I discuss Pynchon's novels in terms of his technological construction of reality effects within a context of ontological doubt. I suggest that in Pynchon we arrive at what might be called a ‘baroque realism’, which draws on the Deleuzian metaphor of the fold, and is concerned with questions of illusion and reality, paradox and complexity in tune with the ontological uncertainty that characterises the age.},
	pages = {11--19},
	number = {1},
	journaltitle = {Literature Compass},
	shortjournal = {Literature Compass},
	author = {Watson, Cate},
	urldate = {2024-06-28},
	date = {2008-01},
	langid = {english},
}

@article{matthieusent_trois_1991,
	title = {Trois lents fondus au noir},
	pages = {79--80},
	journaltitle = {Cahiers du Cinéma},
	author = {Matthieusent, Brice},
	date = {1991-12},
}

@article{mchale_publishing_1990,
	title = {Publishing Events and Unfinished Business},
	volume = {12},
	pages = {8--9},
	number = {3},
	journaltitle = {The American Book Review},
	author = {{McHale}, Brian},
	date = {1990},
}

@article{menand_entropology_1997,
	title = {Entropology},
	volume = {44},
	number = {10},
	journaltitle = {The New York Review of Books},
	author = {Menand, Louis},
	date = {1997-06-10},
}

@article{mendelson_pynchons_2013,
	title = {Pynchon's Mrs. Dalloway},
	journaltitle = {The New York Review of Books},
	author = {Mendelson, Edward},
	date = {2013-09-27},
}

@article{miller_maxine_2013,
	title = {Maxine of the Mean Streets},
	journaltitle = {Literary Review},
	author = {Miller, Keith},
	date = {2013-09},
}

@article{miller_maxine_2013-1,
	title = {Maxine of the Mean Streets},
	pages = {50},
	number = {413},
	journaltitle = {Literary Review},
	author = {Miller, Keith},
	date = {2013},
}

@article{monti_v_2008,
	title = {V.: Là où nous allons},
	pages = {42--48},
	journaltitle = {Cyclocosmia},
	author = {Monti, Fran},
	date = {2008-09-18},
}

@article{moody_surveyors_1997,
	title = {Surveyors of the Enlightenment: Review of Mason \& Dixon, by Thomas Pynchon},
	volume = {280},
	pages = {106--110},
	number = {1},
	journaltitle = {Atlantic},
	author = {Moody, Rick},
	date = {1997-07},
}

@article{murphy_humor_2013,
	title = {Humor and Hysteria in Thomas Pynchon's Bleeding Edge},
	journaltitle = {{PopMatters}.com},
	author = {Murphy, John L.},
	date = {2013-09-17},
}

@article{nagahata_usurping_1992,
	title = {Usurping the Family of Radicalism: Genealogy in Pynchon's Vineland},
	pages = {105--118},
	number = {17},
	journaltitle = {{RANDOM}},
	author = {Nagahata, Akitoshi},
	date = {1992},
}

@article{nazaryan_literature_2006,
	title = {Literature for the Age of Unease: Reading Pynchon Today},
	journaltitle = {The New Partisan},
	author = {Nazaryan, Alexander},
	date = {2006-05-05},
}

@article{nijsen_een_2013,
	title = {Een virtuele matroos in het internettijdperk},
	journaltitle = {8 Weekly},
	author = {Nijsen, Kasper},
	date = {2013-09-24},
}

@article{not_bored_bill_sic_playing_nodate,
	title = {Playing the Postcard of The Crying of Lot 49},
	journaltitle = {Not Bored},
	author = {{Not Bored, Bill [sic]}},
}

@article{not_bored_bill_sic_raptor_nodate,
	title = {Raptor, Rapist, Rapture: The Dark Joys of Social Control in Thomas Pynchon's Vineland},
	journaltitle = {Not Bored},
	author = {{Not Bored, Bill [sic]}},
}

@article{palm_thomas_2008,
	title = {Thomas Pynchons real-imaginäre Spiegelwelt},
	journaltitle = {Glanz \& Elend: Magazin für Literatur und Zeitkritik},
	author = {Palm, Goedart},
	date = {2008-04},
}

@article{park_crying_2013,
	title = {The Crying of West 79th Street},
	journaltitle = {Bookforum},
	author = {Park, Ed},
	date = {2013},
}

@article{pohlmann_komplexe_2008,
	title = {Der komplexe Text: Das mathematische Spiel der Welten in Thomas Pynchons Roman Against the Day},
	volume = {10},
	number = {9},
	journaltitle = {Literaturkritik.de: Rezensionsforum für Literatur und für Kulturwissenschaften},
	author = {Pöhlmann, Sascha},
	date = {2008-09},
}

@article{poirier_literature_1969,
	title = {A Literature of Law and Order},
	volume = {36},
	pages = {189--204},
	number = {3},
	journaltitle = {Partisan Review},
	author = {Poirier, Richard},
	date = {1969},
}

@article{poirier_humans_1985,
	title = {Humans},
	volume = {6},
	pages = {18--20},
	number = {2},
	journaltitle = {London Review of Books},
	author = {Poirier, Richard},
	date = {1985-01-24},
}

@article{poirier_rocket_1974,
	title = {Rocket Power},
	volume = {1},
	pages = {59--64},
	number = {3},
	journaltitle = {Saturday Review of the Arts},
	author = {Poirier, Richard},
	date = {1974},
}

@article{powers_state_1990,
	title = {State and Vine},
	volume = {79},
	pages = {690--698},
	number = {4},
	journaltitle = {The Yale Review},
	author = {Powers, Richard},
	date = {1990},
}

@article{putz_imagination_1977,
	title = {Imagination and Self-Definition: American Novels of the Sixties},
	volume = {44},
	pages = {235--244},
	number = {2},
	journaltitle = {Partisan Review},
	author = {Pütz, Manfred},
	date = {1977},
}

@article{quesenberry_review_1991,
	title = {Review of Vineland},
	volume = {28},
	pages = {18--19},
	number = {3},
	journaltitle = {The Hollins Critic},
	author = {Quesenberry, Mattie},
	date = {1991},
}

@article{rich_thomas_2013,
	title = {The Thomas Pynchon Novel for the Edward Snowden Era},
	number = {10},
	journaltitle = {Atlantic},
	author = {Rich, Nathaniel},
	date = {2013},
}

@article{rogers_peoples_1990,
	title = {People's Republic of Rock 'n' Roll},
	pages = {27--28},
	journaltitle = {Literary Review},
	author = {Rogers, James},
	date = {1990-03},
}

@article{sante_inside_2007,
	title = {Inside the Time Machine},
	volume = {54},
	number = {1},
	journaltitle = {The New York Review of Books},
	author = {Sante, Luc},
	date = {2007-01-11},
}

@article{schmidt_line_2001,
	title = {Line, Vortex, and Mound: On First Reading Thomas Pynchon's Mason and Dixon},
	journaltitle = {Swarthmore University},
	author = {Schmidt, Peter},
	date = {2001},
}

@article{schmitz_describing_1975,
	title = {Describing the Demon: The Appeal of Thomas Pynchon},
	volume = {42},
	pages = {112--125},
	number = {1},
	journaltitle = {Partisan Review},
	author = {Schmitz, Neil},
	date = {1975},
}

@article{schuh_against_2008,
	title = {Against the Day: une alchimie de la lumière},
	pages = {112--119},
	journaltitle = {Cyclocosmia},
	author = {Schuh, Julien},
	date = {2008-09-18},
}

@article{shorris_worldly_1973,
	title = {The Worldly Palimpsest of Thomas Pynchon},
	pages = {78--81},
	journaltitle = {Harper's Magazine},
	author = {Shorris, Earl},
	date = {1973-06},
}

@article{sklar_new_1967,
	title = {The New Novel {USA}: Thomas Pynchon},
	pages = {277--280},
	journaltitle = {The Nation},
	author = {Sklar, Robert},
	date = {1967-09-25},
}

@article{st_clair_pynchons_2013,
	title = {Pynchon's Postmodern Legacy, or Why Irony Is Still Relevant},
	journaltitle = {Los Angeles Review of Books},
	author = {St. Clair, Justin},
	date = {2013-09-21},
}

@article{st_clair_rereading_2015,
	title = {Rereading Thomas Pynchon: Postmodernism and the Political Real},
	journaltitle = {Los Angeles Review of Books},
	author = {St. Clair, Justin},
	date = {2015-03-04},
}

@article{st_john_review_1990,
	title = {Review of Vineland},
	pages = {108},
	journaltitle = {Library Journal},
	author = {St. John, Edward B.},
	date = {1990-02-01},
}

@article{staiger_james_2008,
	title = {James Wood's Case Against 'Hysterical Realism' and Thomas Pynchon},
	volume = {66},
	pages = {634--654},
	number = {4},
	journaltitle = {Antioch Review},
	author = {Staiger, Jeffrey},
	date = {2008},
}

@article{stark_arts_1975,
	title = {The Arts and Sciences of Thomas Pynchon},
	volume = {12},
	pages = {1--13},
	number = {4},
	journaltitle = {The Hollins Critic},
	author = {Stark, John O.},
	date = {1975},
}

@article{stonehill_pynchons_1997,
	title = {Pynchons profetior om cyberrymden},
	volume = {66},
	pages = {52--58},
	number = {3},
	journaltitle = {Bonniers Litterära Magasin},
	author = {Stonehill, Brian},
	date = {1997},
}

@article{surfus_strange_1995,
	title = {Strange Attractors in Pynchon's Vineland},
	volume = {5},
	pages = {19--38},
	number = {1},
	journaltitle = {Henry Street: A Graduate Review of Literary Studies},
	author = {Surfus, Bonnie L.},
	date = {1995},
}

@article{tanner_v_1974,
	title = {V. \& V-2},
	pages = {80--88},
	number = {13},
	journaltitle = {London Magazine},
	author = {Tanner, Tony},
	date = {1974-03},
}

@article{tate_sufferin_1990,
	title = {Sufferin' Succotash},
	pages = {59},
	journaltitle = {National Review},
	author = {Tate, J. O.},
	date = {1990-04-30},
}

@article{thorburn_dissent_1973,
	title = {A Dissent on Pynchon},
	pages = {68--70},
	journaltitle = {Commentary},
	author = {Thorburn, David},
	date = {1973-09},
}

@article{tonkin_tanks_1988,
	title = {Tanks for the Memory},
	pages = {25},
	journaltitle = {New Statesman},
	author = {Tonkin, Boyd},
	date = {1988-04-01},
}

@article{towers_grassy_1987,
	title = {From the Grassy Knoll},
	pages = {6--7},
	journaltitle = {The New York Review of Books},
	author = {Towers, Robert},
	date = {1987-08-18},
}

@article{trachtenberg_beyond_1966,
	title = {Beyond Initiation: Some Recent Novels},
	volume = {56},
	pages = {131--138},
	number = {1},
	journaltitle = {The Yale Review},
	author = {Trachtenberg, Stanley},
	date = {1966},
}

@article{turner_when_1997,
	title = {When the Sandwich Was Still a New Invention},
	pages = {23--25},
	journaltitle = {London Review of Books},
	author = {Turner, Jenny},
	date = {1997-07-17},
}

@article{van_delden_op_1992,
	title = {Op zoek naar een verloren Amerika: Over The Crying of Lot 49},
	volume = {28},
	pages = {40--48},
	number = {1},
	journaltitle = {Yang},
	author = {Van Delden, Maarten H.},
	date = {1992-03},
}

@article{vervaeck_als_1992,
	title = {Als wiegende zeeën: De vroege verhalen van Thomas Pynchon},
	volume = {28},
	pages = {21--30},
	number = {1},
	journaltitle = {Yang},
	author = {Vervaeck, Bart},
	date = {1992-03},
}

@article{vester_konjunktur_1985,
	title = {Konjunktur der Konjekturen: Postmodernität bei Pynchon, Eco, Strauss},
	pages = {11--28},
	number = {34},
	journaltitle = {L'80: Demokratie und Sozialismus},
	author = {Vester, Heinz-Günter},
	date = {1985},
}

@article{vidal_american_1976,
	title = {American Plastic: The Matter of Fiction},
	pages = {31--39},
	journaltitle = {The New York Review of Books},
	author = {Vidal, Gore},
	date = {1976-07-15},
}

@article{walker_thomas_1990,
	title = {Thomas Pynchon's Vineland},
	pages = {4--5},
	journaltitle = {London Review of Books},
	author = {Walker, Christopher},
	date = {1990-03-08},
}

@article{wasson_notes_1969,
	title = {Notes On a New Sensibility},
	volume = {36},
	pages = {460--477},
	number = {3},
	journaltitle = {Partisan Review},
	author = {Wasson, Richard},
	date = {1969},
}

@article{watman_pynchons_2007,
	title = {Pynchon's Progress},
	volume = {25},
	pages = {69},
	journaltitle = {The New Criterion},
	author = {Watman, Max},
	date = {2007-02},
}

@article{werli_slow_2008,
	title = {Slow Learner: Thomas Pynchon, Un portrait de l'invisibilité},
	pages = {33--37},
	journaltitle = {Cyclocosmia},
	author = {Werli, Antonio},
	date = {2008-09-18},
}

@article{whitworth_not_1990,
	title = {Not a Novel for Grown-Ups},
	pages = {28},
	journaltitle = {Spectator},
	author = {Whitworth, John},
	date = {1990-02-03},
}

@article{wilhelmus_science_1997,
	title = {Science and Technology, Again},
	volume = {50},
	pages = {747--754},
	number = {4},
	journaltitle = {The Hudson Review},
	author = {Wilhelmus, Tom},
	date = {1997},
}

@article{wood_humming_2007,
	title = {Humming Along},
	volume = {29},
	number = {1},
	journaltitle = {London Review of Books},
	author = {Wood, Michael},
	date = {2007-01-04},
}

@article{wood_rocketing_1973,
	title = {Rocketing to the Apocalypse},
	pages = {22--23},
	journaltitle = {The New York Review of Books},
	author = {Wood, Michael},
	date = {1973-03-22},
}

@article{wood_apprenticeship_1984,
	title = {The Apprenticeship of Thomas Pynchon},
	pages = {1, 28--29},
	journaltitle = {The New York Review of Books},
	author = {Wood, Michael},
	date = {1984-04-15},
}

@article{daniel_topographic_1997,
	title = {Topographic accessibility and the tectonic interpretation of gravity data},
	volume = {45},
	issn = {0016-8025, 1365-2478},
	url = {https://onlinelibrary.wiley.com/doi/10.1046/j.1365-2478.1997.73309.x},
	doi = {10.1046/j.1365-2478.1997.73309.x},
	abstract = {During recent gravity surveys in Patagonia, we were unable to acquire data on the North Patagonian Icecap, which is completely inaccessible for land surveying. The Icecap is clearly of tectonic significance, but, because of its tectonic history, it is uplifted and rugged, and consequently inaccessible. Therefore the distribution of geophysical observations which can be acquired in a rugged field area is dependent on the tectonic history. This suggests that a tectonic history which is reconstructed from geophysical data may be systematically biased.
            We use models of local and flexural isostasy to estimate the gravity errors associated with interpolation across inaccessible topography. The gravity error is largest for Pratt isostasy, where the mass deficit which supports the topography is at relatively shallow depths. The gravity error is least for flexural isostasy, because in this case the inaccessible topography is supported regionally by a mass deficit which extends beyond the inaccessible region.
            An analytical flexural interpolation scheme is proposed for interpolation across data gaps associated with inaccessible topography. Flexural theory and Gauss’s theorem are used to predict the gravity anomaly due to the mass excess of the inaccessible topography. We apply this scheme to the North Patagonian Icecap, to demonstrate that flexural interpolation predicts a relative gravity low at the site of the Icecap, which would not be predicted by purely geometrical interpolation schemes.},
	pages = {1013--1026},
	number = {6},
	journaltitle = {Geophysical Prospecting},
	shortjournal = {Geophysical Prospecting},
	author = {Daniel, A. J. and Styles, P.},
	urldate = {2024-06-28},
	date = {1997-11},
	langid = {english},
}

@article{vermeulen_het_2007,
	title = {Het portfolio levert geen wezenlijke bijdrage aan de kwaliteit van de specialistenopleiding},
	volume = {26},
	rights = {https://creativecommons.org/licenses/by-nc/2.0},
	issn = {1389-6555, 1876-5157},
	url = {https://link.springer.com/10.1007/BF03056766},
	doi = {10.1007/BF03056766},
	pages = {24--25},
	number = {1},
	journaltitle = {Tijdschrift voor Medisch Onderwijs},
	shortjournal = {{TMEO}},
	author = {Vermeulen, M.},
	urldate = {2024-06-28},
	date = {2007-02},
	langid = {dutch},
}

@article{epstein_error_1997,
	title = {Error messages in F, take two},
	volume = {16},
	issn = {1061-7264, 1931-1311},
	url = {https://dl.acm.org/doi/10.1145/274104.274110},
	doi = {10.1145/274104.274110},
	pages = {12--16},
	number = {3},
	journaltitle = {{ACM} {SIGPLAN} Fortran Forum},
	shortjournal = {{SIGPLAN} Fortran Forum},
	author = {Epstein, David},
	urldate = {2024-06-28},
	date = {1997-12},
	langid = {english},
}

@article{abbott_cherrycoke_1997,
	title = {From Cherrycoke to Everybeet, Pynchon's Multitude of Voices},
	pages = {4L},
	journaltitle = {The Miami Herald},
	author = {Abbott, Lee K.},
	date = {1997-04-27},
}

@article{abrahamsson_mysteriet_1996,
	title = {Mysteriet Pynchon},
	pages = {6},
	journaltitle = {Hufvudstadsbladet},
	author = {Abrahamsson, Örjan},
	date = {1996-12-30},
}

@article{adair_pynchons_2006,
	title = {Pynchon's Flying Circus},
	pages = {14},
	journaltitle = {The Scotsman},
	author = {Adair, Tom},
	date = {2006-11-25},
}

@article{akst_drawing_1997,
	title = {Drawing the Line of North and South},
	pages = {3},
	journaltitle = {San Jose Mercury News},
	author = {Akst, Daniel},
	date = {1997-05-04},
}

@article{al-shawaf_inherent_2009,
	title = {Inherent Vice: Pynchon's (im)perfect crime},
	journaltitle = {The Miami Herald},
	author = {Al-Shawaf, Rayyan},
	date = {2009-08-02},
}

@article{alford_pynchons_1997,
	title = {Pynchon's Line},
	pages = {18, 23},
	journaltitle = {Houston Chronicle},
	author = {Alford, Steven E.},
	date = {1997-05-11},
}

@article{allen_pynchon_1997,
	title = {Pynchon Redux},
	pages = {1},
	journaltitle = {Kirkus Reviews},
	author = {Allen, Bruce},
	date = {1997-05-01},
}

@article{noauthor_american_1965,
	title = {American Fiction: The Postwar Years, 1945 - 1965},
	pages = {1--3, 5--7, 18, 20, 22, 24--25},
	journaltitle = {Sunday Herald Tribune: Book Week},
	date = {1965-09-26},
}

@article{andersen_welcome_1999,
	title = {Welcome Mr Chance: Thomas Pynchon: Katalognummer 49 udbydes},
	journaltitle = {Sentura},
	author = {Andersen, Af Uffe},
	date = {1999},
}

@article{andersen_den_2009,
	title = {Den skæve hippie-detektiv},
	journaltitle = {Dagbladet Information},
	author = {Andersen, Tore Rye},
	date = {2009-08-05},
}

@article{anderson_tale_2006,
	title = {A Tale So Extraordinary},
	pages = {Section Review: 10},
	journaltitle = {The Weekend Australian},
	author = {Anderson, Don},
	date = {2006-12-23},
}

@article{anderson_pynchons_1990,
	title = {A Pynchon's Time},
	pages = {16--17},
	journaltitle = {Express},
	author = {Anderson, Roger},
	date = {1990-03-02},
}

@article{appleyard_desperately_2006,
	title = {Desperately Seeking Pynchon},
	pages = {Feature: 4},
	journaltitle = {Sunday Times},
	author = {Appleyard, Bryan},
	date = {2006-12-03},
}

@article{atchity_pynchon_1984,
	title = {Pynchon Reappears With Examples and Apologies},
	pages = {3},
	journaltitle = {Los Angeles Times},
	author = {Atchity, Kenneth},
	date = {1984-05-06},
}

@article{bailey_view_2006,
	title = {The View from the Summit: Fiction},
	pages = {Books: 16},
	journaltitle = {The Age},
	author = {Bailey, John},
	date = {2006-12-22},
}

@article{balliett_wha_1963,
	title = {Wha},
	pages = {113--114, 117},
	journaltitle = {The New Yorker},
	author = {Balliett, Whitney},
	date = {1963-06-15},
}

@article{bancroft_world_2006,
	title = {A World of Possibilities},
	pages = {11L},
	journaltitle = {St. Petersburg Times},
	author = {Bancroft, Colette},
	date = {2006-12-10},
}

@article{bancroft_thomas_2009,
	title = {Thomas Pynchon Delivers a Great Beach Read with Inherent Vice},
	journaltitle = {St. Petersburg Times},
	author = {Bancroft, Colette},
	date = {2009-08-09},
}

@article{barberi_thomas_2002,
	title = {Thomas Pynchon - Mason \& Dixon},
	journaltitle = {Chronic'Art},
	author = {Barbéri, Jacques},
	date = {2002-02},
}

@article{battersby_great_1997,
	title = {A Great Opportunity Missed},
	pages = {Weekend section [9]},
	journaltitle = {Irish Times},
	author = {Battersby, Eileen},
	date = {1997-05-10},
}

@article{battersby_less_2007,
	title = {Less than Epic},
	pages = {Weekend: 13},
	journaltitle = {Irish Times},
	author = {Battersby, Eileen},
	date = {2007-01-13},
}

@article{baudino_pynchon_1997,
	title = {Pynchon, Don Chisciotte in America},
	pages = {23},
	journaltitle = {La Stampa},
	author = {Baudino, Mario},
	date = {1997-04-29},
}

@article{begley_flattened_1997,
	title = {Flattened History},
	pages = {4D},
	journaltitle = {St. Petersburg Times},
	author = {Begley, Adam},
	date = {1997-05-04},
}

@article{begley_pynchon_1997,
	title = {Pynchon Still Has the Stuff, but You Can't Get to It},
	pages = {32},
	journaltitle = {New York Observer},
	author = {Begley, Adam},
	date = {1997-04-28},
}

@article{begnal_review_1990,
	title = {Review of Vineland},
	pages = {1504},
	journaltitle = {Choice},
	author = {Begnal, Michael H.},
	date = {1990-05},
}

@article{bencivenga_review_1997,
	title = {Review of Mason \& Dixon},
	pages = {13},
	journaltitle = {Christian Science Monitor},
	author = {Bencivenga, Jim},
	date = {1997-05-15},
}

@article{bergh_kurrag_1994,
	title = {Kurrag},
	pages = {B2},
	journaltitle = {Dagens Nyheter},
	author = {Bergh, Magnus},
	date = {1994-12-13},
}

@article{bigsby_subdividers_1997,
	title = {The Subdividers of Eternity},
	pages = {Section Books: 4},
	journaltitle = {The Daily Telegraph},
	author = {Bigsby, Christopher},
	date = {1997-05-03},
}

@article{billot_book_2010,
	title = {Book review: Inherent Vice},
	journaltitle = {Otago Daily Times},
	author = {Billot, Victor},
	date = {2010-02-06},
}

@article{birkerts_pynchons_1990,
	title = {Pynchon's Strange Trip Through the '80s},
	pages = {4D},
	journaltitle = {{USA} Today},
	author = {Birkerts, Sven},
	date = {1990-01-05},
}

@article{bishop_groping_1990,
	title = {Groping Toward a State of Grace},
	pages = {D12},
	journaltitle = {London Free Press},
	author = {Bishop, Patricia},
	date = {1990-03-24},
}

@article{blinkhorn_pynchon_1996,
	title = {Pynchon Back in Print},
	pages = {Section Cue: 11},
	journaltitle = {The Milwaukee Journal Sentinel},
	author = {Blinkhorn, Lois},
	date = {1996-12-29},
}

@article{bluestein_tangled_1990,
	title = {Tangled Vines},
	pages = {42--43},
	journaltitle = {Progressive},
	author = {Bluestein, Gene},
	date = {1990-06},
}

@article{bocchiola_pynchon_1999,
	title = {Pynchon I confini della discordia},
	pages = {23},
	journaltitle = {Corriere della Sera},
	author = {Bocchiola, Massimo},
	date = {1999-10-13},
}

@article{bonca_re-dreaming_1997,
	title = {Re-Dreaming the American Dream: And Re-Reading Pynchon's Latest},
	pages = {Section Books: 23},
	journaltitle = {{OC} Weekly},
	author = {Bonca, Cornel},
	date = {1997-08-29},
}

@article{boomsma_geschiedenis_1997,
	title = {De geschiedenis als opera},
	pages = {26--27},
	journaltitle = {De Groene Amsterdammer},
	author = {Boomsma, Graa},
	date = {1997-05-14},
}

@article{boomsma_gekocht_2007,
	title = {Gekocht, verleid en om de tuin geleid},
	journaltitle = {De Groene Amsterdammer},
	author = {Boomsma, Graa},
	date = {2007-01-19},
}

@article{boomsma_paranoia_1992,
	title = {Paranoia: De raket van Damocles},
	pages = {28--29},
	journaltitle = {De Groene Amsterdammer},
	author = {Boomsma, Graa},
	date = {1992-10-04},
}

@article{boomsma_pragmatische_1999,
	title = {Pragmatische oogkleppen},
	journaltitle = {De Groene Amsterdammer},
	author = {Boomsma, Graa},
	date = {1999-10-13},
}

@article{bottum_end_1997,
	title = {The End of His Rainbow: Thomas Pynchon Fails to Deliver},
	pages = {36--37},
	journaltitle = {Weekly Standard},
	author = {Bottum, J.},
	date = {1997-05-19},
}

@article{bouquet_latitude_2001,
	title = {Latitude Pynchon},
	journaltitle = {Libération},
	author = {Bouquet, Stéphane},
	date = {2001-01-04},
}

@article{bouquet_tourbillons_2001,
	title = {Tourbillons dans la carte du monde: Comment travaille-t-on sur un texte de Thomas Pynchon?},
	journaltitle = {Libération},
	author = {Bouquet, Stéphane},
	date = {2001-01-04},
}

@article{bowman_pynchons_1990,
	title = {Pynchon's California},
	pages = {A4},
	journaltitle = {Huntsville News},
	author = {Bowman, David},
	date = {1990-03-09},
}

@article{boyagoda_hard-boiled_2009,
	title = {Hard-boiled or highbrow?},
	journaltitle = {The Globe and Mail},
	author = {Boyagoda, Randy},
	date = {2009-08-08},
}

@article{boyd_all_1997,
	title = {All Lined Up: Pynchon goes long and connects again},
	journaltitle = {Eye Weekly},
	author = {Boyd, Greg},
	date = {1997-05-15},
}

@article{boyd_seductive_1990,
	title = {The Seductive Illusions of a Pynchon Puzzle},
	pages = {5C},
	journaltitle = {St. Louis Post-Dispatch},
	author = {Boyd, Robert},
	date = {1990-01-21},
}

@article{boyle_great_1997,
	title = {The Great Divide},
	pages = {9},
	journaltitle = {New York Times Book Review},
	author = {Boyle, T. Coraghessan},
	date = {1997-05-18},
}

@article{bradbury_invisible_1985,
	title = {The Invisible Man},
	pages = {51},
	journaltitle = {The Observer},
	author = {Bradbury, Malcolm},
	date = {1985-01-13},
}

@article{brady_review_1990,
	title = {Review of Vineland},
	pages = {954},
	journaltitle = {Booklist},
	author = {Brady, Martin},
	date = {1990-01-15},
}

@article{brazell_pynchons_1997,
	title = {Pynchon's Line Dance},
	journaltitle = {Metro},
	author = {Brazell, Bill},
	date = {1997-06},
}

@article{bril_veel_1997,
	title = {De veel te gewone rug van Thomas Pynchon},
	pages = {15},
	journaltitle = {Het Parool},
	author = {Bril, Martin},
	date = {1997-05-16},
}

@article{brosnahan_review_1984,
	title = {Review of Slow Learner},
	volume = {80},
	pages = {1129},
	journaltitle = {Booklist},
	author = {Brosnahan, John},
	date = {1984-04-15},
}

@article{brouwers_een_1993,
	title = {Een roman als een raket - onklaar gemaakt},
	pages = {87--88},
	journaltitle = {Vrij Nederland},
	author = {Brouwers, Marja},
	date = {1993-05-08},
}

@article{brouwers_gods_2007,
	title = {Gods Lachen},
	journaltitle = {Vrij Nederland},
	author = {Brouwers, Marja},
	date = {2007-01-13},
}

@article{brown_inherent_2009,
	title = {Inherent Vice, by Thomas Pynchon},
	journaltitle = {The Daily Mail},
	author = {Brown, Helen},
	date = {2009-08-18},
}

@article{brubaker_thomas_1997,
	title = {Thomas Pynchon Examines Murder of the Conestogas in Mason \& Dixon},
	pages = {A12},
	journaltitle = {Lancaster New Era},
	author = {Brubaker, Jack},
	date = {1997-10-07},
}

@article{bukiet_boundaries_1997,
	title = {Boundaries: Thomas Pynchon's Line on Modernity},
	pages = {1},
	journaltitle = {The Chicago Tribune},
	author = {Bukiet, Melvin J.},
	date = {1997-05-11},
}

@article{burgess_new_1997,
	title = {A New Novel from a Great Writer},
	journaltitle = {The American Reporter},
	author = {Burgess, John},
	date = {1997-08-16},
}

@article{burkman_brilliant_1997,
	title = {Brilliant and Bawdy, Pynchon at Full Force},
	pages = {M2},
	journaltitle = {The Seattle Times},
	author = {Burkman, Greg},
	date = {1997-05-04},
}

@article{cabal_onward_2009,
	title = {Onward, Into the Fog},
	journaltitle = {Counterpunch},
	author = {Cabal, Alan},
	date = {2009-08-31},
}

@article{calahan_inherent_2014,
	title = {Inherent Vice Review: Lots of Sex and Drugs, But Where Are the Believable People?},
	journaltitle = {The Wrap},
	author = {Calahan, Dan},
	date = {2014-10-04},
}

@article{carpenter_american_1997,
	title = {The American Goon Show},
	pages = {Section Features: 8},
	journaltitle = {Sunday Times},
	author = {Carpenter, Humphrey},
	date = {1997-05-04},
}

@article{carroll_review_1997,
	title = {Review of Lineland},
	pages = {1870},
	journaltitle = {Booklist},
	author = {Carroll, Mary},
	date = {1997-08},
}

@article{carter_pynchon_1997,
	title = {Pynchon Creates a Work that 'Dances with Language'},
	pages = {F4},
	journaltitle = {Richmond Times Dispatch},
	author = {Carter, Ron},
	date = {1997-05-18},
}

@article{cartwright_all_1997,
	title = {All Language with No Heart},
	pages = {Section Books: 5},
	journaltitle = {The Financial Times},
	author = {Cartwright, Justin},
	date = {1997-05-03},
}

@article{casey_pynchons_1990,
	title = {Pynchon's Latest May Surprise Both Partisans and Detractors},
	pages = {7E},
	journaltitle = {Yakima Herald-Republic},
	author = {Casey, Constance},
	date = {1990-01-21},
}

@article{chambers_theres_1990,
	title = {There's a New World Just Around the Corner},
	pages = {1--3},
	journaltitle = {Mill Valley Literary Review},
	author = {Chambers, Judith},
	date = {1990},
}

@article{cha_man_2013,
	title = {The Man Is Far from Dead: On Thomas Pynchon's Bleeding Edge},
	journaltitle = {Trop},
	author = {Cha, Steph},
	date = {2013-10-15},
}

@article{chesney_reclusive_1997,
	title = {Reclusive Author Pens Brilliant Novel},
	pages = {M4},
	journaltitle = {Chattanooga Free Press},
	author = {Chesney, Alan},
	date = {1997-07-06},
}

@article{cheuse_inherent_2009,
	title = {Inherent Vice, by Thomas Pynchon},
	pages = {F--1},
	journaltitle = {San Francisco Chronicle},
	author = {Cheuse, Alan},
	date = {2009-08-09},
}

@article{cheuse_mason_1997,
	title = {Mason \& Dixon Surveys Signature Pynchon Domain},
	pages = {8J},
	journaltitle = {Dallas Morning News},
	author = {Cheuse, Alan},
	date = {1997-04-27},
}

@article{chotjewitz_thomas_1993,
	title = {Thomas Pynchon: Wie ein Film, der Rückwärts Läuft},
	pages = {7},
	journaltitle = {Rowohlt Revue},
	author = {Chotjewitz, Peter O.},
	date = {1993-06},
}

@article{churchwell_there_2009,
	title = {There are more quests than answers},
	journaltitle = {The Observer},
	author = {Churchwell, Sarah},
	date = {2009-07-26},
}

@article{cilliers_oorweldigende_2006,
	title = {Oorweldigende Pynchon},
	journaltitle = {{LitNet}},
	author = {Cilliers, Paul},
	date = {2006},
}

@article{clavel_pynchon_2008,
	title = {Pynchon entre Rabelais et Jules Verne},
	journaltitle = {Lire.fr},
	author = {Clavel, André},
	date = {2008-10},
}

@article{clavel_thomas_2014,
	title = {Thomas Pynchon, chaman déjanté de l'ère cybernétique},
	journaltitle = {Le Temps},
	author = {Clavel, André},
	date = {2014-08-23},
}

@article{clute_aubade_2006,
	title = {Aubade, Poor Dad},
	journaltitle = {Sci Fi Weekly},
	author = {Clute, John},
	date = {2006-11-27},
}

@article{coale_thomas_2009,
	title = {Thomas Pynchon's Inherent Vice is nostalgic haze of marijuana miasma},
	volume = {16},
	journaltitle = {Providence Journal-Bulletin},
	author = {Coale, Samuel Chase},
	date = {2009-08},
}

@article{cohea_pynchon_1997,
	title = {Pynchon Charts America's Divided Soul},
	pages = {F6},
	journaltitle = {Orlando Sentinel},
	author = {Cohea, David},
	date = {1997-05-04},
}

@article{collins_against_2006,
	title = {Against the Day, by Thomas Pynchon: Pynchon's Past Strengths Decline Into Overkill},
	journaltitle = {Pittsburg Post-Gazette},
	author = {Collins, Kristofer},
	date = {2006-12-31},
}

@article{cowart_continuity_1990,
	title = {Continuity and Growth: Pynchon's Vineland},
	volume = {12},
	pages = {176--190},
	number = {4},
	journaltitle = {Kenyon Review},
	author = {Cowart, David G.},
	date = {1990},
}

@article{cross_review_2006,
	title = {Review of Against the Day},
	pages = {80},
	journaltitle = {The Daily Mail},
	author = {Cross, Stephanie},
	date = {2006-11-24},
}

@article{cross_review_2006-1,
	title = {Review of Against the Day},
	pages = {LL04: 28},
	journaltitle = {The Evening Standard},
	author = {Cross, Stephanie},
	date = {2006-11-28},
}

@article{cryer_gravitys_1990,
	title = {Gravity's Ashram},
	pages = {21, 24},
	journaltitle = {Newsday},
	author = {Cryer, Dan},
	date = {1990-01-14},
}

@article{cumyn_drawing_1997,
	title = {Drawing the Line: At 60, Thomas Pynchon Is Still the Enfant Terrible of American Letters},
	pages = {M15},
	journaltitle = {Ottawa Citizen},
	author = {Cumyn, Richard},
	date = {1997-05-18},
}

@article{destienne_dorves_oeil_2001,
	title = {L'oeil du kaléidoscope},
	journaltitle = {Parutions},
	author = {d'Estienne d'Orves, Nicolas},
	date = {2001-01},
}

@article{dhaveloose_pynchon_1993,
	title = {Pynchon pelt de wereld af},
	pages = {B1},
	journaltitle = {De Standaard},
	author = {D'Haveloose, Wim},
	date = {1993-01-23},
}

@article{noauthor_danger_2006,
	title = {Danger: Mad Professor at Work},
	pages = {86},
	journaltitle = {The Economist},
	date = {2006-12-02},
}

@article{daniel_quest_1963,
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	pages = {11},
	journaltitle = {Manchester Guardian Weekly},
	author = {Daniel, John},
	date = {1963-10-17},
}

@article{david_auf_2009,
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	journaltitle = {Frankfurter Allgemeine Zeitung},
	author = {David, Thomas},
	date = {2009-07-31},
}

@article{davis_inherent_2009,
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	author = {Davis, Brian Joseph},
	date = {2009-08-05},
}

@article{davis_new_1965,
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	author = {Davis, Douglas M.},
	date = {1965-02},
}

@article{daw_review_1997,
	title = {Review by Dr Larry Daw},
	journaltitle = {Spermatikos Logos},
	author = {Daw, Laurence F.},
	date = {1997-06-17},
}

@article{delbourg_gai_1987,
	title = {Gai comme un Pynchon},
	journaltitle = {Le Nouvel Observateur},
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	date = {1987-02-06},
}

@article{noauthor_diary_2003,
	title = {Diary},
	pages = {Guardian Saturday: 7},
	journaltitle = {The Guardian},
	date = {2003-04-26},
}

@article{difilippo_all_2001,
	title = {All the Best Cowboys Have Chinese Eyes: The Orientalization of the Pynchonian Worldview in Ciphers},
	pages = {15--20},
	journaltitle = {New York Review of Science Fiction},
	author = {{DiFilippo}, Paul},
	date = {2001-08},
}

@article{difilippo_line_1998,
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	date = {1998-02},
}

@article{donkers_alsjeblieft_2007,
	title = {Alsjeblieft: 600.000 woorden},
	journaltitle = {{NRC} Handelsblad},
	author = {Donkers, Jan},
	date = {2007-02-02},
}

@article{doody_pynchons_2006,
	title = {Pynchon's Characters Chat Their Way Through His Novel's Tedious, Terky Plot},
	journaltitle = {Houston Chronicle},
	author = {Doody, Terrence},
	date = {2006-12-01},
}

@article{doyle_tv_1990,
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	date = {1990-04-02},
}

@article{dregni_after_1990,
	title = {After 17 Years, Pynchon's Back with Another Novel},
	pages = {11E},
	journaltitle = {Star Tribune},
	author = {Dregni, Michael},
	date = {1990-02-11},
}

@article{drexler_beautiful_1997,
	title = {Beautiful Colors and Strangely Put Together Shapes},
	pages = {9},
	journaltitle = {The Mainichi Daily News},
	author = {Drexler, Mike},
	date = {1997-09-13},
}

@article{dubail_plugging_2006,
	title = {Plugging Away at a New Leviathan},
	journaltitle = {The Plain Dealer},
	author = {Dubail, Jean},
	date = {2006-11-19},
}

@article{dufreigne_pynchon_2001,
	title = {Pynchon, géomètre de l'Amérique},
	journaltitle = {L'Express},
	author = {Dufreigne, Jean-Pierre},
	date = {2001},
}

@article{dugdale_bleeding_2013,
	title = {Bleeding Edge, by Thomas Pynchon},
	journaltitle = {Sunday Times},
	author = {Dugdale, John V.},
	date = {2013-09-15},
}

@article{dugdale_inherent_2009,
	title = {Inherent Vice by Thomas Pynchon},
	journaltitle = {Sunday Times},
	author = {Dugdale, John V.},
	date = {2009-07-06},
}

@article{dugdale_its_2006,
	title = {It's All About Bigging It Up},
	pages = {55},
	journaltitle = {Sunday Times},
	author = {Dugdale, John V.},
	date = {2006-12-10},
}

@article{dugdale_pynchons_1997,
	title = {Pynchon's Back . . .},
	pages = {T9},
	journaltitle = {The Guardian},
	author = {Dugdale, John V.},
	date = {1997-04-24},
}

@article{dugdale_rilly_1990,
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	pages = {27},
	journaltitle = {The Listener},
	author = {Dugdale, John V.},
	date = {1990-02-01},
}

@article{dugdale_somewhere_1990,
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	pages = {34--38},
	journaltitle = {The Sunday Correspondent Magazine},
	author = {Dugdale, John V.},
	date = {1990-01-28},
}

@article{dugdale_thomas_2003,
	title = {Thomas Pynchon},
	journaltitle = {Sunday Times},
	author = {Dugdale, John V.},
	date = {2003-05-04},
}

@article{duyfhuizen_worth_1997,
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	pages = {G4},
	journaltitle = {News and Observer},
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	date = {1997-05-04},
}

@article{eckhardt_warum_1999,
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	date = {1999},
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@article{eder_wrestling_1997,
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	pages = {G9, G11},
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	author = {Eder, Richard},
	date = {1997-04-27},
}

@article{ekbom_luftsprang_1996,
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@article{ekbom_till_1997,
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	date = {1997-07-07},
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@article{ervamaa_astronomit_1988,
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@article{factor_over_1997,
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	journaltitle = {Willamette Week},
	author = {Factor, {TR}},
	date = {1997-04-30},
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@article{feeley_pynchon_1997,
	title = {Pynchon Reemerges},
	pages = {Q1},
	journaltitle = {The Philadelphia Enquirer},
	author = {Feeley, Gregory},
	date = {1997-04-27},
}

@article{feeney_reconsideration_1988,
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	date = {1988-01-17},
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@article{feeney_gravitys_1997,
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	date = {1997-05-04},
}

@article{feeney_just_1990,
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}

@article{fernandez-armesto_measuring_1997,
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	pages = {26},
	journaltitle = {The Evening Standard},
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	date = {1997-05-12},
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@article{noauthor_fiction_1997,
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	pages = {14--15},
	journaltitle = {The Economist},
	date = {1997-11-15},
}

@article{fischer_pynchons_1997,
	title = {Pynchon's Progress},
	pages = {14},
	journaltitle = {{NewCity}},
	author = {Fischer, David M.},
	date = {1997-05-01},
}

@article{fischer_gathering_2006,
	title = {The Gathering Storm: Pynchon Cuts a Wide Swath in Masterful {WWI}-era Epic},
	journaltitle = {The Milwaukee Journal Sentinel},
	author = {Fischer, Mike},
	date = {2006-11-24},
}

@article{fitzgerald_unimaginably_1997,
	title = {An Unimaginably Gorgeous Tapestry},
	pages = {K17},
	journaltitle = {The Toronto Star},
	author = {Fitzgerald, Judith},
	date = {1997-05-03},
}

@article{foran_adventures_1997,
	title = {Adventures in Pynchonland},
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	journaltitle = {Montreal Gazette},
	author = {Foran, Charles},
	date = {1997-05-17},
}

@article{freeman_against_2006,
	title = {Against the Day: Thomas Pynchon's Novel is High-Voltage},
	journaltitle = {The Seattle Times},
	author = {Freeman, John},
	date = {2006-11-17},
}

@article{freeman_electrifying_2006,
	title = {An Electrifying Return to Pynchonland Written on a Scale Not Human},
	pages = {D05},
	journaltitle = {The Toronto Star},
	author = {Freeman, John},
	date = {2006-11-26},
}

@article{freeman_book_2009,
	title = {Book review: Inherent Vice by Thomas Pynchon},
	journaltitle = {Dallas Morning News},
	author = {Freeman, John},
	date = {2009-08-23},
}

@article{freeman_skys_2006,
	title = {Sky's the Limit: Pynchonland Comes to Chicago},
	journaltitle = {{NewCity} Chicago},
	author = {Freeman, John},
	date = {2006-11-20},
}

@article{freeman_thomas_2006,
	title = {Thomas Pynchon},
	journaltitle = {St. Louis Post-Dispatch},
	author = {Freeman, John},
	date = {2006-11-19},
}

@article{fremont-smith_nature_1974,
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@article{fresan_histeria_2007,
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	journaltitle = {Página/12},
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	date = {2007-04-15},
}

@article{fresan_grito_2003,
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	journaltitle = {Página/12},
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}

@article{freund_pynchons_2009,
	title = {Pynchons Detektiv raucht Gras und trägt Afro},
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	date = {2009-08-06},
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@article{friendly_pynched_1990,
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	author = {Friendly, Jonathan},
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@article{fries_zoyd_1993,
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@article{fritsch_review_1987,
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	date = {1987},
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@article{froehlich_tom_1997,
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@article{fromberg_thomas_2001,
	title = {Thomas Pynchon: Niemand filmt Gott},
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	journaltitle = {{SPEX}},
	author = {Frömberg, Wolfgang},
	date = {2001-12},
}

@article{gaines_review_1963,
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	journaltitle = {Library Journal},
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	date = {1963-02},
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@article{gale_quest_1989,
	title = {The Quest for Pynchon},
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	journaltitle = {Tatler},
	author = {Gale, David},
	date = {1989},
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@article{gale_theres_2006,
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@article{garfitt_safe_1967,
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	journaltitle = {The Listener},
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	date = {1967-11-15},
}

@article{gathman_thomas_2006,
	title = {Thomas Pynchon's Against the Day},
	journaltitle = {Austin American-Statesman},
	author = {Gathman, Richard},
	date = {2006-11-19},
}

@article{genies_fusee_1991,
	title = {La fusée Pynchon},
	pages = {73},
	journaltitle = {Le Nouvel Observateur},
	author = {Géniès, Bernard},
	date = {1991-09-05},
}

@article{gentry_quest_1963,
	title = {The Quest for the Female Named V: Review of V.},
	pages = {17},
	journaltitle = {San Francisco Sunday Chronicle},
	author = {Gentry, Curt},
	date = {1963-05-19},
}

@article{gerber_pynchons_1990,
	title = {Pynchon's Magical Mystery Tour},
	pages = {E6},
	journaltitle = {Houston Post},
	author = {Gerber, Eric},
	date = {1990-01-28},
}

@article{gessen_thomas_2006,
	title = {Thomas Pynchon vs. The World},
	pages = {92},
	journaltitle = {New York Magazine},
	author = {Gessen, Keith},
	date = {2006-11-22},
}

@article{gold_mad_1966,
	title = {A Mad Dash After an Unholy Grail},
	pages = {5},
	journaltitle = {Book Week},
	author = {Gold, Arthur R.},
	date = {1966-04-24},
}

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@article{gonzalez_heapin_2006,
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@article{gottlieb_vineland_1990,
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	date = {1990-02-04},
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@article{grimes_tackling_1992,
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	urldate = {2024-06-28},
	date = {1997},
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}

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	date = {1973-12},
}

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}

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	date = {1997-12},
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}

@article{hallberg_hard-boiled_2009,
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	date = {2009-08-31},
}

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@article{hamilton_pynchon_1997,
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}

@article{hartman_fellowship_1963,
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@article{haskell_pynchon_2006,
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@article{hassan_futility_1963,
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@article{hellmann_pynchon_2006,
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	author = {Hellmann, David},
	date = {2006-12-10},
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@article{herbst_vineland_nodate,
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@article{herman_het_1997,
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@article{herman_thomas_1993,
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}

@article{herman_trossen_2006,
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	date = {1966-04-30},
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@article{hoffert_edge_2013,
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@article{hollingshead_let_2006,
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	date = {2006-12-02},
}

@article{hoover_inherent_2009,
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	author = {Hoover, Bob},
	date = {2009-08-02},
}

@article{hoover_counting_1997,
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	pages = {F9},
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	author = {Hoover, Bob},
	date = {1997-05-25},
}

@article{hoover_fear_1997,
	title = {Fear and Loathing in Chicago: Mason \& Dixon: The Early Years ' contin},
	pages = {G8},
	journaltitle = {Pittsburg Post-Gazette},
	author = {Hoover, Bob},
	date = {1997-06-15},
}

@article{hoover_md_1997,
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	date = {1997-06-29},
}

@article{horvath_history_1997,
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@article{hunter-tilney_inherent_2009,
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@article{hunter-tilney_invisible_2006,
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}

@article{ickstadt_ganze_1997,
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	author = {Ickstadt, Heinz},
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@article{ingendaay_herz_1997,
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	date = {1997-05-07},
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@article{ingram_pynchon_1997,
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	date = {1997-07-30},
}

@article{ingram_novel_2013,
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	author = {Irmer, Thomas},
	date = {1997-10-31},
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@article{jacobs_back_2006,
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	journaltitle = {Dissident Voice},
	author = {Jacobs, Ron},
	date = {2006-11-20},
}

@article{jacobs_back_2006-1,
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	journaltitle = {Counterpunch},
	author = {Jacobs, Ron},
	date = {2006-11-18},
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@article{jarvis_pynchons_2013,
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@article{johnson_delineating_1997,
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	date = {1997-05-11},
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	date = {1997-04-29},
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	date = {1976-08-06},
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@article{kellogg_thomas_2013,
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@article{kelly_against_2006,
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@article{kelly_inherent_2009,
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@article{kelly_book_2013,
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@article{kennedy_take_2006,
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@article{kennedy_take_2007,
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@article{keough_light_2006,
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@article{keough_roman_1997,
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@article{kipen_pynchon_1997,
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	date = {1997-04-27},
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@article{kirsch_pynchon_2006,
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	date = {2006-11-15},
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@article{kock_zeitenlocher_1991,
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	date = {1991},
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@article{koczauer_rock_1990,
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	date = {1990-02-17},
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	date = {1997-05-02},
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@article{koenig_worth_1990,
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@article{koning_vineland_1990,
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	date = {1990-02-01},
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@article{lamm_thomas_2008,
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@article{lancon_cinq_2008,
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@article{lannark_review_2000,
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	date = {2000},
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@article{larson_drawing_1997,
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@article{lasdun_christmas_2006,
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@article{leader_living_1990,
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@article{leader_final_1997,
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	date = {1997-05-03},
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@article{leclair_pynchon_1984,
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	author = {{LeClair}, Tom},
	date = {1984-04-13},
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@article{lehmann-haupt_vineland_1989,
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@article{lehmann-haupt_books_1984,
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@article{leonard_bleeding_2013,
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@article{lethem_pynchonopolis_2013,
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	author = {Leveritt, Thomas},
	date = {2009-08-09},
}

@article{lewis_review_2007,
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	pages = {Features: 57},
	journaltitle = {Sunday Times},
	author = {Lewis, Trevor},
	date = {2007-10-28},
}

@article{lewis_review_1998,
	title = {Review of Mason \& Dixon},
	journaltitle = {Sunday Times},
	author = {Lewis, Trevor},
	date = {1998-04-12},
}

@article{lhamon_vineland_1990,
	title = {Vineland is Pynchon's New World of Symbols},
	journaltitle = {Atlanta Journal and Constitution},
	author = {Lhamon, W. T, Jr.},
	date = {1990-01-07},
}

@article{liquori_its_2006,
	title = {It's worth breaking out of author comfort zone},
	journaltitle = {The Times Union},
	author = {Liquori, Donna},
	date = {2006-11-19},
}

@article{livingstone_mystery_1997,
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	journaltitle = {Spike},
	author = {Livingstone, David B.},
	date = {1997-09},
}

@article{locke_one_1973,
	title = {One of the Longest, Most Difficult, Most Ambitious Novels in Years},
	pages = {1--3, 12, 14},
	journaltitle = {New York Times Book Review},
	author = {Locke, Richard},
	date = {1973-03-11},
}

@article{loginov_pynchon_2009,
	title = {Pynchon Does Lebowski},
	journaltitle = {See Magazine},
	author = {Loginov, Clara},
	date = {2009-08-27},
}

@article{logue_whats_1997,
	title = {What's the Topic?},
	pages = {8},
	journaltitle = {Stanford Daily},
	author = {Logue, Bret},
	date = {1997-08-07},
}

@article{lombreglia_invisible_1997,
	title = {Invisible Forces},
	volume = {4},
	pages = {46--47},
	number = {6},
	journaltitle = {Boston Book Review},
	author = {Lombreglia, Ralph},
	date = {1997},
}

@article{lowenkopf_crossing_1997,
	title = {Crossing the Line into a New, Wild World},
	pages = {sec. Editorials/Opinions: 7},
	journaltitle = {Fort Worth Star-Telegram},
	author = {Lowenkopf, Shelley},
	date = {1997-05-25},
}

@article{lundgren_nagra_1996,
	title = {Några spår att f},
	pages = {25, 28},
	journaltitle = {Svenska Dagbladet},
	author = {Lundgren, Caj},
	date = {1996-12-13},
}

@article{lundgren_seklets_1997,
	title = {Seklets m},
	pages = {14--15},
	journaltitle = {Svenska Dagbladet},
	author = {Lundgren, Caj},
	date = {1997-10-01},
}

@article{macdonald_breathtaking_2006,
	title = {Breathtaking Maze from Man of Mystery},
	pages = {Guide: 6},
	journaltitle = {The Herald},
	author = {{MacDonald}, Hugh},
	date = {2006-12-09},
}

@article{macdougall_myth_1997,
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	pages = {15},
	journaltitle = {The Herald},
	author = {{MacDougall}, Carl},
	date = {1997-05-24},
}

@article{mackie_pynchons_2007,
	title = {Pynchon's 'Humongous, Bloated Jigsaw Puzzle'},
	pages = {Arts: 6},
	journaltitle = {Business Day},
	author = {Mackie, Heather},
	date = {2007-01-20},
}

@article{macris_slapstick_2006,
	title = {Slapstick Allegory for Troubled Times},
	pages = {Spectrum: 32},
	journaltitle = {The Sydney Morning Herald},
	author = {Macris, Anthony},
	date = {2006-12-15},
}

@article{macvicar_early_1984,
	title = {Early Finger Exercises Rescued from Oblivion},
	pages = {17},
	journaltitle = {The Globe and Mail},
	author = {{MacVicar}, Bill},
	date = {1984-06-30},
}

@article{madsen_colonialism_1997,
	title = {Colonialism on the Couch},
	pages = {22},
	journaltitle = {Times Higher Education},
	author = {Madsen, Deborah L.},
	date = {1997-05-23},
}

@article{mars-jones_how_1997,
	title = {How a Quaker gets his Oats},
	pages = {17},
	journaltitle = {The Observer},
	author = {Mars-Jones, Adam},
	date = {1997-06-15},
}

@article{martin_inherent_2009,
	title = {Inherent Vice, by Thomas Pynchon},
	journaltitle = {The Independent},
	author = {Martin, Andy},
	date = {2009-07-31},
}

@article{martin_inherent_2007,
	title = {Inherent Vice by Thomas Pynchon},
	journaltitle = {The Telegraph},
	author = {Martin, Tim},
	date = {2007-07-27},
}

@article{martin_enigma_2006,
	title = {Enigma Variations},
	pages = {A11--A12},
	journaltitle = {The Canberra Times},
	author = {Martin, Tim},
	date = {2006-12-08},
}

@article{martin_gweetings_2006,
	title = {Gweetings, Gentlemen: Against the Day, by Thomas Pynchon},
	journaltitle = {The Independent},
	author = {Martin, Tim},
	date = {2006-11-26},
}

@article{martin_review_2013,
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	author = {Martin, Tim},
	date = {2013-09-14},
}

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	pages = {59--60},
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	author = {März, Ursula},
	date = {1999-11-18},
}

@article{massie_pynchon_1997,
	title = {Pynchon Novel: Newest Unread Stylish Stout?},
	pages = {Section Sho: 13},
	journaltitle = {Chicago Sun-Times},
	author = {Massie, Alex},
	date = {1997-06-15},
}

@article{massie_fashionable_1997,
	title = {The Fashionable Reader's Choice},
	pages = {15},
	journaltitle = {The Daily Telegraph},
	author = {Massie, Alex},
	date = {1997-06-02},
}

@article{mcconnell_fabulous_2006,
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	pages = {1, 7},
	journaltitle = {Los Angeles Times},
	author = {{McConnell}, Frank D.},
	date = {2006-11-19},
}

@article{mcconnell_fabulous_1989,
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	pages = {1, 7},
	journaltitle = {Los Angeles Times Book Review},
	author = {{McConnell}, Frank D.},
	date = {1989-12-31},
}

@article{mcconnell_good_1997,
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	pages = {20--22},
	journaltitle = {Commonweal},
	author = {{McConnell}, Frank D.},
	date = {1997-08-15},
}

@article{mcconnell_pynchons_1990,
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	pages = {8H},
	journaltitle = {Columbus Dispatch},
	author = {{McConnell}, Frank D.},
	date = {1990-01-14},
}

@article{mcmanus_pynchons_1990,
	title = {Pynchon's Return},
	journaltitle = {The Chicago Tribune},
	author = {{McManus}, James},
	date = {1990-01-14},
}

@article{mcnamara_pop_1990,
	title = {Pop Culture Bursts in Thomas Pynchon's Vineland},
	pages = {L1},
	journaltitle = {Detroit News},
	author = {{McNamara}, Eugene},
	date = {1990-01-28},
}

@article{melo_thomas_2006,
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	journaltitle = {The Oregonian},
	author = {Melo, Richard},
	date = {2006-11-26},
}

@article{menand_math_2006,
	title = {Do the Math: Thomas Pynchon Returns},
	pages = {170--172},
	journaltitle = {The New Yorker},
	author = {Menand, Louis},
	date = {2006-11-27},
}

@article{menand_soft-boiled_2009,
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	journaltitle = {The New Yorker},
	author = {Menand, Louis},
	date = {2009-08-03},
}

@article{mesler_great_1997,
	title = {Great American Novel?: Pynchon's Latest Is a Feast},
	pages = {G1},
	journaltitle = {Commercial Appeal},
	author = {Mesler, Corey},
	date = {1997-06-01},
}

@article{miller_into_2006,
	title = {Into the Light of 'Day'},
	journaltitle = {Los Angeles {CityBeat}},
	author = {Miller, Anthony},
	date = {2006-12-14},
}

@article{miller_pynchon_2009,
	title = {Pynchon lights up},
	journaltitle = {Salon},
	author = {Miller, Laura},
	date = {2009-07-31},
}

@article{miller_pynchons_1997,
	title = {Pynchon's Line: The Great American Recluse's Postparanoid Epic},
	pages = {43, 46},
	journaltitle = {The Village Voice},
	author = {Miller, Laura},
	date = {1997-05-06},
}

@article{miller_fall_2006,
	title = {The Fall of the House of Pynchon},
	journaltitle = {Salon},
	author = {Miller, Laura},
	date = {2006-11-21},
}

@article{minzesheimer_pynchon_2006,
	title = {Pynchon Stirs Trouble with a Unique World View: Terrorism at Root of Novel},
	pages = {1D},
	journaltitle = {{USA} Today},
	author = {Minzesheimer, Bob},
	date = {2006-11-21},
}

@article{mitchell_over_1997,
	title = {Over the Hill with Pynchon},
	pages = {6I},
	journaltitle = {The Courier-Journal [Louisville]},
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	date = {1997-08-24},
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@article{mitchner_thomas_2013,
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	date = {2013-09-19},
}

@article{mobilio_carnival_1990,
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	pages = {22--24},
	journaltitle = {The Village Voice Literary Supplement},
	author = {Mobilio, Albert},
	date = {1990-02},
}

@article{molesworth_thomas_1990,
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	date = {1990},
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@article{mooney_all_1997,
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	journaltitle = {Los Angeles Times},
	author = {Mooney, Ted},
	date = {1997-05-11},
}

@article{moorcock_kaleidoscopic_2007,
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	date = {2007-01-07},
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@article{moorcock_tomorrows_2006,
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	pages = {Books: 26},
	journaltitle = {The Daily Telegraph},
	author = {Moorcock, Michael},
	date = {2006-11-25},
}

@article{moore_no_1997,
	title = {No Use Pynchon Yourself - It's Real},
	pages = {B5},
	journaltitle = {Vancouver Sun},
	author = {Moore, John},
	date = {1997-08-16},
}

@article{moran_dix_2001,
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	author = {Moran, Jacques},
	date = {2001-01-04},
}

@article{morison_far_1997,
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	journaltitle = {Irish Times},
	author = {Morison, Samuel E.},
	date = {1997-06-03},
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@article{morton_defining_1997,
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	date = {1973-05-23},
}

@article{oconnell_review_1998,
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	date = {1998-03-28},
}

@article{orourke_pynchon_1990,
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	pages = {C9},
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	author = {O'Rourke, William},
	date = {1990-05-20},
}

@article{orourke_thomas_1990,
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	date = {1990-05-20},
}

@article{ottenhoff_line_1997,
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	journaltitle = {The Christian Century},
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	date = {1997-12-17},
}

@article{overbye_pynchon_1997,
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	pages = {130},
	journaltitle = {Wired.com},
	author = {Overbye, Dennis},
	date = {1997-08},
}

@article{overbye_street_1997,
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	pages = {130},
	journaltitle = {Wired.com},
	author = {Overbye, Dennis},
	date = {1997-08},
}

@article{noauthor_overseas_1997,
	title = {Overseas Cultural News: Thomas Pynchon's New Work},
	volume = {39},
	pages = {113--116},
	number = {8},
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	date = {1997},
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@article{owen_paperbacks_2007,
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	date = {2007-10-28},
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@article{packham_pynchon_2006,
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	date = {2006-12-03},
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	author = {Passaro, Vince},
	date = {1997-04-27},
}

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	date = {1998},
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@article{perry_review_1990,
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	date = {2003-08-19},
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@article{pincio_tra_2002,
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	date = {2002-12-22},
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@article{pinsker_pynchon_1997,
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	pages = {E8},
	journaltitle = {Providence Journal-Bulletin},
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	date = {1997-05-25},
}

@article{pizzichini_books_1998,
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@article{powe_thomas_1997,
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@article{powers__1990,
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@article{powers_peeping_1984,
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@article{quamme_new_1997,
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@article{rabalais_gravitys_2006,
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	date = {2006-08-19},
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@article{raban_try_1985,
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	date = {1989-12-27},
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@article{rieff_review_1990,
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@article{rifkind_farsighted_1990,
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@article{romine_be_1990,
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@article{rosenbaum_pynchons_1990,
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@article{rosenbaum_pynchons_1997,
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	author = {Rushdie, Salman},
	date = {1990-02-15},
}

@article{rushdie_still_1990,
	title = {Still Crazy After All These Years},
	pages = {36--37},
	journaltitle = {New York Times Book Review},
	author = {Rushdie, Salman},
	date = {1990-01-14},
}

@article{sacks_bleeding_2013,
	title = {Bleeding Edge, by Thomas Pynchon},
	journaltitle = {The Wall Street Journal},
	author = {Sacks, Sam},
	date = {2013-09-16},
}

@article{salm_vineland_1990,
	title = {Vineland Offers Pure, Uncut Pynchon},
	pages = {C3},
	journaltitle = {San Diego Union-Tribune},
	author = {Salm, Arthur},
	date = {1990-01-26},
}

@article{sanderson_review_2006,
	title = {Review of Against the Day},
	journaltitle = {The Sunday Telegraph},
	author = {Sanderson, Mark},
	date = {2006-12-10},
}

@article{saunders_reading_1990,
	title = {Reading Between the Lines},
	pages = {G1},
	journaltitle = {Sunday Times},
	author = {Saunders, Kate},
	date = {1990-01-21},
}

@article{schader_amerika_1997,
	title = {Amerika als Traum und Theme Park},
	journaltitle = {Neue Zürcher Zeitung},
	author = {Schader, Angela},
	date = {1997-05-17},
}

@article{schader_grenzgang_1999,
	title = {Grenzgang in guter Gesellschaft: Thomas Pynchon unterwegs mit Mason \& Dixon},
	pages = {B3},
	journaltitle = {Neue Zürcher Zeitung},
	author = {Schader, Angela},
	date = {1999-10-12},
}

@article{schader_macguffin_2009,
	title = {{MacGuffin} lässt bitten},
	journaltitle = {Neue Zürcher Zeitung},
	author = {Schader, Angela},
	date = {2009-08-15},
}

@article{schaub_pynchon_1990,
	title = {Pynchon Heads North to the '60s},
	journaltitle = {San Francisco Chronicle},
	author = {Schaub, Thomas H.},
	date = {1990-01-21},
}

@article{scheck_halali_1997,
	title = {Halali am Hudson},
	pages = {98--100},
	journaltitle = {Focus},
	author = {Scheck, Dennis},
	date = {1997-06-23},
}

@article{schillinger_alternate_2006,
	title = {Alternate Realities in Pynchon's Dream-Draped World},
	journaltitle = {The International Herald Tribune},
	author = {Schillinger, Liesl},
	date = {2006-11-24},
}

@article{schillinger_dream_2006,
	title = {Dream Maps},
	journaltitle = {New York Times},
	author = {Schillinger, Liesl},
	date = {2006-11-26},
}

@article{schmidt_zwei_1999,
	title = {Zwei flogen übers Kuckucksnest},
	journaltitle = {Die Welt},
	author = {Schmidt, Thomas E.},
	date = {1999-09-11},
}

@article{schmitz_thomas_1997,
	title = {Thomas Pynchon and His Witty, Weary Land Surveyors},
	pages = {7F},
	journaltitle = {The Buffalo News},
	author = {Schmitz, Neil},
	date = {1997-05-11},
}

@article{schutz_schneise_1999,
	title = {Schneise der Geschichte},
	journaltitle = {Tageszeitung},
	author = {Schütz, Erhard},
	date = {1999-09-18},
}

@article{scott_vineland_1990,
	title = {Vineland Proves Pynchon a Master},
	pages = {12},
	journaltitle = {Chatelaine},
	author = {Scott, Jay},
	date = {1990-05},
}

@article{seaman_review_1997,
	title = {Review of Mason \& Dixon},
	pages = {1365},
	journaltitle = {Booklist},
	author = {Seaman, Donna},
	date = {1997-04-15},
}

@article{seligman_new_2006,
	title = {New Pynchon Lacks Fire},
	journaltitle = {The Detroit Free Press},
	author = {Seligman, Craig},
	date = {2006-12-24},
}

@article{seligman_pynchons_2009,
	title = {Pynchon's psyche-out},
	journaltitle = {Tulsa World},
	author = {Seligman, Craig},
	date = {2009-08-08},
}

@article{serrai_entropia_1994,
	title = {Entropia e dis-integrazione nei racconti giovanili di Thomas Pynchon},
	volume = {50},
	pages = {125--128},
	number = {3},
	journaltitle = {Ponte},
	author = {Serrai, Roberto},
	date = {1994},
}

@article{severs_review_2009,
	title = {Review: Thomas Pynchon's Inherent Vice},
	journaltitle = {Austin American-Statesman},
	author = {Severs, Jeffrey},
	date = {2009-08-02},
}

@article{seymour-smith_spinning_1985,
	title = {Spinning Tall Tales},
	pages = {12},
	journaltitle = {The Financial Times},
	author = {Seymour-Smith, Martin},
	date = {1985-01-19},
}

@article{sheffield_bigger_2009,
	title = {The Bigger Lebowski},
	pages = {38--39},
	journaltitle = {Rolling Stone},
	author = {Sheffield, Rob},
	date = {2009-08-03},
}

@article{shimura_wishes_1993,
	title = {Wishes for a New Edition After This Translation},
	volume = {5},
	pages = {124--129},
	journaltitle = {Ritereeru [Literary]},
	author = {Shimura, Masao},
	date = {1993},
}

@article{shindler_mason_1997,
	title = {Mason \& Dixon Maps Pynchon's Line on History},
	pages = {6E},
	journaltitle = {The Denver Post},
	author = {Shindler, Dorman T.},
	date = {1997-05-04},
}

@article{shindler_flight_2006,
	title = {Flight of Fancy: Pynchon's in Top Form with Airborne Satire},
	pages = {F11},
	journaltitle = {The Denver Post},
	author = {Shindler, Dorman T.},
	date = {2006-12-10},
}

@article{shippey_pynchon_1997,
	title = {The Pynchon Line},
	pages = {25},
	journaltitle = {Times Literary Supplement},
	author = {Shippey, Tom},
	date = {1997-06-06},
}

@article{singleton_review_1997,
	title = {Review of Mason \& Dixon},
	pages = {2},
	journaltitle = {New York Law Journal},
	author = {Singleton, Ruth},
	date = {1997-07-08},
}

@article{skenazy_pynchon_1997,
	title = {Pynchon Draws The Line: Cult Novelist is All Over the Map With His Huge, Antic Mason and Dixon},
	journaltitle = {San Francisco Chronicle},
	author = {Skenazy, Paul},
	date = {1997-04-27},
}

@article{smith_visit_1990,
	title = {A Visit to Vineland Well Worth the Wait},
	pages = {E6--E7},
	journaltitle = {Times-Picayune},
	author = {Smith, Marcus},
	date = {1990-01-21},
}

@article{snider_aging_1990,
	title = {Aging Dopers and the Vanities of the Left},
	pages = {C16},
	journaltitle = {The Globe and Mail},
	author = {Snider, Norman},
	date = {1990-01-20},
}

@article{sorrentino_post-modern_2006,
	title = {Post-modern Pynchon: The Novelist Considers Modern Times},
	journaltitle = {Los Angeles Times},
	author = {Sorrentino, Christopher},
	date = {2006-11-19},
}

@article{soules_what_1980,
	title = {What to Think about Gravity's Rainbow},
	pages = {104--107},
	journaltitle = {Esquire},
	author = {Soules, Terrill S.},
	date = {1980-10},
}

@article{steigbigel_inherent_2009,
	title = {Inherent Vice},
	journaltitle = {Playboy},
	author = {Steigbigel, Matt},
	date = {2009-07-22},
}

@article{steinberg_review_1997,
	title = {Review of Mason \& Dixon},
	pages = {56},
	journaltitle = {Publishers' Weekly},
	author = {Steinberg, Sybil S.},
	date = {1997-04-14},
}

@article{steiner_pynchons_1990,
	title = {Pynchon's Progress: Dopeheads Revisited},
	pages = {30},
	journaltitle = {The Independent},
	author = {Steiner, Wendy},
	date = {1990-02-03},
}

@article{stein_longer_1997,
	title = {Longer than the Civil War},
	pages = {52},
	journaltitle = {Time Out},
	author = {Stein, Joel},
	date = {1997-05-24},
}

@article{stonumn_serious_1990,
	title = {Serious Author Shows a Fun Side},
	pages = {9I},
	journaltitle = {The Plain Dealer},
	author = {Stonumn, Gary L.},
	date = {1990-01-21},
}

@article{stonumn_serious_1990-1,
	title = {Serious Author Shows a Fun Side},
	pages = {9I},
	journaltitle = {The Plain Dealer},
	author = {Stonumn, Gary L.},
	date = {1990-01-24},
}

@article{streitfeld_vineland_1989,
	title = {Vineland Ends Thomas Pynchon's Literary Silence, but Not Mystery},
	pages = {E6--E8},
	journaltitle = {Los Angeles Times},
	author = {Streitfeld, David},
	date = {1989-12-10},
}

@article{suter_beste_1997,
	title = {Der beste Roman des 18. Jahrhunderts},
	journaltitle = {{SontagsZeitung}},
	author = {Suter, Martin},
	date = {1997-05-11},
}

@article{swindell_pynchons_1996,
	title = {Pynchon's Corpulent Gravity May Make Readers Sink},
	volume = {Metro Edition},
	pages = {7E},
	journaltitle = {Star Tribune},
	author = {Swindell, Larry},
	date = {1996-11-21},
}

@article{szeky_ett_1996,
	title = {Ett universum av entropi och konspirationer},
	pages = {29},
	journaltitle = {Svenska Dagbladet},
	author = {Széky, János},
	date = {1996-10-25},
}

@article{tait_bleeding_2013,
	title = {Bleeding Edge by Thomas Pynchon},
	journaltitle = {The Guardian},
	author = {Tait, Theo},
	date = {2013-09-13},
}

@article{tanz_bleeding_2013,
	title = {Bleeding Edge: Thomas Pynchon Returns as a Prophet of the Post-Snowden Era},
	journaltitle = {Wired.com},
	author = {Tanz, Joseph},
	date = {2013-09-09},
}

@article{tayler_inherent_2009,
	title = {Inherent Vice by Thomas Pynchon},
	journaltitle = {The Guardian},
	author = {Tayler, Christopher},
	date = {2009-08-01},
}

@article{tepper_pynchon_1997,
	title = {Pynchon verdwaald in nieuwe roman: Krullen rapen in de prullenbak},
	journaltitle = {{NRC} Handelsblad},
	author = {Tepper, Nanne},
	date = {1997-06-06},
}

@article{tewfik_best_2006,
	title = {Best Book You've Never Read},
	journaltitle = {The Sydney Morning Herald},
	author = {Tewfik, Mark},
	date = {2006-06-03},
}

@article{theroux_fantastic_2006,
	title = {Fantastic Journey},
	pages = {W8},
	journaltitle = {The Wall Street Journal},
	author = {Theroux, Alexander},
	date = {2006-11-24},
}

@article{thompson_review_2007,
	title = {Review of Against the Day},
	journaltitle = {The Observer},
	author = {Thompson, Heather},
	date = {2007-10-28},
}

@article{thorn_pynchons_2009,
	title = {Pynchon's {LA}: a boat full of unruly 1960s sailors},
	journaltitle = {Catholic Herald},
	author = {Thorn, Matt},
	date = {2009-09-04},
}

@article{tololyan_pynchons_1990-1,
	title = {In Pynchon's Latest, Optimism is the Only Problem},
	pages = {G3},
	journaltitle = {Hartford Courant},
	author = {Tölölyan, Khachig},
	date = {1990-01-28},
}

@article{trachtenberg_pynchon_1997,
	title = {Pynchon Draws Burlesque Mason-Dixon Line},
	pages = {5C},
	journaltitle = {St. Louis Post-Dispatch},
	author = {Trachtenberg, Stanley},
	date = {1997-04-27},
}

@article{traynor_never_2007,
	title = {Never Mind the Girth, with Pynchon You Can Always Read the Quality},
	journaltitle = {Sunday Independent},
	author = {Traynor, Desmond},
	date = {2007-04-22},
}

@article{tremblay_antidote_2007,
	title = {Antidote for Despair: Thomas Pynchon Doesn't Disappoint},
	pages = {J7},
	journaltitle = {Montreal Gazette},
	author = {Tremblay, , Mark},
	date = {2007-01-13},
}

@article{tucker_pynchons_1984,
	title = {Pynchon's Slow Learner: The Glow Continues},
	pages = {F9},
	journaltitle = {The Denver Post},
	author = {Tucker, Ken},
	date = {1984-05-20},
}

@article{twardy_pynchons_1990,
	title = {Pynchon's Peculiarities Obscure Ideas},
	pages = {G8},
	journaltitle = {Orlando Sentinel Tribune},
	author = {Twardy, Chuck},
	date = {1990-01-28},
}

@article{tyler_sifting_1984,
	title = {Sifting for Nuggets in the Early Pynchon},
	pages = {E2},
	journaltitle = {Detroit News},
	author = {Tyler, Anne},
	date = {1984-04-22},
}

@article{ulin_gravitys_1997,
	title = {Gravity's End},
	journaltitle = {Salon},
	author = {Ulin, David L.},
	date = {1997-04-25},
}

@article{van_dixhoorn_verwikkelingen_1997,
	title = {Verwikkelingen rond een Amerikaanse grenslijn},
	pages = {30},
	journaltitle = {De Volkskrant},
	author = {van Dixhoorn, Frank},
	date = {1997-06-27},
}

@article{van_hulle_thomas_1999,
	title = {Thomas Pynchon: Gravity's Rainbow},
	pages = {37},
	journaltitle = {De Morgen},
	author = {Van Hulle, Dirk},
	date = {1999-07-30},
}

@article{von_uthmann_schweiger_1990,
	title = {Der Schweiger Spricht: Vineland - Endlich ein Neuer Roman von Thomas Pynchon},
	journaltitle = {Frankfurter Allgemeine Zeitung},
	author = {von Uthmann, Joerg},
	date = {1990-01-25},
}

@article{webster_vineland_1990,
	title = {Vineland Retains Pynchon's Sense of the Absurd},
	pages = {8},
	journaltitle = {The Tech},
	author = {Webster, Mark},
	date = {1990},
}

@article{weeks_meanderings_1997,
	title = {Meanderings Seem Almost a Maze Without Center or Exit},
	pages = {8J},
	journaltitle = {Dallas Morning News},
	author = {Weeks, Jerome},
	date = {1997-04-27},
}

@article{weisenburger_pynchon_1997,
	title = {Pynchon Surveys Troubled Land},
	pages = {E5},
	journaltitle = {Post and Courier},
	author = {Weisenburger, Steven C.},
	date = {1997-06-22},
}

@article{wetzler_upper_2013,
	title = {Upper West Side Story: On Bleeding Edge - and Thomas Pynchon's Tangled Web},
	journaltitle = {New York Observer},
	author = {Wetzler, Rachel},
	date = {2013-09-17},
}

@article{white_flower_1990,
	title = {Flower Power-broking},
	pages = {18},
	journaltitle = {The Independent},
	author = {White, Edmund},
	date = {1990-02-04},
}

@article{wiggins_trouble_1997,
	title = {Trouble in Toeing the Line},
	journaltitle = {The Times},
	author = {Wiggins, Marianne},
	date = {1997-05-01},
}

@article{wiley_back_1997,
	title = {Back to the Future},
	pages = {8--9},
	journaltitle = {Minnesota Daily A\&E},
	author = {Wiley, David},
	date = {1997-05-29},
}

@article{winkler_sterne_1999,
	title = {Die Sterne sind so nah, dass man gar kein Fernrohr braucht},
	journaltitle = {Süddeutsche Zeitung},
	author = {Winkler, Willi},
	date = {1999-09-18},
}

@article{winters_pynchon_2013,
	title = {Pynchon Goes 'Deep': New novel gets lost but who cares?},
	journaltitle = {Patriot Ledger},
	author = {Winters, John},
	date = {2013-09-16},
}

@article{wolcott_boutiques_1990,
	title = {Boutiques Bloom, the Petals of Flower Power Fall},
	pages = {3},
	journaltitle = {The Observer},
	author = {Wolcott, James},
	date = {1990-02-04},
}

@article{wolff_inherent_2009,
	title = {Inherent Vice: Reclusive novelist Thomas Pynchon steps out of character with a thriller},
	journaltitle = {Christian Science Monitor},
	author = {Wolff, Carlo},
	date = {2009-08-04},
}

@article{wood_seriously_1990,
	title = {Seriously Unfunny, Truly Unreal America},
	pages = {38},
	journaltitle = {The Times},
	author = {Wood, James},
	date = {1990-02-03},
}

@article{wood_they_2009,
	title = {They really are out to get you},
	journaltitle = {The Australian},
	author = {Wood, Michael},
	date = {2009-09-02},
}

@article{yap_hot_2006,
	title = {Hot Off the Press},
	journaltitle = {Straits Times},
	author = {Yap, Stephanie},
	date = {2006-12-24},
}

@article{zalaznick_worlds_2007,
	title = {The Worlds Around Us},
	journaltitle = {The Vail Daily},
	author = {Zalaznick, Matt},
	date = {2007-01-01},
}

@article{zand_autres_1991,
	title = {D'autres mondes: A la recherche du temps hippy},
	pages = {24},
	journaltitle = {Le Monde},
	author = {Zand, Nicole},
	date = {1991-09-20},
}

@article{zane_monument_2006,
	title = {Monument in Pynchonland},
	journaltitle = {News and Observer},
	author = {Zane, J. Peder},
	date = {2006-12-24},
}

@article{zipp_all_2007,
	title = {All in One 'Day': Anarchist Bombers, Literate Dogs, and Time Travel},
	journaltitle = {Christian Science Monitor},
	author = {Zipp, Yvonne},
	date = {2007-01-16},
}

@article{benea_albert_2022,
	title = {Albert Rolls, Thomas Pynchon: The Demon in the Text (Edward Everett Root Publishers, 2019). 156 pp.},
	volume = {10},
	rights = {https://creativecommons.org/licenses/by/4.0},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/id/4810/},
	doi = {10.16995/orbit.4810},
	shorttitle = {Albert Rolls, Thomas Pynchon},
	pages = {1--8},
	number = {1},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Benea, Diana},
	urldate = {2024-06-28},
	date = {2022-01-12},
}

@article{simonetti_book_2021,
	title = {Book Reviews, Special Pynchon-Scholarship-in-Languages-Other-than-English Edition, 2020},
	volume = {9},
	rights = {https://creativecommons.org/licenses/by/4.0/},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/id/3404/},
	doi = {10.16995/orbit.3404},
	pages = {1--20},
	number = {1},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Simonetti, Paolo and Rossi, Umberto and Hoffman, Todd},
	urldate = {2024-06-28},
	date = {2021-01-15},
}

@article{thomas_blood_2019,
	title = {Blood on the Tracks Pynchon, Bleeding Edge, and (Un)popular Music from Britney to Black Metal},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/doi/10.16995/orbit.788/},
	doi = {10.16995/orbit.788},
	pages = {1--55},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Thomas, Samuel},
	urldate = {2024-06-28},
	date = {2019-03-21},
}

@article{phillips_nose-gaping_2019,
	title = {Nose-gaping: The Smells of \textit{Mason \& Dixon} The Smells of \textit{Mason \& Dixon}},
	volume = {7},
	rights = {https://creativecommons.org/licenses/by/4.0/},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/id/768/},
	doi = {10.16995/orbit.768},
	shorttitle = {Nose-gaping},
	pages = {1--16},
	number = {1},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Phillips, Mike},
	urldate = {2024-06-28},
	date = {2019-07-30},
}

@article{thompson_kairotic_2019-1,
	title = {The Kairotic View of History in Thomas Pynchon's Novels},
	volume = {7},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/doi/10.16995/orbit.589/},
	doi = {10.16995/orbit.589},
	number = {1},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Thompson, Gary},
	urldate = {2024-06-28},
	date = {2019-01-11},
}

@article{obryan_review_2022,
	title = {Review: Vineland Reread},
	volume = {10},
	rights = {https://creativecommons.org/licenses/by/4.0},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/id/9183/},
	doi = {10.16995/orbit.9183},
	shorttitle = {Review},
	abstract = {A book review of Peter Peter Coviello's Vineland Reread\ (Columbia University Press, 2021)},
	pages = {1--8},
	number = {2},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {O'Bryan, Michael},
	urldate = {2024-06-28},
	date = {2022-08-30},
}

@article{ketzan_review_2022,
	title = {Review of: Pynchon’s Sound of Music},
	volume = {10},
	rights = {https://creativecommons.org/licenses/by/4.0},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/id/9637/},
	doi = {10.16995/orbit.9637},
	shorttitle = {Review of},
	abstract = {A book review of Christian Hänggi's Pynchon’s Sound of Music (Diaphanes, 2020)},
	pages = {1--6},
	number = {2},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Ketzan, Erik},
	urldate = {2024-06-28},
	date = {2022-11-18},
}

@article{severs_review_2024,
	title = {Review of Tore Rye Andersen, Planetary Pynchon: History, Modernity, and the Anthropocene (Cambridge University Press, 2023), 228 pp.},
	volume = {11},
	rights = {https://creativecommons.org/licenses/by/4.0},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/id/15322/},
	doi = {10.16995/orbit.15322},
	shorttitle = {Review of Tore Rye Andersen, Planetary Pynchon},
	abstract = {n/a},
	pages = {1--6},
	number = {1},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Severs, Jeffrey},
	urldate = {2024-06-28},
	date = {2024-02-09},
}

@article{johnson_selling_2023,
	title = {Selling San Narciso: Pierce Inverarity as Insider-Innovator in The Crying of Lot 49},
	volume = {11},
	rights = {https://creativecommons.org/licenses/by/4.0},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/id/9380/},
	doi = {10.16995/orbit.9380},
	shorttitle = {Selling San Narciso},
	abstract = {This paper puts social networking theory into conversation with ideas from Michel de Certeau and\ Michel Serres, in order to explore the agency of Pierce Inverarity, whose death sets in motion Thomas\ Pynchon’s\ The Crying of Lot 49. Pierce—a 1960s war profiteer, maker of soulless cityscapes, and\ master manipulator—is justifiably seen as a villain. But he is also the novel’s most effective agent; he\ manipulates the culture he discovers and cultivates instabilities from which he profits.\ Lot 49’s\ protagonist, Oedipa Maas, habitually looks for central managers in control of the culture, but Pierce is\ not that. Instead, he is an often subtle persuader who designs ephemeral spaces that invite the agency of\ outsiders. He counts on the creative misuses people may find for his products. He does not have his\ community’s best interests at heart, but he demonstrates what it means to come alongside a community\ and foster gradual change. Pynchon—by making his villain an effective community change agent—sharpens his critique of middle-class complacency: Oedipa recoils from the decentralized cultural\ complexity that Pierce welcomes. Pynchon suggests that so long as Oedipa and her clever, educated\ cohort think of society as the product of other powerful ruling minds, agents like Pierce will have the\ advantage, as they diffuse their self-serving innovations through the networks of contemporary life,\ unchecked.},
	pages = {1--23},
	number = {1},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Johnson, Fred},
	urldate = {2024-06-28},
	date = {2023-08-06},
}

@article{hicks_zany_2024,
	title = {“The Zany Paraclete”: Seeking the Pentecostal Community in The Crying of Lot 49},
	volume = {73},
	issn = {2056-5666},
	url = {https://muse.jhu.edu/article/930543},
	doi = {10.1353/chy.2024.a930543},
	shorttitle = {“The Zany Paraclete”},
	abstract = {Abstract: This essay builds on existing scholarship that emphasizes Pynchon’s use of Pentecostal imagery to create intimations of revelation and communication that transcend the quotidian. My reading focuses on the partial and incomplete nature of Pynchon’s Pentecostal revelation in terms of both communication and community. Drawing on the deconstructive notion of the messianic as articulated by Jacques Derrida and John Caputo, I argue that reading Pynchon’s Pentecostal imagery in a messianic mode serves to highlight the tension between solipsism and desire for community in the novel, and additionally illuminates Pynchon’s framing of the possibility for alternative community outside of the normative.},
	pages = {260--276},
	number = {2},
	journaltitle = {Christianity \& Literature},
	shortjournal = {chy},
	author = {Hicks, Andrew P.},
	urldate = {2024-06-28},
	date = {2024-06},
	langid = {english},
}

@article{jeffrey_screen_2022,
	title = {”The screen is a dim page”: Gravity’s Rainbow‘s Unadaptability as Ideological Resistance},
	volume = {54},
	issn = {1934-1512},
	url = {https://muse.jhu.edu/article/857679},
	doi = {10.1353/sdn.2022.0017},
	shorttitle = {”The screen is a dim page”},
	pages = {219--234},
	number = {2},
	journaltitle = {Studies in the Novel},
	shortjournal = {Studies in the Novel},
	author = {Jeffrey, Myles},
	urldate = {2024-06-28},
	date = {2022-06},
	langid = {english},
}

@book{biebel_mason_2024,
	title = {A Mason \& Dixon Companion},
	isbn = {978-0-8203-6586-2},
	url = {https://muse.jhu.edu/book/124577},
	pagetotal = {277},
	publisher = {University of Georgia Press},
	author = {Biebel, Brett},
	urldate = {2024-06-28},
	date = {2024},
	doi = {10.1353/book.124577},
}

@incollection{carver_conspiracy_2022,
	location = {London New York},
	title = {Conspiracy reading: New literary perspectives on paranoia in Thomas Pynchon},
	isbn = {978-1-00-304865-7 978-0-367-50069-6 978-0-367-50070-2},
	series = {Conspiracy theories},
	abstract = {"This edited collection contributes to the study of conspiracy culture by analysing the relationship of literary forms to the formation, reception, and transformation of conspiracy theories. Conspiracy theories are narratives, and their narrative form provides the structure within which their 'readers' situate themselves when interpreting the world and its history. At the same time, conspiracist interpretations of the world may then be transmediated into works of literature and import popular discourse into narrative structures. The suppression and disappearance of books themselves may generate conspiracy theories and become co-opted into political dissent. Additionally, literary criticism itself is shown to adopt conspiracist modes of interpretation. By examining conspiracy plots as literary plots, with narrative, rhetorical, and symbolic characteristics, this volume is the first systematic study of how conspiracy culture in American and European history is the consequence of its interactions with literature. This book will be of great interest to researchers of conspiracy theories, literature, and literary criticism"--},
	booktitle = {Plots: literary form and conspiracy culture},
	publisher = {Routledge, Taylor \& Francis Group},
	author = {Dalsgaard, Inger H.},
	editor = {Carver, Ben and Craciun, Dana and Christov, Todor},
	date = {2022},
}

@article{sandberg_thomas_2020,
	title = {Thomas Pynchon and Paul Thomas Anderson’s \textit{Inherent Vice} (s) and the Affective Politics of Nostalgia},
	volume = {13},
	rights = {https://academic.oup.com/journals/pages/open\_access/funder\_policies/chorus/standard\_publication\_model},
	issn = {1755-0645},
	url = {https://academic.oup.com/adaptation/article/13/3/295/5611242},
	doi = {10.1093/adaptation/apz028},
	abstract = {Abstract
            This essay examines Thomas Pynchon’s 2009 Inherent Vice and Paul Thomas Anderson’s 2014 adaptation of the novel. These works are closely connected, and can be effectively viewed as two parts of a single transmedia text which includes a novel, a film, and two trailers. All of the constituent parts of this meta-Inherent Vice are informed by their engagement with nostalgia. Yet it is precisely here that the texts diverge from each other most markedly, activating different types of nostalgia for different purposes. While much contemporary scholarship relies on Svetlana Boym’s reflective/restorative binary to conceptualize the phenomenon of nostalgia, this reading argues that a public/personal divide offers another perhaps more appropriate lens to view the differences between the two versions of Inherent Vice. Pynchon’s novel emphasizes the political potential and social aspects of nostalgia, while Anderson’s film focuses on its personal, affective impact.},
	pages = {295--312},
	number = {3},
	journaltitle = {Adaptation},
	author = {Sandberg, Eric},
	urldate = {2024-06-28},
	date = {2020-11-21},
	langid = {english},
}

@article{di_vilio_inherent_2020,
	title = {"Inherent Vice": Thomas Pynchon beyond the Postmodern Fiction and Anti-Detective Novel},
	volume = {47},
	rights = {https://creativecommons.org/licenses/by-sa/4.0},
	issn = {2544-8900, 1640-7806},
	url = {https://bibliotekarzpodlaski.pl/index.php/bp/article/view/483},
	doi = {10.36770/bp.483},
	shorttitle = {"Inherent Vice"},
	abstract = {This article analyzes the development of noir genre in Inherent Vice written by Thomas Pynchon in 2009. In fact, this novel seems to be a time of reflection about all shifts and changes of detective fiction, starting from the Californian hard-boiled school and the postmodern anti-detective fiction to the contemporary noir. In Inherent Vice Pynchon shows his awareness and considerations about the genre tradition – to which some of his novels such as The Crying of Lot 49 belong– playing out a thought-provoking parodic representation of the detective story and its doom. This paper aims to decrypt the meaning of the references that Inherent Vice contains about noir genre and to detect what is the position of the author in writing this novel.},
	pages = {283--294},
	number = {2},
	journaltitle = {Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne},
	shortjournal = {bp},
	author = {Di Vilio, Antonio},
	urldate = {2024-06-28},
	date = {2020-07-10},
}

@incollection{bennett_understanding_2024,
	location = {New York},
	title = {Understanding the Absurd under the Shadow of Late Capitalism: Philip K. Dick, Thomas Pynchon, and Kurt Vonnegut},
	isbn = {978-1-03-218812-6 978-1-03-218813-3},
	series = {Routledge literature companions},
	abstract = {"The Routledge Companion to Absurdist Literature is the first authoritative and definitive edited collection on absurdist literature. As a field-defining volume, the editor and the contributors are world leaders in this ever-exciting genre that includes some of the most important and influential writers of the 20th century: including Samuel Beckett, Harold Pinter, Edward Albee, Eugene Ionesco, Jean Genet, and Albert Camus. Ever puzzling and always refusing to be pinned down, this book does not attempt to define absurdist literature, but attempts to examine its major and minor players. As such, the field is indirectly defined by examining its constituent writers. Not only investigating the so-called "Theatre of the Absurd," this volume wades quite deeply into absurdist fiction and absurdist poetry, expanding much of our previous sense of what constitutes absurdist literature. Furthermore, long overdue, approximately one-third of the book is devoted to marginalized writers: black, Latin/x, female, {LGBTQ}+, and non-Western voices"--},
	booktitle = {The Routledge companion to absurdist literature},
	publisher = {Routledge},
	author = {Tamir, Eyal},
	editor = {Bennett, Michael Y.},
	date = {2024},
	keywords = {Absurd (Philosophy) in literature, Literary criticism},
}

@book{grayson_radical_2022,
	location = {Lanham},
	title = {Radical hope in the novels of Thomas Pynchon: the moon and meteor},
	isbn = {978-1-66691-169-5},
	shorttitle = {Radical hope in the novels of Thomas Pynchon},
	abstract = {"Radical Hope in the Novels of Thomas Pynchon provides a careful consideration of the author's career, examining how literature mimics the structure of consciousness, and how the novels of Thomas Pynchon use this to confront readers with the ethical demands of the world and the others within it"--},
	pagetotal = {135},
	publisher = {Lexington Books},
	author = {Grayson, Phillip},
	date = {2022},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Literary criticism, Consciousness in literature},
}

@article{barcinski_hipergeneryczne_2020,
	title = {Hipergeneryczne spektrum Tęczy grawitacji Thomasa Pynchona w przekładzie na język polski},
	rights = {https://creativecommons.org/licenses/by-nc-nd/4.0/},
	issn = {16891864, 14256851},
	url = {https://www.ejournals.eu/Przekladaniec/2020/Numer-40/art/18036/},
	doi = {10.4467/16891864PC.20.011.13174},
	abstract = {The Hypergeneric Spectrum of Gravity’s Rainbow by Thomas Pynchon in Polish Translation

The study deals with the issue of genre in translation with reference to the Polish rendition of Gravity’s Rainbow by Thomas Pynchon. Upon analysing the hypergeneric and heteroglottic aspect of the novel, by enumerating the possible classifications of the novel’s genre and facets of language variety, the study offers a new perspective on genre classification from the vantage point of Jacques Derrida’s philosophy, namely by the introduction of the term quasi-transcendental as the name of a superordinate genre, which could include not only Pynchon’s but also Derrida’s works. The recreation of a genre defined in this way in the act of translation consists in determining the pivotal elements in the text, which activate the process of signification concerning chains of binarities in Gravity’s Rainbow, i.e. the motifs of “interface” and “linearity” (related to the motif of “fold”, which could also become a diagrammatic model for the whole quasi-transcendental genre). Finally, the study offers conclusions as to the theory and practice of translation of higher-order genres such as the one posited herein.},
	pages = {240--259},
	number = {40},
	journaltitle = {Przekładaniec},
	author = {Barciński, Łukasz},
	urldate = {2024-06-28},
	date = {2020},
}

@inbook{baxter_between_2021,
	location = {Cham},
	title = {‘…between zero and one’: Opposing Tendencies in the Exhaustive Fiction of Samuel Beckett and Thomas Pynchon},
	isbn = {978-3-030-81571-4 978-3-030-81572-1},
	url = {https://link.springer.com/10.1007/978-3-030-81572-1_4},
	shorttitle = {‘…between zero and one’},
	pages = {133--169},
	booktitle = {Samuel Beckett’s Legacies in American Fiction},
	publisher = {Springer International Publishing},
	author = {Baxter, James},
	bookauthor = {Baxter, James},
	urldate = {2024-06-28},
	date = {2021},
	langid = {english},
	doi = {10.1007/978-3-030-81572-1_4},
}

@incollection{mazzeno_thomas_2022,
	location = {Cham},
	title = {Thomas Pynchon and David Foster Wallace: Contextualizing the “Systems Novel” in Estonia},
	isbn = {978-3-030-94165-9 978-3-030-94166-6},
	url = {https://link.springer.com/10.1007/978-3-030-94166-6_7},
	shorttitle = {Thomas Pynchon and David Foster Wallace},
	pages = {99--115},
	booktitle = {Contemporary American Fiction in the European Classroom},
	publisher = {Springer International Publishing},
	author = {Staes, Toon},
	editor = {Mazzeno, Laurence W. and Norton, Sue},
	urldate = {2024-06-28},
	date = {2022},
	langid = {english},
	doi = {10.1007/978-3-030-94166-6_7},
}

@book{andersen_planetary_2023,
	location = {Cambridge ; New York},
	title = {Planetary Pynchon: history, modernity, and the anthropocene},
	isbn = {978-1-00-937757-7},
	shorttitle = {Planetary Pynchon},
	abstract = {"The book provides a revolutionary new reading of Thomas Pynchon's three major historical novels as a coherent global trilogy. It shows how the rise and spread of modernity led to the current age of the Anthropocene. This original reading provides a new understanding of one of the most important contemporary authors"--},
	pagetotal = {228},
	publisher = {Cambridge University Press},
	author = {Andersen, Tore Rye},
	date = {2023},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Literary criticism},
}

@incollection{tubbs_mathematical_2021,
	location = {Cham},
	title = {Mathematical Clinamen in the Encyclopedic Novel: Pynchon, {DeLillo}, Wallace},
	isbn = {978-3-030-55477-4 978-3-030-55478-1},
	url = {https://link.springer.com/10.1007/978-3-030-55478-1_9},
	shorttitle = {Mathematical Clinamen in the Encyclopedic Novel},
	pages = {149--168},
	booktitle = {The Palgrave Handbook of Literature and Mathematics},
	publisher = {Springer International Publishing},
	author = {Taylor, Stuart},
	editor = {Tubbs, Robert and Jenkins, Alice and Engelhardt, Nina},
	urldate = {2024-06-28},
	date = {2021},
	langid = {english},
	doi = {10.1007/978-3-030-55478-1_9},
}

@article{judy_entropic_2020-1,
	title = {Entropic Anxieties: Thomas Pynchon’s \textit{V} . And Obsessional Modernism},
	volume = {61},
	issn = {0011-1619, 1939-9138},
	url = {https://www.tandfonline.com/doi/full/10.1080/00111619.2020.1767027},
	doi = {10.1080/00111619.2020.1767027},
	shorttitle = {Entropic Anxieties},
	pages = {503--517},
	number = {5},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Judy, Ron S.},
	urldate = {2024-06-28},
	date = {2020-10-19},
	langid = {english},
}

@article{meresse_tis_2020,
	title = {“’Tis a reckless Debowch of a Game”: Chance and Resistance in Thomas Pynchon’s Novels},
	issn = {2274-2042},
	url = {http://journals.openedition.org/angles/2672},
	doi = {10.4000/angles.2672},
	shorttitle = {“’Tis a reckless Debowch of a Game”},
	pages = {1--17},
	number = {11},
	journaltitle = {Angles},
	shortjournal = {angles},
	author = {Meresse, Bastien},
	urldate = {2024-06-28},
	date = {2020-11-01},
}

@incollection{odonnell_pynchon_2022,
	edition = {1},
	title = {Pynchon, Thomas},
	rights = {http://doi.wiley.com/10.1002/tdm\_license\_1.1},
	isbn = {978-1-119-43171-8 978-1-119-43173-2},
	url = {https://onlinelibrary.wiley.com/doi/10.1002/9781119431732.ecaf0208},
	pages = {1--6},
	booktitle = {The Encyclopedia of Contemporary American Fiction 1980–2020},
	publisher = {Wiley},
	author = {Benea, Diana},
	editor = {O'Donnell, Patrick and Burn, Stephen J. and Larkin, Lesley},
	urldate = {2024-06-28},
	date = {2022-04-08},
	langid = {english},
	doi = {10.1002/9781119431732.ecaf0208},
}

@incollection{ibarraran_bigalondo_pynchon_2020,
	location = {New York London},
	title = {Pynchon Stretches West to East in Against the Day},
	isbn = {978-1-00-305677-5 978-0-367-85863-6},
	series = {Routledge interdisciplinary perspectives on literature},
	booktitle = {The new American West in literature and the arts: a journey across boundaries},
	publisher = {Routledge},
	author = {Cissell, Matthew},
	editor = {Ibarraran Bigalondo, Amaia},
	date = {2020},
}

@book{hanggi_pynchons_2020,
	edition = {1},
	title = {Pynchon’s Sound of Music},
	isbn = {978-3-0358-0233-7},
	url = {https://www.diaphanes.net/titel/pynchons-sound-of-music-6007},
	pagetotal = {320},
	publisher = {{DIAPHANES}},
	author = {Hänggi, Christian},
	urldate = {2024-06-28},
	date = {2020-04},
	doi = {10.4472/9783035802337},
}

@article{charef_gender_2022,
	title = {Gender and paranoia in Thomas Pynchon’s fiction},
	volume = {6},
	abstract = {Abstract : This paper provides an interdisciplinary feminist and postmodernist reading of Thomas Pynchon’s The Crying of Lot 49 and Gravity’s Rainbow. The main purpose is to explore the connection between L’écriture féminine and paranoia. This involves offering an outlining of both feminism and postmodernism in relation to the context of paranoia. In advocating for a revision of the traditional Western thought, Thomas Pynchon engages the concept of paranoia as a practice of mental liberation. We suggest that the contrast between the journeys undertaken by the female characters against that of the male characters reveals an appreciation for the female’s ability at resistance and the power of paranoia. The experience of the male characters demonstrates the price of anti-paranoia and succumbing to the authoritarian systems.},
	pages = {444--454},
	number = {1},
	journaltitle = {Revue algérienne des lettres},
	author = {Charef, Maroua and Guendouzi, Amar},
	date = {2022},
}

@article{collado-rodriguez_waste_2022,
	title = {The Waste Land and the Release of Social Energy: An Eliotean Reading of Thomas Pynchon’s Fiction},
	issn = {02115913, 25308335},
	url = {https://riull.ull.es/xmlui/bitstream/handle/915/30443/RCEI_85_%282022%29_11.pdf?sequence=1&isAllowed=y},
	doi = {10.25145/j.recaesin.2022.85.11},
	shorttitle = {The Waste Land and the Release of Social Energy},
	abstract = {"This essay discusses the striking influence of The Waste Land on Thomas Pynchon’s oeuvre and evaluates the stylistic and thematic links connecting them. More specifically, the article centers on twin aspects of Pynchon’s intertextual reframing of Eliot’s representation of the waste land. The first refers to the use of certain motifs and symbols of the poem, such as the narrator’s bouncy character, the living-dead condition of some personages, and the evocation of the violet hour. The second aspect concerns Pynchon’s versions of the figure of Belladonna as a “lady of situations” and her relationship with the notion of waste associated with mythic thinking, ethics, and the complexity of life. These themes are developed intensely in Pynchon’s oeuvre and are reflected in his complex experimental style."},
	pages = {167--182},
	number = {85},
	journaltitle = {Revista Canaria de Estudios Ingleses},
	shortjournal = {recaesin},
	author = {Collado-Rodríguez, Francisco},
	urldate = {2024-06-28},
	date = {2022},
}

@article{schrey_implicit_2022,
	title = {Implicit Rape and Female Consent in Thomas Pynchon’s V},
	volume = {4},
	pages = {1--8},
	number = {1},
	journaltitle = {International Review of Literary Studies},
	author = {Schrey, Sofie},
	date = {2022},
}

@article{moradi_thomas_2021,
	title = {Thomas Pynchon’s Southern Californian Literary Heterotopology: Decompression Heterotopias in Inherent Vice},
	volume = {4},
	url = {https://cls.uok.ac.ir/article_62024.html},
	doi = {10.34785/J014.2022.253},
	series = {7},
	shorttitle = {هتروتوپولوژی ادبی جنوب کالیفرنیایی توماس پینچون},
	pages = {41--54},
	number = {1},
	journaltitle = {Critical Literary Studies},
	author = {Moradi, Moein and Nojoumian, Amirali},
	urldate = {2024-06-28},
	date = {2021},
	note = {Publisher: هتروتوپولوژی ادبی جنوب کالیفرنیایی توماس پینچون: هتروتوپیاهای برطرف کننده فشار در رمان عیب ذاتی},
}

@article{plotnitsky_demons_2020,
	title = {Demons of Chance, Angels of Probability: Thomas Pynchon’s Novels and the Philosophy of Chance and Probability},
	issn = {1765-2766},
	url = {http://journals.openedition.org/transatlantica/15498},
	doi = {10.4000/transatlantica.15498},
	shorttitle = {Demons of Chance, Angels of Probability},
	pages = {1--29},
	number = {1},
	journaltitle = {Transatlantica},
	shortjournal = {transatlantica},
	author = {Plotnitsky, Arkady},
	urldate = {2024-06-28},
	date = {2020-12-01},
}

@incollection{ceramella_pynchon_2022,
	location = {Newcastle upon Tyne},
	title = {Pynchon Weaver of Music and Words},
	isbn = {978-1-5275-8143-2},
	abstract = {Music and literature have often been interconnected through the centuries. This is an intellectual and spiritual marriage between two artistic worlds, which are both part of a creative system that lends voice to one another. As this book argues, while music is one single form of expression, literature can be expressed in the form of either poetry or prose. However, they find their apotheosis, their most natural relationship, when poetry is set to music, especially when it is lyrical and has similar phrasing and rhythms to music. The book, thus, shows that music offers an additional perspective},
	booktitle = {The marriage between literature and music},
	publisher = {Cambridge Scholars Publishing},
	author = {Hänggi, Christian},
	editor = {Ceramella, Nick},
	date = {2022},
	note = {{OCLC}: 1305912199},
}

@article{stacy_implicated_2022,
	title = {The Implicated Neoliberal Subject in Thomas Pynchon's \textit{Bleeding Edge}},
	volume = {56},
	issn = {0021-8758, 1469-5154},
	url = {https://www.cambridge.org/core/product/identifier/S002187582100058X/type/journal_article},
	doi = {10.1017/S002187582100058X},
	abstract = {This article argues that in
              Bleeding Edge
              , Pynchon moves from an oppositional schema in which the world is divided into “elect” and “preterite” populations towards one that is concerned with implication and complicity. The article uses Michael Rothberg's
              The Implicated Subject
              (2019) as the basis for analysis, and notably his argument that to be implicated in wrongdoing often involves a kind of structural blindness towards suffering elsewhere. In the case of
              Bleeding Edge
              , the protagonist, Maxine Tarnow, is implicated in the violence committed in order to secure the hegemony of neoliberalism. The article describes Maxine's gradual recognition of her own blindness, and hence of her implication in the harms perpetrated in the name of neoliberalism. It begins by noting that her experience of neoliberalism is one of process and of immaterial exchange. The second part of the article argues that the introduction of Nicholas Windust shows how neoliberalism may be an experience of rupture or trauma for those outside the developed world. Finally, with the 9/11 attacks on New York, the same violence rebounds against its source; the attacks therefore act as the final stage in Maxine's increasing awareness of her own implication.},
	pages = {320--347},
	number = {2},
	journaltitle = {Journal of American Studies},
	shortjournal = {J. Am. Stud.},
	author = {Stacy, Ivan and Keeble, Arin},
	urldate = {2024-06-28},
	date = {2022-05},
	langid = {english},
}

@article{sezer_going_2021,
	title = {Going West, Slow and Fast},
	rights = {Creative Commons Attribution 4.0 International},
	url = {https://jaaas.eu/index.php/jaaas/article/view/58},
	doi = {10.47060/JAAAS.V3I1.58},
	abstract = {This article examines the speed and mobility of surveying of pre-revolutionary America in Thomas Pynchon's Mason \& Dixon (1997). Pynchon contrasts the extremely slow and directed physical drawing of the Mason-Dixon line with the infinitely fast and undirected speed of magic and dream. This confrontation of mobilities extends into a more general discussion of Enlightenment science and romantic reverie and their clash in Pynchon's novel. I contend that this investigation of mobility furthermore helps to extend the conceptualization of the well-established opposition of rationality and irrationality in current Pynchon scholarship and beyond.},
	pages = {99--119},
	journaltitle = {{JAAAS}: Journal of the Austrian Association for American Studies},
	author = {Sezer, Burak},
	urldate = {2024-06-28},
	date = {2021-12-29},
	langid = {english},
	note = {Artwork Size: 99-119 Pages
Publisher: {JAAAS}: Journal of the Austrian Association for American Studies},
	keywords = {American Literary Studies, Cartography, Directionality, Enlightenment, Geometry, Ir/Rationality, Light, Mason-Dixon line, Romanticism, Speed, Surveying},
}

@article{sandberg_inherent_2020-1,
	title = {Inherent Vice, Bleeding Edge, and Thomas Pynchon's Hardboiled},
	volume = {18},
	issn = {1936-9247},
	url = {https://muse.jhu.edu/article/745025},
	doi = {10.1353/pan.2020.0006},
	pages = {125--148},
	number = {1},
	journaltitle = {Partial Answers: Journal of Literature and the History of Ideas},
	shortjournal = {Partial Answers},
	author = {Sandberg, Eric},
	urldate = {2024-06-28},
	date = {2020},
	langid = {english},
}

@misc{clontz_line_2020,
	title = {The Line, the Map, and the Gaps in the Fold in Pynchon’s Mason \& Dixon},
	url = {https://doi.org/10.15017/2559282},
	doi = {10.15017/2559282},
	publisher = {Faculty of Humanities, Kyushu University},
	author = {Clontz, Ted},
	urldate = {2024-06-28},
	date = {2020-03-06},
	langid = {english},
}

@incollection{coste_thomas_2020,
	location = {Cham},
	title = {Thomas Pynchon’s Dumps: Subversive Developments},
	isbn = {978-3-030-36563-9 978-3-030-36564-6},
	url = {http://link.springer.com/10.1007/978-3-030-36564-6_17},
	shorttitle = {Thomas Pynchon’s Dumps},
	pages = {319--331},
	booktitle = {The Fictions of American Capitalism},
	publisher = {Springer International Publishing},
	author = {Chorier-Fryd, Bénédicte},
	editor = {Coste, Jacques-Henri and Dussol, Vincent},
	urldate = {2024-06-28},
	date = {2020},
	langid = {english},
	doi = {10.1007/978-3-030-36564-6_17},
}

@article{salamoun_monstrous_2023,
	title = {Monstrous Technology in Thomas Pynchon’s \textit{Bleeding Edge} : The Internet as Terror and Transformation},
	issn = {0011-1619, 1939-9138},
	url = {https://www.tandfonline.com/doi/full/10.1080/00111619.2023.2242765},
	doi = {10.1080/00111619.2023.2242765},
	shorttitle = {Monstrous Technology in Thomas Pynchon’s \textit{Bleeding Edge}},
	pages = {1--10},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Šalamoun, Jiří},
	urldate = {2024-06-28},
	date = {2023-08-17},
	langid = {english},
}

@article{misztal_dream_2020,
	title = {Dream Time, Modality, and Counterfactual Imagination in Thomas Pynchon’s Mason \& Dixon},
	volume = {14},
	pages = {37--57},
	journaltitle = {Polish Journal for American Studies Yearbook of the Polish Association for American Studies},
	author = {Misztal, Arkadiusz},
	date = {2020},
}

@book{hatooka_thomas_2022,
	location = {Lanham Boulder New York London},
	title = {Thomas Pynchon's animal tales: fables for ecocriticism},
	isbn = {978-1-79365-588-2 978-1-79365-587-5},
	series = {Ecocritical theory and practice},
	shorttitle = {Thomas Pynchon's animal tales},
	abstract = {"Through examining case studies of animal representation in Thomas Pynchon's works, Hatooka illuminates how radically and imaginatively the legendary novelist depicts his empathy for nonhuman beings and conducts conducting a comparative study of Pynchon's narratives and his contemporary documentarians and thinkers"--},
	pagetotal = {155},
	publisher = {Lexington Books},
	author = {Hatooka, Keita},
	date = {2022},
}

@book{dehdarirad_faraway_2023,
	title = {“From Faraway California”. Thomas Pynchon’s Aesthetics of Space in the California Trilogy},
	url = {https://www.editricesapienza.it/book/8842},
	abstract = {Offering a transdisciplinary journey across Thomas Pynchon’s California trilogy, “From Faraway California” addresses the representation of (city)space in the Crying of Lot 49, Vineland, and Inherent Vice through “geourban” lenses. Drawing on specific concepts in urban and regional studies, the book provides a thorough examination of Pynchon’s spatial imaginary, where the reader comes to understand how his fiction tackles the socio-political and cultural consequences of urban restructuring in the contemporary city and the lives of its citizens. Pynchon’s depiction of California is further analyzed from mythical and environmental standpoints to shed light on his planetary vision and (post)postmodernist poetics in the span of nearly half a century.
More broadly, the book’s geocritical and urban analyses of Pynchon’s fiction indicate what might take place concerning the future of urbanism, toward “planetary urbanization” and the formation of the “city region.”},
	pagetotal = {202},
	publisher = {Sapienza Università Editrice},
	author = {Dehdarirad, Ali},
	urldate = {2024-06-28},
	date = {2023},
	langid = {english},
	note = {Publisher: Sapienza Università Editrice},
}

@article{koc_mysteries_2023,
	title = {{MYSTERIES} {UNRESOLVED}: {DETECTIVE} {FICTION} {AND} {PARODY} {IN} {THOMAS} {PYNCHON}’S {THE} {CRYING} {OF} {LOT} 49 {AND} {INHERENT} {VICE}},
	volume = {7},
	issn = {2602-4446},
	url = {http://dergipark.org.tr/en/doi/10.53791/imgelem.1390450},
	doi = {10.53791/imgelem.1390450},
	shorttitle = {{MYSTERIES} {UNRESOLVED}},
	abstract = {Thomas Pynchon’s novels are noted for their postmodernist characteristics. Some of his novels also include certain features of detective fiction. In The Crying of Lot 49 (1966), the focus of Oedipa –a housewife whose name alludes to Oedipus of Sophocles— shifts to unravelling the mystery of a shadowy underground postal system, and she turns out to be an amateur ‘detective’. The challenge is that the ‘clues’ do not clarify the case, which may or may not be real. A similar pattern is available in Inherent Vice (2009), in which a professional, sandal-wearing, “pothead” detective, Larry “Doc” Sportello, is at work in 1970s California. Inherent Vice does not provide a clear, definitive resolution to the mysteries. Instead, the novel maintains ambiguity and open-endedness, allowing readers to reflect on the intricacies of the narrative and the nature of the quest itself. Thomas Pynchon plays with the detective genre by parodying generic conventions in both works. A parodic work, characterized by its dialogical nature, comically criticizes its target and simultaneously crystallizes its conventions. While utilizing recognizable tropes and characteristics of archetypal private investigators, Pynchon employs unconventional methods for solving the crime, ironic inversions, and absurdities to subvert the stereotypical portrayal of a detective. In this respect, Pynchon, with his examples of postmodern/ metaphysical detective stories, both nurtures and subverts the detective genre. In this paper, The Crying of Lot 49 and Inherent Vice are examined regarding how Pynchon both validates and questions the established norms of the traditional detective genre by using parody.
          , 
            Thomas Pynchon'ın romanları postmodernist özellikleriyle dikkat çeker. Bazı romanları polisiye kurgunun belirli özelliklerini de içerir. The Crying of Lot 49'da (1966), adı Sofokles'in Oidipus'una gönderme yapan ev hanımı Oedipa’nın odak noktası, karanlık bir yeraltı posta sisteminin gizemini çözmeye kayar ve kendisi amatör bir 'dedektif’e dönüşür. Buradaki zorluk, 'ipuçlarının' gerçek olabilecek ya da olmayabilecek vakayı açıklığa kavuşturmamasıdır. Benzer bir durum, profesyonel ve "esrarkeş" bir dedektif olan Larry "Doc" Sportello'nun 1970'lerin Kaliforniya'sında iş başında olduğu Inherent Vice (2009) eserinde de mevcuttur. Inherent Vice da gizemlere açık ve kesin bir çözüm getirmez. Bunun yerine, roman belirsizliği ve açık uçluluğu koruyarak okuyucuların anlatının incelikleri ve arayışın doğası üzerine düşünmelerine olanak tanır. Thomas Pynchon her iki eserinde de genel kabullerin parodisini yaparak dedektiflik türüyle oynar. Söyleşimsel doğasıyla nitelendirilen parodik bir eser, hedefini komik bir şekilde eleştirir ve aynı zamanda onun geleneklerini daha belirgin hale getirir. Pynchon, arketipik özel dedektiflerin bilindik özelliklerini kullanırken, suçu çözmek için alışılmadık yöntemler, ironik tersine çevirmeler ve absürtlükler kullanarak klişeleşmiş dedektif tasvirini altüst eder. Bu açıdan Pynchon, postmodern/metafizik dedektif örnekleriyle polisiye türünü hem besler hem de altüst eder. Bu makalede, Pynchon'ın The Crying of Lot 49 ve Inherent Vice eserlerinde parodiyi yoluyla geleneksel polisiye türünün yerleşik normlarını nasıl hem tasdik edip hem de sorguladığı incelenmektedir.},
	pages = {753--770},
	number = {13},
	journaltitle = {İmgelem},
	author = {Koç, Ahmet},
	urldate = {2024-06-28},
	date = {2023-12-31},
}

@article{lin_economic_2022,
	title = {The Economic Wonderland of Thomas Pynchon’s the Crying of Lot 49},
	volume = {63},
	issn = {0011-1619, 1939-9138},
	url = {https://www.tandfonline.com/doi/full/10.1080/00111619.2022.2065904},
	doi = {10.1080/00111619.2022.2065904},
	pages = {131--143},
	number = {2},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Lin, Yi-Chuang Elizabeth},
	urldate = {2024-06-28},
	date = {2022-03-15},
	langid = {english},
}

@article{tamai_reconciliatory_2020,
	title = {Reconciliatory Maternity: Resistance to Violence in Thomas Pynchon’s \textit{Bleeding Edge}},
	url = {https://doi.org/10.20687/englishalsj.2019.18_19},
	doi = {10.20687/englishalsj.2019.18_19},
	shorttitle = {Reconciliatory Maternity},
	pages = {19--36},
	author = {{TAMAI}, Junya},
	urldate = {2024-06-28},
	date = {2020},
	langid = {english},
}

@article{dalsgaard_keeping_2024,
	title = {Keeping Thomas Pynchon private: the limits to studying an ‘anonymous’ celebrity},
	volume = {15},
	issn = {1939-2397, 1939-2400},
	url = {https://www.tandfonline.com/doi/full/10.1080/19392397.2022.2054143},
	doi = {10.1080/19392397.2022.2054143},
	shorttitle = {Keeping Thomas Pynchon private},
	pages = {107--110},
	number = {1},
	journaltitle = {Celebrity Studies},
	shortjournal = {Celebrity Studies},
	author = {Dalsgaard, Inger H.},
	urldate = {2024-06-28},
	date = {2024-01-02},
	langid = {english},
}

@article{haynes_falling_2020,
	title = {“Falling into the Sky”: Gravity and Levity in Pynchon’s \textit{Mason \& Dixon}},
	volume = {23},
	issn = {1206-3312, 1552-8308},
	url = {http://journals.sagepub.com/doi/10.1177/1206331219877141},
	doi = {10.1177/1206331219877141},
	shorttitle = {“Falling into the Sky”},
	abstract = {My argument follows geographer Gunnar Olsson when he asks, “What is geography if it is not the drawing and interpreting of a line? And what is the drawing of a line if it is not also the creation of new objects?” Using Thomas Pynchon’s 1997 novel Mason \& Dixon ( {MD}), about the drawing of the Mason-Dixon line, I explore how the mapmaker’s productive power is never merely reflective, but generative too, constructing a world as much as representing one. I question the consequent relation between “above and below,” drawing on Farinelli’s insight that critique of such constructions must recognize an antagonistic humor in the production of maps and territories. Pynchon’s novel, I argue, is exemplary in the wit with which it pits the anomalous, strange, and contingent phenomena of the below against the homogenizing, categorizing power of above. His approach helps us understand the dark heart of Enlightenment cartography and society.},
	pages = {357--369},
	number = {4},
	journaltitle = {Space and Culture},
	shortjournal = {Space and Culture},
	author = {Haynes, Doug},
	urldate = {2024-06-28},
	date = {2020-11},
	langid = {english},
}

@incollection{meiner_sous_2024,
	location = {New York, {NY}},
	title = {Sous la plage, les pavés! The beach between Utopia and Dystopia in Thomas Pynchon's Inherent Vice and Cormac {McCarthy}'s The Road},
	isbn = {978-1-03-252673-7 978-1-03-252674-4},
	series = {Routledge studies in comparative literature},
	abstract = {This chapter discusses the beach in Inherent Vice from 2009 and The Road from 2006 in relation with the concepts of utopia and dystopia. While utopia for some critics constitutes a necessity and a persistent ideal, the chapter argues that, in the stories in question, the utopian vision is presented in a darker version that denies consummation of any utopia but instead turns it into a dystopia. The beach plays a significant role in this mutation as the beach is in constant relation to history, which becomes a central factor in the symbolic meaning of the beach. Despite the variations to this view, which arose in relation to the great wars when the beaches became a potential entry point for massive invasions, the beach has returned to an idea of positive connotations, and these are employed in the contemporary novels by Pynchon and {McCarthy} in order to activate our longing for a better world. Nevertheless, this longing is undermined, and utopia morphs into dystopia. The chapter argues that both novels show that it is possible to imagine utopian alternatives to the existing order and that the beach plays a vital role in the utopian outlay of the world even if it is unfolded in constant interaction with a neighborly dystopia.},
	booktitle = {The literary beach: history and aesthetics of a modern topos},
	publisher = {Routledge},
	author = {Andersen, Tore Rye},
	editor = {Meiner, Carsten and Andersen, Katrine Helene},
	date = {2024},
	keywords = {Literary criticism, Beaches in literature, Essays},
}

@article{andersen_back_2021-1,
	title = {Back to Gondwanaland: Deep Time and Planetarity in Thomas Pynchon’s \textit{Gravity’s Rainbow} and Cormac {McCarthy}’s \textit{Blood Meridian}},
	volume = {62},
	issn = {0011-1619, 1939-9138},
	url = {https://www.tandfonline.com/doi/full/10.1080/00111619.2020.1772714},
	doi = {10.1080/00111619.2020.1772714},
	shorttitle = {Back to Gondwanaland},
	pages = {97--111},
	number = {1},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Andersen, Tore Rye},
	urldate = {2024-06-28},
	date = {2021-01-01},
	langid = {english},
}

@article{yang_functional_2013,
	title = {Functional preservation of deep brain stimulation electrodes after brain shift induced by traumatic subdural haematoma - case report},
	volume = {27},
	issn = {1360-046X},
	doi = {10.3109/02688697.2012.707703},
	abstract = {A Parkinson's disease patient with deep brain stimulation ({DBS}) implantation experienced an acute subdural haematoma ({SDH}) after a fall. The {DBS} electrodes and brain parenchyma were shifted. Fortunately, the patient recovered after craniectomy and removal of {SDH}, and the {DBS} was re-activated with the same parameters. Patients with {DBS} implants who suffer a traumatic brain injury do not necessarily incur permanent implant failure; there is every chance that the {DBS} may continue to work as reported here.},
	pages = {128--129},
	number = {1},
	journaltitle = {British Journal of Neurosurgery},
	shortjournal = {Br J Neurosurg},
	author = {Yang, Yu-Jen and Jhang, Shang-Wun and Chen, Chien-Min and Chen, Yung-Hsiang and Cheng, Chun-Yuan},
	date = {2013-02},
	pmid = {23121068},
	keywords = {Accidental Falls, Aged, Brain Injuries, Deep Brain Stimulation, Electrodes, Implanted, Female, Hematoma, Subdural, Humans, Parkinson Disease},
}

@book{chirobocea-tudor_history_2019,
	location = {Constanța},
	title = {History and fiction in American postmodernist novels: Kurt Vonnegut, Joseph Heller and Thomas Pynchon},
	isbn = {978-606-0-60000-8},
	shorttitle = {History and fiction in American postmodernist novels},
	publisher = {Ovidius University Press},
	author = {Chirobocea-Tudor, Olivia},
	date = {2019},
	note = {{OCLC}: 1255520852},
}

@incollection{palmeri_animal_2020,
	location = {London},
	title = {Animal, Vegetable, Mineral: The Play of Species in Pynchon’s Mason \& Dixon},
	isbn = {978-1-315-25289-6},
	abstract = {Combining historical and interpretive work, this collection examines changing perceptions of and relations between human and nonhuman animals in Britain over the long eighteenth century. Persistent questions concern modes of representing animals and animal-human hybrids, as well as the ethical issues raised by the human uses of other animals. From the animal men of Thomas Rowlandson to the part animal-part human creature of Victor Frankenstein, hybridity serves less as a metaphor than as a metonym for the intersections of humans and other animals. The contributors address such recurring questions as the implications of the Enlightenment project of naming and classifying animals, the equating of non-European races and nonhuman animals in early ethnographic texts, and the desire to distinguish the purely human from the entirely nonhuman animal. Gulliver's Travels and works by Mary and Percy Shelley emerge as key texts for this study. The volume will be of interest to scholars and students who work in animal, colonial, gender, and cultural studies; and will appeal to general readers concerned with the representation of animals and their treatment by humans},
	booktitle = {Humans and other animals in eighteenth-century British culture: representation, hybridity, ethics},
	publisher = {Routledge},
	author = {Wall Hinds, Elizabeth Jane},
	editor = {Palmeri, Frank},
	date = {2020},
	note = {{OCLC}: 1176298383},
}

@inbook{taylor_algebraic_2024,
	location = {Cham},
	title = {Algebraic Structures and Metaphor in Gravity’s Rainbow},
	isbn = {978-3-031-48670-8 978-3-031-48671-5},
	url = {https://link.springer.com/10.1007/978-3-031-48671-5_3},
	pages = {119--184},
	booktitle = {Mathematics in Postmodern American Fiction},
	publisher = {Springer Nature Switzerland},
	author = {Taylor, Stuart J.},
	bookauthor = {Taylor, Stuart J.},
	urldate = {2024-06-28},
	date = {2024},
	langid = {english},
	doi = {10.1007/978-3-031-48671-5_3},
	note = {Series Title: Palgrave Studies in Literature, Science and Medicine},
}

@article{dridi_ekphrastic_2020,
	title = {The Ekphrastic Visual / Verbal Game of Mirroring in Thomas Pynchon’s The Crying of Lot 49},
	volume = {53},
	issn = {2165-2678},
	url = {https://muse.jhu.edu/article/895910},
	doi = {10.1353/sli.2020.a895910},
	pages = {23--40},
	number = {1},
	journaltitle = {Studies in the Literary Imagination},
	shortjournal = {sli},
	author = {Dridi, Yosr},
	urldate = {2024-06-28},
	date = {2020},
	langid = {english},
}

@article{schonsee_no_2021,
	title = {No Light against Entropy: Elfriede Jelinek’s Translation of Thomas Pynchon’s \textit{Gravity’s Rainbow} and Its Impact on \textit{Die Kinder der Toten}},
	volume = {57},
	issn = {0037-1939, 1911-026X},
	url = {https://utpjournals.press/doi/10.3138/seminar.57.1.4},
	doi = {10.3138/seminar.57.1.4},
	shorttitle = {No Light against Entropy},
	abstract = {Elfriede Jelinek’s unique translation of the title of Thomas Pynchon’s Gravity’s Rainbow (1973) as Die Enden der Parabel (1976, 1981) is representative of the ways in which the Austrian author developed Pynchon’s imagery in her work. In shifting focus to the twofold meaning of parable and parabola, her translation becomes an intervention. The present article traces Pynchon’s impact on Jelinek’s writing, in particular on Die Kinder der Toten (1995). The article argues that Jelinek engages in a poetic exploration of reclaimed agency in an entropic environment; this is an exploration in which Pynchon’s iridescent parables play a pivotal role as agents of self-awareness acting against entropy.},
	pages = {61--84},
	number = {1},
	journaltitle = {Seminar: A Journal of Germanic Studies},
	shortjournal = {Seminar: A Journal of Germanic Studies},
	author = {Schönsee, Rebecca},
	urldate = {2024-06-28},
	date = {2021-02-01},
	langid = {english},
}

@article{brandao_os_2023,
	title = {Os porquês de Wanda Tinasky não ser Thomas Pynchon: um estudo de caso ({II})},
	volume = {19},
	rights = {http://creativecommons.org/licenses/by/4.0},
	issn = {1807-9288},
	url = {https://periodicos.ufsc.br/index.php/textodigital/article/view/93829},
	doi = {10.5007/1807-9288.2023.e93829},
	shorttitle = {Os porquês de Wanda Tinasky não ser Thomas Pynchon},
	abstract = {Neste trabalho voltamos a enfrentar o problema sobre a autoria das cartas da Wanda Tinasky. Estas que foram dadas como de autoria do ficcionista estadunidense Thomas R. Pynchon; tese que foi desmentida por Donald Foster (2000) baseada em evidências históricas. Em 2018, escrevemos um primeiro ensaio fazendo a mesma contestação de Foster, mas baseado em dados referentes a escolhas lexicais de cada escritor. Ou seja: a refutação por meios linguísticos. Neste trabalho, nós enfrentamos o problema de novo para ratificar o resultado de Foster e o do nosso trabalho anterior, mas desta vez optamos por analisar valores como comprimento de períodos, frequência de sinais ortográficos e, especialmente, a riqueza lexical de cada corpus. Consideramos que o resultado confirmou nossa hipótese e, por fim, acreditamos, restar provado linguisticamente que Pynchon não escreveu as cartas de Wanda Tinasky.},
	pages = {5--26},
	number = {1},
	journaltitle = {Texto Digital},
	shortjournal = {{TEXTO} {DIGITAL}},
	author = {Brandão, Saulo},
	urldate = {2024-06-28},
	date = {2023-08-22},
}

@article{schellenberg_tripping_2024,
	title = {Tripping on Entropy: {LSD} in Pynchon’s \textit{The Crying of Lot 49}},
	volume = {37},
	issn = {0895-769X, 1940-3364},
	url = {https://www.tandfonline.com/doi/full/10.1080/0895769X.2022.2031851},
	doi = {10.1080/0895769X.2022.2031851},
	shorttitle = {Tripping on Entropy},
	pages = {122--129},
	number = {1},
	journaltitle = {{ANQ}: A Quarterly Journal of Short Articles, Notes and Reviews},
	shortjournal = {{ANQ}: A Quarterly Journal of Short Articles, Notes and Reviews},
	author = {Schellenberg, Dylan M.},
	urldate = {2024-06-28},
	date = {2024-01-02},
	langid = {english},
}

@article{episcopo_oltre_2023,
	title = {Oltre l’ultima Thule. Spazi domestici e viaggi per acqua in James Joyce, Thomas Pynchon e David Foster Wallace},
	volume = {N. 24},
	url = {https://rosa.uniroma1.it/status_quaestionis/article/view/18438},
	doi = {10.13133/2239-1983/18438},
	abstract = {With an allusion to the Greek literature travelogs in the reference to “Thule”, the essay explores the transformation of the domestic spaces. Novels get familiar with private rooms such as water closets and loos progressively and start presenting them to the scene toward the end of the Eighteenth century. The discovery – and therefore the use – of toilets in Joyce’s Ulysses plays a role in giving the reader access to the consciousness of the characters. In the second half go the twentieth century, Thomas Pynchon, on the other hand, gives to the scene set in the toilet bowl a particular meaning in revealing the underworld of the novel, and David Foster Wallace confirms the inversion between “stage” and “backstage”, inhabiting the private spaces becoming main settings for some of his short stories.},
	pages = {Virtual Worlds},
	journaltitle = {Status Quaestionis},
	author = {Episcopo, Giuseppe},
	urldate = {2024-06-28},
	date = {2023-06-01},
	note = {Publisher: Status Quaestionis},
}

@inbook{grmusa_against_2022,
	location = {Singapore},
	title = {Against the Day: A Mis/Re-membered and Re/Imagined Pilgrimage and Hybrid Identities},
	isbn = {978-981-19502-4-7 978-981-19502-5-4},
	url = {https://link.springer.com/10.1007/978-981-19-5025-4_7},
	shorttitle = {Against the Day},
	pages = {163--194},
	booktitle = {Memory and Identity in Modern and Postmodern American Literature},
	publisher = {Springer Nature Singapore},
	author = {Grmusa, Lovorka Gruic and Oklopcic, Biljana},
	bookauthor = {Grmusa, Lovorka Gruic and Oklopcic, Biljana},
	urldate = {2024-06-28},
	date = {2022},
	langid = {english},
	doi = {10.1007/978-981-19-5025-4_7},
}

@article{beckonert_pathologische_2023,
	title = {Pathologische Wahrheit(en) : Aphasie und Paranoia als Schreib- und Erkenntnismodell bei Wolf Haas und Thomas Pynchon},
	volume = {2020/2021(2022)},
	pages = {177 -- 195},
	journaltitle = {Komparatistik : Jahrbuch der Deutschen Gesellschaft für Allgemeine und Vergleichende Literaturwissenschaft},
	author = {Beckonert, Matthias},
	date = {2023},
}

@article{nezami_studying_2022,
	title = {Studying Spectrum Analysis in Fiction: Historical Residues in Thomas Pynchon’s V. and The Crying of Lot 49},
	volume = {19},
	issn = {20087330},
	url = {https://clls.sbu.ac.ir/article_102706.html},
	doi = {10.52547/clls.19.28.271},
	shorttitle = {Studying Spectrum Analysis in Fiction},
	pages = {271--290},
	number = {28},
	journaltitle = {Critical Language and Literary studies},
	shortjournal = {{CLLS}},
	author = {Nezami, Mahdi and Parvaneh, Farid},
	urldate = {2024-06-28},
	date = {2022-07-23},
	langid = {farsi},
}

@article{azari_samani_negotiation_2021,
	title = {The Negotiation of Entropies in Thomas Pynchon’s V},
	volume = {9},
	url = {https://doi.org/10.22049/jalda.2021.27088.1251},
	doi = {10.22049/jalda.2021.27088.1251},
	number = {1},
	journaltitle = {Journal of Applied Linguistics and Applied Literature: Dynamics and Advances},
	shortjournal = {{JALDA}},
	author = {Azari Samani, Mehdi},
	urldate = {2024-06-28},
	date = {2021-05},
}

@article{jenei_effects_2023,
	title = {The effects of translation a reading of Rilke-quotes in Gravity’s Rainbow},
	issn = {29758025},
	url = {https://compendium.letras.ulisboa.pt/index.php/compendium/article/view/84},
	doi = {10.51427/com.jcs.2023.0004},
	abstract = {Neste artigo, estuda-se o papel das citações literárias no romance Gravity’s Rainbow de Thomas Pynchon, assim como na respectiva tradução húngara, analisando um conjunto de citações seleccionadas dos poemas tardios de Rainer Maria Rilke no romance. Primeiramente, explora-se a noção de intertextualidade conforme desenvolvida pelo círculo Tel Quel, para demonstrar que se trata de uma característica definidora da escrita pós-modernista de Pynchon. Em seguida, propõe-se uma leitura dos vários contextos e conotações que as Elegias de Duíno de Rilke evocam no texto de Pynchon. É meu propósito destacar a natureza multifacetada da paisagem intertextual patente na obra de Pynchon, assim como o seu uso complexo de referências, e as diferenças que existem entre essa paisagem e a da tradução húngara.},
	pages = {31--47},
	number = {4},
	journaltitle = {Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas},
	shortjournal = {{JCS}},
	author = {Jenei, Gyöngyvér},
	urldate = {2024-06-28},
	date = {2023},
}

@article{jeffrey_screen_2022-1,
	title = {”The screen is a dim page”: Gravity’s Rainbow‘s Unadaptability as Ideological Resistance},
	volume = {54},
	issn = {1934-1512},
	url = {https://muse.jhu.edu/article/857679},
	doi = {10.1353/sdn.2022.0017},
	shorttitle = {”The screen is a dim page”},
	pages = {219--234},
	number = {2},
	journaltitle = {Studies in the Novel},
	shortjournal = {Studies in the Novel},
	author = {Jeffrey, Myles},
	urldate = {2024-06-28},
	date = {2022-06},
	langid = {english},
}

@article{stachura_arkadiusz_2021,
	title = {Arkadiusz Misztal, Time and Vision Machines in Thomas Pynchon’s Novels},
	issn = {1991-9336},
	url = {http://journals.openedition.org/ejas/17624},
	doi = {10.4000/ejas.17624},
	journaltitle = {European journal of American studies},
	shortjournal = {ejas},
	author = {Stachura, Pawel},
	urldate = {2024-06-28},
	date = {2021-12-06},
}

@article{stachura_arkadiusz_2021-1,
	title = {Arkadiusz Misztal, Time and Vision Machines in Thomas Pynchon’s Novels},
	issn = {1991-9336},
	url = {http://journals.openedition.org/ejas/17624},
	doi = {10.4000/ejas.17624},
	pages = {1--4},
	journaltitle = {European journal of American studies},
	shortjournal = {ejas},
	author = {Stachura, Pawel},
	urldate = {2024-06-28},
	date = {2021-12-06},
}

@article{jones_inherent_2023,
	title = {Inherent advice: Pynchon’s earnest counsel in \textit{Slow Learner}},
	volume = {81},
	issn = {0014-4940, 1939-926X},
	url = {https://www.tandfonline.com/doi/full/10.1080/00144940.2024.2327448},
	doi = {10.1080/00144940.2024.2327448},
	shorttitle = {Inherent advice},
	pages = {151--154},
	number = {3},
	journaltitle = {The Explicator},
	shortjournal = {The Explicator},
	author = {Jones, R. Mac},
	urldate = {2024-06-28},
	date = {2023-10-02},
	langid = {english},
}

@article{hazarika_nonhuman_2024,
	title = {The Nonhuman Turn in \textit{Gravity’s Rainbow}},
	issn = {0895-769X, 1940-3364},
	url = {https://www.tandfonline.com/doi/full/10.1080/0895769X.2024.2308229},
	doi = {10.1080/0895769X.2024.2308229},
	pages = {1--8},
	journaltitle = {{ANQ}: A Quarterly Journal of Short Articles, Notes and Reviews},
	shortjournal = {{ANQ}: A Quarterly Journal of Short Articles, Notes and Reviews},
	author = {Hazarika, Ajitabh},
	urldate = {2024-06-28},
	date = {2024-01-30},
	langid = {english},
}

@article{slade_thomas_1982,
	title = {Thomas Pynchon, Postindustrial Humanist},
	volume = {23},
	issn = {0040165X},
	url = {https://www.jstor.org/stable/3104443?origin=crossref},
	doi = {10.2307/3104443},
	pages = {53--72},
	number = {1},
	journaltitle = {Technology and Culture},
	shortjournal = {Technology and Culture},
	author = {Slade, Joseph W.},
	urldate = {2024-07-07},
	date = {1982-01},
}

@incollection{ripatrazone_4_2020,
	title = {4 {GOD} {IN} {THE} {MACHINE}: Thomas Pynchon},
	isbn = {978-1-5064-5196-1 978-1-5064-5195-4},
	url = {http://www.jstor.org/stable/10.2307/j.ctvp2n56w},
	pages = {93--116},
	booktitle = {Longing for an Absent God: Faith and Doubt in Great American Fiction},
	publisher = {1517 Media},
	author = {Ripatrazone, Nick},
	urldate = {2024-07-07},
	date = {2020-03-03},
	doi = {10.2307/j.ctvp2n56w},
}

@article{brandao_os_2023-1,
	title = {Os porquês de Wanda Tinasky não ser Thomas Pynchon: um estudo de caso ({II})},
	volume = {19},
	rights = {http://creativecommons.org/licenses/by/4.0},
	issn = {1807-9288},
	url = {https://periodicos.ufsc.br/index.php/textodigital/article/view/93829},
	doi = {10.5007/1807-9288.2023.e93829},
	shorttitle = {Os porquês de Wanda Tinasky não ser Thomas Pynchon},
	abstract = {Neste trabalho voltamos a enfrentar o problema sobre a autoria das cartas da Wanda Tinasky. Estas que foram dadas como de autoria do ficcionista estadunidense Thomas R. Pynchon; tese que foi desmentida por Donald Foster (2000) baseada em evidências históricas. Em 2018, escrevemos um primeiro ensaio fazendo a mesma contestação de Foster, mas baseado em dados referentes a escolhas lexicais de cada escritor. Ou seja: a refutação por meios linguísticos. Neste trabalho, nós enfrentamos o problema de novo para ratificar o resultado de Foster e o do nosso trabalho anterior, mas desta vez optamos por analisar valores como comprimento de períodos, frequência de sinais ortográficos e, especialmente, a riqueza lexical de cada corpus. Consideramos que o resultado confirmou nossa hipótese e, por fim, acreditamos, restar provado linguisticamente que Pynchon não escreveu as cartas de Wanda Tinasky.},
	pages = {5--26},
	number = {1},
	journaltitle = {Texto Digital},
	shortjournal = {{TEXTO} {DIGITAL}},
	author = {Brandão, Saulo},
	urldate = {2024-07-07},
	date = {2023-08-22},
}

@article{salamoun_monstrous_2023-1,
	title = {Monstrous Technology in Thomas Pynchon’s \textit{Bleeding Edge} : The Internet as Terror and Transformation},
	issn = {0011-1619, 1939-9138},
	url = {https://www.tandfonline.com/doi/full/10.1080/00111619.2023.2242765},
	doi = {10.1080/00111619.2023.2242765},
	shorttitle = {Monstrous Technology in Thomas Pynchon’s \textit{Bleeding Edge}},
	pages = {1--10},
	journaltitle = {Critique: Studies in Contemporary Fiction},
	shortjournal = {Critique: Studies in Contemporary Fiction},
	author = {Šalamoun, Jiří},
	urldate = {2024-07-07},
	date = {2023-08-17},
	langid = {english},
}

@article{lew_poethics_2023,
	title = {The Poethics of Nostalgia in Thomas Pynchon’s Bleeding Edge},
	volume = {41},
	issn = {12293814, 27135349},
	url = {https://kiss.kstudy.com/Detail/Ar?key=4009110},
	doi = {10.21084/jmball.2023.02.41.1.121},
	pages = {121--146},
	number = {1},
	journaltitle = {The Journal of Modern British \& American Language \& Literature},
	shortjournal = {jmball},
	author = {Lew, Seunggu},
	urldate = {2024-07-07},
	date = {2023-02-28},
}

@article{slade_signs_2023,
	title = {Signs and Symptoms: Thomas Pynchon and the Contemporary World by Peter L. Cooper (review)},
	volume = {25},
	url = {https://api.semanticscholar.org/CorpusID:259332677},
	pages = {902 -- 903},
	journaltitle = {Technology and Culture},
	author = {Slade, Joseph W.},
	date = {2023},
}

@article{davis_inherent_2010,
	title = {Inherent Vice by Thomas Pynchon},
	volume = {84},
	issn = {1945-8134},
	url = {https://muse.jhu.edu/article/835287},
	doi = {10.1353/wlt.2010.0296},
	pages = {70--71},
	number = {2},
	journaltitle = {World Literature Today},
	shortjournal = {World Literature Today},
	author = {Davis, Robert Murray},
	urldate = {2024-07-07},
	date = {2010},
	langid = {english},
}

@article{hume_ruins_2019,
	title = {The Ruins of Urban Modernity: Thomas Pynchon’s ‘Against the Day’ by Utku Mogultay},
	volume = {114},
	issn = {2222-4319},
	url = {https://muse.jhu.edu/article/821788},
	doi = {10.1353/mlr.2019.0082},
	shorttitle = {The Ruins of Urban Modernity},
	pages = {560--561},
	number = {3},
	journaltitle = {Modern Language Review},
	shortjournal = {Modern Language Review},
	author = {Hume, Kathryn},
	urldate = {2024-07-07},
	date = {2019},
	langid = {english},
}

@article{jun_study_2022,
	title = {“A Study on Vineland as a ‘Harbor of Refuge’ for ‘The Preterite’ in Thomas Pynchon’s Vineland.”},
	volume = {27},
	issn = {1229-5620, 2288-7652},
	url = {http://liteligion.co.kr/journal/article.php?code=84461},
	doi = {10.14376/lar.2022.27.3.101},
	pages = {101--131},
	number = {3},
	journaltitle = {Literature and Religion},
	shortjournal = {Literature and Religion},
	author = {Jun, Sunjae},
	urldate = {2024-07-07},
	date = {2022-09-30},
}

@inproceedings{thermes_democratie_2022,
	location = {Paris},
	title = {La démocratie des fantômes : représenter les absents dans la polyphonie romanesque de fiction - Les Détectives sauvages (Roberto Bolaño), Mason\&Dixon (Thomas Pynchon)},
	url = {https://www.fabula.org/colloques/document8088.php},
	doi = {10.58282/colloques.8088},
	shorttitle = {La démocratie des fantômes},
	eventtitle = {Livres de voix. Narrations pluralistes et démocratie},
	booktitle = {Livres de voix. Narrations pluralistes et démocratie},
	publisher = {Fabula},
	author = {Thermes, Camille},
	urldate = {2024-07-07},
	date = {2022-04-04},
	langid = {french},
}

@incollection{chetwynd_introduction_2018,
	title = {Introduction},
	isbn = {978-0-8203-5399-9 978-0-8203-5400-2},
	url = {https://doi.org/10.2307/j.ctt22nmcbs.4},
	pages = {ix--xxxii},
	booktitle = {Thomas Pynchon, Sex, and Gender},
	publisher = {University of Georgia Press},
	author = {Chetwynd, Ali and Freer, Joanna and Maragos, Georgios},
	editor = {Chetwynd, Ali and Freer, Joanna and Maragos, Georgios},
	urldate = {2024-07-07},
	date = {2018-11-15},
}

@incollection{chetwynd_chronological_2018,
	title = {A Chronological Bibliography of Relevant Published Research to 2017},
	isbn = {978-0-8203-5399-9 978-0-8203-5400-2},
	url = {https://doi.org/10.2307/j.ctt22nmcbs.5},
	pages = {xxxiii--xxxviii},
	booktitle = {Thomas Pynchon, Sex, and Gender},
	publisher = {University of Georgia Press},
	author = {Chetwynd, Ali and Freer, Joanna and Maragos, Georgios},
	editor = {Chetwynd, Ali and Freer, Joanna and Maragos, Georgios},
	urldate = {2024-07-07},
	date = {2018-11-15},
	doi = {10.2307/j.ctt22nmcbs},
}

@incollection{chetwynd_when_2018,
	title = {When Pynchon Was a Boys’ Club: V. and Midcentury Mystifications of Gender},
	isbn = {978-0-8203-5399-9 978-0-8203-5400-2},
	url = {http://www.jstor.org/stable/10.2307/j.ctt22nmcbs},
	pages = {3--16},
	booktitle = {Thomas Pynchon, Sex, and Gender},
	publisher = {University of Georgia Press},
	author = {Hite, Molly},
	editor = {Chetwynd, Ali and Freer, Joanna and Maragos, Georgios},
	urldate = {2024-07-07},
	date = {2018-11-15},
	doi = {10.2307/j.ctt22nmcbs},
}

@incollection{chetwynd_hard_2018,
	title = {From Hard Boiled to Over Easy: Reimagining the Noir Detective in Inherent Vice and Bleeding Edge},
	isbn = {978-0-8203-5399-9 978-0-8203-5400-2},
	url = {http://www.jstor.org/stable/10.2307/j.ctt22nmcbs},
	pages = {19--35},
	booktitle = {Thomas Pynchon, Sex, and Gender},
	publisher = {University of Georgia Press},
	author = {Backman, Jennifer},
	editor = {Chetwynd, Ali and Freer, Joanna and Maragos, Georgios},
	urldate = {2024-07-07},
	date = {2018-11-15},
	doi = {10.2307/j.ctt22nmcbs},
}

@incollection{chetwynd_maidens_2018,
	title = {Of “Maidens” and Towers: Oedipa Maas, Maxine Tarnow, and the Possibility of Resistance},
	isbn = {978-0-8203-5399-9 978-0-8203-5400-2},
	url = {http://www.jstor.org/stable/10.2307/j.ctt22nmcbs},
	pages = {36--51},
	booktitle = {Thomas Pynchon, Sex, and Gender},
	publisher = {University of Georgia Press},
	author = {Kaltsas, Kostas},
	editor = {Chetwynd, Ali and Freer, Joanna and Maragos, Georgios},
	urldate = {2024-07-07},
	date = {2018-11-15},
	doi = {10.2307/j.ctt22nmcbs},
}

@incollection{chetwynd_between_2018,
	title = {Between Sangha and Sex Work: The Karmic Middle Path of Vineland’s Female Characters},
	isbn = {978-0-8203-5399-9 978-0-8203-5400-2},
	url = {http://www.jstor.org/stable/10.2307/j.ctt22nmcbs},
	pages = {52--66},
	booktitle = {Thomas Pynchon, Sex, and Gender},
	publisher = {University of Georgia Press},
	author = {Kocela, Christopher},
	editor = {Chetwynd, Ali and Freer, Joanna and Maragos, Georgios},
	urldate = {2024-07-07},
	date = {2018-11-15},
	doi = {10.2307/j.ctt22nmcbs},
}

@incollection{chetwynd_allons_2018,
	title = {“Allons Enfants!” Pynchon’s Pornographies},
	isbn = {978-0-8203-5399-9 978-0-8203-5400-2},
	url = {http://www.jstor.org/stable/10.2307/j.ctt22nmcbs},
	pages = {69--87},
	booktitle = {Thomas Pynchon, Sex, and Gender},
	publisher = {University of Georgia Press},
	author = {Haynes, Doug},
	editor = {Chetwynd, Ali and Freer, Joanna and Maragos, Georgios},
	urldate = {2024-07-07},
	date = {2018-11-15},
	doi = {10.2307/j.ctt22nmcbs},
}

@incollection{chetwynd_queer_2018,
	title = {Queer Sex, Queer Text: S/M in Gravity’s Rainbow},
	isbn = {978-0-8203-5399-9 978-0-8203-5400-2},
	url = {http://www.jstor.org/stable/10.2307/j.ctt22nmcbs},
	pages = {88--108},
	booktitle = {Thomas Pynchon, Sex, and Gender},
	publisher = {University of Georgia Press},
	author = {Franco, Marie},
	editor = {Chetwynd, Ali and Freer, Joanna and Maragos, Georgios},
	urldate = {2024-07-07},
	date = {2018-11-15},
	doi = {10.2307/j.ctt22nmcbs},
}

@incollection{chetwynd_what_2018,
	title = {What Would Charlie Do? Narrowing the Possibilities of a Pornographic Redemption in Thomas Pynchon’s Novels},
	isbn = {978-0-8203-5399-9 978-0-8203-5400-2},
	url = {http://www.jstor.org/stable/10.2307/j.ctt22nmcbs},
	pages = {109--122},
	booktitle = {Thomas Pynchon, Sex, and Gender},
	publisher = {University of Georgia Press},
	author = {Moss, Richard},
	editor = {Chetwynd, Ali and Freer, Joanna and Maragos, Georgios},
	urldate = {2024-07-07},
	date = {2018-11-15},
	doi = {10.2307/j.ctt22nmcbs},
}

@incollection{chetwynd_this_2018,
	title = {“This Set of Holes, Pleasantly Framed”: Pynchon the Competent Pornographer and the Female Conduit},
	isbn = {978-0-8203-5399-9 978-0-8203-5400-2},
	url = {http://www.jstor.org/stable/10.2307/j.ctt22nmcbs},
	pages = {125--144},
	booktitle = {Thomas Pynchon, Sex, and Gender},
	publisher = {University of Georgia Press},
	author = {Cook, Simon},
	editor = {Chetwynd, Ali and Freer, Joanna and Maragos, Georgios},
	urldate = {2024-07-07},
	date = {2018-11-15},
	doi = {10.2307/j.ctt22nmcbs},
}

@incollection{chetwynd_representations_2018,
	title = {Representations of Sexualized Children and Child Abuse in Thomas Pynchon’s Fiction},
	isbn = {978-0-8203-5399-9 978-0-8203-5400-2},
	url = {http://www.jstor.org/stable/10.2307/j.ctt22nmcbs},
	pages = {145--161},
	booktitle = {Thomas Pynchon, Sex, and Gender},
	publisher = {University of Georgia Press},
	author = {De Bourcier, Simon},
	editor = {Chetwynd, Ali and Freer, Joanna and Maragos, Georgios},
	urldate = {2024-07-07},
	date = {2018-11-15},
	doi = {10.2307/j.ctt22nmcbs},
}

@incollection{chetwynd_our_2018,
	title = {“Our Women Are Free”: Slavery, Gender, and Representational Bias in Thomas Pynchon’s Mason \& Dixon},
	isbn = {978-0-8203-5399-9 978-0-8203-5400-2},
	url = {http://www.jstor.org/stable/10.2307/j.ctt22nmcbs},
	pages = {162--176},
	booktitle = {Thomas Pynchon, Sex, and Gender},
	publisher = {University of Georgia Press},
	author = {{McFadzean}, Angus},
	editor = {Chetwynd, Ali and Freer, Joanna and Maragos, Georgios},
	urldate = {2024-07-07},
	date = {2018-11-15},
	doi = {10.2307/j.ctt22nmcbs},
}

@incollection{chetwynd_pynchon_2018,
	title = {Pynchon and Gender: View from the Typescript of V.},
	isbn = {978-0-8203-5399-9 978-0-8203-5400-2},
	url = {http://www.jstor.org/stable/10.2307/j.ctt22nmcbs},
	pages = {179--193},
	booktitle = {Thomas Pynchon, Sex, and Gender},
	publisher = {University of Georgia Press},
	author = {Herman, Luc and Krafft, John M},
	editor = {Chetwynd, Ali and Freer, Joanna and Maragos, Georgios},
	urldate = {2024-07-07},
	date = {2018-11-15},
	doi = {10.2307/j.ctt22nmcbs},
}

@incollection{chetwynd_homer_2018,
	title = {“Homer Is My Role Model”: Father-Schlemihls, Sentimental Families, and Pynchon’s Affinities with The Simpsons},
	isbn = {978-0-8203-5399-9 978-0-8203-5400-2},
	url = {http://www.jstor.org/stable/10.2307/j.ctt22nmcbs},
	pages = {194--208},
	booktitle = {Thomas Pynchon, Sex, and Gender},
	publisher = {University of Georgia Press},
	author = {Severs, Jeffrey},
	editor = {Chetwynd, Ali and Freer, Joanna and Maragos, Georgios},
	urldate = {2024-07-07},
	date = {2018-11-15},
	doi = {10.2307/j.ctt22nmcbs},
}

@incollection{chetwynd_conservatism_2018,
	title = {Conservatism as Radicalism: Family and Antifeminism in Vineland},
	isbn = {978-0-8203-5399-9 978-0-8203-5400-2},
	url = {http://www.jstor.org/stable/10.2307/j.ctt22nmcbs},
	pages = {209--224},
	booktitle = {Thomas Pynchon, Sex, and Gender},
	publisher = {University of Georgia Press},
	author = {Flay, Catherine},
	editor = {Chetwynd, Ali and Freer, Joanna and Maragos, Georgios},
	urldate = {2024-07-07},
	date = {2018-11-15},
	doi = {10.2307/j.ctt22nmcbs},
}

@incollection{chetwynd_choice_2018,
	title = {Choice or Life? Deliberations on Motherhood in Late-Period Pynchon},
	isbn = {978-0-8203-5399-9 978-0-8203-5400-2},
	url = {http://www.jstor.org/stable/10.2307/j.ctt22nmcbs},
	pages = {225--240},
	booktitle = {Thomas Pynchon, Sex, and Gender},
	publisher = {University of Georgia Press},
	author = {Dalsgaard, Inger H.},
	editor = {Chetwynd, Ali and Freer, Joanna and Maragos, Georgios},
	urldate = {2024-07-07},
	date = {2018-11-15},
	doi = {10.2307/j.ctt22nmcbs},
}

@incollection{dalsgaard_introduction_2011,
	edition = {1},
	title = {Introduction},
	rights = {https://www.cambridge.org/core/terms},
	isbn = {978-0-521-76974-7 978-0-521-17304-9 978-1-139-01986-6},
	url = {https://www.cambridge.org/core/product/identifier/9781139019866/type/book},
	pages = {1--8},
	booktitle = {The Cambridge Companion to Thomas Pynchon},
	publisher = {Cambridge University Press},
	author = {Dalsgaard, Inger H. and Herman, Luc and {McHale}, Brian},
	editor = {Dalsgaard, Inger H. and Herman, Luc and {McHale}, Brian},
	urldate = {2024-07-07},
	date = {2011-12-15},
	doi = {10.1017/CCOL9780521769747},
}

@incollection{dalsgaard_biographical_2011,
	edition = {1},
	title = {Biographical note},
	rights = {https://www.cambridge.org/core/terms},
	isbn = {978-0-521-76974-7 978-0-521-17304-9 978-1-139-01986-6},
	url = {https://www.cambridge.org/core/product/identifier/9781139019866/type/book},
	pages = {9--16},
	booktitle = {The Cambridge Companion to Thomas Pynchon},
	publisher = {Cambridge University Press},
	author = {Krafft, John M},
	editor = {Dalsgaard, Inger H. and Herman, Luc and {McHale}, Brian},
	urldate = {2024-07-07},
	date = {2011-12-15},
	doi = {10.1017/CCOL9780521769747},
}

@incollection{dalsgaard_early_2011,
	edition = {1},
	title = {Early Pynchon},
	rights = {https://www.cambridge.org/core/terms},
	isbn = {978-0-521-76974-7 978-0-521-17304-9 978-1-139-01986-6},
	url = {https://www.cambridge.org/core/product/identifier/9781139019866/type/book},
	pages = {17--29},
	booktitle = {The Cambridge Companion to Thomas Pynchon},
	publisher = {Cambridge University Press},
	author = {Herman, Luc},
	editor = {Dalsgaard, Inger H. and Herman, Luc and {McHale}, Brian},
	urldate = {2024-07-07},
	date = {2011-12-15},
	doi = {10.1017/CCOL9780521769747},
}

@incollection{dalsgaard_crying_2011,
	edition = {1},
	title = {The Crying of Lot 49 and other California novels},
	rights = {https://www.cambridge.org/core/terms},
	isbn = {978-0-521-76974-7 978-0-521-17304-9 978-1-139-01986-6},
	url = {https://www.cambridge.org/core/product/identifier/9781139019866/type/book},
	pages = {30--43},
	booktitle = {The Cambridge Companion to Thomas Pynchon},
	publisher = {Cambridge University Press},
	author = {Schaub, Thomas},
	editor = {Dalsgaard, Inger H. and Herman, Luc and {McHale}, Brian},
	urldate = {2024-07-07},
	date = {2011-12-15},
	doi = {10.1017/CCOL9780521769747},
}

@incollection{dalsgaard_gravitys_2011,
	edition = {1},
	title = {Gravity’s Rainbow},
	rights = {https://www.cambridge.org/core/terms},
	isbn = {978-0-521-76974-7 978-0-521-17304-9 978-1-139-01986-6},
	url = {https://www.cambridge.org/core/product/identifier/9781139019866/type/book},
	pages = {44--58},
	booktitle = {The Cambridge Companion to Thomas Pynchon},
	publisher = {Cambridge University Press},
	author = {Weisenburger, Steven},
	editor = {Dalsgaard, Inger H. and Herman, Luc and {McHale}, Brian},
	urldate = {2024-07-07},
	date = {2011-12-15},
	doi = {10.1017/CCOL9780521769747},
}

@incollection{dalsgaard_mason_2011,
	edition = {1},
	title = {Mason \& Dixon},
	rights = {https://www.cambridge.org/core/terms},
	isbn = {978-0-521-76974-7 978-0-521-17304-9 978-1-139-01986-6},
	url = {https://www.cambridge.org/core/product/identifier/9781139019866/type/book},
	pages = {59--70},
	booktitle = {The Cambridge Companion to Thomas Pynchon},
	publisher = {Cambridge University Press},
	author = {Hume, Kathryn},
	editor = {Dalsgaard, Inger H. and Herman, Luc and {McHale}, Brian},
	urldate = {2024-07-07},
	date = {2011-12-15},
	doi = {10.1017/CCOL9780521769747},
}

@incollection{dalsgaard_against_2011,
	edition = {1},
	title = {Against the Day},
	rights = {https://www.cambridge.org/core/terms},
	isbn = {978-0-521-76974-7 978-0-521-17304-9 978-1-139-01986-6},
	url = {https://www.cambridge.org/core/product/identifier/9781139019866/type/book},
	pages = {71--80},
	booktitle = {The Cambridge Companion to Thomas Pynchon},
	publisher = {Cambridge University Press},
	author = {Duyfhuizen, Bernard},
	editor = {Dalsgaard, Inger H. and Herman, Luc and {McHale}, Brian},
	urldate = {2024-07-07},
	date = {2011-12-15},
	doi = {10.1017/CCOL9780521769747},
}

@incollection{dalsgaard_pynchon_2011,
	edition = {1},
	title = {Pynchon in literary history},
	rights = {https://www.cambridge.org/core/terms},
	isbn = {978-0-521-76974-7 978-0-521-17304-9 978-1-139-01986-6},
	url = {https://www.cambridge.org/core/product/identifier/9781139019866/type/book},
	pages = {81--96},
	booktitle = {The Cambridge Companion to Thomas Pynchon},
	publisher = {Cambridge University Press},
	author = {Cowart, David},
	editor = {Dalsgaard, Inger H. and Herman, Luc and {McHale}, Brian},
	urldate = {2024-07-07},
	date = {2011-12-15},
	doi = {10.1017/CCOL9780521769747},
}

@incollection{dalsgaard_pynchons_2011,
	edition = {1},
	title = {Pynchon’s postmodernism},
	rights = {https://www.cambridge.org/core/terms},
	isbn = {978-0-521-76974-7 978-0-521-17304-9 978-1-139-01986-6},
	url = {https://www.cambridge.org/core/product/identifier/9781139019866/type/book},
	pages = {97--111},
	booktitle = {The Cambridge Companion to Thomas Pynchon},
	publisher = {Cambridge University Press},
	author = {{McHale}, Brian},
	editor = {Dalsgaard, Inger H. and Herman, Luc and {McHale}, Brian},
	urldate = {2024-07-07},
	date = {2011-12-15},
	doi = {10.1017/CCOL9780521769747},
}

@incollection{dalsgaard_pynchons_2011-1,
	edition = {1},
	title = {Pynchon’s intertexts},
	rights = {https://www.cambridge.org/core/terms},
	isbn = {978-0-521-76974-7 978-0-521-17304-9 978-1-139-01986-6},
	url = {https://www.cambridge.org/core/product/identifier/9781139019866/type/book},
	pages = {112--120},
	booktitle = {The Cambridge Companion to Thomas Pynchon},
	publisher = {Cambridge University Press},
	author = {Seed, David},
	editor = {Dalsgaard, Inger H. and Herman, Luc and {McHale}, Brian},
	urldate = {2024-07-07},
	date = {2011-12-15},
	doi = {10.1017/CCOL9780521769747},
}

@incollection{dalsgaard_history_2011,
	edition = {1},
	title = {History},
	rights = {https://www.cambridge.org/core/terms},
	isbn = {978-0-521-76974-7 978-0-521-17304-9 978-1-139-01986-6},
	url = {https://www.cambridge.org/core/product/identifier/9781139019866/type/book},
	pages = {121--135},
	booktitle = {The Cambridge Companion to Thomas Pynchon},
	publisher = {Cambridge University Press},
	author = {Elias, Amy J.},
	editor = {Dalsgaard, Inger H. and Herman, Luc and {McHale}, Brian},
	urldate = {2024-07-07},
	date = {2011-12-15},
	doi = {10.1017/CCOL9780521769747},
}

@incollection{dalsgaard_politics_2011,
	edition = {1},
	title = {Politics},
	rights = {https://www.cambridge.org/core/terms},
	isbn = {978-0-521-76974-7 978-0-521-17304-9 978-1-139-01986-6},
	url = {https://www.cambridge.org/core/product/identifier/9781139019866/type/book},
	pages = {136--145},
	booktitle = {The Cambridge Companion to Thomas Pynchon},
	publisher = {Cambridge University Press},
	author = {Baker, Jeff},
	editor = {Dalsgaard, Inger H. and Herman, Luc and {McHale}, Brian},
	urldate = {2024-07-07},
	date = {2011-12-15},
	doi = {10.1017/CCOL9780521769747},
}

@incollection{dalsgaard_alterity_2011,
	edition = {1},
	title = {Alterity},
	rights = {https://www.cambridge.org/core/terms},
	isbn = {978-0-521-76974-7 978-0-521-17304-9 978-1-139-01986-6},
	url = {https://www.cambridge.org/core/product/identifier/9781139019866/type/book},
	pages = {146--155},
	booktitle = {The Cambridge Companion to Thomas Pynchon},
	publisher = {Cambridge University Press},
	author = {Madsen, Deborah L.},
	editor = {Dalsgaard, Inger H. and Herman, Luc and {McHale}, Brian},
	urldate = {2024-07-07},
	date = {2011-12-15},
	doi = {10.1017/CCOL9780521769747},
}

@incollection{dalsgaard_science_2011,
	edition = {1},
	title = {Science and technology},
	rights = {https://www.cambridge.org/core/terms},
	isbn = {978-0-521-76974-7 978-0-521-17304-9 978-1-139-01986-6},
	url = {https://www.cambridge.org/core/product/identifier/9781139019866/type/book},
	pages = {156--167},
	booktitle = {The Cambridge Companion to Thomas Pynchon},
	publisher = {Cambridge University Press},
	author = {Dalsgaard, Inger H.},
	editor = {Dalsgaard, Inger H. and Herman, Luc and {McHale}, Brian},
	urldate = {2024-07-07},
	date = {2011-12-15},
	doi = {10.1017/CCOL9780521769747},
}

@incollection{dalsgaard_coda_2011,
	edition = {1},
	title = {Coda: How to read Pynchon},
	rights = {https://www.cambridge.org/core/terms},
	isbn = {978-0-521-76974-7 978-0-521-17304-9 978-1-139-01986-6},
	url = {https://www.cambridge.org/core/product/identifier/9781139019866/type/book},
	pages = {168--177},
	booktitle = {The Cambridge Companion to Thomas Pynchon},
	publisher = {Cambridge University Press},
	author = {Berressem, Hanjo},
	editor = {Dalsgaard, Inger H. and Herman, Luc and {McHale}, Brian},
	urldate = {2024-07-07},
	date = {2011-12-15},
	doi = {10.1017/CCOL9780521769747},
}

@incollection{dalsgaard_selected_2011,
	edition = {1},
	title = {Selected Bibliography},
	rights = {https://www.cambridge.org/core/terms},
	isbn = {978-0-521-76974-7 978-0-521-17304-9 978-1-139-01986-6},
	url = {https://www.cambridge.org/core/product/identifier/9781139019866/type/book},
	pages = {178--186},
	booktitle = {The Cambridge Companion to Thomas Pynchon},
	publisher = {Cambridge University Press},
	author = {Dalsgaard, Inger H. and Herman, Luc and {McHale}, Brian},
	editor = {Dalsgaard, Inger H. and Herman, Luc and {McHale}, Brian},
	urldate = {2024-07-07},
	date = {2011-12-15},
	doi = {10.1017/CCOL9780521769747},
}

@collection{dalsgaard_cambridge_2011,
	edition = {1},
	title = {The Cambridge Companion to Thomas Pynchon},
	rights = {https://www.cambridge.org/core/terms},
	isbn = {978-0-521-76974-7 978-0-521-17304-9 978-1-139-01986-6},
	url = {https://www.cambridge.org/core/product/identifier/9781139019866/type/book},
	publisher = {Cambridge University Press},
	editor = {Dalsgaard, Inger H. and Herman, Luc and {McHale}, Brian},
	urldate = {2024-07-07},
	date = {2011-12-15},
	doi = {10.1017/CCOL9780521769747},
}

@collection{pohlmann_against_2010-1,
	location = {Amsterdam},
	title = {Against the grain: reading Pynchon's counternarratives},
	isbn = {978-90-420-3072-5 978-90-420-3073-2},
	series = {Dialogue},
	shorttitle = {Against the grain},
	pagetotal = {383},
	number = {8},
	publisher = {Rodopi},
	editor = {Pöhlmann, Sascha},
	date = {2010},
}

@incollection{pohlmann_setting_2010,
	location = {Amsterdam},
	title = {Setting Sail Against the Day: The Narrative World of Thomas Pynchon},
	isbn = {978-90-420-3072-5 978-90-420-3073-2},
	series = {Dialogue},
	pages = {35--47},
	number = {8},
	booktitle = {Against the grain: reading Pynchon's counternarratives},
	publisher = {Rodopi},
	author = {Ickstadt, Heinz},
	editor = {Pöhlmann, Sascha},
	date = {2010},
}

@incollection{pohlmann_against_2010-2,
	location = {Amsterdam},
	title = {Against the Master: Pynchon’s Wellsian Art},
	isbn = {978-90-420-3072-5 978-90-420-3073-2},
	series = {Dialogue},
	pages = {49--62},
	number = {8},
	booktitle = {Against the grain: reading Pynchon's counternarratives},
	publisher = {Rodopi},
	author = {O'Neill, Keith},
	editor = {Pöhlmann, Sascha},
	date = {2010},
}

@incollection{pohlmann_travels_2010,
	location = {Amsterdam},
	title = {Travels in the Fourth Dimension in Against the Day},
	isbn = {978-90-420-3072-5 978-90-420-3073-2},
	series = {Dialogue},
	pages = {63--80},
	number = {8},
	booktitle = {Against the grain: reading Pynchon's counternarratives},
	publisher = {Rodopi},
	author = {De Bourcier, Simon},
	editor = {Pöhlmann, Sascha},
	date = {2010},
}

@incollection{pohlmann_perchance_2010,
	location = {Amsterdam},
	title = {“Perchance to Dream”: Clock Time and Creative Resistance Against the Day},
	isbn = {978-90-420-3072-5 978-90-420-3073-2},
	series = {Dialogue},
	pages = {81--96},
	number = {8},
	booktitle = {Against the grain: reading Pynchon's counternarratives},
	publisher = {Rodopi},
	author = {Dalsgaard, Inger H.},
	editor = {Pöhlmann, Sascha},
	date = {2010},
}

@incollection{pohlmann_when_2010,
	location = {Amsterdam},
	title = {“When You Come to a Fork in the Road”—Marcuse, Intellectual Subversion and Negative Thought in Gravity’s Rainbow and Against the Day},
	isbn = {978-90-420-3072-5 978-90-420-3073-2},
	series = {Dialogue},
	pages = {97--111},
	number = {8},
	booktitle = {Against the grain: reading Pynchon's counternarratives},
	publisher = {Rodopi},
	author = {Staes, Toon},
	editor = {Pöhlmann, Sascha},
	date = {2010},
}

@incollection{pohlmann_imperfect_2010,
	location = {Amsterdam},
	title = {Imperfect Circles: Asymmetrical Orbital Motion from the Rim to the Centre in Gravity’s Rainbow},
	isbn = {978-90-420-3072-5 978-90-420-3073-2},
	series = {Dialogue},
	pages = {113--131},
	number = {8},
	booktitle = {Against the grain: reading Pynchon's counternarratives},
	publisher = {Rodopi},
	author = {Chetwynd, Ali},
	editor = {Pöhlmann, Sascha},
	date = {2010},
}

@incollection{pohlmann_still_2010,
	location = {Amsterdam},
	title = {Still Moving Against the Day: Pynchon’s Graphic Impulse},
	isbn = {978-90-420-3072-5 978-90-420-3073-2},
	series = {Dialogue},
	pages = {133--155},
	number = {8},
	booktitle = {Against the grain: reading Pynchon's counternarratives},
	publisher = {Rodopi},
	author = {Taveira, Rodney},
	editor = {Pöhlmann, Sascha},
	date = {2010},
}

@incollection{pohlmann_as_2010,
	location = {Amsterdam},
	title = {As Far as Pynchon “Loves Cameras”},
	isbn = {978-90-420-3072-5 978-90-420-3073-2},
	series = {Dialogue},
	pages = {157--166},
	number = {8},
	booktitle = {Against the grain: reading Pynchon's counternarratives},
	publisher = {Rodopi},
	author = {Lévy, Clément},
	editor = {Pöhlmann, Sascha},
	date = {2010},
}

@incollection{pohlmann_medium_2010,
	location = {Amsterdam},
	title = {A Medium No Longer: How Communication and Information Become Objectives in Thomas Pynchon’s Works},
	isbn = {978-90-420-3072-5 978-90-420-3073-2},
	series = {Dialogue},
	pages = {167--184},
	number = {8},
	booktitle = {Against the grain: reading Pynchon's counternarratives},
	publisher = {Rodopi},
	author = {Maragos, Georgios},
	editor = {Pöhlmann, Sascha},
	date = {2010},
}

@incollection{pohlmann_its_2010,
	location = {Amsterdam},
	title = {“It’s My Job, I Can’t Back Out”: The “House” and Coercive Property Relations in Thomas Pynchon’s Vineland},
	isbn = {978-90-420-3072-5 978-90-420-3073-2},
	series = {Dialogue},
	pages = {185--211},
	number = {8},
	booktitle = {Against the grain: reading Pynchon's counternarratives},
	publisher = {Rodopi},
	author = {Clarke, William D.},
	editor = {Pöhlmann, Sascha},
	date = {2010},
}

@incollection{pohlmann_tao_2010,
	location = {Amsterdam},
	title = {The Tao of Thomas Pynchon},
	isbn = {978-90-420-3072-5 978-90-420-3073-2},
	series = {Dialogue},
	pages = {213--229},
	number = {8},
	booktitle = {Against the grain: reading Pynchon's counternarratives},
	publisher = {Rodopi},
	author = {Harris, Michael},
	editor = {Pöhlmann, Sascha},
	date = {2010},
}

@incollection{pohlmann_real_2010,
	location = {Amsterdam},
	title = {“The Real and Only Fucking is Done on Paper”: Penetrative Readings and Pynchon’s Sexual Text},
	isbn = {978-90-420-3072-5 978-90-420-3073-2},
	series = {Dialogue},
	pages = {231--249},
	number = {8},
	booktitle = {Against the grain: reading Pynchon's counternarratives},
	publisher = {Rodopi},
	author = {Lawson, Jessica},
	editor = {Pöhlmann, Sascha},
	date = {2010},
}

@incollection{pohlmann_fluid_2010,
	location = {Amsterdam},
	title = {Fluid Destiny: Memory and Signs in Thomas Pynchon’s The Crying of Lot 49},
	isbn = {978-90-420-3072-5 978-90-420-3073-2},
	series = {Dialogue},
	pages = {251--262},
	number = {8},
	booktitle = {Against the grain: reading Pynchon's counternarratives},
	publisher = {Rodopi},
	author = {Della Marca, Manlio},
	editor = {Pöhlmann, Sascha},
	date = {2010},
}

@incollection{pohlmann_underworld_2010,
	location = {Amsterdam},
	title = {The Underworld and Its Forces: Croatia, the Uskoks and Their Fight for Autonomy in Against the Day},
	isbn = {978-90-420-3072-5 978-90-420-3073-2},
	series = {Dialogue},
	pages = {263--289},
	number = {8},
	booktitle = {Against the grain: reading Pynchon's counternarratives},
	publisher = {Rodopi},
	author = {Grmuša, Lovorka Gruić},
	editor = {Pöhlmann, Sascha},
	date = {2010},
}

@incollection{pohlmann_kit_2010,
	location = {Amsterdam},
	title = {Kit and Kim: Espionage in Against the Day},
	isbn = {978-90-420-3072-5 978-90-420-3073-2},
	series = {Dialogue},
	pages = {291--306},
	number = {8},
	booktitle = {Against the grain: reading Pynchon's counternarratives},
	publisher = {Rodopi},
	author = {Wallhead, Celia},
	editor = {Pöhlmann, Sascha},
	date = {2010},
}

@incollection{pohlmann_particle_2010,
	location = {Amsterdam},
	title = {“Particle or Wave?”: The “Function” of the Prairie in Against the Day},
	isbn = {978-90-420-3072-5 978-90-420-3073-2},
	series = {Dialogue},
	pages = {307--322},
	number = {8},
	booktitle = {Against the grain: reading Pynchon's counternarratives},
	publisher = {Rodopi},
	author = {Haferkamp, Leyla},
	editor = {Pöhlmann, Sascha},
	date = {2010},
}

@incollection{pohlmann_science_2010,
	location = {Amsterdam},
	title = {From Science to Terrorism: The Transgressing Function of Energy in Pynchon’s Against the Day},
	isbn = {978-90-420-3072-5 978-90-420-3073-2},
	series = {Dialogue},
	pages = {323--347},
	number = {8},
	booktitle = {Against the grain: reading Pynchon's counternarratives},
	publisher = {Rodopi},
	author = {Collado-Rodríguez, Francisco},
	editor = {Pöhlmann, Sascha},
	date = {2010},
}

@incollection{pohlmann_vectors_2010,
	location = {Amsterdam},
	title = {“Vectors and [Eigen]Values”: The Mathematics of Movement in Against the Day},
	isbn = {978-90-420-3072-5 978-90-420-3073-2},
	series = {Dialogue},
	pages = {349--368},
	number = {8},
	booktitle = {Against the grain: reading Pynchon's counternarratives},
	publisher = {Rodopi},
	author = {Berressem, Hanjo},
	editor = {Pöhlmann, Sascha},
	date = {2010},
}

@collection{pohlmann_against_2010-3,
	location = {Amsterdam},
	title = {Against the grain: reading Pynchon's counternarratives},
	isbn = {978-90-420-3072-5 978-90-420-3073-2},
	series = {Dialogue},
	shorttitle = {Against the grain},
	pagetotal = {383},
	number = {8},
	publisher = {Rodopi},
	editor = {Pöhlmann, Sascha},
	date = {2010},
}

@incollection{bianchi_wittgensteinian_1994,
	location = {Malta},
	title = {The Wittgensteinian Thread in Thomas Pynchon's Labyrinth: Aspects of Wittgenstein's Thought in V.},
	isbn = {978-99909-44-08-2},
	pages = {1--14},
	booktitle = {Pynchon Malta and Wittgenstein},
	publisher = {Malta University Publishers},
	author = {Bianchi, Petra},
	editor = {Bianchi, P. and Cassola, Arnold and Serracino Inglott, Peter},
	date = {1994},
	keywords = {Criticism and interpretation, Pynchon, Thomas, In literature, Wittgenstein, Ludwig, Malta},
}

@incollection{bianchi_pynchon_1994-1,
	location = {Malta},
	title = {Pynchon, V., and the Malta Connection},
	isbn = {978-99909-44-08-2},
	pages = {15--38},
	booktitle = {Pynchon Malta and Wittgenstein},
	publisher = {Malta University Publishers},
	author = {Cassola, Arnold},
	editor = {Bianchi, P. and Cassola, Arnold and Serracino Inglott, Peter},
	date = {1994},
	keywords = {Criticism and interpretation, Pynchon, Thomas, In literature, Wittgenstein, Ludwig, Malta},
}

@incollection{bianchi_faustus_1994,
	location = {Malta},
	title = {The Faustus of Malta: An Interface of Fact and Fiction in Pynchon's V.},
	isbn = {978-99909-44-08-2},
	pages = {39--54},
	booktitle = {Pynchon Malta and Wittgenstein},
	publisher = {Malta University Publishers},
	author = {Serracino Inglott, Peter},
	editor = {Bianchi, P. and Cassola, Arnold and Serracino Inglott, Peter},
	date = {1994},
	keywords = {Criticism and interpretation, Pynchon, Thomas, In literature, Wittgenstein, Ludwig, Malta},
}

@incollection{bianchi_pynchon_1994-2,
	location = {Malta},
	title = {Pynchon and an International Dimension of the Sette Giugno},
	isbn = {978-99909-44-08-2},
	pages = {55--66},
	booktitle = {Pynchon Malta and Wittgenstein},
	publisher = {Malta University Publishers},
	author = {Serracino Inglott, Peter},
	editor = {Bianchi, P. and Cassola, Arnold and Serracino Inglott, Peter},
	date = {1994},
	keywords = {Criticism and interpretation, Pynchon, Thomas, In literature, Wittgenstein, Ludwig, Malta},
}

@incollection{bianchi_historic_1994,
	location = {Malta},
	title = {Historic Truth and Poetic Truth: Between Pynchon and Braudel},
	isbn = {978-99909-44-08-2},
	booktitle = {Pynchon Malta and Wittgenstein},
	publisher = {Malta University Publishers},
	author = {Serracino Inglott, Peter},
	editor = {Bianchi, P. and Cassola, Arnold and Serracino Inglott, Peter},
	date = {1994},
	keywords = {Criticism and interpretation, Pynchon, Thomas, In literature, Wittgenstein, Ludwig, Malta},
}

@incollection{bloom_sacred_2003,
	location = {Philadelphia},
	title = {The Sacred, The Profane, and The Crying of Lot 49},
	isbn = {978-0-7910-7445-9},
	series = {Bloom's modern critical views},
	pages = {11--42},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Mendelson, Edward},
	editor = {Bloom, Harold},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{bloom_importance_2003,
	location = {Philadelphia},
	title = {The Importance of Thomas Pynchon},
	isbn = {978-0-7910-7445-9},
	series = {Bloom's modern critical views},
	pages = {43--56},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Poirier, Richard},
	editor = {Bloom, Harold},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{bloom_risking_2003,
	location = {Philadelphia},
	title = {Risking the Moment: Anarchy and Possibility in Pynchon’s Fiction},
	isbn = {978-0-7910-7445-9},
	series = {Bloom's modern critical views},
	pages = {57--76},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Levine, George},
	editor = {Bloom, Harold},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{bloom_pre-apocalyptic_2003,
	location = {Philadelphia},
	title = {Pre-Apocalyptic Atavism: Thomas Pynchon’s Early Fiction},
	isbn = {978-0-7910-7445-9},
	series = {Bloom's modern critical views},
	pages = {77--92},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Stimpson, Catharine R.},
	editor = {Bloom, Harold},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{bloom_twentieth-century_2003,
	location = {Philadelphia},
	title = {Twentieth-Century American Allegory},
	isbn = {978-0-7910-7445-9},
	series = {Bloom's modern critical views},
	pages = {93--108},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Quilligan, Maureen},
	editor = {Bloom, Harold},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{bloom_order_2003,
	location = {Philadelphia},
	title = {Order in Thomas Pynchon’s “Entropy”},
	isbn = {978-0-7910-7445-9},
	series = {Bloom's modern critical views},
	pages = {109--130},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Seed, David},
	editor = {Bloom, Harold},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{bloom_pynchons_2003,
	location = {Philadelphia},
	title = {Pynchon’s Mythological Histories},
	isbn = {978-0-7910-7445-9},
	series = {Bloom's modern critical views},
	pages = {131--144},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Hume, Kathryn},
	editor = {Bloom, Harold},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{bloom_pynchon_2003,
	location = {Philadelphia},
	title = {Pynchon, Paranoia, and Literature},
	isbn = {978-0-7910-7445-9},
	series = {Bloom's modern critical views},
	pages = {145--168},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Bersani, Leo},
	editor = {Bloom, Harold},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{bloom_probing_2003,
	location = {Philadelphia},
	title = {Probing the Nihil: Existential Gnosticism in Pynchon’s Stories},
	isbn = {978-0-7910-7445-9},
	series = {Bloom's modern critical views},
	pages = {169--196},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Eddins, Dwight},
	editor = {Bloom, Harold},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{bloom_v_2003,
	location = {Philadelphia},
	title = {V.: A Fierce Ambivalence},
	isbn = {978-0-7910-7445-9},
	series = {Bloom's modern critical views},
	pages = {197--216},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Dugdale, John},
	editor = {Bloom, Harold},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{bloom_who_2003,
	location = {Philadelphia},
	title = {“Who Was Saved?”: Families, Snitches and Recuperation in Pynchon’s Vineland},
	isbn = {978-0-7910-7445-9},
	series = {Bloom's modern critical views},
	pages = {217--234},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Hayles, N. Katherine},
	editor = {Bloom, Harold},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{bloom_hushing_2003,
	location = {Philadelphia},
	title = {“Hushing Sick Transmissions”: Disrupting Story in The Crying of Lot 49},
	isbn = {978-0-7910-7445-9},
	series = {Bloom's modern critical views},
	pages = {235--250},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Duyfhuizen, Bernard},
	editor = {Bloom, Harold},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{bloom_pynchons_2003-1,
	location = {Philadelphia},
	title = {Pynchon’s Mason \& Dixon},
	isbn = {978-0-7910-7445-9},
	series = {Bloom's modern critical views},
	pages = {251--260},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Wood, Michael},
	editor = {Bloom, Harold},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{bloom_luddite_2003,
	location = {Philadelphia},
	title = {The Luddite Vision: Mason \& Dixon},
	isbn = {978-0-7910-7445-9},
	series = {Bloom's modern critical views},
	pages = {261--282},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Cowart, David},
	editor = {Bloom, Harold},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{bloom_plot_2003,
	location = {Philadelphia},
	title = {Plot, Ideology, and Compassion in Mason \& Dixon},
	isbn = {978-0-7910-7445-9},
	series = {Bloom's modern critical views},
	pages = {283--296},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Schaub, Thomas H.},
	editor = {Bloom, Harold},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{bloom_chronology_2003,
	location = {Philadelphia},
	title = {Chronology},
	isbn = {978-0-7910-7445-9},
	series = {Bloom's modern critical views},
	pages = {297--298},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Bloom, Harold},
	editor = {Bloom, Harold},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@book{chorier-fryd_thomas_2014-2,
	location = {Montpellier},
	title = {Thomas Pynchon},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pagetotal = {344},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@book{chorier-fryd_thomas_2014-3,
	location = {Montpellier},
	title = {Thomas Pynchon},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pagetotal = {344},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@book{chorier-fryd_thomas_2014-4,
	location = {Montpellier},
	title = {Thomas Pynchon},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pagetotal = {344},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@book{chorier-fryd_thomas_2014-5,
	location = {Montpellier},
	title = {Thomas Pynchon},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pagetotal = {344},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@book{chorier-fryd_thomas_2014-6,
	location = {Montpellier},
	title = {Thomas Pynchon},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pagetotal = {344},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@book{chorier-fryd_thomas_2014-7,
	location = {Montpellier},
	title = {Thomas Pynchon},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pagetotal = {344},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@book{chorier-fryd_thomas_2014-8,
	location = {Montpellier},
	title = {Thomas Pynchon},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pagetotal = {344},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@book{chorier-fryd_thomas_2014-9,
	location = {Montpellier},
	title = {Thomas Pynchon},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pagetotal = {344},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@book{chorier-fryd_thomas_2014-10,
	location = {Montpellier},
	title = {Thomas Pynchon},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pagetotal = {344},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@book{chorier-fryd_thomas_2014-11,
	location = {Montpellier},
	title = {Thomas Pynchon},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pagetotal = {344},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@book{chorier-fryd_thomas_2014-12,
	location = {Montpellier},
	title = {Thomas Pynchon},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pagetotal = {344},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@book{chorier-fryd_thomas_2014-13,
	location = {Montpellier},
	title = {Thomas Pynchon},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pagetotal = {344},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@book{chorier-fryd_thomas_2014-14,
	location = {Montpellier},
	title = {Thomas Pynchon},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pagetotal = {344},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@book{chorier-fryd_thomas_2014-15,
	location = {Montpellier},
	title = {Thomas Pynchon},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pagetotal = {344},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@book{chorier-fryd_thomas_2014-16,
	location = {Montpellier},
	title = {Thomas Pynchon},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pagetotal = {344},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@book{bloom_thomas_2003-1,
	location = {Philadelphia},
	title = {Thomas Pynchon},
	isbn = {978-0-7910-7445-9},
	series = {Bloom's modern critical views},
	publisher = {Chelsea House Publishers},
	author = {Bloom, Harold},
	editor = {Bloom, Harold},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@collection{bianchi_pynchon_1994-3,
	location = {Malta},
	title = {Pynchon Malta and Wittgenstein},
	isbn = {978-99909-44-08-2},
	publisher = {Malta University Publishers},
	editor = {Bianchi, P. and Cassola, Arnold and Serracino Inglott, Peter},
	date = {1994},
	keywords = {Criticism and interpretation, Pynchon, Thomas, In literature, Wittgenstein, Ludwig, Malta},
}

@incollection{chorier-fryd_introduction_2014,
	location = {Montpellier},
	title = {Introduction},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pages = {11--16},
	booktitle = {Thomas Pynchon},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	editor = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@incollection{chorier-fryd_pynchons_2014,
	location = {Montpellier},
	title = {Pynchon’s Indicative Naming: Onomatomania? Onomatophobia? Or, None of the Above?},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pages = {17--41},
	booktitle = {Thomas Pynchon},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Hollander, Charles},
	editor = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@incollection{chorier-fryd_california_2014,
	location = {Montpellier},
	title = {California Traverses: Lines of Resistance in Pynchon’s Vineland and Against the Day},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pages = {43--62},
	booktitle = {Thomas Pynchon},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Henson, Nicholas},
	editor = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@incollection{chorier-fryd_virtual_2014,
	location = {Montpellier},
	title = {Virtual Structures and Virtuality in The Crying of Lot 49 and Inherent Vice},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pages = {63--80},
	booktitle = {Thomas Pynchon},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Lento, Stephen C.},
	editor = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@incollection{chorier-fryd_pynchon_2014,
	location = {Montpellier},
	title = {Pynchon and Wittgenstein: Ethics, Relativism and Philosophical Methodology},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pages = {81--103},
	booktitle = {Thomas Pynchon},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Eve, Martin Paul},
	editor = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@incollection{chorier-fryd_spectre_2014,
	location = {Montpellier},
	title = {The Spectre of Faust in the Early Works of Thomas Pynchon},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pages = {105--128},
	booktitle = {Thomas Pynchon},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Mösch, Matthias},
	editor = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@incollection{chorier-fryd_v_2014,
	location = {Montpellier},
	title = {V. as Archive},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pages = {129--146},
	booktitle = {Thomas Pynchon},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Stevens-Larré, {LeAnn}},
	editor = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@incollection{chorier-fryd_noise_2014,
	location = {Montpellier},
	title = {Noise and Parasitism in Thomas Pynchon’s V},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pages = {147--171},
	booktitle = {Thomas Pynchon},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Servain, Cyril},
	editor = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@incollection{chorier-fryd_storyworld_2014,
	location = {Montpellier},
	title = {Storyworld and Historiographic Metafiction: Belgium in Against the Day},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pages = {173--191},
	booktitle = {Thomas Pynchon},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Herman, Luc},
	editor = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@incollection{chorier-fryd_portraits_2014,
	location = {Montpellier},
	title = {Portraits of the Artist as an Undergraduate Prankster: Images of Youth in Pynchon’s Writing},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pages = {193--222},
	booktitle = {Thomas Pynchon},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Simonetti, Paolo},
	editor = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@incollection{chorier-fryd_artist_2014,
	location = {Montpellier},
	title = {The Artist as Scavenger: Inconclusiveness and Reflexivity in “Low-Lands”},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pages = {223--239},
	booktitle = {Thomas Pynchon},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Maisonnat, Claude},
	editor = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@incollection{chorier-fryd_langue-en-joue_2014,
	location = {Montpellier},
	title = {Langue-en-joue: Bilingual Jokes in Mason \& Dixon},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pages = {241--257},
	booktitle = {Thomas Pynchon},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Chamerois, Gilles},
	editor = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@incollection{chorier-fryd_beat_2014,
	location = {Montpellier},
	title = {“A Beat Late”—Rhythmical Oddities in Thomas Pynchon’s Mason \& Dixon},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pages = {259--269},
	booktitle = {Thomas Pynchon},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Chorier-Fryd, Bénédicte},
	editor = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@incollection{chorier-fryd_between_2014,
	location = {Montpellier},
	title = {“Between Hell and Purgatory”: From Baudelaire’s Allegory of Commodified Female to Pynchon’s Neobaroque in V},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pages = {271--283},
	booktitle = {Thomas Pynchon},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Kolbuszewska, Zofia},
	editor = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@incollection{chorier-fryd_feeling_2014,
	location = {Montpellier},
	title = {Feeling God on Certain Days: The Kenosis of The Crying of Lot 49 after the Death of God},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pages = {285--297},
	booktitle = {Thomas Pynchon},
	publisher = {Presses universitaires de la Méditerranée},
	author = {{McAvan}, Em},
	editor = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@incollection{chorier-fryd_approaching_2014,
	location = {Montpellier},
	title = {Approaching Presence in Thomas Pynchon’s Novels},
	isbn = {978-2-36781-022-5},
	series = {Horizons anglophones},
	pages = {299--321},
	booktitle = {Thomas Pynchon},
	publisher = {Presses universitaires de la Méditerranée},
	author = {Battesti, Anne},
	editor = {Chorier-Fryd, Bénédicte and Chamerois, Gilles},
	date = {2014},
}

@incollection{dalsgaard_introduction_2018,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {Introduction},
	isbn = {978-1-108-49702-2},
	url = {https://doi.org/10.1017/9781108683784},
	abstract = {"Introduction Inger H. Dalsgaard Thomas Pynchon has long had a place in the pantheon of Great American Writers. His status lies in the scope of his work - the number of publications, the prodigious detail and expansiveness of his topics - as well as the sheer quality of his writing, all of which quickly led to comparisons with Herman Melville and James Joyce. His writing is widely taught (as part of required literature survey courses at universities, for example), and remains the subject of many scholarly articles, dissertations and monographs not just in the United States and other English-speaking countries, as one might expect, but also across Europe and Asia. According to the database of publications compiled on Vheissu.net, more than 400 doctoral dissertations have been accepted and more than 100 monographs and essay collections published on his writing already, mostly in English but also in other languages such as Spanish, Italian and German, with a handful from publishers in Korea, China and Japan. However, Pynchon is not just a canonical writer within scholarly research and teaching communities. Because of their scope and imaginative richness, his novels also have great appeal outside academia, and many devoted readers share their interest in his novels on websites dedicated to exploring his work. It is to help all such readers and students that Thomas Pynchon in Context brings together forty-four essays by some of the foremost specialists in the field, providing the most comprehensive resource yet published on the many ways in which his writing engages the wider world"--},
	pages = {1--4},
	booktitle = {Thomas Pynchon in context},
	publisher = {Cambridge University Press},
	author = {Dalsgaard, Inger H.},
	editor = {Dalsgaard, Inger H.},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{dalsgaard_chapter_2018,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {Chapter 1 - Biography},
	isbn = {978-1-108-49702-2},
	url = {https://doi.org/10.1017/9781108683784},
	abstract = {"Introduction Inger H. Dalsgaard Thomas Pynchon has long had a place in the pantheon of Great American Writers. His status lies in the scope of his work - the number of publications, the prodigious detail and expansiveness of his topics - as well as the sheer quality of his writing, all of which quickly led to comparisons with Herman Melville and James Joyce. His writing is widely taught (as part of required literature survey courses at universities, for example), and remains the subject of many scholarly articles, dissertations and monographs not just in the United States and other English-speaking countries, as one might expect, but also across Europe and Asia. According to the database of publications compiled on Vheissu.net, more than 400 doctoral dissertations have been accepted and more than 100 monographs and essay collections published on his writing already, mostly in English but also in other languages such as Spanish, Italian and German, with a handful from publishers in Korea, China and Japan. However, Pynchon is not just a canonical writer within scholarly research and teaching communities. Because of their scope and imaginative richness, his novels also have great appeal outside academia, and many devoted readers share their interest in his novels on websites dedicated to exploring his work. It is to help all such readers and students that Thomas Pynchon in Context brings together forty-four essays by some of the foremost specialists in the field, providing the most comprehensive resource yet published on the many ways in which his writing engages the wider world"--},
	pages = {7--14},
	booktitle = {Thomas Pynchon in context},
	publisher = {Cambridge University Press},
	author = {Krafft, John M.},
	editor = {Dalsgaard, Inger H.},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{dalsgaard_select_2018,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {Select Chapter 2 - Letters and Juvenilia},
	isbn = {978-1-108-49702-2},
	url = {https://doi.org/10.1017/9781108683784},
	abstract = {"Introduction Inger H. Dalsgaard Thomas Pynchon has long had a place in the pantheon of Great American Writers. His status lies in the scope of his work - the number of publications, the prodigious detail and expansiveness of his topics - as well as the sheer quality of his writing, all of which quickly led to comparisons with Herman Melville and James Joyce. His writing is widely taught (as part of required literature survey courses at universities, for example), and remains the subject of many scholarly articles, dissertations and monographs not just in the United States and other English-speaking countries, as one might expect, but also across Europe and Asia. According to the database of publications compiled on Vheissu.net, more than 400 doctoral dissertations have been accepted and more than 100 monographs and essay collections published on his writing already, mostly in English but also in other languages such as Spanish, Italian and German, with a handful from publishers in Korea, China and Japan. However, Pynchon is not just a canonical writer within scholarly research and teaching communities. Because of their scope and imaginative richness, his novels also have great appeal outside academia, and many devoted readers share their interest in his novels on websites dedicated to exploring his work. It is to help all such readers and students that Thomas Pynchon in Context brings together forty-four essays by some of the foremost specialists in the field, providing the most comprehensive resource yet published on the many ways in which his writing engages the wider world"--},
	pages = {15--22},
	booktitle = {Thomas Pynchon in context},
	publisher = {Cambridge University Press},
	author = {Rolls, Albert},
	editor = {Dalsgaard, Inger H.},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{dalsgaard_chapter_2018-1,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {Chapter 3 - Nonfiction},
	isbn = {978-1-108-49702-2},
	url = {https://doi.org/10.1017/9781108683784},
	abstract = {"Introduction Inger H. Dalsgaard Thomas Pynchon has long had a place in the pantheon of Great American Writers. His status lies in the scope of his work - the number of publications, the prodigious detail and expansiveness of his topics - as well as the sheer quality of his writing, all of which quickly led to comparisons with Herman Melville and James Joyce. His writing is widely taught (as part of required literature survey courses at universities, for example), and remains the subject of many scholarly articles, dissertations and monographs not just in the United States and other English-speaking countries, as one might expect, but also across Europe and Asia. According to the database of publications compiled on Vheissu.net, more than 400 doctoral dissertations have been accepted and more than 100 monographs and essay collections published on his writing already, mostly in English but also in other languages such as Spanish, Italian and German, with a handful from publishers in Korea, China and Japan. However, Pynchon is not just a canonical writer within scholarly research and teaching communities. Because of their scope and imaginative richness, his novels also have great appeal outside academia, and many devoted readers share their interest in his novels on websites dedicated to exploring his work. It is to help all such readers and students that Thomas Pynchon in Context brings together forty-four essays by some of the foremost specialists in the field, providing the most comprehensive resource yet published on the many ways in which his writing engages the wider world"--},
	pages = {23--30},
	booktitle = {Thomas Pynchon in context},
	publisher = {Cambridge University Press},
	author = {Muth, Katie},
	editor = {Dalsgaard, Inger H.},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{dalsgaard_chapter_2018-2,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {Chapter 4 - East Coast},
	isbn = {978-1-108-49702-2},
	url = {https://doi.org/10.1017/9781108683784},
	abstract = {"Introduction Inger H. Dalsgaard Thomas Pynchon has long had a place in the pantheon of Great American Writers. His status lies in the scope of his work - the number of publications, the prodigious detail and expansiveness of his topics - as well as the sheer quality of his writing, all of which quickly led to comparisons with Herman Melville and James Joyce. His writing is widely taught (as part of required literature survey courses at universities, for example), and remains the subject of many scholarly articles, dissertations and monographs not just in the United States and other English-speaking countries, as one might expect, but also across Europe and Asia. According to the database of publications compiled on Vheissu.net, more than 400 doctoral dissertations have been accepted and more than 100 monographs and essay collections published on his writing already, mostly in English but also in other languages such as Spanish, Italian and German, with a handful from publishers in Korea, China and Japan. However, Pynchon is not just a canonical writer within scholarly research and teaching communities. Because of their scope and imaginative richness, his novels also have great appeal outside academia, and many devoted readers share their interest in his novels on websites dedicated to exploring his work. It is to help all such readers and students that Thomas Pynchon in Context brings together forty-four essays by some of the foremost specialists in the field, providing the most comprehensive resource yet published on the many ways in which his writing engages the wider world"--},
	pages = {31--38},
	booktitle = {Thomas Pynchon in context},
	publisher = {Cambridge University Press},
	author = {Leise, Christopher},
	editor = {Dalsgaard, Inger H.},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{dalsgaard_chapter_2018-3,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {Chapter 5 - West Coast},
	isbn = {978-1-108-49702-2},
	url = {https://doi.org/10.1017/9781108683784},
	abstract = {"Introduction Inger H. Dalsgaard Thomas Pynchon has long had a place in the pantheon of Great American Writers. His status lies in the scope of his work - the number of publications, the prodigious detail and expansiveness of his topics - as well as the sheer quality of his writing, all of which quickly led to comparisons with Herman Melville and James Joyce. His writing is widely taught (as part of required literature survey courses at universities, for example), and remains the subject of many scholarly articles, dissertations and monographs not just in the United States and other English-speaking countries, as one might expect, but also across Europe and Asia. According to the database of publications compiled on Vheissu.net, more than 400 doctoral dissertations have been accepted and more than 100 monographs and essay collections published on his writing already, mostly in English but also in other languages such as Spanish, Italian and German, with a handful from publishers in Korea, China and Japan. However, Pynchon is not just a canonical writer within scholarly research and teaching communities. Because of their scope and imaginative richness, his novels also have great appeal outside academia, and many devoted readers share their interest in his novels on websites dedicated to exploring his work. It is to help all such readers and students that Thomas Pynchon in Context brings together forty-four essays by some of the foremost specialists in the field, providing the most comprehensive resource yet published on the many ways in which his writing engages the wider world"--},
	pages = {39--46},
	booktitle = {Thomas Pynchon in context},
	publisher = {Cambridge University Press},
	author = {{McClintock}, Scott and Miller, John},
	editor = {Dalsgaard, Inger H.},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{dalsgaard_chapter_2018-4,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {Chapter 6 - Europe and Asia},
	isbn = {978-1-108-49702-2},
	url = {https://doi.org/10.1017/9781108683784},
	abstract = {"Introduction Inger H. Dalsgaard Thomas Pynchon has long had a place in the pantheon of Great American Writers. His status lies in the scope of his work - the number of publications, the prodigious detail and expansiveness of his topics - as well as the sheer quality of his writing, all of which quickly led to comparisons with Herman Melville and James Joyce. His writing is widely taught (as part of required literature survey courses at universities, for example), and remains the subject of many scholarly articles, dissertations and monographs not just in the United States and other English-speaking countries, as one might expect, but also across Europe and Asia. According to the database of publications compiled on Vheissu.net, more than 400 doctoral dissertations have been accepted and more than 100 monographs and essay collections published on his writing already, mostly in English but also in other languages such as Spanish, Italian and German, with a handful from publishers in Korea, China and Japan. However, Pynchon is not just a canonical writer within scholarly research and teaching communities. Because of their scope and imaginative richness, his novels also have great appeal outside academia, and many devoted readers share their interest in his novels on websites dedicated to exploring his work. It is to help all such readers and students that Thomas Pynchon in Context brings together forty-four essays by some of the foremost specialists in the field, providing the most comprehensive resource yet published on the many ways in which his writing engages the wider world"--},
	pages = {47--56},
	booktitle = {Thomas Pynchon in context},
	publisher = {Cambridge University Press},
	author = {Narkunas, J. Paul},
	editor = {Dalsgaard, Inger H.},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{dalsgaard_chapter_2018-5,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {Chapter 7 - Africa and Latin America},
	isbn = {978-1-108-49702-2},
	url = {https://doi.org/10.1017/9781108683784},
	abstract = {"Introduction Inger H. Dalsgaard Thomas Pynchon has long had a place in the pantheon of Great American Writers. His status lies in the scope of his work - the number of publications, the prodigious detail and expansiveness of his topics - as well as the sheer quality of his writing, all of which quickly led to comparisons with Herman Melville and James Joyce. His writing is widely taught (as part of required literature survey courses at universities, for example), and remains the subject of many scholarly articles, dissertations and monographs not just in the United States and other English-speaking countries, as one might expect, but also across Europe and Asia. According to the database of publications compiled on Vheissu.net, more than 400 doctoral dissertations have been accepted and more than 100 monographs and essay collections published on his writing already, mostly in English but also in other languages such as Spanish, Italian and German, with a handful from publishers in Korea, China and Japan. However, Pynchon is not just a canonical writer within scholarly research and teaching communities. Because of their scope and imaginative richness, his novels also have great appeal outside academia, and many devoted readers share their interest in his novels on websites dedicated to exploring his work. It is to help all such readers and students that Thomas Pynchon in Context brings together forty-four essays by some of the foremost specialists in the field, providing the most comprehensive resource yet published on the many ways in which his writing engages the wider world"--},
	pages = {57--66},
	booktitle = {Thomas Pynchon in context},
	publisher = {Cambridge University Press},
	author = {Harris, Michael},
	editor = {Dalsgaard, Inger H.},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{dalsgaard_chapter_2018-6,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {Chapter 8 - Geographies and Mapping},
	isbn = {978-1-108-49702-2},
	url = {https://doi.org/10.1017/9781108683784},
	abstract = {"Introduction Inger H. Dalsgaard Thomas Pynchon has long had a place in the pantheon of Great American Writers. His status lies in the scope of his work - the number of publications, the prodigious detail and expansiveness of his topics - as well as the sheer quality of his writing, all of which quickly led to comparisons with Herman Melville and James Joyce. His writing is widely taught (as part of required literature survey courses at universities, for example), and remains the subject of many scholarly articles, dissertations and monographs not just in the United States and other English-speaking countries, as one might expect, but also across Europe and Asia. According to the database of publications compiled on Vheissu.net, more than 400 doctoral dissertations have been accepted and more than 100 monographs and essay collections published on his writing already, mostly in English but also in other languages such as Spanish, Italian and German, with a handful from publishers in Korea, China and Japan. However, Pynchon is not just a canonical writer within scholarly research and teaching communities. Because of their scope and imaginative richness, his novels also have great appeal outside academia, and many devoted readers share their interest in his novels on websites dedicated to exploring his work. It is to help all such readers and students that Thomas Pynchon in Context brings together forty-four essays by some of the foremost specialists in the field, providing the most comprehensive resource yet published on the many ways in which his writing engages the wider world"--},
	pages = {67--73},
	booktitle = {Thomas Pynchon in context},
	publisher = {Cambridge University Press},
	author = {Pöhlmann, Sascha},
	editor = {Dalsgaard, Inger H.},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{dalsgaard_chapter_2018-7,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {Chapter 9 - The Eighteenth Century},
	isbn = {978-1-108-49702-2},
	url = {https://doi.org/10.1017/9781108683784},
	abstract = {"Introduction Inger H. Dalsgaard Thomas Pynchon has long had a place in the pantheon of Great American Writers. His status lies in the scope of his work - the number of publications, the prodigious detail and expansiveness of his topics - as well as the sheer quality of his writing, all of which quickly led to comparisons with Herman Melville and James Joyce. His writing is widely taught (as part of required literature survey courses at universities, for example), and remains the subject of many scholarly articles, dissertations and monographs not just in the United States and other English-speaking countries, as one might expect, but also across Europe and Asia. According to the database of publications compiled on Vheissu.net, more than 400 doctoral dissertations have been accepted and more than 100 monographs and essay collections published on his writing already, mostly in English but also in other languages such as Spanish, Italian and German, with a handful from publishers in Korea, China and Japan. However, Pynchon is not just a canonical writer within scholarly research and teaching communities. Because of their scope and imaginative richness, his novels also have great appeal outside academia, and many devoted readers share their interest in his novels on websites dedicated to exploring his work. It is to help all such readers and students that Thomas Pynchon in Context brings together forty-four essays by some of the foremost specialists in the field, providing the most comprehensive resource yet published on the many ways in which his writing engages the wider world"--},
	pages = {74--81},
	booktitle = {Thomas Pynchon in context},
	publisher = {Cambridge University Press},
	author = {Wall Hinds, Elizabeth Jane},
	editor = {Dalsgaard, Inger H.},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{dalsgaard_chapter_2018-8,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {Chapter 10 - The Nineteenth Century},
	isbn = {978-1-108-49702-2},
	url = {https://doi.org/10.1017/9781108683784},
	abstract = {"Introduction Inger H. Dalsgaard Thomas Pynchon has long had a place in the pantheon of Great American Writers. His status lies in the scope of his work - the number of publications, the prodigious detail and expansiveness of his topics - as well as the sheer quality of his writing, all of which quickly led to comparisons with Herman Melville and James Joyce. His writing is widely taught (as part of required literature survey courses at universities, for example), and remains the subject of many scholarly articles, dissertations and monographs not just in the United States and other English-speaking countries, as one might expect, but also across Europe and Asia. According to the database of publications compiled on Vheissu.net, more than 400 doctoral dissertations have been accepted and more than 100 monographs and essay collections published on his writing already, mostly in English but also in other languages such as Spanish, Italian and German, with a handful from publishers in Korea, China and Japan. However, Pynchon is not just a canonical writer within scholarly research and teaching communities. Because of their scope and imaginative richness, his novels also have great appeal outside academia, and many devoted readers share their interest in his novels on websites dedicated to exploring his work. It is to help all such readers and students that Thomas Pynchon in Context brings together forty-four essays by some of the foremost specialists in the field, providing the most comprehensive resource yet published on the many ways in which his writing engages the wider world"--},
	pages = {82--88},
	booktitle = {Thomas Pynchon in context},
	publisher = {Cambridge University Press},
	author = {Simonetti, Paolo},
	editor = {Dalsgaard, Inger H.},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{dalsgaard_chapter_2018-9,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {Chapter 11 - The Twentieth Century},
	isbn = {978-1-108-49702-2},
	url = {https://doi.org/10.1017/9781108683784},
	abstract = {"Introduction Inger H. Dalsgaard Thomas Pynchon has long had a place in the pantheon of Great American Writers. His status lies in the scope of his work - the number of publications, the prodigious detail and expansiveness of his topics - as well as the sheer quality of his writing, all of which quickly led to comparisons with Herman Melville and James Joyce. His writing is widely taught (as part of required literature survey courses at universities, for example), and remains the subject of many scholarly articles, dissertations and monographs not just in the United States and other English-speaking countries, as one might expect, but also across Europe and Asia. According to the database of publications compiled on Vheissu.net, more than 400 doctoral dissertations have been accepted and more than 100 monographs and essay collections published on his writing already, mostly in English but also in other languages such as Spanish, Italian and German, with a handful from publishers in Korea, China and Japan. However, Pynchon is not just a canonical writer within scholarly research and teaching communities. Because of their scope and imaginative richness, his novels also have great appeal outside academia, and many devoted readers share their interest in his novels on websites dedicated to exploring his work. It is to help all such readers and students that Thomas Pynchon in Context brings together forty-four essays by some of the foremost specialists in the field, providing the most comprehensive resource yet published on the many ways in which his writing engages the wider world"--},
	pages = {89--96},
	booktitle = {Thomas Pynchon in context},
	publisher = {Cambridge University Press},
	author = {Weisenburger, Steven},
	editor = {Dalsgaard, Inger H.},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{dalsgaard_chapter_2018-10,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {Chapter 12 - The Twenty-First Century},
	isbn = {978-1-108-49702-2},
	url = {https://doi.org/10.1017/9781108683784},
	abstract = {"Introduction Inger H. Dalsgaard Thomas Pynchon has long had a place in the pantheon of Great American Writers. His status lies in the scope of his work - the number of publications, the prodigious detail and expansiveness of his topics - as well as the sheer quality of his writing, all of which quickly led to comparisons with Herman Melville and James Joyce. His writing is widely taught (as part of required literature survey courses at universities, for example), and remains the subject of many scholarly articles, dissertations and monographs not just in the United States and other English-speaking countries, as one might expect, but also across Europe and Asia. According to the database of publications compiled on Vheissu.net, more than 400 doctoral dissertations have been accepted and more than 100 monographs and essay collections published on his writing already, mostly in English but also in other languages such as Spanish, Italian and German, with a handful from publishers in Korea, China and Japan. However, Pynchon is not just a canonical writer within scholarly research and teaching communities. Because of their scope and imaginative richness, his novels also have great appeal outside academia, and many devoted readers share their interest in his novels on websites dedicated to exploring his work. It is to help all such readers and students that Thomas Pynchon in Context brings together forty-four essays by some of the foremost specialists in the field, providing the most comprehensive resource yet published on the many ways in which his writing engages the wider world"--},
	pages = {97--103},
	booktitle = {Thomas Pynchon in context},
	publisher = {Cambridge University Press},
	author = {Wallhead, Celia},
	editor = {Dalsgaard, Inger H.},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{dalsgaard_chapter_2018-11,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {Chapter 13 - History and Metahistory},
	isbn = {978-1-108-49702-2},
	url = {https://doi.org/10.1017/9781108683784},
	abstract = {"Introduction Inger H. Dalsgaard Thomas Pynchon has long had a place in the pantheon of Great American Writers. His status lies in the scope of his work - the number of publications, the prodigious detail and expansiveness of his topics - as well as the sheer quality of his writing, all of which quickly led to comparisons with Herman Melville and James Joyce. His writing is widely taught (as part of required literature survey courses at universities, for example), and remains the subject of many scholarly articles, dissertations and monographs not just in the United States and other English-speaking countries, as one might expect, but also across Europe and Asia. According to the database of publications compiled on Vheissu.net, more than 400 doctoral dissertations have been accepted and more than 100 monographs and essay collections published on his writing already, mostly in English but also in other languages such as Spanish, Italian and German, with a handful from publishers in Korea, China and Japan. However, Pynchon is not just a canonical writer within scholarly research and teaching communities. Because of their scope and imaginative richness, his novels also have great appeal outside academia, and many devoted readers share their interest in his novels on websites dedicated to exploring his work. It is to help all such readers and students that Thomas Pynchon in Context brings together forty-four essays by some of the foremost specialists in the field, providing the most comprehensive resource yet published on the many ways in which his writing engages the wider world"--},
	pages = {104--112},
	booktitle = {Thomas Pynchon in context},
	publisher = {Cambridge University Press},
	author = {Cowart, David},
	editor = {Dalsgaard, Inger H.},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{dalsgaard_chapter_2018-12,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {Chapter 14 - Family},
	isbn = {978-1-108-49702-2},
	url = {https://doi.org/10.1017/9781108683784},
	abstract = {"Introduction Inger H. Dalsgaard Thomas Pynchon has long had a place in the pantheon of Great American Writers. His status lies in the scope of his work - the number of publications, the prodigious detail and expansiveness of his topics - as well as the sheer quality of his writing, all of which quickly led to comparisons with Herman Melville and James Joyce. His writing is widely taught (as part of required literature survey courses at universities, for example), and remains the subject of many scholarly articles, dissertations and monographs not just in the United States and other English-speaking countries, as one might expect, but also across Europe and Asia. According to the database of publications compiled on Vheissu.net, more than 400 doctoral dissertations have been accepted and more than 100 monographs and essay collections published on his writing already, mostly in English but also in other languages such as Spanish, Italian and German, with a handful from publishers in Korea, China and Japan. However, Pynchon is not just a canonical writer within scholarly research and teaching communities. Because of their scope and imaginative richness, his novels also have great appeal outside academia, and many devoted readers share their interest in his novels on websites dedicated to exploring his work. It is to help all such readers and students that Thomas Pynchon in Context brings together forty-four essays by some of the foremost specialists in the field, providing the most comprehensive resource yet published on the many ways in which his writing engages the wider world"--},
	pages = {115--121},
	booktitle = {Thomas Pynchon in context},
	publisher = {Cambridge University Press},
	author = {Rohland, Mark},
	editor = {Dalsgaard, Inger H.},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{dalsgaard_chapter_2018-13,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {Chapter 15 - Sex and Gender},
	isbn = {978-1-108-49702-2},
	url = {https://doi.org/10.1017/9781108683784},
	abstract = {"Introduction Inger H. Dalsgaard Thomas Pynchon has long had a place in the pantheon of Great American Writers. His status lies in the scope of his work - the number of publications, the prodigious detail and expansiveness of his topics - as well as the sheer quality of his writing, all of which quickly led to comparisons with Herman Melville and James Joyce. His writing is widely taught (as part of required literature survey courses at universities, for example), and remains the subject of many scholarly articles, dissertations and monographs not just in the United States and other English-speaking countries, as one might expect, but also across Europe and Asia. According to the database of publications compiled on Vheissu.net, more than 400 doctoral dissertations have been accepted and more than 100 monographs and essay collections published on his writing already, mostly in English but also in other languages such as Spanish, Italian and German, with a handful from publishers in Korea, China and Japan. However, Pynchon is not just a canonical writer within scholarly research and teaching communities. Because of their scope and imaginative richness, his novels also have great appeal outside academia, and many devoted readers share their interest in his novels on websites dedicated to exploring his work. It is to help all such readers and students that Thomas Pynchon in Context brings together forty-four essays by some of the foremost specialists in the field, providing the most comprehensive resource yet published on the many ways in which his writing engages the wider world"--},
	pages = {122--129},
	booktitle = {Thomas Pynchon in context},
	publisher = {Cambridge University Press},
	author = {Chetwynd, Ali and Maragos, Georgios},
	editor = {Dalsgaard, Inger H.},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{dalsgaard_chapter_2018-14,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {Chapter 16 - Humor},
	isbn = {978-1-108-49702-2},
	url = {https://doi.org/10.1017/9781108683784},
	abstract = {"Introduction Inger H. Dalsgaard Thomas Pynchon has long had a place in the pantheon of Great American Writers. His status lies in the scope of his work - the number of publications, the prodigious detail and expansiveness of his topics - as well as the sheer quality of his writing, all of which quickly led to comparisons with Herman Melville and James Joyce. His writing is widely taught (as part of required literature survey courses at universities, for example), and remains the subject of many scholarly articles, dissertations and monographs not just in the United States and other English-speaking countries, as one might expect, but also across Europe and Asia. According to the database of publications compiled on Vheissu.net, more than 400 doctoral dissertations have been accepted and more than 100 monographs and essay collections published on his writing already, mostly in English but also in other languages such as Spanish, Italian and German, with a handful from publishers in Korea, China and Japan. However, Pynchon is not just a canonical writer within scholarly research and teaching communities. Because of their scope and imaginative richness, his novels also have great appeal outside academia, and many devoted readers share their interest in his novels on websites dedicated to exploring his work. It is to help all such readers and students that Thomas Pynchon in Context brings together forty-four essays by some of the foremost specialists in the field, providing the most comprehensive resource yet published on the many ways in which his writing engages the wider world"--},
	pages = {130--137},
	booktitle = {Thomas Pynchon in context},
	publisher = {Cambridge University Press},
	author = {Haynes, Doug},
	editor = {Dalsgaard, Inger H.},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{dalsgaard_chapter_2018-15,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {Chapter 17 - Popular Culture},
	isbn = {978-1-108-49702-2},
	url = {https://doi.org/10.1017/9781108683784},
	abstract = {"Introduction Inger H. Dalsgaard Thomas Pynchon has long had a place in the pantheon of Great American Writers. His status lies in the scope of his work - the number of publications, the prodigious detail and expansiveness of his topics - as well as the sheer quality of his writing, all of which quickly led to comparisons with Herman Melville and James Joyce. His writing is widely taught (as part of required literature survey courses at universities, for example), and remains the subject of many scholarly articles, dissertations and monographs not just in the United States and other English-speaking countries, as one might expect, but also across Europe and Asia. According to the database of publications compiled on Vheissu.net, more than 400 doctoral dissertations have been accepted and more than 100 monographs and essay collections published on his writing already, mostly in English but also in other languages such as Spanish, Italian and German, with a handful from publishers in Korea, China and Japan. However, Pynchon is not just a canonical writer within scholarly research and teaching communities. Because of their scope and imaginative richness, his novels also have great appeal outside academia, and many devoted readers share their interest in his novels on websites dedicated to exploring his work. It is to help all such readers and students that Thomas Pynchon in Context brings together forty-four essays by some of the foremost specialists in the field, providing the most comprehensive resource yet published on the many ways in which his writing engages the wider world"--},
	pages = {138--145},
	booktitle = {Thomas Pynchon in context},
	publisher = {Cambridge University Press},
	author = {Sandberg, Eric},
	editor = {Dalsgaard, Inger H.},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{dalsgaard_chapter_2018-16,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {Chapter 18 - Music and Sound},
	isbn = {978-1-108-49702-2},
	url = {https://doi.org/10.1017/9781108683784},
	abstract = {"Introduction Inger H. Dalsgaard Thomas Pynchon has long had a place in the pantheon of Great American Writers. His status lies in the scope of his work - the number of publications, the prodigious detail and expansiveness of his topics - as well as the sheer quality of his writing, all of which quickly led to comparisons with Herman Melville and James Joyce. His writing is widely taught (as part of required literature survey courses at universities, for example), and remains the subject of many scholarly articles, dissertations and monographs not just in the United States and other English-speaking countries, as one might expect, but also across Europe and Asia. According to the database of publications compiled on Vheissu.net, more than 400 doctoral dissertations have been accepted and more than 100 monographs and essay collections published on his writing already, mostly in English but also in other languages such as Spanish, Italian and German, with a handful from publishers in Korea, China and Japan. However, Pynchon is not just a canonical writer within scholarly research and teaching communities. Because of their scope and imaginative richness, his novels also have great appeal outside academia, and many devoted readers share their interest in his novels on websites dedicated to exploring his work. It is to help all such readers and students that Thomas Pynchon in Context brings together forty-four essays by some of the foremost specialists in the field, providing the most comprehensive resource yet published on the many ways in which his writing engages the wider world"--},
	pages = {146--153},
	booktitle = {Thomas Pynchon in context},
	publisher = {Cambridge University Press},
	author = {St. Clair, Justin},
	editor = {Dalsgaard, Inger H.},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{dalsgaard_chapter_2018-17,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {Chapter 19 - Film and Television},
	isbn = {978-1-108-49702-2},
	url = {https://doi.org/10.1017/9781108683784},
	abstract = {"Introduction Inger H. Dalsgaard Thomas Pynchon has long had a place in the pantheon of Great American Writers. His status lies in the scope of his work - the number of publications, the prodigious detail and expansiveness of his topics - as well as the sheer quality of his writing, all of which quickly led to comparisons with Herman Melville and James Joyce. His writing is widely taught (as part of required literature survey courses at universities, for example), and remains the subject of many scholarly articles, dissertations and monographs not just in the United States and other English-speaking countries, as one might expect, but also across Europe and Asia. According to the database of publications compiled on Vheissu.net, more than 400 doctoral dissertations have been accepted and more than 100 monographs and essay collections published on his writing already, mostly in English but also in other languages such as Spanish, Italian and German, with a handful from publishers in Korea, China and Japan. However, Pynchon is not just a canonical writer within scholarly research and teaching communities. Because of their scope and imaginative richness, his novels also have great appeal outside academia, and many devoted readers share their interest in his novels on websites dedicated to exploring his work. It is to help all such readers and students that Thomas Pynchon in Context brings together forty-four essays by some of the foremost specialists in the field, providing the most comprehensive resource yet published on the many ways in which his writing engages the wider world"--},
	pages = {154--161},
	booktitle = {Thomas Pynchon in context},
	publisher = {Cambridge University Press},
	author = {Dugdale, John},
	editor = {Dalsgaard, Inger H.},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{dalsgaard_chapter_2018-18,
	location = {Cambridge, United Kingdom ; New York, {NY}},
	title = {Chapter 20 - Real Estate and the Internet},
	isbn = {978-1-108-49702-2},
	url = {https://doi.org/10.1017/9781108683784},
	abstract = {"Introduction Inger H. Dalsgaard Thomas Pynchon has long had a place in the pantheon of Great American Writers. His status lies in the scope of his work - the number of publications, the prodigious detail and expansiveness of his topics - as well as the sheer quality of his writing, all of which quickly led to comparisons with Herman Melville and James Joyce. His writing is widely taught (as part of required literature survey courses at universities, for example), and remains the subject of many scholarly articles, dissertations and monographs not just in the United States and other English-speaking countries, as one might expect, but also across Europe and Asia. According to the database of publications compiled on Vheissu.net, more than 400 doctoral dissertations have been accepted and more than 100 monographs and essay collections published on his writing already, mostly in English but also in other languages such as Spanish, Italian and German, with a handful from publishers in Korea, China and Japan. However, Pynchon is not just a canonical writer within scholarly research and teaching communities. Because of their scope and imaginative richness, his novels also have great appeal outside academia, and many devoted readers share their interest in his novels on websites dedicated to exploring his work. It is to help all such readers and students that Thomas Pynchon in Context brings together forty-four essays by some of the foremost specialists in the field, providing the most comprehensive resource yet published on the many ways in which his writing engages the wider world"--},
	pages = {162--171},
	booktitle = {Thomas Pynchon in context},
	publisher = {Cambridge University Press},
	author = {Dalsgaard, Inger H.},
	editor = {Dalsgaard, Inger H.},
	date = {2018},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@book{freer_new_2019-2,
	location = {Cambridge New York},
	title = {The new Pynchon studies},
	isbn = {978-1-108-47446-7},
	series = {Twenty-first-century critical revisions},
	abstract = {"The twenty-first century has been a time of renewed energy within Pynchon studies. Among other factors this is due to the publication of three novels, Against the Day (2006), Inherent Vice (2009), and Bleeding Edge (2013), which have each brought something distinctively new to the table. Against the Day's vast scope and range makes it Pynchon's most fully realized example of what has come to be conceived of as the "systems novel"; Inherent Vice's revisiting of the counterculture era first examined by Pynchon in The Crying of Lot 49 (1966) offers a concrete point of comparison on which to base assessments of his maturation as a writer amid changing socio-political contexts, and Bleeding Edge, Pynchon's (quasi-) 9/11 novel, provides a thorough and long-anticipated thematic engagement with computer technology and digital culture. Mason \& Dixon, published a little before the turn of the millennium in 1997 and one of Pynchon's most critically-acclaimed works, has also provided fertile ground for twenty-first century criticism"},
	publisher = {Cambridge university press},
	author = {Freer, Joanna},
	date = {2019},
}

@incollection{freer_chapter_2019,
	location = {Cambridge New York},
	title = {Chapter 1 - Introduction: Pynchon Studies in the Twenty-First Century},
	isbn = {978-1-108-47446-7},
	url = {https://doi.org/10.1017/9781108608916},
	series = {Twenty-first-century critical revisions},
	abstract = {"The twenty-first century has been a time of renewed energy within Pynchon studies. Among other factors this is due to the publication of three novels, Against the Day (2006), Inherent Vice (2009), and Bleeding Edge (2013), which have each brought something distinctively new to the table. Against the Day's vast scope and range makes it Pynchon's most fully realized example of what has come to be conceived of as the "systems novel"; Inherent Vice's revisiting of the counterculture era first examined by Pynchon in The Crying of Lot 49 (1966) offers a concrete point of comparison on which to base assessments of his maturation as a writer amid changing socio-political contexts, and Bleeding Edge, Pynchon's (quasi-) 9/11 novel, provides a thorough and long-anticipated thematic engagement with computer technology and digital culture. Mason \& Dixon, published a little before the turn of the millennium in 1997 and one of Pynchon's most critically-acclaimed works, has also provided fertile ground for twenty-first century criticism"},
	pages = {1--14},
	booktitle = {The New Pynchon Studies},
	publisher = {Cambridge university press},
	author = {Freer, Joanna},
	editor = {Freer, Joanna},
	date = {2019},
}

@incollection{freer_chapter_2019-1,
	location = {Cambridge New York},
	title = {Chapter 2 - Pynchon and Post-postmodernism},
	isbn = {978-1-108-47446-7},
	url = {https://doi.org/10.1017/9781108608916},
	series = {Twenty-first-century critical revisions},
	abstract = {"The twenty-first century has been a time of renewed energy within Pynchon studies. Among other factors this is due to the publication of three novels, Against the Day (2006), Inherent Vice (2009), and Bleeding Edge (2013), which have each brought something distinctively new to the table. Against the Day's vast scope and range makes it Pynchon's most fully realized example of what has come to be conceived of as the "systems novel"; Inherent Vice's revisiting of the counterculture era first examined by Pynchon in The Crying of Lot 49 (1966) offers a concrete point of comparison on which to base assessments of his maturation as a writer amid changing socio-political contexts, and Bleeding Edge, Pynchon's (quasi-) 9/11 novel, provides a thorough and long-anticipated thematic engagement with computer technology and digital culture. Mason \& Dixon, published a little before the turn of the millennium in 1997 and one of Pynchon's most critically-acclaimed works, has also provided fertile ground for twenty-first century criticism"},
	pages = {17--32},
	booktitle = {The New Pynchon Studies},
	publisher = {Cambridge university press},
	author = {Pöhlmann, Sascha},
	editor = {Freer, Joanna},
	date = {2019},
}

@incollection{freer_chapter_2019-2,
	location = {Cambridge New York},
	title = {Chapter 3 - Pynchon after Paranoia},
	isbn = {978-1-108-47446-7},
	url = {https://doi.org/10.1017/9781108608916},
	series = {Twenty-first-century critical revisions},
	abstract = {"The twenty-first century has been a time of renewed energy within Pynchon studies. Among other factors this is due to the publication of three novels, Against the Day (2006), Inherent Vice (2009), and Bleeding Edge (2013), which have each brought something distinctively new to the table. Against the Day's vast scope and range makes it Pynchon's most fully realized example of what has come to be conceived of as the "systems novel"; Inherent Vice's revisiting of the counterculture era first examined by Pynchon in The Crying of Lot 49 (1966) offers a concrete point of comparison on which to base assessments of his maturation as a writer amid changing socio-political contexts, and Bleeding Edge, Pynchon's (quasi-) 9/11 novel, provides a thorough and long-anticipated thematic engagement with computer technology and digital culture. Mason \& Dixon, published a little before the turn of the millennium in 1997 and one of Pynchon's most critically-acclaimed works, has also provided fertile ground for twenty-first century criticism"},
	pages = {33--52},
	booktitle = {The New Pynchon Studies},
	publisher = {Cambridge university press},
	author = {Chetwynd, Ali},
	editor = {Freer, Joanna},
	date = {2019},
}

@incollection{freer_chapter_2019-3,
	location = {Cambridge New York},
	title = {Chapter 4 - Pynchon and New Materialism},
	isbn = {978-1-108-47446-7},
	url = {https://doi.org/10.1017/9781108608916},
	series = {Twenty-first-century critical revisions},
	abstract = {"The twenty-first century has been a time of renewed energy within Pynchon studies. Among other factors this is due to the publication of three novels, Against the Day (2006), Inherent Vice (2009), and Bleeding Edge (2013), which have each brought something distinctively new to the table. Against the Day's vast scope and range makes it Pynchon's most fully realized example of what has come to be conceived of as the "systems novel"; Inherent Vice's revisiting of the counterculture era first examined by Pynchon in The Crying of Lot 49 (1966) offers a concrete point of comparison on which to base assessments of his maturation as a writer amid changing socio-political contexts, and Bleeding Edge, Pynchon's (quasi-) 9/11 novel, provides a thorough and long-anticipated thematic engagement with computer technology and digital culture. Mason \& Dixon, published a little before the turn of the millennium in 1997 and one of Pynchon's most critically-acclaimed works, has also provided fertile ground for twenty-first century criticism"},
	pages = {53--68},
	booktitle = {The New Pynchon Studies},
	publisher = {Cambridge university press},
	author = {Eve, Martin Paul},
	editor = {Freer, Joanna},
	date = {2019},
}

@incollection{freer_chapter_2019-4,
	location = {Cambridge New York},
	title = {Chapter 5 - Pynchon’s Posthuman Temporalities},
	isbn = {978-1-108-47446-7},
	url = {https://doi.org/10.1017/9781108608916},
	series = {Twenty-first-century critical revisions},
	abstract = {"The twenty-first century has been a time of renewed energy within Pynchon studies. Among other factors this is due to the publication of three novels, Against the Day (2006), Inherent Vice (2009), and Bleeding Edge (2013), which have each brought something distinctively new to the table. Against the Day's vast scope and range makes it Pynchon's most fully realized example of what has come to be conceived of as the "systems novel"; Inherent Vice's revisiting of the counterculture era first examined by Pynchon in The Crying of Lot 49 (1966) offers a concrete point of comparison on which to base assessments of his maturation as a writer amid changing socio-political contexts, and Bleeding Edge, Pynchon's (quasi-) 9/11 novel, provides a thorough and long-anticipated thematic engagement with computer technology and digital culture. Mason \& Dixon, published a little before the turn of the millennium in 1997 and one of Pynchon's most critically-acclaimed works, has also provided fertile ground for twenty-first century criticism"},
	booktitle = {The New Pynchon Studies},
	publisher = {Cambridge university press},
	author = {Vermeulen, Pieter},
	editor = {Freer, Joanna},
	date = {2019},
}

@incollection{freer_chapter_2019-5,
	location = {Cambridge New York},
	title = {Chapter 6 - Pynchon, Gender, and Relational Ethics},
	isbn = {978-1-108-47446-7},
	url = {https://doi.org/10.1017/9781108608916},
	series = {Twenty-first-century critical revisions},
	abstract = {"The twenty-first century has been a time of renewed energy within Pynchon studies. Among other factors this is due to the publication of three novels, Against the Day (2006), Inherent Vice (2009), and Bleeding Edge (2013), which have each brought something distinctively new to the table. Against the Day's vast scope and range makes it Pynchon's most fully realized example of what has come to be conceived of as the "systems novel"; Inherent Vice's revisiting of the counterculture era first examined by Pynchon in The Crying of Lot 49 (1966) offers a concrete point of comparison on which to base assessments of his maturation as a writer amid changing socio-political contexts, and Bleeding Edge, Pynchon's (quasi-) 9/11 novel, provides a thorough and long-anticipated thematic engagement with computer technology and digital culture. Mason \& Dixon, published a little before the turn of the millennium in 1997 and one of Pynchon's most critically-acclaimed works, has also provided fertile ground for twenty-first century criticism"},
	pages = {89--108},
	booktitle = {The New Pynchon Studies},
	publisher = {Cambridge university press},
	author = {Freer, Joanna},
	editor = {Freer, Joanna},
	date = {2019},
}

@incollection{freer_you_2019,
	location = {Cambridge New York},
	title = {“You are here”: The Postrace Aesthetics of Pynchon’s Against the Day},
	isbn = {978-1-108-47446-7},
	url = {https://doi.org/10.1017/9781108608916},
	series = {Twenty-first-century critical revisions},
	abstract = {"The twenty-first century has been a time of renewed energy within Pynchon studies. Among other factors this is due to the publication of three novels, Against the Day (2006), Inherent Vice (2009), and Bleeding Edge (2013), which have each brought something distinctively new to the table. Against the Day's vast scope and range makes it Pynchon's most fully realized example of what has come to be conceived of as the "systems novel"; Inherent Vice's revisiting of the counterculture era first examined by Pynchon in The Crying of Lot 49 (1966) offers a concrete point of comparison on which to base assessments of his maturation as a writer amid changing socio-political contexts, and Bleeding Edge, Pynchon's (quasi-) 9/11 novel, provides a thorough and long-anticipated thematic engagement with computer technology and digital culture. Mason \& Dixon, published a little before the turn of the millennium in 1997 and one of Pynchon's most critically-acclaimed works, has also provided fertile ground for twenty-first century criticism"},
	pages = {109--123},
	booktitle = {The New Pynchon Studies},
	publisher = {Cambridge university press},
	author = {Kim, Sue J.},
	editor = {Freer, Joanna},
	date = {2019},
}

@incollection{freer_chapter_2019-6,
	location = {Cambridge New York},
	title = {Chapter 8 - Another Apocalypse: Digital Ecologies and Late Pynchon},
	isbn = {978-1-108-47446-7},
	url = {https://doi.org/10.1017/9781108608916},
	series = {Twenty-first-century critical revisions},
	abstract = {"The twenty-first century has been a time of renewed energy within Pynchon studies. Among other factors this is due to the publication of three novels, Against the Day (2006), Inherent Vice (2009), and Bleeding Edge (2013), which have each brought something distinctively new to the table. Against the Day's vast scope and range makes it Pynchon's most fully realized example of what has come to be conceived of as the "systems novel"; Inherent Vice's revisiting of the counterculture era first examined by Pynchon in The Crying of Lot 49 (1966) offers a concrete point of comparison on which to base assessments of his maturation as a writer amid changing socio-political contexts, and Bleeding Edge, Pynchon's (quasi-) 9/11 novel, provides a thorough and long-anticipated thematic engagement with computer technology and digital culture. Mason \& Dixon, published a little before the turn of the millennium in 1997 and one of Pynchon's most critically-acclaimed works, has also provided fertile ground for twenty-first century criticism"},
	pages = {124--140},
	booktitle = {The New Pynchon Studies},
	publisher = {Cambridge university press},
	author = {Coffman, Christopher K.},
	editor = {Freer, Joanna},
	date = {2019},
}

@incollection{freer_chapter_2019-7,
	location = {Cambridge New York},
	title = {Chapter 9 - Pynchon and New Political Activisms},
	isbn = {978-1-108-47446-7},
	url = {https://doi.org/10.1017/9781108608916},
	series = {Twenty-first-century critical revisions},
	abstract = {"The twenty-first century has been a time of renewed energy within Pynchon studies. Among other factors this is due to the publication of three novels, Against the Day (2006), Inherent Vice (2009), and Bleeding Edge (2013), which have each brought something distinctively new to the table. Against the Day's vast scope and range makes it Pynchon's most fully realized example of what has come to be conceived of as the "systems novel"; Inherent Vice's revisiting of the counterculture era first examined by Pynchon in The Crying of Lot 49 (1966) offers a concrete point of comparison on which to base assessments of his maturation as a writer amid changing socio-political contexts, and Bleeding Edge, Pynchon's (quasi-) 9/11 novel, provides a thorough and long-anticipated thematic engagement with computer technology and digital culture. Mason \& Dixon, published a little before the turn of the millennium in 1997 and one of Pynchon's most critically-acclaimed works, has also provided fertile ground for twenty-first century criticism"},
	pages = {141--156},
	booktitle = {The New Pynchon Studies},
	publisher = {Cambridge university press},
	author = {O’Bryan, Michael},
	editor = {Freer, Joanna},
	date = {2019},
}

@incollection{freer_chapter_2019-8,
	location = {Cambridge New York},
	title = {Chapter 10 - Threat and Crisis in Twenty-First-Century Pynchon},
	isbn = {978-1-108-47446-7},
	url = {https://doi.org/10.1017/9781108608916},
	series = {Twenty-first-century critical revisions},
	abstract = {"The twenty-first century has been a time of renewed energy within Pynchon studies. Among other factors this is due to the publication of three novels, Against the Day (2006), Inherent Vice (2009), and Bleeding Edge (2013), which have each brought something distinctively new to the table. Against the Day's vast scope and range makes it Pynchon's most fully realized example of what has come to be conceived of as the "systems novel"; Inherent Vice's revisiting of the counterculture era first examined by Pynchon in The Crying of Lot 49 (1966) offers a concrete point of comparison on which to base assessments of his maturation as a writer amid changing socio-political contexts, and Bleeding Edge, Pynchon's (quasi-) 9/11 novel, provides a thorough and long-anticipated thematic engagement with computer technology and digital culture. Mason \& Dixon, published a little before the turn of the millennium in 1997 and one of Pynchon's most critically-acclaimed works, has also provided fertile ground for twenty-first century criticism"},
	pages = {157--172},
	booktitle = {The New Pynchon Studies},
	publisher = {Cambridge university press},
	author = {Berressem, Hanjo},
	editor = {Freer, Joanna},
	date = {2019},
}

@incollection{freer_chapter_2019-9,
	location = {Cambridge New York},
	title = {Chapter 11 - Digital Readings},
	isbn = {978-1-108-47446-7},
	url = {https://doi.org/10.1017/9781108608916},
	series = {Twenty-first-century critical revisions},
	abstract = {"The twenty-first century has been a time of renewed energy within Pynchon studies. Among other factors this is due to the publication of three novels, Against the Day (2006), Inherent Vice (2009), and Bleeding Edge (2013), which have each brought something distinctively new to the table. Against the Day's vast scope and range makes it Pynchon's most fully realized example of what has come to be conceived of as the "systems novel"; Inherent Vice's revisiting of the counterculture era first examined by Pynchon in The Crying of Lot 49 (1966) offers a concrete point of comparison on which to base assessments of his maturation as a writer amid changing socio-political contexts, and Bleeding Edge, Pynchon's (quasi-) 9/11 novel, provides a thorough and long-anticipated thematic engagement with computer technology and digital culture. Mason \& Dixon, published a little before the turn of the millennium in 1997 and one of Pynchon's most critically-acclaimed works, has also provided fertile ground for twenty-first century criticism"},
	pages = {175--195},
	booktitle = {The New Pynchon Studies},
	publisher = {Cambridge university press},
	author = {Muth, Katie},
	editor = {Freer, Joanna},
	date = {2019},
}

@incollection{freer_chapter_2019-10,
	location = {Cambridge New York},
	title = {Chapter 12 - Reading Pynchon in and on the Digital Age},
	isbn = {978-1-108-47446-7},
	url = {https://doi.org/10.1017/9781108608916},
	series = {Twenty-first-century critical revisions},
	abstract = {"The twenty-first century has been a time of renewed energy within Pynchon studies. Among other factors this is due to the publication of three novels, Against the Day (2006), Inherent Vice (2009), and Bleeding Edge (2013), which have each brought something distinctively new to the table. Against the Day's vast scope and range makes it Pynchon's most fully realized example of what has come to be conceived of as the "systems novel"; Inherent Vice's revisiting of the counterculture era first examined by Pynchon in The Crying of Lot 49 (1966) offers a concrete point of comparison on which to base assessments of his maturation as a writer amid changing socio-political contexts, and Bleeding Edge, Pynchon's (quasi-) 9/11 novel, provides a thorough and long-anticipated thematic engagement with computer technology and digital culture. Mason \& Dixon, published a little before the turn of the millennium in 1997 and one of Pynchon's most critically-acclaimed works, has also provided fertile ground for twenty-first century criticism"},
	pages = {196--209},
	booktitle = {The New Pynchon Studies},
	publisher = {Cambridge university press},
	author = {Herman, Luc},
	editor = {Freer, Joanna},
	date = {2019},
}

@incollection{freer_chapter_2019-11,
	location = {Cambridge New York},
	title = {Chapter 13 - Pynchon on Film},
	isbn = {978-1-108-47446-7},
	url = {https://doi.org/10.1017/9781108608916},
	series = {Twenty-first-century critical revisions},
	abstract = {"The twenty-first century has been a time of renewed energy within Pynchon studies. Among other factors this is due to the publication of three novels, Against the Day (2006), Inherent Vice (2009), and Bleeding Edge (2013), which have each brought something distinctively new to the table. Against the Day's vast scope and range makes it Pynchon's most fully realized example of what has come to be conceived of as the "systems novel"; Inherent Vice's revisiting of the counterculture era first examined by Pynchon in The Crying of Lot 49 (1966) offers a concrete point of comparison on which to base assessments of his maturation as a writer amid changing socio-political contexts, and Bleeding Edge, Pynchon's (quasi-) 9/11 novel, provides a thorough and long-anticipated thematic engagement with computer technology and digital culture. Mason \& Dixon, published a little before the turn of the millennium in 1997 and one of Pynchon's most critically-acclaimed works, has also provided fertile ground for twenty-first century criticism"},
	pages = {210--225},
	booktitle = {The New Pynchon Studies},
	publisher = {Cambridge university press},
	author = {Clare, Ralph},
	editor = {Freer, Joanna},
	date = {2019},
}

@incollection{freer_chapter_2019-12,
	location = {Cambridge New York},
	title = {Chapter 14 - Pynchon’s Twenty-First-Century Paratexts},
	isbn = {978-1-108-47446-7},
	url = {https://doi.org/10.1017/9781108608916},
	series = {Twenty-first-century critical revisions},
	abstract = {"The twenty-first century has been a time of renewed energy within Pynchon studies. Among other factors this is due to the publication of three novels, Against the Day (2006), Inherent Vice (2009), and Bleeding Edge (2013), which have each brought something distinctively new to the table. Against the Day's vast scope and range makes it Pynchon's most fully realized example of what has come to be conceived of as the "systems novel"; Inherent Vice's revisiting of the counterculture era first examined by Pynchon in The Crying of Lot 49 (1966) offers a concrete point of comparison on which to base assessments of his maturation as a writer amid changing socio-political contexts, and Bleeding Edge, Pynchon's (quasi-) 9/11 novel, provides a thorough and long-anticipated thematic engagement with computer technology and digital culture. Mason \& Dixon, published a little before the turn of the millennium in 1997 and one of Pynchon's most critically-acclaimed works, has also provided fertile ground for twenty-first century criticism"},
	pages = {226--240},
	booktitle = {The New Pynchon Studies},
	publisher = {Cambridge university press},
	author = {Andersen, Tore Rye},
	editor = {Freer, Joanna},
	date = {2019},
}

@incollection{wall_hinds_introduction_2005,
	location = {Rochester, {NY}},
	edition = {1. publ},
	title = {Introduction: The Times of Mason \& Dixon},
	isbn = {978-1-57113-318-2},
	url = {https://www.jstor.org/stable/10.7722/j.ctt81hkw},
	series = {Studies in American literature and culture},
	pages = {3--24},
	booktitle = {The multiple worlds of Pynchon's Mason \& Dixon: eighteenth-century contexts, postmodern observations},
	publisher = {Camden House},
	author = {Wall Hinds, Elisabeth Jane},
	editor = {Wall Hinds, Elizabeth Jane},
	date = {2005},
}

@incollection{wall_hinds_1_2005,
	location = {Rochester, {NY}},
	edition = {1. publ},
	title = {1: “The Space that may not be seen”: The Form of Historicity in Mason \& Dixon},
	isbn = {978-1-57113-318-2},
	url = {https://www.jstor.org/stable/10.7722/j.ctt81hkw},
	series = {Studies in American literature and culture},
	pages = {25--46},
	booktitle = {The multiple worlds of Pynchon's Mason \& Dixon: eighteenth-century contexts, postmodern observations},
	publisher = {Camden House},
	author = {Huehls, Mitchum},
	editor = {Wall Hinds, Elizabeth Jane},
	date = {2005},
}

@incollection{wall_hinds_2_2005,
	location = {Rochester, {NY}},
	edition = {1. publ},
	title = {2: The Sweetness of Immorality: Mason \& Dixon and the American Sins of Consumption},
	isbn = {978-1-57113-318-2},
	url = {https://www.jstor.org/stable/10.7722/j.ctt81hkw},
	series = {Studies in American literature and culture},
	pages = {49--76},
	booktitle = {The multiple worlds of Pynchon's Mason \& Dixon: eighteenth-century contexts, postmodern observations},
	publisher = {Camden House},
	author = {Thill, Brian},
	editor = {Wall Hinds, Elizabeth Jane},
	date = {2005},
}

@incollection{wall_hinds_3_2005,
	location = {Rochester, {NY}},
	edition = {1. publ},
	title = {3: Consumption on the Frontier: Food and Sacrament in Mason \& Dixon},
	isbn = {978-1-57113-318-2},
	url = {https://www.jstor.org/stable/10.7722/j.ctt81hkw},
	series = {Studies in American literature and culture},
	pages = {77--98},
	booktitle = {The multiple worlds of Pynchon's Mason \& Dixon: eighteenth-century contexts, postmodern observations},
	publisher = {Camden House},
	author = {Clarke, Colin A.},
	editor = {Wall Hinds, Elizabeth Jane},
	date = {2005},
}

@incollection{wall_hinds_4_2005,
	location = {Rochester, {NY}},
	edition = {1. publ},
	title = {4: “America was the only place . . .”: American Exceptionalism and the Geographic Politics of Pynchon’s Mason \& Dixon},
	isbn = {978-1-57113-318-2},
	url = {https://www.jstor.org/stable/10.7722/j.ctt81hkw},
	series = {Studies in American literature and culture},
	pages = {101--124},
	booktitle = {The multiple worlds of Pynchon's Mason \& Dixon: eighteenth-century contexts, postmodern observations},
	publisher = {Camden House},
	author = {García-Caro, Pedro},
	editor = {Wall Hinds, Elizabeth Jane},
	date = {2005},
}

@incollection{wall_hinds_5_2005,
	location = {Rochester, {NY}},
	edition = {1. publ},
	title = {5: Postmodernism at Sea: The Quest for Longitude in Thomas Pynchon’s Mason \& Dixon and Umberto Eco’s The Island of the Day Before},
	isbn = {978-1-57113-318-2},
	url = {https://www.jstor.org/stable/10.7722/j.ctt81hkw},
	series = {Studies in American literature and culture},
	pages = {125--144},
	booktitle = {The multiple worlds of Pynchon's Mason \& Dixon: eighteenth-century contexts, postmodern observations},
	publisher = {Camden House},
	author = {Lensing, Dennis M.},
	editor = {Wall Hinds, Elizabeth Jane},
	date = {2005},
}

@incollection{wall_hinds_6_2005,
	location = {Rochester, {NY}},
	edition = {1. publ},
	title = {6: Haunting and Hunting: Bodily Resurrection and the Occupation of History in Thomas Pynchon’s Mason \& Dixon},
	isbn = {978-1-57113-318-2},
	url = {https://www.jstor.org/stable/10.7722/j.ctt81hkw},
	series = {Studies in American literature and culture},
	pages = {147--170},
	booktitle = {The multiple worlds of Pynchon's Mason \& Dixon: eighteenth-century contexts, postmodern observations},
	publisher = {Camden House},
	author = {Scott Coe, Justin M.},
	editor = {Wall Hinds, Elizabeth Jane},
	date = {2005},
}

@incollection{wall_hinds_7_2005,
	location = {Rochester, {NY}},
	edition = {1. publ},
	title = {7: “Our Madmen, our Paranoid”: Enlightened Communities and the Mental State in Mason \& Dixon},
	isbn = {978-1-57113-318-2},
	url = {https://www.jstor.org/stable/10.7722/j.ctt81hkw},
	series = {Studies in American literature and culture},
	pages = {171--184},
	booktitle = {The multiple worlds of Pynchon's Mason \& Dixon: eighteenth-century contexts, postmodern observations},
	publisher = {Camden House},
	author = {Copestake, Ian D.},
	editor = {Wall Hinds, Elizabeth Jane},
	date = {2005},
}

@incollection{wall_hinds_8_2005,
	location = {Rochester, {NY}},
	edition = {1. publ},
	title = {8: General Wolfe and the Weavers: Re-envisioning History in Pynchon’s Mason \& Dixon},
	isbn = {978-1-57113-318-2},
	url = {https://www.jstor.org/stable/10.7722/j.ctt81hkw},
	series = {Studies in American literature and culture},
	pages = {185--198},
	booktitle = {The multiple worlds of Pynchon's Mason \& Dixon: eighteenth-century contexts, postmodern observations},
	publisher = {Camden House},
	author = {Palmeri, Frank},
	editor = {Wall Hinds, Elizabeth Jane},
	date = {2005},
}

@incollection{levine_introduction_1976,
	location = {Boston},
	edition = {1. ed},
	title = {Introduction: Mindful Pleasures},
	isbn = {978-0-316-52230-4 978-0-316-52231-1},
	pages = {3--11},
	booktitle = {Mindful pleasures: essays on Thomas Pynchon},
	publisher = {Little, Brown},
	author = {Levine, George Lewis and Leverenz, David},
	editor = {Levine, George Lewis and Leverenz, David},
	date = {1976},
}

@incollection{levine_importance_1976,
	location = {Boston},
	edition = {1. ed},
	title = {The Importance of Thomas Pynchon},
	isbn = {978-0-316-52230-4 978-0-316-52231-1},
	pages = {15--29},
	booktitle = {Mindful pleasures: essays on Thomas Pynchon},
	publisher = {Little, Brown},
	author = {Poirier, Richard},
	editor = {Levine, George Lewis and Leverenz, David},
	date = {1976},
}

@incollection{levine_pre-apocalyptic_1976,
	location = {Boston},
	edition = {1. ed},
	title = {Pre-Apocalyptic Atavism: Thomas Pynchon's Early Fiction},
	isbn = {978-0-316-52230-4 978-0-316-52231-1},
	pages = {31--47},
	booktitle = {Mindful pleasures: essays on Thomas Pynchon},
	publisher = {Little, Brown},
	author = {Stimpson, Catharine R.},
	editor = {Levine, George Lewis and Leverenz, David},
	date = {1976},
}

@incollection{levine_caries_1976,
	location = {Boston},
	edition = {1. ed},
	title = {Caries and Cabals},
	isbn = {978-0-316-52230-4 978-0-316-52231-1},
	pages = {49--67},
	booktitle = {Mindful pleasures: essays on Thomas Pynchon},
	publisher = {Little, Brown},
	author = {Tanner, Tony},
	editor = {Levine, George Lewis and Leverenz, David},
	date = {1976},
}

@incollection{levine_pentecost_1976,
	location = {Boston},
	edition = {1. ed},
	title = {Pentecost, Promiscuity, and Pynchon's V.: From the Scaffold to the Impulsive},
	isbn = {978-0-316-52230-4 978-0-316-52231-1},
	pages = {69--86},
	booktitle = {Mindful pleasures: essays on Thomas Pynchon},
	publisher = {Little, Brown},
	author = {Lhamon, W. T, Jr.},
	editor = {Levine, George Lewis and Leverenz, David},
	date = {1976},
}

@incollection{levine_maxwells_1976,
	location = {Boston},
	edition = {1. ed},
	title = {Maxwell's Demon, Entropy, Information, The Crying of Lot 49},
	isbn = {978-0-316-52230-4 978-0-316-52231-1},
	pages = {87--100},
	booktitle = {Mindful pleasures: essays on Thomas Pynchon},
	publisher = {Little, Brown},
	author = {Mangel, Anne},
	editor = {Levine, George Lewis and Leverenz, David},
	date = {1976},
}

@incollection{levine_pynchons_1976,
	location = {Boston},
	edition = {1. ed},
	title = {Pynchon's Poetry},
	isbn = {978-0-316-52230-4 978-0-316-52231-1},
	pages = {101--112},
	booktitle = {Mindful pleasures: essays on Thomas Pynchon},
	publisher = {Little, Brown},
	author = {Vesterman, William},
	editor = {Levine, George Lewis and Leverenz, David},
	date = {1976},
}

@incollection{levine_risking_1976,
	location = {Boston},
	edition = {1. ed},
	title = {Risking the Moment: Anarchy and Possibility in Pynchon's Fiction},
	isbn = {978-0-316-52230-4 978-0-316-52231-1},
	pages = {113--136},
	booktitle = {Mindful pleasures: essays on Thomas Pynchon},
	publisher = {Little, Brown},
	author = {Levine, George},
	editor = {Levine, George Lewis and Leverenz, David},
	date = {1976},
}

@incollection{levine_pynchons_1976-1,
	location = {Boston},
	edition = {1. ed},
	title = {Pynchon's Paranoid History},
	isbn = {978-0-316-52230-4 978-0-316-52231-1},
	pages = {139--159},
	booktitle = {Mindful pleasures: essays on Thomas Pynchon},
	publisher = {Little, Brown},
	author = {Sanders, Scott},
	editor = {Levine, George Lewis and Leverenz, David},
	date = {1976},
}

@incollection{levine_gravitys_1976,
	location = {Boston},
	edition = {1. ed},
	title = {Gravity's Encyclopedia},
	isbn = {978-0-316-52230-4 978-0-316-52231-1},
	pages = {161--195},
	booktitle = {Mindful pleasures: essays on Thomas Pynchon},
	publisher = {Little, Brown},
	author = {Mendelson, Edward},
	editor = {Levine, George Lewis and Leverenz, David},
	date = {1976},
}

@incollection{levine_brunnhilde_1976,
	location = {Boston},
	edition = {1. ed},
	title = {Brünnhilde and the Chemists: Women in Gravity's Rainbow},
	isbn = {978-0-316-52230-4 978-0-316-52231-1},
	pages = {197--227},
	booktitle = {Mindful pleasures: essays on Thomas Pynchon},
	publisher = {Little, Brown},
	author = {Kaufman, Marjorie},
	editor = {Levine, George Lewis and Leverenz, David},
	date = {1976},
}

@incollection{levine_trying_1976,
	location = {Boston},
	edition = {1. ed},
	title = {On Trying to Read Gravity's Rainbow},
	isbn = {978-0-316-52230-4 978-0-316-52231-1},
	pages = {229--249},
	booktitle = {Mindful pleasures: essays on Thomas Pynchon},
	publisher = {Little, Brown},
	author = {Leverenz, David},
	editor = {Levine, George Lewis and Leverenz, David},
	date = {1976},
}

@incollection{levine_appendix_1976,
	location = {Boston},
	edition = {1. ed},
	title = {Appendix: The Quest for Pynchon},
	isbn = {978-0-316-52230-4 978-0-316-52231-1},
	pages = {251--263},
	booktitle = {Mindful pleasures: essays on Thomas Pynchon},
	publisher = {Little, Brown},
	author = {Winston, Mathew},
	editor = {Levine, George Lewis and Leverenz, David},
	date = {1976},
}

@incollection{levine_bibliography_1976,
	location = {Boston},
	edition = {1. ed},
	title = {Bibliography},
	isbn = {978-0-316-52230-4 978-0-316-52231-1},
	url = {265-269},
	booktitle = {Mindful pleasures: essays on Thomas Pynchon},
	publisher = {Little, Brown},
	author = {Herzberg, Bruce},
	editor = {Levine, George Lewis and Leverenz, David},
	date = {1976},
}

@incollection{bloom_introduction_1986,
	location = {New York},
	title = {Introduction},
	isbn = {978-1-55546-062-4},
	series = {Modern critical interpretations},
	abstract = {A collection of critical essays on Pynchon's "Gravity's Rainbow" arranged in chronological order of publication},
	pages = {1--9},
	booktitle = {Thomas Pynchon's Gravity's Rainbow},
	publisher = {Chelsea House Publishers},
	author = {Bloom, Harold},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Pynchon, Thomas, American literature, Gravity's rainbow},
}

@incollection{bloom_rocket_1986,
	location = {New York},
	title = {Rocket Power},
	isbn = {978-1-55546-062-4},
	series = {Modern critical interpretations},
	abstract = {A collection of critical essays on Pynchon's "Gravity's Rainbow" arranged in chronological order of publication},
	pages = {11--20},
	booktitle = {Thomas Pynchon's Gravity's Rainbow},
	publisher = {Chelsea House Publishers},
	author = {Poirier, Richard},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Pynchon, Thomas, American literature, Gravity's rainbow},
}

@incollection{bloom_ritual_1986,
	location = {New York},
	title = {The Ritual of Military Power},
	isbn = {978-1-55546-062-4},
	series = {Modern critical interpretations},
	abstract = {A collection of critical essays on Pynchon's "Gravity's Rainbow" arranged in chronological order of publication},
	pages = {21--27},
	booktitle = {Thomas Pynchon's Gravity's Rainbow},
	publisher = {Chelsea House Publishers},
	author = {Fussell, Paul},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Pynchon, Thomas, American literature, Gravity's rainbow},
}

@incollection{bloom_gravitys_1986,
	location = {New York},
	title = {Gravity's Encyclopedia},
	isbn = {978-1-55546-062-4},
	series = {Modern critical interpretations},
	abstract = {A collection of critical essays on Pynchon's "Gravity's Rainbow" arranged in chronological order of publication},
	pages = {29--52},
	booktitle = {Thomas Pynchon's Gravity's Rainbow},
	publisher = {Chelsea House Publishers},
	author = {Mendelson, Edward},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Pynchon, Thomas, American literature, Gravity's rainbow},
}

@incollection{bloom_paranoia_1986,
	location = {New York},
	title = {Paranoia, Pynchon, and Preterition},
	isbn = {978-1-55546-062-4},
	series = {Modern critical interpretations},
	abstract = {A collection of critical essays on Pynchon's "Gravity's Rainbow" arranged in chronological order of publication},
	pages = {53--67},
	booktitle = {Thomas Pynchon's Gravity's Rainbow},
	publisher = {Chelsea House Publishers},
	author = {Mackey, Louis},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Pynchon, Thomas, American literature, Gravity's rainbow},
}

@incollection{bloom_gravitys_1986-1,
	location = {New York},
	title = {Gravity's Rainbow: An Experience in Modern Reading},
	isbn = {978-1-55546-062-4},
	series = {Modern critical interpretations},
	abstract = {A collection of critical essays on Pynchon's "Gravity's Rainbow" arranged in chronological order of publication},
	pages = {69--83},
	booktitle = {Thomas Pynchon's Gravity's Rainbow},
	publisher = {Chelsea House Publishers},
	author = {Tanner, Tony},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Pynchon, Thomas, American literature, Gravity's rainbow},
}

@incollection{bloom_recognizing_1986,
	location = {New York},
	title = {Recognizing Reality, Realizing Responsibility},
	isbn = {978-1-55546-062-4},
	series = {Modern critical interpretations},
	abstract = {A collection of critical essays on Pynchon's "Gravity's Rainbow" arranged in chronological order of publication},
	pages = {85--96},
	booktitle = {Thomas Pynchon's Gravity's Rainbow},
	publisher = {Chelsea House Publishers},
	author = {Werner, Craig Hansen},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Pynchon, Thomas, American literature, Gravity's rainbow},
}

@incollection{bloom_creative_1986,
	location = {New York},
	title = {Creative Paranoia and Frost Patterns of White Words},
	isbn = {978-1-55546-062-4},
	series = {Modern critical interpretations},
	abstract = {A collection of critical essays on Pynchon's "Gravity's Rainbow" arranged in chronological order of publication},
	pages = {97--111},
	booktitle = {Thomas Pynchon's Gravity's Rainbow},
	publisher = {Chelsea House Publishers},
	author = {Schwab, Gabriele},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Pynchon, Thomas, American literature, Gravity's rainbow},
}

@collection{bloom_thomas_1986-4,
	location = {New York},
	title = {Thomas Pynchon's Gravity's Rainbow},
	isbn = {978-1-55546-062-4},
	series = {Modern critical interpretations},
	abstract = {A collection of critical essays on Pynchon's "Gravity's Rainbow" arranged in chronological order of publication},
	pagetotal = {127},
	publisher = {Chelsea House Publishers},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Pynchon, Thomas, American literature, Gravity's rainbow},
}

@incollection{odonnell_1_1991,
	location = {Cambridge},
	title = {1 - Introduction},
	isbn = {978-0-521-38163-5 978-0-521-38833-7},
	url = {https://doi.org/10.1017/CBO9780511620461},
	series = {The American novel},
	pages = {1--20},
	booktitle = {New essays on The crying of lot 49},
	publisher = {Cambridge Univ. Press},
	author = {O'Donnell, Patrick},
	editor = {O'Donnell, Patrick},
	date = {1991},
}

@incollection{odonnell_2_1991,
	location = {Cambridge},
	title = {2 - Borges and Pynchon: The Tenuous Symmetries of Art},
	isbn = {978-0-521-38163-5 978-0-521-38833-7},
	url = {https://doi.org/10.1017/CBO9780511620461},
	series = {The American novel},
	pages = {21--46},
	booktitle = {New essays on The crying of lot 49},
	publisher = {Cambridge Univ. Press},
	author = {Castillo, , Debra A},
	editor = {O'Donnell, Patrick},
	date = {1991},
}

@incollection{odonnell_3_1991,
	location = {Cambridge},
	title = {3 - Toward the Schizo-Text: Paranoia as Semiotic Regime in The Crying of Lot 49},
	isbn = {978-0-521-38163-5 978-0-521-38833-7},
	url = {https://doi.org/10.1017/CBO9780511620461},
	series = {The American novel},
	pages = {47--78},
	booktitle = {New essays on The crying of lot 49},
	publisher = {Cambridge Univ. Press},
	author = {Johnston, John},
	editor = {O'Donnell, Patrick},
	date = {1991},
}

@incollection{odonnell_4_1991,
	location = {Cambridge},
	title = {4 - “Hushing Sick Transmissions”: Disrupting Story in The Crying of Lot 49},
	isbn = {978-0-521-38163-5 978-0-521-38833-7},
	url = {https://doi.org/10.1017/CBO9780511620461},
	series = {The American novel},
	pages = {79--96},
	booktitle = {New essays on The crying of lot 49},
	publisher = {Cambridge Univ. Press},
	author = {Duyfhuizen, Bernard},
	editor = {O'Donnell, Patrick},
	date = {1991},
}

@incollection{odonnell_5_1991,
	location = {Cambridge},
	title = {5 - “A Metaphor of God Knew How Many Parts”: The Engine that Drives The Crying of Lot 49},
	isbn = {978-0-521-38163-5 978-0-521-38833-7},
	url = {https://doi.org/10.1017/CBO9780511620461},
	series = {The American novel},
	pages = {97--126},
	booktitle = {New essays on The crying of lot 49},
	publisher = {Cambridge Univ. Press},
	author = {Hayles, N. Katherine},
	editor = {O'Donnell, Patrick},
	date = {1991},
}

@incollection{odonnell_6_1991,
	location = {Cambridge},
	title = {6 - A Re-cognition of Her Errand into the Wilderness},
	isbn = {978-0-521-38163-5 978-0-521-38833-7},
	url = {https://doi.org/10.1017/CBO9780511620461},
	series = {The American novel},
	pages = {127--170},
	booktitle = {New essays on The crying of lot 49},
	publisher = {Cambridge Univ. Press},
	author = {Petillon, Pierre-Yves},
	editor = {O'Donnell, Patrick},
	date = {1991},
}

@incollection{pearce_introduction_1981,
	location = {Boston, Mass.},
	title = {Introduction},
	isbn = {978-0-8161-8320-3},
	series = {Critical essays on American literature},
	pages = {1--11},
	booktitle = {Critical essays on Thomas Pynchon},
	publisher = {Hall},
	author = {Pearce, Richard},
	editor = {Pearce, Richard},
	date = {1981},
}

@incollection{pearce_notes_1981,
	location = {Boston, Mass.},
	title = {Notes on a New Sensibility},
	isbn = {978-0-8161-8320-3},
	series = {Critical essays on American literature},
	pages = {13--19},
	booktitle = {Critical essays on Thomas Pynchon},
	publisher = {Hall},
	author = {Wasson, Richard},
	editor = {Pearce, Richard},
	date = {1981},
}

@incollection{pearce_what_1981,
	location = {Boston, Mass.},
	title = {What Stencil Knew: Structure and Certitude in Pynchon's V.},
	isbn = {978-0-8161-8320-3},
	series = {Critical essays on American literature},
	pages = {20--31},
	booktitle = {Critical essays on Thomas Pynchon},
	publisher = {Hall},
	author = {Patteson, Richard},
	editor = {Pearce, Richard},
	date = {1981},
}

@incollection{pearce_comic_1981,
	location = {Boston, Mass.},
	title = {Comic Escape and Anti-Vision: V. and The Crying of Lot 49},
	isbn = {978-0-8161-8320-3},
	series = {Critical essays on American literature},
	pages = {32--41},
	booktitle = {Critical essays on Thomas Pynchon},
	publisher = {Hall},
	author = {Hunt, John W.},
	editor = {Pearce, Richard},
	date = {1981},
}

@incollection{pearce_what_1981-1,
	location = {Boston, Mass.},
	title = {What is Thomas Pynchon Telling Us? V. and Gravity's Rainbow},
	isbn = {978-0-8161-8320-3},
	series = {Critical essays on American literature},
	pages = {42--50},
	booktitle = {Critical essays on Thomas Pynchon},
	publisher = {Hall},
	author = {Hendin, Josephine},
	editor = {Pearce, Richard},
	date = {1981},
}

@incollection{pearce_gentle_1981,
	location = {Boston, Mass.},
	title = {"A Gentle Chill, an Ambiguity: The Crying of Lot 49},
	isbn = {978-0-8161-8320-3},
	series = {Critical essays on American literature},
	pages = {51--68},
	booktitle = {Critical essays on Thomas Pynchon},
	publisher = {Hall},
	author = {Schaub, Thomas},
	editor = {Pearce, Richard},
	date = {1981},
}

@incollection{pearce_science_1981,
	location = {Boston, Mass.},
	title = {Science as Metaphor: Thomas Pynchon and Gravity's Rainbow},
	isbn = {978-0-8161-8320-3},
	series = {Critical essays on American literature},
	pages = {69--81},
	booktitle = {Critical essays on Thomas Pynchon},
	publisher = {Hall},
	author = {Friedman, Alan J. and Puetz, Manfred},
	editor = {Pearce, Richard},
	date = {1981},
}

@incollection{pearce_gravitys_1981,
	location = {Boston, Mass.},
	title = {Gravity's Rainbow: What's the Big Idea?},
	isbn = {978-0-8161-8320-3},
	series = {Critical essays on American literature},
	pages = {82--98},
	booktitle = {Critical essays on Thomas Pynchon},
	publisher = {Hall},
	author = {Morgan, Speer},
	editor = {Pearce, Richard},
	date = {1981},
}

@incollection{pearce_repressions_1981,
	location = {Boston, Mass.},
	title = {Repression's Rainbow: The Presence of Norman O. Brown in Pynchon's Big Novel},
	isbn = {978-0-8161-8320-3},
	series = {Critical essays on American literature},
	pages = {99--123},
	booktitle = {Critical essays on Thomas Pynchon},
	publisher = {Hall},
	author = {Wolfley, Lawrence},
	editor = {Pearce, Richard},
	date = {1981},
}

@incollection{pearce_beyond_1981,
	location = {Boston, Mass.},
	title = {Beyond the Theater of War: Gravity's Rainbow as Film},
	isbn = {978-0-8161-8320-3},
	series = {Critical essays on American literature},
	pages = {124--139},
	booktitle = {Critical essays on Thomas Pynchon},
	publisher = {Hall},
	author = {Simmon, Scott},
	editor = {Pearce, Richard},
	date = {1981},
}

@incollection{pearce_end_1981,
	location = {Boston, Mass.},
	title = {The End of History? Thomas Pynchon and the Uses of the Past},
	isbn = {978-0-8161-8320-3},
	series = {Critical essays on American literature},
	pages = {140--156},
	booktitle = {Critical essays on Thomas Pynchon},
	publisher = {Hall},
	author = {Weisenburger, Steven},
	editor = {Pearce, Richard},
	date = {1981},
}

@incollection{pearce_allusive_1981,
	location = {Boston, Mass.},
	title = {The Allusive Mode and Black Humor in Pynchon's Gravity's Rainbow},
	isbn = {978-0-8161-8320-3},
	series = {Critical essays on American literature},
	pages = {157--168},
	booktitle = {Critical essays on Thomas Pynchon},
	publisher = {Hall},
	author = {Safer, Elaine B.},
	editor = {Pearce, Richard},
	date = {1981},
}

@incollection{pearce_new_1981,
	location = {Boston, Mass.},
	title = {The New Jeremiad: Gravity's Rainbow},
	isbn = {978-0-8161-8320-3},
	series = {Critical essays on American literature},
	pages = {169--186},
	booktitle = {Critical essays on Thomas Pynchon},
	publisher = {Hall},
	author = {Smith, Marcus and Tololyan, Khachig},
	editor = {Pearce, Richard},
	date = {1981},
}

@incollection{pearce_thomas_1981,
	location = {Boston, Mass.},
	title = {Thomas Pynchon and the Language of Allegory},
	isbn = {978-0-8161-8320-3},
	series = {Critical essays on American literature},
	pages = {187--212},
	booktitle = {Critical essays on Thomas Pynchon},
	publisher = {Hall},
	author = {Quilligan, Maureen},
	editor = {Pearce, Richard},
	date = {1981},
}

@incollection{pearce_wherere_1981,
	location = {Boston, Mass.},
	title = {Where're They At, Where're They Going? Thomas Pynchon and the American Novel in Motion},
	isbn = {978-0-8161-8320-3},
	series = {Critical essays on American literature},
	pages = {213--229},
	booktitle = {Critical essays on Thomas Pynchon},
	publisher = {Hall},
	author = {Pearce, Richard},
	editor = {Pearce, Richard},
	date = {1981},
}

@incollection{pearce_review_1981,
	location = {Boston, Mass.},
	title = {A Review of Major Pynchon Criticism},
	isbn = {978-0-8161-8320-3},
	series = {Critical essays on American literature},
	pages = {230--254},
	booktitle = {Critical essays on Thomas Pynchon},
	publisher = {Hall},
	author = {Clark, Beverly Lyon and Fuoroli, Caryn},
	editor = {Pearce, Richard},
	date = {1981},
}

@collection{pearce_critical_1981-2,
	location = {Boston, Mass.},
	title = {Critical essays on Thomas Pynchon},
	isbn = {978-0-8161-8320-3},
	series = {Critical essays on American literature},
	pagetotal = {258},
	publisher = {Hall},
	editor = {Pearce, Richard},
	date = {1981},
}

@incollection{schaub_part_2008,
	location = {New York, {NY}},
	title = {Part One: Materials},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pages = {3--10},
	number = {99},
	booktitle = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	publisher = {Modern Language Association of America},
	author = {Schaub, Thomas H.},
	editor = {Schaub, Thomas H.},
	date = {2008},
}

@incollection{schaub_teaching_2008,
	location = {New York, {NY}},
	title = {Teaching Crying: General Education, the 1960s, and Lot 49},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pages = {13--24},
	number = {99},
	booktitle = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	publisher = {Modern Language Association of America},
	author = {Watson, Robert N.},
	editor = {Schaub, Thomas H.},
	date = {2008},
}

@incollection{schaub_pynchons_2008,
	location = {New York, {NY}},
	title = {Pynchon's Quest Narratives and the Tradition of American Romance},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pages = {25--30},
	number = {99},
	booktitle = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	publisher = {Modern Language Association of America},
	author = {Madsen, Deborah L.},
	editor = {Schaub, Thomas H.},
	date = {2008},
}

@incollection{schaub_pynchons_2008-1,
	location = {New York, {NY}},
	title = {Pynchon's Library},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pages = {31--38},
	number = {99},
	booktitle = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	publisher = {Modern Language Association of America},
	author = {Schaub, Thomas H.},
	editor = {Schaub, Thomas H.},
	date = {2008},
}

@incollection{schaub_reading_2008,
	location = {New York, {NY}},
	title = {Reading the Value System of Gravity's Rainbow with Marcuse, Freud, and the Yippies},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pages = {39--45},
	number = {99},
	booktitle = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	publisher = {Modern Language Association of America},
	author = {Hite, Molly},
	editor = {Schaub, Thomas H.},
	date = {2008},
}

@incollection{schaub_feeling_2008,
	location = {New York, {NY}},
	title = {"Feeling Totally Familied Out": Teaching Pynchon through Families},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pages = {46--51},
	number = {99},
	booktitle = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	publisher = {Modern Language Association of America},
	author = {Rohland, Mark},
	editor = {Schaub, Thomas H.},
	date = {2008},
}

@incollection{schaub_reading_2008-1,
	location = {New York, {NY}},
	title = {Reading Race: The Crying of Lot 49 and Early Pynchon},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pages = {52--58},
	number = {99},
	booktitle = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	publisher = {Modern Language Association of America},
	author = {Weisenburger, Steven},
	editor = {Schaub, Thomas H.},
	date = {2008},
}

@incollection{schaub_teaching_2008-1,
	location = {New York, {NY}},
	title = {Teaching the Epochal Oedipa},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pages = {59--65},
	number = {99},
	booktitle = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	publisher = {Modern Language Association of America},
	author = {Varsava, Jerry},
	editor = {Schaub, Thomas H.},
	date = {2008},
}

@incollection{schaub_lot_2008,
	location = {New York, {NY}},
	title = {Lot 49: Science and the Novel of Systems},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pages = {66--75},
	number = {99},
	booktitle = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	publisher = {Modern Language Association of America},
	author = {Olster, Stacey},
	editor = {Schaub, Thomas H.},
	date = {2008},
}

@incollection{schaub_humor_2008,
	location = {New York, {NY}},
	title = {Humor and Decentering Meaning in Lot 49},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pages = {76--82},
	number = {99},
	booktitle = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	publisher = {Modern Language Association of America},
	author = {Preston, Alison J. T.},
	editor = {Schaub, Thomas H.},
	date = {2008},
}

@incollection{schaub_tragic_2008,
	location = {New York, {NY}},
	title = {Tragic Satire: Chasing Nazi Symbols in The Crying of Lot 49},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pages = {83--87},
	number = {99},
	booktitle = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	publisher = {Modern Language Association of America},
	author = {Dalsgaard, Inger H.},
	editor = {Schaub, Thomas H.},
	date = {2008},
}

@incollection{schaub_teaching_2008-2,
	location = {New York, {NY}},
	title = {Teaching Pynchon's V.},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pages = {88--98},
	number = {99},
	booktitle = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	publisher = {Modern Language Association of America},
	author = {Cowart, David},
	editor = {Schaub, Thomas H.},
	date = {2008},
}

@incollection{schaub_historicize_2008,
	location = {New York, {NY}},
	title = {To Historicize Is to Colonize: Colonialism in V. and Gravity's Rainbow},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pages = {99--105},
	number = {99},
	booktitle = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	publisher = {Modern Language Association of America},
	author = {Harris, Michael},
	editor = {Schaub, Thomas H.},
	date = {2008},
}

@incollection{schaub_antwerp_2008,
	location = {New York, {NY}},
	title = {Antwerp and the Representation of the Holocaust in Gravity's Rainbow},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pages = {106--113},
	number = {99},
	booktitle = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	publisher = {Modern Language Association of America},
	author = {Herman, Luc},
	editor = {Schaub, Thomas H.},
	date = {2008},
}

@incollection{schaub_mediating_2008,
	location = {New York, {NY}},
	title = {Mediating the Past: Narrative, History, and Teaching Vineland},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pages = {114--120},
	number = {99},
	booktitle = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	publisher = {Modern Language Association of America},
	author = {{McLaughlin}, Robert L.},
	editor = {Schaub, Thomas H.},
	date = {2008},
}

@incollection{schaub_historiographic_2008,
	location = {New York, {NY}},
	title = {Historiographic Metafiction / Metafictional Historiography: The Mason \& Dixon Project},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pages = {121--129},
	number = {99},
	booktitle = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	publisher = {Modern Language Association of America},
	author = {Berressem, Hanjo and Finzsch, Norbert},
	editor = {Schaub, Thomas H.},
	date = {2008},
}

@incollection{schaub_postmodern_2008,
	location = {New York, {NY}},
	title = {Postmodern Territories: Teaching Mason \& Dixon and the Ideologies of Space},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pages = {130--140},
	number = {99},
	booktitle = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	publisher = {Modern Language Association of America},
	author = {Elias, Amy J.},
	editor = {Schaub, Thomas H.},
	date = {2008},
}

@incollection{schaub_pynchons_2008-2,
	location = {New York, {NY}},
	title = {Pynchon's Polyvocality},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pages = {141--147},
	number = {99},
	booktitle = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	publisher = {Modern Language Association of America},
	author = {Thompson, Gary},
	editor = {Schaub, Thomas H.},
	date = {2008},
}

@incollection{schaub_hypertextualizing_2008,
	location = {New York, {NY}},
	title = {Hypertextualizing The Crying of Lot 49},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pages = {148--154},
	number = {99},
	booktitle = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	publisher = {Modern Language Association of America},
	author = {Rohman, Todd},
	editor = {Schaub, Thomas H.},
	date = {2008},
}

@incollection{schaub_teaching_2008-3,
	location = {New York, {NY}},
	title = {Teaching Gravity's Rainbow: Correlation in Life and Reading},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pages = {155--162},
	number = {99},
	booktitle = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	publisher = {Modern Language Association of America},
	author = {Nadel, Alan},
	editor = {Schaub, Thomas H.},
	date = {2008},
}

@incollection{schaub_pynchon_2008,
	location = {New York, {NY}},
	title = {Pynchon, Kant, Lyotard, and the Sublime},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pages = {163--168},
	number = {99},
	booktitle = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	publisher = {Modern Language Association of America},
	author = {Kolbuszewska, Zofia},
	editor = {Schaub, Thomas H.},
	date = {2008},
}

@collection{schaub_approaches_2008-2,
	location = {New York, {NY}},
	title = {Approaches to teaching Pynchon's "The crying of lot 49" and other works},
	isbn = {978-0-87352-814-6 978-0-87352-813-9},
	series = {Approaches to teaching world literature series},
	pagetotal = {195},
	number = {99},
	publisher = {Modern Language Association of America},
	editor = {Schaub, Thomas H.},
	date = {2008},
}

@incollection{severs_introduction_2011,
	location = {Newark},
	title = {Introduction: “Exceeding the Usual Three Dimensions”: Collective Visions of the Unsuspected},
	isbn = {978-1-61149-065-7 978-1-61149-064-0},
	pages = {1--12},
	booktitle = {Pynchon's Against the Day: A Corrupted Pilgrim's Guide},
	publisher = {University of Delaware Press},
	author = {Leise, Christopher},
	editor = {Severs, Jeffrey and Leise, Christopher},
	date = {2011},
}

@incollection{severs_genre_2011,
	location = {Newark},
	title = {Genre as History: Pynchon’s Genre-Poaching},
	isbn = {978-1-61149-065-7 978-1-61149-064-0},
	pages = {15--28},
	booktitle = {Pynchon's Against the Day: A Corrupted Pilgrim's Guide},
	publisher = {University of Delaware Press},
	author = {{McHale}, Brian},
	editor = {Severs, Jeffrey and Leise, Christopher},
	date = {2011},
}

@incollection{severs_plots_2011,
	location = {Newark},
	title = {Plots, Pilgrimage, and the Politics of Genre in Against the Day},
	isbn = {978-1-61149-065-7 978-1-61149-064-0},
	pages = {29--46},
	booktitle = {Pynchon's Against the Day: A Corrupted Pilgrim's Guide},
	publisher = {University of Delaware Press},
	author = {Elias, Amy J.},
	editor = {Severs, Jeffrey and Leise, Christopher},
	date = {2011},
}

@incollection{severs_mapping_2011,
	location = {Newark},
	title = {Mapping, the Unmappable, and Pynchon’s Antitragic Vision},
	isbn = {978-1-61149-065-7 978-1-61149-064-0},
	pages = {47--66},
	booktitle = {Pynchon's Against the Day: A Corrupted Pilgrim's Guide},
	publisher = {University of Delaware Press},
	author = {Piekarski, Krysztof and Kevorkian, Martin and {McKetta}, Elisabeth},
	editor = {Severs, Jeffrey and Leise, Christopher},
	date = {2011},
}

@incollection{severs_binocular_2011,
	location = {Newark},
	title = {Binocular Disparity and Pynchon’s Panoramic Paradigm},
	isbn = {978-1-61149-065-7 978-1-61149-064-0},
	pages = {67--88},
	booktitle = {Pynchon's Against the Day: A Corrupted Pilgrim's Guide},
	publisher = {University of Delaware Press},
	author = {St. Clair, Justin},
	editor = {Severs, Jeffrey and Leise, Christopher},
	date = {2011},
}

@incollection{severs_bogomilism_2011,
	location = {Newark},
	title = {Bogomilism, Orphism, Shamanism: The Spiritual and Spatial Grounds of Pynchon’s Ecological Ethic},
	isbn = {978-1-61149-065-7 978-1-61149-064-0},
	pages = {91--114},
	booktitle = {Pynchon's Against the Day: A Corrupted Pilgrim's Guide},
	publisher = {University of Delaware Press},
	author = {Coffman, Christopher K.},
	editor = {Severs, Jeffrey and Leise, Christopher},
	date = {2011},
}

@incollection{severs_readers_2011,
	location = {Newark},
	title = {Readers and Trespassers: Time Travel, Orthogonal Time, and Alternative Figurations of Time in Against the Day},
	isbn = {978-1-61149-065-7 978-1-61149-064-0},
	pages = {115--138},
	booktitle = {Pynchon's Against the Day: A Corrupted Pilgrim's Guide},
	publisher = {University of Delaware Press},
	author = {Dalsgaard, Inger H.},
	editor = {Severs, Jeffrey and Leise, Christopher},
	date = {2011},
}

@incollection{severs_narrating_2011,
	location = {Newark},
	title = {Narrating Tesla in Against the Day},
	isbn = {978-1-61149-065-7 978-1-61149-064-0},
	pages = {139--164},
	booktitle = {Pynchon's Against the Day: A Corrupted Pilgrim's Guide},
	publisher = {University of Delaware Press},
	author = {Reilly, Terry},
	editor = {Severs, Jeffrey and Leise, Christopher},
	date = {2011},
}

@incollection{severs_religious_2011,
	location = {Newark},
	title = {The Religious and Political Vision of Against the Day},
	isbn = {978-1-61149-065-7 978-1-61149-064-0},
	pages = {167--190},
	booktitle = {Pynchon's Against the Day: A Corrupted Pilgrim's Guide},
	publisher = {University of Delaware Press},
	author = {Hume, Kathryn},
	editor = {Severs, Jeffrey and Leise, Christopher},
	date = {2011},
}

@incollection{severs_daydreams_2011,
	location = {Newark},
	title = {Daydreams and Dynamite: Anarchist Strategies of Resistance and Paths for Transformation in Against the Day},
	isbn = {978-1-61149-065-7 978-1-61149-064-0},
	pages = {191--214},
	booktitle = {Pynchon's Against the Day: A Corrupted Pilgrim's Guide},
	publisher = {University of Delaware Press},
	author = {Benton, Graham},
	editor = {Severs, Jeffrey and Leise, Christopher},
	date = {2011},
}

@incollection{severs_abstractions_2011,
	location = {Newark},
	title = {“The abstractions she was instructed to embody”: Women, Capitalism, and Artistic Representation in Against the Day},
	isbn = {978-1-61149-065-7 978-1-61149-064-0},
	pages = {215--238},
	booktitle = {Pynchon's Against the Day: A Corrupted Pilgrim's Guide},
	publisher = {University of Delaware Press},
	author = {Severs, Jeffrey},
	editor = {Severs, Jeffrey and Leise, Christopher},
	date = {2011},
}

@incollection{severs_europes_2011,
	location = {Newark},
	title = {Europe’s “Eastern Question” and the United States’ “Western Question”: Representing Ethnic Wars in Against the Day},
	isbn = {978-1-61149-065-7 978-1-61149-064-0},
	pages = {239--264},
	booktitle = {Pynchon's Against the Day: A Corrupted Pilgrim's Guide},
	publisher = {University of Delaware Press},
	author = {Narkunas, J. Paul},
	editor = {Severs, Jeffrey and Leise, Christopher},
	date = {2011},
}

@incollection{siegert_vorwort_2003,
	location = {Weimar},
	title = {Vorwort},
	isbn = {978-3-89739-367-7},
	series = {('Medien) i},
	abstract = {Die Helden aus den Romanen von Thomas Pynchon wollen den Schleier der Maya, die Historie, durchdringen. Doch anders als die Wahrheit der Philosophen gehört es zur Wahrheit, der diese Helden auf der Spur sind, daß es nicht Die Eine Wahrheit gibt, sondern nur eine unabsehbare Zahl von Spuren der Wahrheit. Weil sie nicht an der Macht, sondern an ihrer eigenen Spaltung interessiert sind, führt jede Spur, die ein Stück des Dunkels erhellt, das die Wahrheit umgibt, Pynchons Helden nur in ein neues Dunkel. Die Beiträge, die dieser Band vereinigt, versuchen diesen Spuren in den Romanen von Thomas Pynchon nachzugehen, um damit die Produktivität von Pynchons romanesker Medienarchäologie als Schnittstelle zwischen einer historischen Medienwissenschaft und dem Archiv der Wissenschafts- und Technikgeschichte zu demonstrieren. Diese Produktivität wird freigesetzt, wenn sich die Lektüre des Texts von der universitären Disziplinierung durch die Fiktionalitätsregel befreit und Pynchons Texte tatsächlich als faction, als Schnittstelle zwischen fact und fiction begreift},
	pages = {7--13},
	number = {15},
	booktitle = {Thomas Pynchon: Archiv - Verschwörung - Geschichte},
	publisher = {Verl. und Datenbank für Geisteswissenschaften},
	author = {Siegert, Bernhard and Krajewski, Markus},
	editor = {Siegert, Bernhard and Krajewski, Markus},
	date = {2003},
}

@incollection{siegert_maxwell_2003,
	location = {Weimar},
	title = {Maxwell und Faschoda. Pynchons Enden der Geschichte.},
	isbn = {978-3-89739-367-7},
	series = {('Medien) i},
	abstract = {Die Helden aus den Romanen von Thomas Pynchon wollen den Schleier der Maya, die Historie, durchdringen. Doch anders als die Wahrheit der Philosophen gehört es zur Wahrheit, der diese Helden auf der Spur sind, daß es nicht Die Eine Wahrheit gibt, sondern nur eine unabsehbare Zahl von Spuren der Wahrheit. Weil sie nicht an der Macht, sondern an ihrer eigenen Spaltung interessiert sind, führt jede Spur, die ein Stück des Dunkels erhellt, das die Wahrheit umgibt, Pynchons Helden nur in ein neues Dunkel. Die Beiträge, die dieser Band vereinigt, versuchen diesen Spuren in den Romanen von Thomas Pynchon nachzugehen, um damit die Produktivität von Pynchons romanesker Medienarchäologie als Schnittstelle zwischen einer historischen Medienwissenschaft und dem Archiv der Wissenschafts- und Technikgeschichte zu demonstrieren. Diese Produktivität wird freigesetzt, wenn sich die Lektüre des Texts von der universitären Disziplinierung durch die Fiktionalitätsregel befreit und Pynchons Texte tatsächlich als faction, als Schnittstelle zwischen fact und fiction begreift},
	pages = {15--45},
	number = {15},
	booktitle = {Thomas Pynchon: Archiv - Verschwörung - Geschichte},
	publisher = {Verl. und Datenbank für Geisteswissenschaften},
	author = {Siegert, Bernhard},
	editor = {Siegert, Bernhard and Krajewski, Markus},
	date = {2003},
}

@incollection{siegert_subsysteme_2003,
	location = {Weimar},
	title = {Subsysteme des A4 oder Parabeln der Berliner S-Bahn},
	isbn = {978-3-89739-367-7},
	series = {('Medien) i},
	abstract = {Die Helden aus den Romanen von Thomas Pynchon wollen den Schleier der Maya, die Historie, durchdringen. Doch anders als die Wahrheit der Philosophen gehört es zur Wahrheit, der diese Helden auf der Spur sind, daß es nicht Die Eine Wahrheit gibt, sondern nur eine unabsehbare Zahl von Spuren der Wahrheit. Weil sie nicht an der Macht, sondern an ihrer eigenen Spaltung interessiert sind, führt jede Spur, die ein Stück des Dunkels erhellt, das die Wahrheit umgibt, Pynchons Helden nur in ein neues Dunkel. Die Beiträge, die dieser Band vereinigt, versuchen diesen Spuren in den Romanen von Thomas Pynchon nachzugehen, um damit die Produktivität von Pynchons romanesker Medienarchäologie als Schnittstelle zwischen einer historischen Medienwissenschaft und dem Archiv der Wissenschafts- und Technikgeschichte zu demonstrieren. Diese Produktivität wird freigesetzt, wenn sich die Lektüre des Texts von der universitären Disziplinierung durch die Fiktionalitätsregel befreit und Pynchons Texte tatsächlich als faction, als Schnittstelle zwischen fact und fiction begreift},
	pages = {47--59},
	number = {15},
	booktitle = {Thomas Pynchon: Archiv - Verschwörung - Geschichte},
	publisher = {Verl. und Datenbank für Geisteswissenschaften},
	author = {von Hilgers, Philipp},
	editor = {Siegert, Bernhard and Krajewski, Markus},
	date = {2003},
}

@incollection{siegert_live_2003,
	location = {Weimar},
	title = {Live Schaltung},
	isbn = {978-3-89739-367-7},
	series = {('Medien) i},
	abstract = {Die Helden aus den Romanen von Thomas Pynchon wollen den Schleier der Maya, die Historie, durchdringen. Doch anders als die Wahrheit der Philosophen gehört es zur Wahrheit, der diese Helden auf der Spur sind, daß es nicht Die Eine Wahrheit gibt, sondern nur eine unabsehbare Zahl von Spuren der Wahrheit. Weil sie nicht an der Macht, sondern an ihrer eigenen Spaltung interessiert sind, führt jede Spur, die ein Stück des Dunkels erhellt, das die Wahrheit umgibt, Pynchons Helden nur in ein neues Dunkel. Die Beiträge, die dieser Band vereinigt, versuchen diesen Spuren in den Romanen von Thomas Pynchon nachzugehen, um damit die Produktivität von Pynchons romanesker Medienarchäologie als Schnittstelle zwischen einer historischen Medienwissenschaft und dem Archiv der Wissenschafts- und Technikgeschichte zu demonstrieren. Diese Produktivität wird freigesetzt, wenn sich die Lektüre des Texts von der universitären Disziplinierung durch die Fiktionalitätsregel befreit und Pynchons Texte tatsächlich als faction, als Schnittstelle zwischen fact und fiction begreift},
	pages = {61--71},
	number = {15},
	booktitle = {Thomas Pynchon: Archiv - Verschwörung - Geschichte},
	publisher = {Verl. und Datenbank für Geisteswissenschaften},
	author = {Schiessl, Michael},
	editor = {Siegert, Bernhard and Krajewski, Markus},
	date = {2003},
}

@incollection{siegert_im_2003,
	location = {Weimar},
	title = {Im Schlagschatten des Kartells. Anmerkungen zu Byron der Birne.},
	isbn = {978-3-89739-367-7},
	series = {('Medien) i},
	abstract = {Die Helden aus den Romanen von Thomas Pynchon wollen den Schleier der Maya, die Historie, durchdringen. Doch anders als die Wahrheit der Philosophen gehört es zur Wahrheit, der diese Helden auf der Spur sind, daß es nicht Die Eine Wahrheit gibt, sondern nur eine unabsehbare Zahl von Spuren der Wahrheit. Weil sie nicht an der Macht, sondern an ihrer eigenen Spaltung interessiert sind, führt jede Spur, die ein Stück des Dunkels erhellt, das die Wahrheit umgibt, Pynchons Helden nur in ein neues Dunkel. Die Beiträge, die dieser Band vereinigt, versuchen diesen Spuren in den Romanen von Thomas Pynchon nachzugehen, um damit die Produktivität von Pynchons romanesker Medienarchäologie als Schnittstelle zwischen einer historischen Medienwissenschaft und dem Archiv der Wissenschafts- und Technikgeschichte zu demonstrieren. Diese Produktivität wird freigesetzt, wenn sich die Lektüre des Texts von der universitären Disziplinierung durch die Fiktionalitätsregel befreit und Pynchons Texte tatsächlich als faction, als Schnittstelle zwischen fact und fiction begreift},
	pages = {73--107},
	number = {15},
	booktitle = {Thomas Pynchon: Archiv - Verschwörung - Geschichte},
	publisher = {Verl. und Datenbank für Geisteswissenschaften},
	author = {Krajewski, Markus},
	editor = {Siegert, Bernhard and Krajewski, Markus},
	date = {2003},
}

@incollection{siegert_time_2003,
	location = {Weimar},
	title = {Time Bandits},
	isbn = {978-3-89739-367-7},
	series = {('Medien) i},
	abstract = {Die Helden aus den Romanen von Thomas Pynchon wollen den Schleier der Maya, die Historie, durchdringen. Doch anders als die Wahrheit der Philosophen gehört es zur Wahrheit, der diese Helden auf der Spur sind, daß es nicht Die Eine Wahrheit gibt, sondern nur eine unabsehbare Zahl von Spuren der Wahrheit. Weil sie nicht an der Macht, sondern an ihrer eigenen Spaltung interessiert sind, führt jede Spur, die ein Stück des Dunkels erhellt, das die Wahrheit umgibt, Pynchons Helden nur in ein neues Dunkel. Die Beiträge, die dieser Band vereinigt, versuchen diesen Spuren in den Romanen von Thomas Pynchon nachzugehen, um damit die Produktivität von Pynchons romanesker Medienarchäologie als Schnittstelle zwischen einer historischen Medienwissenschaft und dem Archiv der Wissenschafts- und Technikgeschichte zu demonstrieren. Diese Produktivität wird freigesetzt, wenn sich die Lektüre des Texts von der universitären Disziplinierung durch die Fiktionalitätsregel befreit und Pynchons Texte tatsächlich als faction, als Schnittstelle zwischen fact und fiction begreift},
	pages = {109--121},
	number = {15},
	booktitle = {Thomas Pynchon: Archiv - Verschwörung - Geschichte},
	publisher = {Verl. und Datenbank für Geisteswissenschaften},
	author = {Albers, Philipp},
	editor = {Siegert, Bernhard and Krajewski, Markus},
	date = {2003},
}

@incollection{siegert_pynchon_2003,
	location = {Weimar},
	title = {Pynchon und die Elektromystik},
	isbn = {978-3-89739-367-7},
	series = {('Medien) i},
	abstract = {Die Helden aus den Romanen von Thomas Pynchon wollen den Schleier der Maya, die Historie, durchdringen. Doch anders als die Wahrheit der Philosophen gehört es zur Wahrheit, der diese Helden auf der Spur sind, daß es nicht Die Eine Wahrheit gibt, sondern nur eine unabsehbare Zahl von Spuren der Wahrheit. Weil sie nicht an der Macht, sondern an ihrer eigenen Spaltung interessiert sind, führt jede Spur, die ein Stück des Dunkels erhellt, das die Wahrheit umgibt, Pynchons Helden nur in ein neues Dunkel. Die Beiträge, die dieser Band vereinigt, versuchen diesen Spuren in den Romanen von Thomas Pynchon nachzugehen, um damit die Produktivität von Pynchons romanesker Medienarchäologie als Schnittstelle zwischen einer historischen Medienwissenschaft und dem Archiv der Wissenschafts- und Technikgeschichte zu demonstrieren. Diese Produktivität wird freigesetzt, wenn sich die Lektüre des Texts von der universitären Disziplinierung durch die Fiktionalitätsregel befreit und Pynchons Texte tatsächlich als faction, als Schnittstelle zwischen fact und fiction begreift},
	pages = {123--136},
	number = {15},
	booktitle = {Thomas Pynchon: Archiv - Verschwörung - Geschichte},
	publisher = {Verl. und Datenbank für Geisteswissenschaften},
	author = {Kittler, Friedrich},
	editor = {Siegert, Bernhard and Krajewski, Markus},
	date = {2003},
}

@incollection{simonetti_introduction_2015,
	location = {Newcastle upon Tyne},
	title = {Introduction: Dream Tonight of Thomas Pynchon},
	isbn = {978-1-4438-7767-1},
	pages = {1--10},
	booktitle = {Dream tonight of peacock tails: essays on the 50th anniversary of Thomas Pynchon's v},
	publisher = {Cambridge Scholars Publishing},
	author = {Simonetti, Paolo},
	editor = {Simonetti, Paolo and Rossi, Umberto},
	date = {2015},
}

@incollection{simonetti_monkey_2015,
	location = {Newcastle upon Tyne},
	title = {Monkey Business: The Chapter “Millennium” Removed from an Early Version of V.},
	isbn = {978-1-4438-7767-1},
	pages = {13--30},
	booktitle = {Dream tonight of peacock tails: essays on the 50th anniversary of Thomas Pynchon's v},
	publisher = {Cambridge Scholars Publishing},
	author = {Herman, Luc and Krafft, John M},
	editor = {Simonetti, Paolo and Rossi, Umberto},
	date = {2015},
}

@incollection{simonetti_cherchez_2015,
	location = {Newcastle upon Tyne},
	title = {Cherchez La Femme: The Coercive Paratexts of Thomas Pynchon’s V.},
	isbn = {978-1-4438-7767-1},
	pages = {31--51},
	booktitle = {Dream tonight of peacock tails: essays on the 50th anniversary of Thomas Pynchon's v},
	publisher = {Cambridge Scholars Publishing},
	author = {Andersen, Tore Rye},
	editor = {Simonetti, Paolo and Rossi, Umberto},
	date = {2015},
}

@incollection{simonetti_traveling_2015,
	location = {Newcastle upon Tyne},
	title = {Traveling and Spying into Baedeker’s Land: (Re)living and (Re)telling The Great Game, Political Tourism and Other Victorian Intelligence Activities in Thomas Pynchon’s V.},
	isbn = {978-1-4438-7767-1},
	pages = {53--74},
	booktitle = {Dream tonight of peacock tails: essays on the 50th anniversary of Thomas Pynchon's v},
	publisher = {Cambridge Scholars Publishing},
	author = {Faraone, Mario},
	editor = {Simonetti, Paolo and Rossi, Umberto},
	date = {2015},
}

@incollection{simonetti_re-reading_2015,
	location = {Newcastle upon Tyne},
	title = {Re-Reading V. in the Emergency of the Crisis},
	isbn = {978-1-4438-7767-1},
	pages = {75--93},
	booktitle = {Dream tonight of peacock tails: essays on the 50th anniversary of Thomas Pynchon's v},
	publisher = {Cambridge Scholars Publishing},
	author = {Grgas, Stipe},
	editor = {Simonetti, Paolo and Rossi, Umberto},
	date = {2015},
}

@incollection{simonetti_florence_2015,
	location = {Newcastle upon Tyne},
	title = {Florence, or Pynchon’s Italian Job},
	isbn = {978-1-4438-7767-1},
	pages = {95--116},
	booktitle = {Dream tonight of peacock tails: essays on the 50th anniversary of Thomas Pynchon's v},
	publisher = {Cambridge Scholars Publishing},
	author = {Rossi, Umberto},
	editor = {Simonetti, Paolo and Rossi, Umberto},
	date = {2015},
}

@incollection{simonetti_notitle_2015,
	location = {Newcastle upon Tyne},
	isbn = {978-1-4438-7767-1},
	booktitle = {Dream tonight of peacock tails: essays on the 50th anniversary of Thomas Pynchon's v},
	publisher = {Cambridge Scholars Publishing},
	editor = {Simonetti, Paolo and Rossi, Umberto},
	date = {2015},
}

@incollection{simonetti_paris_2015,
	location = {Newcastle upon Tyne},
	title = {“Paris for Love”?},
	isbn = {978-1-4438-7767-1},
	pages = {117--130},
	booktitle = {Dream tonight of peacock tails: essays on the 50th anniversary of Thomas Pynchon's v},
	publisher = {Cambridge Scholars Publishing},
	author = {Lévy, Clément},
	editor = {Simonetti, Paolo and Rossi, Umberto},
	date = {2015},
}

@incollection{simonetti_katabasis_2015,
	location = {Newcastle upon Tyne},
	title = {Katabasis, Orpheus, and Alligators: V.’s Various Underworlds},
	isbn = {978-1-4438-7767-1},
	pages = {131--152},
	booktitle = {Dream tonight of peacock tails: essays on the 50th anniversary of Thomas Pynchon's v},
	publisher = {Cambridge Scholars Publishing},
	author = {Backman, Jennifer},
	editor = {Simonetti, Paolo and Rossi, Umberto},
	date = {2015},
}

@incollection{simonetti_he_2015,
	location = {Newcastle upon Tyne},
	title = {“He Could Go to Malta and Possibly End It”: Malta as “Prime Location” in The Epilogue of V.},
	isbn = {978-1-4438-7767-1},
	pages = {153--172},
	booktitle = {Dream tonight of peacock tails: essays on the 50th anniversary of Thomas Pynchon's v},
	publisher = {Cambridge Scholars Publishing},
	author = {Simonetti, Paolo},
	editor = {Simonetti, Paolo and Rossi, Umberto},
	date = {2015},
}

@incollection{simonetti_v_2015,
	location = {Newcastle upon Tyne},
	title = {V.: A Bibliography},
	isbn = {978-1-4438-7767-1},
	pages = {173--198},
	booktitle = {Dream tonight of peacock tails: essays on the 50th anniversary of Thomas Pynchon's v},
	publisher = {Cambridge Scholars Publishing},
	author = {Faraone, Mario},
	editor = {Simonetti, Paolo and Rossi, Umberto},
	date = {2015},
}

@collection{copestake_american_2003-2,
	location = {Oxford ; New York},
	title = {American postmodernity: essays on the recent fiction of Thomas Pynchon},
	isbn = {978-0-8204-6286-8 978-3-03910-017-0},
	shorttitle = {American postmodernity},
	pagetotal = {223},
	publisher = {P. Lang},
	editor = {Copestake, Ian D.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Postmodernism (Literature), United States},
}

@incollection{mendelson_introduction_1978,
	location = {Englewood Cliffs, N.J},
	title = {Introduction},
	isbn = {978-0-13-744714-5 978-0-13-744706-0},
	series = {Twentieth century views},
	pages = {1--15},
	number = {134},
	booktitle = {Pynchon: a collection of critical essays},
	publisher = {Prentice-Hall},
	author = {Mendelson, Edward},
	editor = {Mendelson, Edward},
	date = {1978},
}

@incollection{mendelson_v_1978,
	location = {Englewood Cliffs, N.J},
	title = {V. and V-2},
	isbn = {978-0-13-744714-5 978-0-13-744706-0},
	series = {Twentieth century views},
	pages = {16--55},
	number = {134},
	booktitle = {Pynchon: a collection of critical essays},
	publisher = {Prentice-Hall},
	author = {Tanner, Tony},
	editor = {Mendelson, Edward},
	date = {1978},
}

@incollection{mendelson_matter_1978,
	location = {Englewood Cliffs, N.J},
	title = {A Matter of Gravity},
	isbn = {978-0-13-744714-5 978-0-13-744706-0},
	series = {Twentieth century views},
	pages = {56--68},
	number = {134},
	booktitle = {Pynchon: a collection of critical essays},
	publisher = {Prentice-Hall},
	author = {Schwarzbach, F. S. and Rosenbaum, Jonathan},
	editor = {Mendelson, Edward},
	date = {1978},
}

@incollection{mendelson_entropy_1978,
	location = {Englewood Cliffs, N.J},
	title = {"Entropy" and Other Calamities},
	isbn = {978-0-13-744714-5 978-0-13-744706-0},
	series = {Twentieth century views},
	pages = {69--86},
	number = {134},
	booktitle = {Pynchon: a collection of critical essays},
	publisher = {Prentice-Hall},
	author = {Slade, Joseph W.},
	editor = {Mendelson, Edward},
	date = {1978},
}

@incollection{mendelson_anarchist_1978,
	location = {Englewood Cliffs, N.J},
	title = {An Anarchist Miracle: The Novels of Thomas Pynchon},
	isbn = {978-0-13-744714-5 978-0-13-744706-0},
	series = {Twentieth century views},
	pages = {87--96},
	number = {134},
	booktitle = {Pynchon: a collection of critical essays},
	publisher = {Prentice-Hall},
	author = {Sklar, Robert},
	editor = {Mendelson, Edward},
	date = {1978},
}

@incollection{mendelson_pynchons_1978,
	location = {Englewood Cliffs, N.J},
	title = {Pynchon's Tapestries on the Western Wall},
	isbn = {978-0-13-744714-5 978-0-13-744706-0},
	series = {Twentieth century views},
	pages = {97--111},
	number = {134},
	booktitle = {Pynchon: a collection of critical essays},
	publisher = {Prentice-Hall},
	author = {Henkle, Roger B.},
	editor = {Mendelson, Edward},
	date = {1978},
}

@incollection{mendelson_sacred_1978,
	location = {Englewood Cliffs, N.J},
	title = {The Sacred, the Profane, and The Crying of Lot 49},
	isbn = {978-0-13-744714-5 978-0-13-744706-0},
	series = {Twentieth century views},
	pages = {112--146},
	number = {134},
	booktitle = {Pynchon: a collection of critical essays},
	publisher = {Prentice-Hall},
	author = {Mendelson, Edward},
	editor = {Mendelson, Edward},
	date = {1978},
}

@incollection{mendelson_pynchons_1978-1,
	location = {Englewood Cliffs, N.J},
	title = {Pynchon's Paraclete},
	isbn = {978-0-13-744714-5 978-0-13-744706-0},
	series = {Twentieth century views},
	pages = {147--161},
	number = {134},
	booktitle = {Pynchon: a collection of critical essays},
	publisher = {Prentice-Hall},
	author = {Nohrnberg, James},
	editor = {Mendelson, Edward},
	date = {1978},
}

@incollection{mendelson_decoding_1978,
	location = {Englewood Cliffs, N.J},
	title = {Decoding the Trystero},
	isbn = {978-0-13-744714-5 978-0-13-744706-0},
	series = {Twentieth century views},
	pages = {162--166},
	number = {134},
	booktitle = {Pynchon: a collection of critical essays},
	publisher = {Prentice-Hall},
	author = {Kermode, Frank},
	editor = {Mendelson, Edward},
	date = {1978},
}

@incollection{mendelson_gravitys_1978,
	location = {Englewood Cliffs, N.J},
	title = {Gravity's Rainbow: Three Reviews},
	isbn = {978-0-13-744714-5 978-0-13-744706-0},
	series = {Twentieth century views},
	pages = {167--192},
	number = {134},
	booktitle = {Pynchon: a collection of critical essays},
	publisher = {Prentice-Hall},
	author = {Poirier, Richard and Seidel, Michael and Fussell, Paul},
	editor = {Mendelson, Edward},
	date = {1978},
}

@incollection{mendelson_satiric_1978,
	location = {Englewood Cliffs, N.J},
	title = {The Satiric Plots of Gravity's Rainbow},
	isbn = {978-0-13-744714-5 978-0-13-744706-0},
	series = {Twentieth century views},
	pages = {193--212},
	number = {134},
	booktitle = {Pynchon: a collection of critical essays},
	publisher = {Prentice-Hall},
	author = {Seidel, Michael},
	editor = {Mendelson, Edward},
	date = {1978},
}

@incollection{mendelson_brigadier_1978,
	location = {Englewood Cliffs, N.J},
	title = {The Brigadier Remembers},
	isbn = {978-0-13-744714-5 978-0-13-744706-0},
	series = {Twentieth century views},
	pages = {213--219},
	number = {134},
	booktitle = {Pynchon: a collection of critical essays},
	publisher = {Prentice-Hall},
	author = {Fussell, Paul},
	editor = {Mendelson, Edward},
	date = {1978},
}

@incollection{bloom_introduction_1986-1,
	location = {New York},
	title = {Introduction},
	isbn = {978-0-87754-715-0},
	series = {Modern critical views},
	abstract = {A collection of critical essays on Pynchon and his works. Also includes a chronology of events in the author's life},
	pages = {1--9},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Bloom, Harold},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Criticism and interpretation, Pynchon, Thomas, American literature},
}

@incollection{bloom_use_1986,
	location = {New York},
	title = {The Use of Codes in The Crying of Lot 49},
	isbn = {978-0-87754-715-0},
	series = {Modern critical views},
	abstract = {A collection of critical essays on Pynchon and his works. Also includes a chronology of events in the author's life},
	pages = {11--14},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Kermode, Frank},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Criticism and interpretation, Pynchon, Thomas, American literature},
}

@incollection{bloom_pynchons_1986,
	location = {New York},
	title = {Pynchon's Gravity},
	isbn = {978-0-87754-715-0},
	series = {Modern critical views},
	abstract = {A collection of critical essays on Pynchon and his works. Also includes a chronology of events in the author's life},
	pages = {15--21},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Mendelson, Edward},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Criticism and interpretation, Pynchon, Thomas, American literature},
}

@incollection{bloom_gravitys_1986-2,
	location = {New York},
	title = {Gravity's Rainbow: Science as Metaphor},
	isbn = {978-0-87754-715-0},
	series = {Modern critical views},
	abstract = {A collection of critical essays on Pynchon and his works. Also includes a chronology of events in the author's life},
	pages = {23--35},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Friedman, Alan J. and Puetz, Manfred},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Criticism and interpretation, Pynchon, Thomas, American literature},
}

@incollection{bloom_what_1986,
	location = {New York},
	title = {What is Thomas Pynchon Telling Us?},
	isbn = {978-0-87754-715-0},
	series = {Modern critical views},
	abstract = {A collection of critical essays on Pynchon and his works. Also includes a chronology of events in the author's life},
	pages = {37--46},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Hendin, Josephine},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Criticism and interpretation, Pynchon, Thomas, American literature},
}

@incollection{bloom_importance_1986,
	location = {New York},
	title = {The Importance of Thomas Pynchon},
	isbn = {978-0-87754-715-0},
	series = {Modern critical views},
	abstract = {A collection of critical essays on Pynchon and his works. Also includes a chronology of events in the author's life},
	pages = {47--58},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Poirier, Richard},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Criticism and interpretation, Pynchon, Thomas, American literature},
}

@incollection{bloom_risking_1986,
	location = {New York},
	title = {Risking the Moment},
	isbn = {978-0-87754-715-0},
	series = {Modern critical views},
	abstract = {A collection of critical essays on Pynchon and his works. Also includes a chronology of events in the author's life},
	pages = {59--77},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Levine, George},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Criticism and interpretation, Pynchon, Thomas, American literature},
}

@incollection{bloom_pre-apocalyptic_1986,
	location = {New York},
	title = {Pre-Apocalyptic Atavism: Thomas Pynchon's Early Fiction},
	isbn = {978-0-87754-715-0},
	series = {Modern critical views},
	abstract = {A collection of critical essays on Pynchon and his works. Also includes a chronology of events in the author's life},
	pages = {79--91},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Stimpson, Catharine R.},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Criticism and interpretation, Pynchon, Thomas, American literature},
}

@incollection{bloom_profaned_1986,
	location = {New York},
	title = {Profaned and Stenciled Texts: In Search of Pynchon's V.},
	isbn = {978-0-87754-715-0},
	series = {Modern critical views},
	abstract = {A collection of critical essays on Pynchon and his works. Also includes a chronology of events in the author's life},
	pages = {93--109},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {New, Melvyn},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Criticism and interpretation, Pynchon, Thomas, American literature},
}

@incollection{bloom_thomas_1986-5,
	location = {New York},
	title = {Thomas Pynchon and the Language of Allegory},
	isbn = {978-0-87754-715-0},
	series = {Modern critical views},
	abstract = {A collection of critical essays on Pynchon and his works. Also includes a chronology of events in the author's life},
	pages = {111--137},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Quilligan, Maureen},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Criticism and interpretation, Pynchon, Thomas, American literature},
}

@incollection{bloom_new_1986,
	location = {New York},
	title = {The New Jeremiad: Gravity's Rainbow},
	isbn = {978-0-87754-715-0},
	series = {Modern critical views},
	abstract = {A collection of critical essays on Pynchon and his works. Also includes a chronology of events in the author's life},
	pages = {139--155},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Smith, Marcus and Tololyan, Khachig},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Criticism and interpretation, Pynchon, Thomas, American literature},
}

@incollection{bloom_order_1986,
	location = {New York},
	title = {Order in Thomas Pynchon's "Entropy"},
	isbn = {978-0-87754-715-0},
	series = {Modern critical views},
	abstract = {A collection of critical essays on Pynchon and his works. Also includes a chronology of events in the author's life},
	pages = {157--174},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Seed, David},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Criticism and interpretation, Pynchon, Thomas, American literature},
}

@incollection{bloom_crying_1986,
	location = {New York},
	title = {The Crying of Lot 49},
	isbn = {978-0-87754-715-0},
	series = {Modern critical views},
	abstract = {A collection of critical essays on Pynchon and his works. Also includes a chronology of events in the author's life},
	pages = {175--189},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Tanner, Tony},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Criticism and interpretation, Pynchon, Thomas, American literature},
}

@incollection{bloom_recognizing_1986-1,
	location = {New York},
	title = {Recognizing Reality, Realizing Responsibility},
	isbn = {978-0-87754-715-0},
	series = {Modern critical views},
	abstract = {A collection of critical essays on Pynchon and his works. Also includes a chronology of events in the author's life},
	pages = {191--202},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Werner, Craig Hansen},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Criticism and interpretation, Pynchon, Thomas, American literature},
}

@incollection{bloom_merrill_1986,
	location = {New York},
	title = {Merrill and Pynchon: Our Apocalyptic Scribes},
	isbn = {978-0-87754-715-0},
	series = {Modern critical views},
	abstract = {A collection of critical essays on Pynchon and his works. Also includes a chronology of events in the author's life},
	pages = {203--215},
	booktitle = {Thomas Pynchon},
	publisher = {Chelsea House Publishers},
	author = {Berger, Charles},
	editor = {Bloom, Harold},
	date = {1986},
	keywords = {History and criticism, Criticism and interpretation, Pynchon, Thomas, American literature},
}

@incollection{clerc_introduction_1983,
	location = {Columbus},
	title = {Introduction},
	isbn = {978-0-8142-0337-8},
	pages = {3--30},
	booktitle = {Approaches to Gravity's Rainbow},
	publisher = {Ohio State University Press},
	author = {Clerc, Charles},
	editor = {Clerc, Charles},
	date = {1983},
	keywords = {Pynchon, Thomas, Gravity's rainbow},
}

@incollection{clerc_war_1983,
	location = {Columbus},
	title = {War as Background in Gravity's Rainbow},
	isbn = {978-0-8142-0337-8},
	pages = {31--67},
	booktitle = {Approaches to Gravity's Rainbow},
	publisher = {Ohio State University Press},
	author = {Tololyan, Khachig},
	editor = {Clerc, Charles},
	date = {1983},
	keywords = {Pynchon, Thomas, Gravity's rainbow},
}

@incollection{clerc_science_1983,
	location = {Columbus},
	title = {Science and Technology},
	isbn = {978-0-8142-0337-8},
	pages = {69--102},
	booktitle = {Approaches to Gravity's Rainbow},
	publisher = {Ohio State University Press},
	author = {Friedman, Alan J.},
	editor = {Clerc, Charles},
	date = {1983},
	keywords = {Pynchon, Thomas, Gravity's rainbow},
}

@incollection{clerc_film_1983,
	location = {Columbus},
	title = {Film in Gravity's Rainbow},
	isbn = {978-0-8142-0337-8},
	pages = {103--151},
	booktitle = {Approaches to Gravity's Rainbow},
	publisher = {Ohio State University Press},
	author = {Clerc, Charles},
	editor = {Clerc, Charles},
	date = {1983},
	keywords = {Pynchon, Thomas, Gravity's rainbow},
}

@incollection{clerc_religion_1983,
	location = {Columbus},
	title = {Religion, Psychology, Sex, and Love in Gravity's Rainbow},
	isbn = {978-0-8142-0337-8},
	pages = {153--198},
	booktitle = {Approaches to Gravity's Rainbow},
	publisher = {Ohio State University Press},
	author = {Slade, Joseph W.},
	editor = {Clerc, Charles},
	date = {1983},
	keywords = {Pynchon, Thomas, Gravity's rainbow},
}

@incollection{clerc_new_1983,
	location = {Columbus},
	title = {The New Consciousness and the Old System},
	isbn = {978-0-8142-0337-8},
	pages = {199--228},
	booktitle = {Approaches to Gravity's Rainbow},
	publisher = {Ohio State University Press},
	author = {Olderman, Raymond M.},
	editor = {Clerc, Charles},
	date = {1983},
	keywords = {Pynchon, Thomas, Gravity's rainbow},
}

@incollection{clerc_freedom_1983,
	location = {Columbus},
	title = {Freedom and Knowledge in the Zone},
	isbn = {978-0-8142-0337-8},
	pages = {229--250},
	booktitle = {Approaches to Gravity's Rainbow},
	publisher = {Ohio State University Press},
	author = {Earl, James W.},
	editor = {Clerc, Charles},
	date = {1983},
	keywords = {Pynchon, Thomas, Gravity's rainbow},
}

@incollection{clerc_pynchons_1983,
	location = {Columbus},
	title = {Pynchon's Language: Signs, Systems, and Subversion},
	isbn = {978-0-8142-0337-8},
	pages = {251--272},
	booktitle = {Approaches to Gravity's Rainbow},
	publisher = {Ohio State University Press},
	author = {Russell, Charles},
	editor = {Clerc, Charles},
	date = {1983},
	keywords = {Pynchon, Thomas, Gravity's rainbow},
}

@incollection{clerc_morning_1983,
	location = {Columbus},
	title = {The Morning and the Evening Funnies: Comedy in Gravity's Rainbow},
	isbn = {978-0-8142-0337-8},
	pages = {273--290},
	booktitle = {Approaches to Gravity's Rainbow},
	publisher = {Ohio State University Press},
	author = {Henkle, Roger B.},
	editor = {Clerc, Charles},
	date = {1983},
	keywords = {Pynchon, Thomas, Gravity's rainbow},
}

@incollection{copestake_postmodern_2003,
	location = {Oxford ; New York},
	title = {Postmodern Reflections: The Image of an Absent Author},
	isbn = {978-0-8204-6286-8 978-3-03910-017-0},
	pages = {7--13},
	booktitle = {American postmodernity: essays on the recent fiction of Thomas Pynchon},
	publisher = {P. Lang},
	author = {Copestake, Ian D.},
	editor = {Copestake, Ian D.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Postmodernism (Literature), United States},
}

@incollection{copestake_media_2003,
	location = {Oxford ; New York},
	title = {Media Systems in The Crying of Lot 49},
	isbn = {978-0-8204-6286-8 978-3-03910-017-0},
	pages = {15--33},
	booktitle = {American postmodernity: essays on the recent fiction of Thomas Pynchon},
	publisher = {P. Lang},
	author = {Seed, David},
	editor = {Copestake, Ian D.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Postmodernism (Literature), United States},
}

@incollection{copestake_pynchons_2003,
	location = {Oxford ; New York},
	title = {Pynchon's Vineland and "That Fundamental Agreement in What is Good and Proper": What Happens when we Need to Change it?},
	isbn = {978-0-8204-6286-8 978-3-03910-017-0},
	pages = {35--47},
	booktitle = {American postmodernity: essays on the recent fiction of Thomas Pynchon},
	publisher = {P. Lang},
	author = {Dickson, David},
	editor = {Copestake, Ian D.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Postmodernism (Literature), United States},
}

@incollection{copestake_which_2003,
	location = {Oxford ; New York},
	title = {In which "Acts Have Consequences": Ideas of Moral Order in the Qualified Postmodernism of Pynchon's Recent Fiction},
	isbn = {978-0-8204-6286-8 978-3-03910-017-0},
	pages = {49--70},
	booktitle = {American postmodernity: essays on the recent fiction of Thomas Pynchon},
	publisher = {P. Lang},
	author = {Thoreen, David},
	editor = {Copestake, Ian D.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Postmodernism (Literature), United States},
}

@incollection{copestake_notitle_2003,
	location = {Oxford ; New York},
	isbn = {978-0-8204-6286-8 978-3-03910-017-0},
	booktitle = {American postmodernity: essays on the recent fiction of Thomas Pynchon},
	publisher = {P. Lang},
	editor = {Copestake, Ian D.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Postmodernism (Literature), United States},
}

@incollection{copestake_mason_2003,
	location = {Oxford ; New York},
	title = {Mason \& Dixon, Historiographic Metafiction and the Unstable Reconciliation of Opposites},
	isbn = {978-0-8204-6286-8 978-3-03910-017-0},
	pages = {71--81},
	booktitle = {American postmodernity: essays on the recent fiction of Thomas Pynchon},
	publisher = {P. Lang},
	author = {Collado Rodríguez, Francisco Collado},
	editor = {Copestake, Ian D.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Postmodernism (Literature), United States},
}

@incollection{copestake_delineations_2003,
	location = {Oxford ; New York},
	title = {Delineations of Madness and Science: Mason \& Dixon, Pynchonian Space and the Snovian Disjunction},
	isbn = {978-0-8204-6286-8 978-3-03910-017-0},
	pages = {83--127},
	booktitle = {American postmodernity: essays on the recent fiction of Thomas Pynchon},
	publisher = {P. Lang},
	author = {Millard, William D.},
	editor = {Copestake, Ian D.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Postmodernism (Literature), United States},
}

@incollection{copestake_realm_2003,
	location = {Oxford ; New York},
	title = {"The Realm of Velocity and Spleen": Reading Hybrid Life in Mason \& Dixon},
	isbn = {978-0-8204-6286-8 978-3-03910-017-0},
	pages = {129--146},
	booktitle = {American postmodernity: essays on the recent fiction of Thomas Pynchon},
	publisher = {P. Lang},
	author = {Saar, Martin and Skirke, Christian},
	editor = {Copestake, Ian D.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Postmodernism (Literature), United States},
}

@incollection{copestake_surverying_2003,
	location = {Oxford ; New York},
	title = {Surverying the Punch Line: Jokes and their Relation to the American Racial Unconscious/Conscience in Mason \& Dixon and the Liner Notes to Spiked!},
	isbn = {978-0-8204-6286-8 978-3-03910-017-0},
	pages = {147--171},
	booktitle = {American postmodernity: essays on the recent fiction of Thomas Pynchon},
	publisher = {P. Lang},
	author = {Heon, John},
	editor = {Copestake, Ian D.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Postmodernism (Literature), United States},
}

@incollection{copestake_surveying_2003,
	location = {Oxford ; New York},
	title = {Surveying, Mapmaking and Representation in Mason \& Dixon},
	isbn = {978-0-8204-6286-8 978-3-03910-017-0},
	pages = {173--191},
	booktitle = {American postmodernity: essays on the recent fiction of Thomas Pynchon},
	publisher = {P. Lang},
	author = {{McLaughlin}, Robert L.},
	editor = {Copestake, Ian D.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Postmodernism (Literature), United States},
}

@incollection{copestake_notitle_2003-1,
	location = {Oxford ; New York},
	isbn = {978-0-8204-6286-8 978-3-03910-017-0},
	booktitle = {American postmodernity: essays on the recent fiction of Thomas Pynchon},
	publisher = {P. Lang},
	editor = {Copestake, Ian D.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Postmodernism (Literature), United States},
}

@incollection{copestake_off_2003,
	location = {Oxford ; New York},
	title = {"Off the Deep End Again": Sea-Consciousness and Insanity in The Crying of Lot 49 and Mason \& Dixon},
	isbn = {978-0-8204-6286-8 978-3-03910-017-0},
	pages = {193--215},
	booktitle = {American postmodernity: essays on the recent fiction of Thomas Pynchon},
	publisher = {P. Lang},
	author = {Copestake, Ian D.},
	editor = {Copestake, Ian D.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Postmodernism (Literature), United States},
}

@incollection{kolbuszewska_introduction_2012,
	location = {Lublin},
	title = {Introduction},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pages = {17--25},
	number = {Volume 8},
	booktitle = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	publisher = {Wydawnictwo {KUL}},
	author = {Kolbuszewska, Zofia},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@incollection{kolbuszewska_time_2012,
	location = {Lublin},
	title = {Time Travelling with Pynchon in 2010: Reaching Seven from V. to {IV}—Pynchon's Occult Progress"},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pages = {353--361},
	number = {Volume 8},
	booktitle = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	publisher = {Wydawnictwo {KUL}},
	author = {Lannark, Douglas},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@incollection{kolbuszewska_arpanet_2012,
	location = {Lublin},
	title = {The {ARPAnet} Trip: The Network from Gravity's Rainbow to Inherent Vice},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pages = {29--38},
	number = {Volume 8},
	booktitle = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	publisher = {Wydawnictwo {KUL}},
	author = {van Evijk, Petrus},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@incollection{kolbuszewska_it_2012,
	location = {Lublin},
	title = {"It sure's hell looked like war": Terrorism and the Cold War in Thomas Pynchon's Against the Day and Don {DeLillo}'s Underworld},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pages = {39--53},
	number = {Volume 8},
	booktitle = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	publisher = {Wydawnictwo {KUL}},
	author = {Eve, Martin Paul},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@incollection{kolbuszewska_pynchon_2012,
	location = {Lublin},
	title = {Pynchon, Leone, and Dynamite},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pages = {54--68},
	number = {Volume 8},
	booktitle = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	publisher = {Wydawnictwo {KUL}},
	author = {Chamerois, Gilles},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@incollection{kolbuszewska_unavoidable_2012,
	location = {Lublin},
	title = {The Unavoidable Flaws in Hippiedom and Fascim in Thomas Pynchon's Inherent Vice},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pages = {69--86},
	number = {Volume 8},
	booktitle = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	publisher = {Wydawnictwo {KUL}},
	author = {Wallhead, Celia},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@incollection{kolbuszewska_roads_2012,
	location = {Lublin},
	title = {Roads Not Taken: Historical Crossroads and Ideology in Against the Day},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pages = {89--98},
	number = {Volume 8},
	booktitle = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	publisher = {Wydawnictwo {KUL}},
	author = {Heinrich, Maximilian},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@incollection{kolbuszewska_this_2012,
	location = {Lublin},
	title = {"This little parenthesis of light, might close after all": Organizational Devices and the End of the Era in Thomas Pynchon's Inherent Vice},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pages = {99--113},
	number = {Volume 8},
	booktitle = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	publisher = {Wydawnictwo {KUL}},
	author = {del Pont, Xavier Marcó},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@incollection{kolbuszewska_lsd_2012,
	location = {Lublin},
	title = {{LSD}, Leary and the Political Role of Fantasy in Thomas Pynchon's The Crying of Lot 49 and Against the Day},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pages = {114--133},
	number = {Volume 8},
	booktitle = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	publisher = {Wydawnictwo {KUL}},
	author = {Freer, Joanna},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@incollection{kolbuszewska_love_2012,
	location = {Lublin},
	title = {"Love and Illumination": Ernst Bloch's "On the Original History of the Third Reich" and Pynchon's Imagined Europe},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pages = {137--151},
	number = {Volume 8},
	booktitle = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	publisher = {Wydawnictwo {KUL}},
	author = {Moss, Richard},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@incollection{kolbuszewska_you_2012,
	location = {Lublin},
	title = {"You can't always blame zombies for their condition": Utopian Escapes in Thomas Pynchon's Inherent Vice},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pages = {152--161},
	number = {Volume 8},
	booktitle = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	publisher = {Wydawnictwo {KUL}},
	author = {Holdstock, Nick},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@incollection{kolbuszewska_pynchons_2012,
	location = {Lublin},
	title = {Pynchon's Wild Eest: The American Myth in Against the Day and Other Works},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pages = {162--173},
	number = {Volume 8},
	booktitle = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	publisher = {Wydawnictwo {KUL}},
	author = {Sherwood, Jesse E.},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@incollection{kolbuszewska_moving_2012,
	location = {Lublin},
	title = {Moving Images: Light-capturing Technologies, Reality, and the Individual in Thomas Pynchon's Twentieth Century},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pages = {177--193},
	number = {Volume 8},
	booktitle = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	publisher = {Wydawnictwo {KUL}},
	author = {Maragos, Georgios},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@incollection{kolbuszewska_aether_2012,
	location = {Lublin},
	title = {The Æther in Against the Day},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pages = {194--211},
	number = {Volume 8},
	booktitle = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	publisher = {Wydawnictwo {KUL}},
	author = {De Bourcier, Simon},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@incollection{kolbuszewska_mathematics_2012,
	location = {Lublin},
	title = {Mathematics, Reality and Fiction in Pynchon's Against the Day},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pages = {212--231},
	number = {Volume 8},
	booktitle = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	publisher = {Wydawnictwo {KUL}},
	author = {Engelhardt, Nina},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@incollection{kolbuszewska_locating_2012,
	location = {Lublin},
	title = {Locating Pynchon in the Literary Field: A Critique of Reviews of Against the Day},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pages = {235--250},
	number = {Volume 8},
	booktitle = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	publisher = {Wydawnictwo {KUL}},
	author = {Cissell, Matthew},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@incollection{kolbuszewska_pynchons_2012-1,
	location = {Lublin},
	title = {Pynchon's Games},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pages = {251--275},
	number = {Volume 8},
	booktitle = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	publisher = {Wydawnictwo {KUL}},
	author = {Pöhlmann, Sascha},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@incollection{kolbuszewska_performing_2012,
	location = {Lublin},
	title = {Performing Pynchon},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pages = {276--284},
	number = {Volume 8},
	booktitle = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	publisher = {Wydawnictwo {KUL}},
	author = {Thompson, Gary},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@incollection{kolbuszewska_mysterys_2012,
	location = {Lublin},
	title = {A Mystery's Redemption: Thomas Pynchon and the "Inherent Vice" of Detective Fiction},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pages = {287--296},
	number = {Volume 8},
	booktitle = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	publisher = {Wydawnictwo {KUL}},
	author = {Simonetti, Paolo},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@incollection{kolbuszewska_varied_2012,
	location = {Lublin},
	title = {Varied Modes of Detection: A Forensix Investigation into Thomas Pynchon's Crying of Lot 49 and Inherent Vice},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pages = {297--305},
	number = {Volume 8},
	booktitle = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	publisher = {Wydawnictwo {KUL}},
	author = {Misztal, Arkadiusz},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@incollection{kolbuszewska_pynchon_2012-1,
	location = {Lublin},
	title = {Pynchon and Race: V. Reconsidered},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pages = {309--321},
	number = {Volume 8},
	booktitle = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	publisher = {Wydawnictwo {KUL}},
	author = {Harris, Michael},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@incollection{kolbuszewska_paper_2012,
	location = {Lublin},
	title = {"[P]aper secrets rained back into slurry"—Pynchon and Invisibility" The Case of Hans Kammler},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pages = {322--333},
	number = {Volume 8},
	booktitle = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	publisher = {Wydawnictwo {KUL}},
	author = {Reilly, Terry},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@jurisdiction{kolbuszewska_thomas_2012-2,
	title = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	editora = {Kolbuszewska, Zofia},
	editoratype = {collaborator},
	date = {2012},
}

@incollection{kolbuszewska_character_2012,
	location = {Lublin},
	title = {The Character of Preterition: An Apology for Pointsman},
	isbn = {978-83-7702-610-6},
	series = {Studies in literature and culture},
	pages = {334--349},
	number = {Volume 8},
	booktitle = {Thomas Pynchon \& the (de)vices of global (post)modernity},
	publisher = {Wydawnictwo {KUL}},
	author = {Letzler, David},
	editor = {Kolbuszewska, Zofia},
	date = {2012},
}

@incollection{pioro_thomas_2018-2,
	location = {Warszawa},
	edition = {Wydanie 1},
	title = {Thomas Pynchon: między proroctwem a apokalipsą},
	isbn = {978-83-235-3524-9},
	series = {Mistrzowie Literatury Amerykańskiej},
	pages = {7--15},
	booktitle = {Thomas Pynchon},
	publisher = {Wydawnictwa Uniwersytetu Warszawskiego},
	author = {Pióro, Tadeusz},
	editor = {Pióro, Tadeusz and Paryż, Marek},
	date = {2018},
	keywords = {Pynchon, Thomas, 1901-2000, 1945-1989, 1989-2000, 2001-, Literatura amerykańska, Literaturoznawstwo, Praca zbiorowa, Proza},
}

@incollection{pioro_obsesja_2018,
	location = {Warszawa},
	edition = {Wydanie 1},
	title = {Obsesja sprawczości i siła niezamierzonego oporu},
	isbn = {978-83-235-3524-9},
	series = {Mistrzowie Literatury Amerykańskiej},
	pages = {17--35},
	booktitle = {Thomas Pynchon},
	publisher = {Wydawnictwa Uniwersytetu Warszawskiego},
	author = {Paryż, Marek},
	editor = {Pióro, Tadeusz and Paryż, Marek},
	date = {2018},
	keywords = {Pynchon, Thomas, 1901-2000, 1945-1989, 1989-2000, 2001-, Literatura amerykańska, Literaturoznawstwo, Praca zbiorowa, Proza},
}

@incollection{pioro_witaj_2018,
	location = {Warszawa},
	edition = {Wydanie 1},
	title = {„Witaj, nowino sprzeciw budząca”},
	isbn = {978-83-235-3524-9},
	series = {Mistrzowie Literatury Amerykańskiej},
	pages = {37--60},
	booktitle = {Thomas Pynchon},
	publisher = {Wydawnictwa Uniwersytetu Warszawskiego},
	author = {Dolińska, Jagoda},
	editor = {Pióro, Tadeusz and Paryż, Marek},
	date = {2018},
	keywords = {Pynchon, Thomas, 1901-2000, 1945-1989, 1989-2000, 2001-, Literatura amerykańska, Literaturoznawstwo, Praca zbiorowa, Proza},
}

@incollection{pioro_thomasa_2018,
	location = {Warszawa},
	edition = {Wydanie 1},
	title = {Thomasa Pynchona Scienza Nuova},
	isbn = {978-83-235-3524-9},
	series = {Mistrzowie Literatury Amerykańskiej},
	pages = {61--83},
	booktitle = {Thomas Pynchon},
	publisher = {Wydawnictwa Uniwersytetu Warszawskiego},
	author = {Balbierz, Jan},
	editor = {Pióro, Tadeusz and Paryż, Marek},
	date = {2018},
	keywords = {Pynchon, Thomas, 1901-2000, 1945-1989, 1989-2000, 2001-, Literatura amerykańska, Literaturoznawstwo, Praca zbiorowa, Proza},
}

@incollection{pioro_rakieta_2018,
	location = {Warszawa},
	edition = {Wydanie 1},
	title = {Rakieta, kamera, akcja: film i delta t w Tęczy grawitacji},
	isbn = {978-83-235-3524-9},
	series = {Mistrzowie Literatury Amerykańskiej},
	pages = {85--99},
	booktitle = {Thomas Pynchon},
	publisher = {Wydawnictwa Uniwersytetu Warszawskiego},
	author = {Misztal, Arkadiusz},
	editor = {Pióro, Tadeusz and Paryż, Marek},
	date = {2018},
	keywords = {Pynchon, Thomas, 1901-2000, 1945-1989, 1989-2000, 2001-, Literatura amerykańska, Literaturoznawstwo, Praca zbiorowa, Proza},
}

@incollection{pioro_rip_2018,
	location = {Warszawa},
	edition = {Wydanie 1},
	title = {Rip Van Pynchon, prześniona rewolucja, artystyczny recykling i śmieci: powrót ucznia strategią pisarską mistrza},
	isbn = {978-83-235-3524-9},
	series = {Mistrzowie Literatury Amerykańskiej},
	pages = {101--113},
	booktitle = {Thomas Pynchon},
	publisher = {Wydawnictwa Uniwersytetu Warszawskiego},
	author = {Kolbuszewska, Zofia},
	editor = {Pióro, Tadeusz and Paryż, Marek},
	date = {2018},
	keywords = {Pynchon, Thomas, 1901-2000, 1945-1989, 1989-2000, 2001-, Literatura amerykańska, Literaturoznawstwo, Praca zbiorowa, Proza},
}

@incollection{pioro_kryptomimesis_2018,
	location = {Warszawa},
	edition = {Wydanie 1},
	title = {Kryptomimesis albo o wierności, zdradzie, historii i mediach},
	isbn = {978-83-235-3524-9},
	series = {Mistrzowie Literatury Amerykańskiej},
	pages = {115--130},
	booktitle = {Thomas Pynchon},
	publisher = {Wydawnictwa Uniwersytetu Warszawskiego},
	author = {Kolbuszewska, Zofia},
	editor = {Pióro, Tadeusz and Paryż, Marek},
	date = {2018},
	keywords = {Pynchon, Thomas, 1901-2000, 1945-1989, 1989-2000, 2001-, Literatura amerykańska, Literaturoznawstwo, Praca zbiorowa, Proza},
}

@incollection{pioro_nie_2018,
	location = {Warszawa},
	edition = {Wydanie 1},
	title = {„Nie będzie to łatwa wyprawa”},
	isbn = {978-83-235-3524-9},
	series = {Mistrzowie Literatury Amerykańskiej},
	pages = {131--162},
	booktitle = {Thomas Pynchon},
	publisher = {Wydawnictwa Uniwersytetu Warszawskiego},
	author = {Wiśniewski, Mikołaj},
	editor = {Pióro, Tadeusz and Paryż, Marek},
	date = {2018},
	keywords = {Pynchon, Thomas, 1901-2000, 1945-1989, 1989-2000, 2001-, Literatura amerykańska, Literaturoznawstwo, Praca zbiorowa, Proza},
}

@incollection{pioro_zwyciestwo_2018,
	location = {Warszawa},
	edition = {Wydanie 1},
	title = {„Zwycięstwo zależy od Pana” − dionizyjskie chrześcijaństwo w Against the Day},
	isbn = {978-83-235-3524-9},
	series = {Mistrzowie Literatury Amerykańskiej},
	pages = {163--185},
	booktitle = {Thomas Pynchon},
	publisher = {Wydawnictwa Uniwersytetu Warszawskiego},
	author = {Rychter, Marcin},
	editor = {Pióro, Tadeusz and Paryż, Marek},
	date = {2018},
	keywords = {Pynchon, Thomas, 1901-2000, 1945-1989, 1989-2000, 2001-, Literatura amerykańska, Literaturoznawstwo, Praca zbiorowa, Proza},
}

@incollection{pioro_wlacz_2018,
	location = {Warszawa},
	edition = {Wydanie 1},
	title = {„Włącz się, dostrój, odleć”},
	isbn = {978-83-235-3524-9},
	series = {Mistrzowie Literatury Amerykańskiej},
	pages = {187--196},
	booktitle = {Thomas Pynchon},
	publisher = {Wydawnictwa Uniwersytetu Warszawskiego},
	author = {Ładyga, Zuzanna},
	editor = {Pióro, Tadeusz and Paryż, Marek},
	date = {2018},
	keywords = {Pynchon, Thomas, 1901-2000, 1945-1989, 1989-2000, 2001-, Literatura amerykańska, Literaturoznawstwo, Praca zbiorowa, Proza},
}

@incollection{pioro_aniolki_2018,
	location = {Warszawa},
	edition = {Wydanie 1},
	title = {Aniołki Pynchona. Wieczny wrzesień, wieczna kobiecość?},
	isbn = {978-83-235-3524-9},
	series = {Mistrzowie Literatury Amerykańskiej},
	pages = {197--223},
	booktitle = {Thomas Pynchon},
	publisher = {Wydawnictwa Uniwersytetu Warszawskiego},
	author = {Piechucka, Alicja},
	editor = {Pióro, Tadeusz and Paryż, Marek},
	date = {2018},
	keywords = {Pynchon, Thomas, 1901-2000, 1945-1989, 1989-2000, 2001-, Literatura amerykańska, Literaturoznawstwo, Praca zbiorowa, Proza},
}

@incollection{pioro_glos_2018,
	location = {Warszawa},
	edition = {Wydanie 1},
	title = {Głos i pismo: stylistyka encyklopedyczna w późnych powieściach Thomasa Pynchona},
	isbn = {978-83-235-3524-9},
	series = {Mistrzowie Literatury Amerykańskiej},
	pages = {225--240},
	booktitle = {Thomas Pynchon},
	publisher = {Wydawnictwa Uniwersytetu Warszawskiego},
	author = {Stachura, Paweł},
	editor = {Pióro, Tadeusz and Paryż, Marek},
	date = {2018},
	keywords = {Pynchon, Thomas, 1901-2000, 1945-1989, 1989-2000, 2001-, Literatura amerykańska, Literaturoznawstwo, Praca zbiorowa, Proza},
}

@incollection{pioro_fabuly_2018,
	location = {Warszawa},
	edition = {Wydanie 1},
	title = {Fabuły Thomasa Pynchona},
	isbn = {978-83-235-3524-9},
	series = {Mistrzowie Literatury Amerykańskiej},
	pages = {241--256},
	booktitle = {Thomas Pynchon},
	publisher = {Wydawnictwa Uniwersytetu Warszawskiego},
	author = {Pióro, Tadeusz},
	editor = {Pióro, Tadeusz and Paryż, Marek},
	date = {2018},
	keywords = {Pynchon, Thomas, 1901-2000, 1945-1989, 1989-2000, 2001-, Literatura amerykańska, Literaturoznawstwo, Praca zbiorowa, Proza},
}

@collection{pioro_thomas_2018-3,
	location = {Warszawa},
	edition = {Wydanie 1},
	title = {Thomas Pynchon},
	isbn = {978-83-235-3524-9},
	series = {Mistrzowie Literatury Amerykańskiej},
	pagetotal = {256},
	publisher = {Wydawnictwa Uniwersytetu Warszawskiego},
	editor = {Pióro, Tadeusz and Paryż, Marek},
	date = {2018},
	keywords = {Pynchon, Thomas, 1901-2000, 1945-1989, 1989-2000, 2001-, Literatura amerykańska, Literaturoznawstwo, Praca zbiorowa, Proza},
}

@collection{pioro_thomas_2018-4,
	location = {Warszawa},
	edition = {Wydanie 1},
	title = {Thomas Pynchon},
	isbn = {978-83-235-3524-9},
	series = {Mistrzowie Literatury Amerykańskiej},
	pagetotal = {256},
	publisher = {Wydawnictwa Uniwersytetu Warszawskiego},
	editor = {Pióro, Tadeusz and Paryż, Marek},
	date = {2018},
	keywords = {Pynchon, Thomas, 1901-2000, 1945-1989, 1989-2000, 2001-, Literatura amerykańska, Literaturoznawstwo, Praca zbiorowa, Proza},
}

@incollection{ickstadt_einleitung_1981,
	location = {Reinbek bei Hamburg},
	edition = {Erstausg},
	title = {Einleitung},
	isbn = {978-3-499-25113-9},
	series = {Das neue Buch},
	pages = {7--15},
	number = {113},
	booktitle = {Ordnung und Entropie: zum Romanwerk von Thomas Pynchon},
	publisher = {Rowohlt-Taschenbuch-Verl},
	author = {Ickstadt, Heinz},
	editor = {Ickstadt, Heinz},
	date = {1981},
}

@incollection{ickstadt_thomas_1981,
	location = {Reinbek bei Hamburg},
	edition = {Erstausg},
	title = {Thomas Pynchons V.: Geschichtserfahrung und narrativer Diskurs},
	isbn = {978-3-499-25113-9},
	series = {Das neue Buch},
	pages = {75--103},
	number = {113},
	booktitle = {Ordnung und Entropie: zum Romanwerk von Thomas Pynchon},
	publisher = {Rowohlt-Taschenbuch-Verl},
	author = {Pütz, Manfred},
	editor = {Ickstadt, Heinz},
	date = {1981},
}

@incollection{ickstadt_abgekartetes_1981,
	location = {Reinbek bei Hamburg},
	edition = {Erstausg},
	title = {'Ein abgekartetes Spiel?' Handlungsspiele in Die Versteigerung von No. 49 und die innovative Leistung des Lesers},
	isbn = {978-3-499-25113-9},
	series = {Das neue Buch},
	pages = {128--146},
	number = {113},
	booktitle = {Ordnung und Entropie: zum Romanwerk von Thomas Pynchon},
	publisher = {Rowohlt-Taschenbuch-Verl},
	author = {Dietmar, Claas},
	editor = {Ickstadt, Heinz},
	date = {1981},
}

@incollection{ickstadt_senex_1981,
	location = {Reinbek bei Hamburg},
	edition = {Erstausg},
	title = {Senex, Puer, Pikaro und Pynchons Enden der Parabel},
	isbn = {978-3-499-25113-9},
	series = {Das neue Buch},
	pages = {228--254},
	number = {113},
	booktitle = {Ordnung und Entropie: zum Romanwerk von Thomas Pynchon},
	publisher = {Rowohlt-Taschenbuch-Verl},
	author = {Poenicke, Klaus},
	editor = {Ickstadt, Heinz},
	date = {1981},
}

@incollection{ickstadt_aporien_1981,
	location = {Reinbek bei Hamburg},
	edition = {Erstausg},
	title = {Aporien der Postmoderne: Thomas Pynchon und die Schwerkraft der Systeme},
	isbn = {978-3-499-25113-9},
	series = {Das neue Buch},
	pages = {255--280},
	number = {113},
	booktitle = {Ordnung und Entropie: zum Romanwerk von Thomas Pynchon},
	publisher = {Rowohlt-Taschenbuch-Verl},
	author = {Russell, Charles},
	editor = {Ickstadt, Heinz},
	date = {1981},
}

@article{de_bourcier_announcing_2016,
	title = {Announcing the Digital Availability of \textit{Pynchon Notes}},
	volume = {4},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/doi/10.16995/orbit.199/},
	doi = {10.16995/orbit.199},
	number = {1},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {De Bourcier, Simon and Freer, Joanna and Haynes, Doug and Pöhlmann, Sascha and Eve, Martin Paul},
	urldate = {2024-07-14},
	date = {2016-05-24},
}

@article{dehdarirad_faraway_2023-1,
	title = {“From Faraway California”. Thomas Pynchon’s Aesthetics of Space in the California Trilogy},
	url = {https://www.editricesapienza.it/book/8842},
	doi = {10.13133/9788893772877},
	abstract = {Offering a transdisciplinary journey across Thomas Pynchon’s California trilogy, “From Faraway California” addresses the representation of (city)space in the Crying of Lot 49, Vineland, and Inherent Vice through “geourban” lenses. Drawing on specific concepts in urban and regional studies, the book provides a thorough examination of Pynchon’s spatial imaginary, where the reader comes to understand how his fiction tackles the socio-political and cultural consequences of urban restructuring in the contemporary city and the lives of its citizens. Pynchon’s depiction of California is further analyzed from mythical and environmental standpoints to shed light on his planetary vision and (post)postmodernist poetics in the span of nearly half a century.
More broadly, the book’s geocritical and urban analyses of Pynchon’s fiction indicate what might take place concerning the future of urbanism, toward “planetary urbanization” and the formation of the “city region.”},
	author = {Dehdarirad, Ali},
	urldate = {2024-07-14},
	date = {2023},
	langid = {english},
	note = {Publisher: Sapienza Università Editrice},
}

@incollection{mangen_preface_2002,
	location = {Oslo},
	title = {Preface},
	isbn = {978-82-7099-352-9},
	pages = {7--12},
	booktitle = {Blissful bewilderment: studies in the fiction of Thomas Pynchon},
	publisher = {Novus Press},
	author = {Mangen, Anne and Gaasland, Rolf},
	editor = {Mangen, Anne and Gaasland, Rolf},
	date = {2002},
	note = {{OCLC}: 50769485},
}

@incollection{mangen_but_2002,
	location = {Oslo},
	title = {"But What's a Human, After All?" Dehumanization in V.},
	isbn = {978-82-7099-352-9},
	pages = {13--39},
	booktitle = {Blissful bewilderment: studies in the fiction of Thomas Pynchon},
	publisher = {Novus Press},
	author = {Käkelä-Puumala},
	editor = {Mangen, Anne and Gaasland, Rolf},
	date = {2002},
	note = {{OCLC}: 50769485},
}

@incollection{mangen_barbaric_2002,
	location = {Oslo},
	title = {The Barbaric Rhetoric of Thomas Pynchon's V.},
	isbn = {978-82-7099-352-9},
	pages = {40--54},
	booktitle = {Blissful bewilderment: studies in the fiction of Thomas Pynchon},
	publisher = {Novus Press},
	author = {Gaasland, Rolf},
	editor = {Mangen, Anne and Gaasland, Rolf},
	date = {2002},
	note = {{OCLC}: 50769485},
}

@incollection{mangen_menstruation_2002,
	location = {Oslo},
	title = {Menstruation and Melancholy: The Crying of Lot 49},
	isbn = {978-82-7099-352-9},
	pages = {55--80},
	booktitle = {Blissful bewilderment: studies in the fiction of Thomas Pynchon},
	publisher = {Novus Press},
	author = {Medoro, Dana},
	editor = {Mangen, Anne and Gaasland, Rolf},
	date = {2002},
	note = {{OCLC}: 50769485},
}

@incollection{mangen_gravitys_2002,
	location = {Oslo},
	title = {Gravity's Rainbow: 'An Historical Novel of a Whole New Sort'},
	isbn = {978-82-7099-352-9},
	pages = {81--102},
	booktitle = {Blissful bewilderment: studies in the fiction of Thomas Pynchon},
	publisher = {Novus Press},
	author = {Dalsgaard, Inger Hunnerup},
	editor = {Mangen, Anne and Gaasland, Rolf},
	date = {2002},
	note = {{OCLC}: 50769485},
}

@incollection{mangen_savage_2002,
	location = {Oslo},
	title = {The Savage Flower - reading Pynchon reading Rilke},
	isbn = {978-82-7099-352-9},
	pages = {103--123},
	booktitle = {Blissful bewilderment: studies in the fiction of Thomas Pynchon},
	publisher = {Novus Press},
	author = {Jordal, Preben},
	editor = {Mangen, Anne and Gaasland, Rolf},
	date = {2002},
	note = {{OCLC}: 50769485},
}

@incollection{mangen_pynchon_2002,
	location = {Oslo},
	title = {Pynchon, Melvile, and the Fulcrum of America},
	isbn = {978-82-7099-352-9},
	pages = {124--138},
	booktitle = {Blissful bewilderment: studies in the fiction of Thomas Pynchon},
	publisher = {Novus Press},
	author = {Raudaskoski, Heikki},
	editor = {Mangen, Anne and Gaasland, Rolf},
	date = {2002},
	note = {{OCLC}: 50769485},
}

@incollection{mangen_thomas_2002,
	location = {Oslo},
	title = {Thomas Pynchon's Writing Space; Gravity's Rainbow as Pseudo-Hypertext},
	isbn = {978-82-7099-352-9},
	pages = {139--162},
	booktitle = {Blissful bewilderment: studies in the fiction of Thomas Pynchon},
	publisher = {Novus Press},
	author = {Mangen, Anne},
	editor = {Mangen, Anne and Gaasland, Rolf},
	date = {2002},
	note = {{OCLC}: 50769485},
}

@incollection{mangen_lines_2002,
	location = {Oslo},
	title = {Lines of Enclosure and Escape in Pynchon's Early Short Fiction},
	isbn = {978-82-7099-352-9},
	pages = {163--181},
	booktitle = {Blissful bewilderment: studies in the fiction of Thomas Pynchon},
	publisher = {Novus Press},
	author = {Holton, Robert},
	editor = {Mangen, Anne and Gaasland, Rolf},
	date = {2002},
	note = {{OCLC}: 50769485},
}

@incollection{mangen_reading_2002,
	location = {Oslo},
	title = {Reading Innovation in Pynchon's Vineland},
	isbn = {978-82-7099-352-9},
	pages = {182--205},
	booktitle = {Blissful bewilderment: studies in the fiction of Thomas Pynchon},
	publisher = {Novus Press},
	author = {Dickson, David},
	editor = {Mangen, Anne and Gaasland, Rolf},
	date = {2002},
	note = {{OCLC}: 50769485},
}

@incollection{mangen_ever_2002,
	location = {Oslo},
	title = {"...ever in a Ubiquity of Flow, before a ceaseless Spectacle of Transition"},
	isbn = {978-82-7099-352-9},
	pages = {206--226},
	booktitle = {Blissful bewilderment: studies in the fiction of Thomas Pynchon},
	publisher = {Novus Press},
	author = {Troy, Mark},
	editor = {Mangen, Anne and Gaasland, Rolf},
	date = {2002},
	note = {{OCLC}: 50769485},
}

@incollection{mcclintock_introduction_2014,
	location = {Iowa City},
	title = {Introduction: Surveying Pynchon's California},
	isbn = {978-1-60938-273-5},
	series = {The New American Canon: The Iowa Series in Contemporary Literature and Culture},
	pages = {1--14},
	booktitle = {Pynchon's California},
	publisher = {University of Iowa Press},
	author = {{McClintock}, Scott and Miller, John},
	editor = {{McClintock}, Scott and Miller, John},
	date = {2014},
	keywords = {Criticism and interpretation, Pynchon, Thomas, In literature, California},
}

@incollection{mcclintock_situated_2014,
	location = {Iowa City},
	title = {Situated Fictions: Reading the California Novels against Thomas Pynchon's Narrative World},
	isbn = {978-1-60938-273-5},
	series = {The New American Canon: The Iowa Series in Contemporary Literature and Culture},
	pages = {15--33},
	booktitle = {Pynchon's California},
	publisher = {University of Iowa Press},
	author = {Lynd, Margaret},
	editor = {{McClintock}, Scott and Miller, John},
	date = {2014},
	keywords = {Criticism and interpretation, Pynchon, Thomas, In literature, California},
}

@incollection{mcclintock_life_2014,
	location = {Iowa City},
	title = {Life on the Beach: The Natural Elements ni Thomas Pynchon's California Trilogy},
	isbn = {978-1-60938-273-5},
	series = {The New American Canon: The Iowa Series in Contemporary Literature and Culture},
	pages = {34--64},
	booktitle = {Pynchon's California},
	publisher = {University of Iowa Press},
	author = {Berressem, Hanjo},
	editor = {{McClintock}, Scott and Miller, John},
	date = {2014},
	keywords = {Criticism and interpretation, Pynchon, Thomas, In literature, California},
}

@incollection{mcclintock_pynchons_2014-2,
	location = {Iowa City},
	title = {Pynchon's Coast: Inherent Vice and the Twilight of hte Spatially Specific},
	isbn = {978-1-60938-273-5},
	series = {The New American Canon: The Iowa Series in Contemporary Literature and Culture},
	pages = {65--90},
	booktitle = {Pynchon's California},
	publisher = {University of Iowa Press},
	author = {Millard, Bill},
	editor = {{McClintock}, Scott and Miller, John},
	date = {2014},
	keywords = {Criticism and interpretation, Pynchon, Thomas, In literature, California},
}

@incollection{mcclintock_origins_2014,
	location = {Iowa City},
	title = {The Origins of the Family, Private Property, and the State of California ni Pynchon's Fiction},
	isbn = {978-1-60938-273-5},
	series = {The New American Canon: The Iowa Series in Contemporary Literature and Culture},
	pages = {91--111},
	booktitle = {Pynchon's California},
	publisher = {University of Iowa Press},
	author = {{McClintock}, Scott},
	editor = {{McClintock}, Scott and Miller, John},
	date = {2014},
	keywords = {Criticism and interpretation, Pynchon, Thomas, In literature, California},
}

@incollection{mcclintock_playgrounds_2014,
	location = {Iowa City},
	title = {Playgrounds of Detection: The Californian Private Eye in Thomas Pynchon's The Crying of Lot 49 and Inherent Vice},
	isbn = {978-1-60938-273-5},
	series = {The New American Canon: The Iowa Series in Contemporary Literature and Culture},
	pages = {113--134},
	booktitle = {Pynchon's California},
	publisher = {University of Iowa Press},
	author = {{MacLeod}, Scott},
	editor = {{McClintock}, Scott and Miller, John},
	date = {2014},
	keywords = {Criticism and interpretation, Pynchon, Thomas, In literature, California},
}

@incollection{mcclintock_profane_2014,
	location = {Iowa City},
	title = {Profane Illuminations: Postmodernism, Realism, and the Holytail Marijuana Crop in Thomas Pynchon's Vineland},
	isbn = {978-1-60938-273-5},
	series = {The New American Canon: The Iowa Series in Contemporary Literature and Culture},
	pages = {135--163},
	booktitle = {Pynchon's California},
	publisher = {University of Iowa Press},
	author = {Veggian, Henry},
	editor = {{McClintock}, Scott and Miller, John},
	date = {2014},
	keywords = {Criticism and interpretation, Pynchon, Thomas, In literature, California},
}

@incollection{mcclintock_postmodern_2014,
	location = {Iowa City},
	title = {Postmodern Sacrality and Inherent Vice},
	isbn = {978-1-60938-273-5},
	series = {The New American Canon: The Iowa Series in Contemporary Literature and Culture},
	pages = {165--180},
	booktitle = {Pynchon's California},
	publisher = {University of Iowa Press},
	author = {Coffman, Christopher K.},
	editor = {{McClintock}, Scott and Miller, John},
	date = {2014},
	keywords = {Criticism and interpretation, Pynchon, Thomas, In literature, California},
}

@incollection{mcclintock_reading_2014,
	location = {Iowa City},
	title = {Reading, Resistance, and the California Turn in Pynchons' Cornucopian Fiction},
	isbn = {978-1-60938-273-5},
	series = {The New American Canon: The Iowa Series in Contemporary Literature and Culture},
	pages = {181--199},
	booktitle = {Pynchon's California},
	publisher = {University of Iowa Press},
	author = {Miller, John},
	editor = {{McClintock}, Scott and Miller, John},
	date = {2014},
	keywords = {Criticism and interpretation, Pynchon, Thomas, In literature, California},
}

@incollection{mcclintock_maybe_2014,
	location = {Iowa City},
	title = {Maybe He'd Have to Just Keep Driving, or Pynchon on the Freeway},
	isbn = {978-1-60938-273-5},
	series = {The New American Canon: The Iowa Series in Contemporary Literature and Culture},
	pages = {201--219},
	booktitle = {Pynchon's California},
	publisher = {University of Iowa Press},
	author = {Hock, Stephen},
	editor = {{McClintock}, Scott and Miller, John},
	date = {2014},
	keywords = {Criticism and interpretation, Pynchon, Thomas, In literature, California},
}

@collection{mcclintock_pynchons_2014-3,
	location = {Iowa City},
	title = {Pynchon's California},
	isbn = {978-1-60938-273-5},
	series = {The New American Canon: The Iowa Series in Contemporary Literature and Culture},
	pagetotal = {238},
	publisher = {University of Iowa Press},
	editor = {{McClintock}, Scott and Miller, John},
	date = {2014},
	keywords = {Criticism and interpretation, Pynchon, Thomas, In literature, California},
}

@incollection{heise_gravitys_2007,
	location = {Princeton},
	title = {Gravity's Rainbow (Thomas Pynchon, 1973)},
	volume = {2},
	volumes = {2},
	pages = {926--932},
	booktitle = {The Novel},
	publisher = {Princeton University Press},
	author = {Heise, Ursula K.},
	date = {2007},
}

@incollection{abbas_forward_2003,
	location = {Madison [N.J.] : London},
	title = {Forward},
	isbn = {978-0-8386-3954-2},
	pages = {9--11},
	booktitle = {Thomas Pynchon: reading from the margins},
	publisher = {Fairleigh Dickinson University Press ; Associated University Presses},
	author = {Krafft, John M.},
	editor = {Abbas, Niran B.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{abbas_introduction_2003,
	location = {Madison [N.J.] : London},
	title = {Introduction},
	isbn = {978-0-8386-3954-2},
	pages = {17--31},
	booktitle = {Thomas Pynchon: reading from the margins},
	publisher = {Fairleigh Dickinson University Press ; Associated University Presses},
	author = {Abbas, Niran B.},
	editor = {Abbas, Niran B.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{abbas_closed_2003,
	location = {Madison [N.J.] : London},
	title = {"Closed Circuit": The White Male Predicament in Pynchon's Early Stories},
	isbn = {978-0-8386-3954-2},
	pages = {37--50},
	booktitle = {Thomas Pynchon: reading from the margins},
	publisher = {Fairleigh Dickinson University Press ; Associated University Presses},
	author = {Holton, Robert},
	editor = {Abbas, Niran B.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{abbas_death_2003,
	location = {Madison [N.J.] : London},
	title = {Death and The Crying of Lot 49},
	isbn = {978-0-8386-3954-2},
	pages = {51--70},
	booktitle = {Thomas Pynchon: reading from the margins},
	publisher = {Fairleigh Dickinson University Press ; Associated University Presses},
	author = {Blaine, Diana York},
	editor = {Abbas, Niran B.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{abbas_menstruation_2003,
	location = {Madison [N.J.] : London},
	title = {Menstruation and Melancholy: The Crying of Lot 49},
	isbn = {978-0-8386-3954-2},
	pages = {71--90},
	booktitle = {Thomas Pynchon: reading from the margins},
	publisher = {Fairleigh Dickinson University Press ; Associated University Presses},
	author = {Medora, Dana},
	editor = {Abbas, Niran B.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{abbas_clockwork_2003,
	location = {Madison [N.J.] : London},
	title = {The Clockwork Eye: Technology, Women, and the Decay of the Modern in Thomas Pynchon's V.},
	isbn = {978-0-8386-3954-2},
	pages = {91--107},
	booktitle = {Thomas Pynchon: reading from the margins},
	publisher = {Fairleigh Dickinson University Press ; Associated University Presses},
	author = {Fitzpatrick, Kathleen},
	editor = {Abbas, Niran B.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{abbas_black_2003,
	location = {Madison [N.J.] : London},
	title = {Black and White Rainbows and Blurry Lines: Sexual Deviance/Diversity in Gravity's Rainbow and Mason \& Dixon},
	isbn = {978-0-8386-3954-2},
	pages = {108--121},
	booktitle = {Thomas Pynchon: reading from the margins},
	publisher = {Fairleigh Dickinson University Press ; Associated University Presses},
	author = {Sears, Julie Christine},
	editor = {Abbas, Niran B.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{abbas_awakening_2003,
	location = {Madison [N.J.] : London},
	title = {Awakening to the Physical World: Ideological Collapse and Ecofeminist Resistance in Vineland},
	isbn = {978-0-8386-3954-2},
	pages = {122--135},
	booktitle = {Thomas Pynchon: reading from the margins},
	publisher = {Fairleigh Dickinson University Press ; Associated University Presses},
	author = {Ostrander, Madeline},
	editor = {Abbas, Niran B.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{abbas_influence_2003,
	location = {Madison [N.J.] : London},
	title = {Influence and Incest: Relations between The Crying of Lot 49 and The Great Gatsby},
	isbn = {978-0-8386-3954-2},
	pages = {139--153},
	booktitle = {Thomas Pynchon: reading from the margins},
	publisher = {Fairleigh Dickinson University Press ; Associated University Presses},
	author = {Schaub, Thomas},
	editor = {Abbas, Niran B.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{abbas_waste_2003,
	location = {Madison [N.J.] : London},
	title = {Waste, Death, and Destiny: Heterotopic Scenarios in The Crying of Lot 49},
	isbn = {978-0-8386-3954-2},
	pages = {154--161},
	booktitle = {Thomas Pynchon: reading from the margins},
	publisher = {Fairleigh Dickinson University Press ; Associated University Presses},
	author = {Brown, Carolyn},
	editor = {Abbas, Niran B.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{abbas_pynchonian_2003,
	location = {Madison [N.J.] : London},
	title = {Pynchonian Pastiche},
	isbn = {978-0-8386-3954-2},
	pages = {162--182},
	booktitle = {Thomas Pynchon: reading from the margins},
	publisher = {Fairleigh Dickinson University Press ; Associated University Presses},
	author = {Thompson, Gary},
	editor = {Abbas, Niran B.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{abbas_serving_2003,
	location = {Madison [N.J.] : London},
	title = {'Serving Interests invisible': Mason \& Dixon, British Spy Fiction, and the Specters of Imperialism},
	isbn = {978-0-8386-3954-2},
	pages = {183--198},
	booktitle = {Thomas Pynchon: reading from the margins},
	publisher = {Fairleigh Dickinson University Press ; Associated University Presses},
	author = {Smith, Kyle},
	editor = {Abbas, Niran B.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{abbas_pynchons_2003,
	location = {Madison [N.J.] : London},
	title = {Pynchon's Postcoloniality},
	isbn = {978-0-8386-3954-2},
	pages = {199--214},
	booktitle = {Thomas Pynchon: reading from the margins},
	publisher = {Fairleigh Dickinson University Press ; Associated University Presses},
	author = {Harris, Michael},
	editor = {Abbas, Niran B.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{abbas_fourth_2003,
	location = {Madison [N.J.] : London},
	title = {The Fourth Amendment and Other Modern Inconveniences: Undeclared War, Organized Labor, and the Abrogation of Civil Rights in Vineland},
	isbn = {978-0-8386-3954-2},
	pages = {215--233},
	booktitle = {Thomas Pynchon: reading from the margins},
	publisher = {Fairleigh Dickinson University Press ; Associated University Presses},
	author = {Thoreen, David},
	editor = {Abbas, Niran B.},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas},
}

@incollection{green_introduction_1994,
	location = {Fairchild Hall, Ill},
	edition = {1. ed},
	title = {Introduction},
	isbn = {978-1-56478-038-6 978-1-56478-039-3},
	pages = {vii--xi},
	booktitle = {The Vineland papers: critical takes on Pynchon's novel},
	publisher = {Dalkey},
	author = {Green, Geoffrey},
	editor = {Green, Geoffrey and Greiner, Donald J. and {McCaffery}, Larry},
	date = {1994},
}

@incollection{green_attenuated_1994,
	location = {Fairchild Hall, Ill},
	edition = {1. ed},
	title = {Attenuated Postmodernism: Pynchon's Vineland},
	isbn = {978-1-56478-038-6 978-1-56478-039-3},
	pages = {3--13},
	booktitle = {The Vineland papers: critical takes on Pynchon's novel},
	publisher = {Dalkey},
	author = {Cowart, David},
	editor = {Green, Geoffrey and Greiner, Donald J. and {McCaffery}, Larry},
	date = {1994},
}

@incollection{green_who_1994,
	location = {Fairchild Hall, Ill},
	edition = {1. ed},
	title = {"Who Was Saved?": Families, Snitches, and Recuperation in Pynchon's Vineland},
	isbn = {978-1-56478-038-6 978-1-56478-039-3},
	pages = {14--30},
	booktitle = {The Vineland papers: critical takes on Pynchon's novel},
	publisher = {Dalkey},
	author = {Hayles, N. Katherine},
	editor = {Green, Geoffrey and Greiner, Donald J. and {McCaffery}, Larry},
	date = {1994},
}

@incollection{green_purring_1994,
	location = {Fairchild Hall, Ill},
	edition = {1. ed},
	title = {"Purring into Transcendence": Pynchon's Puncutron Machine},
	isbn = {978-1-56478-038-6 978-1-56478-039-3},
	pages = {31--45},
	booktitle = {The Vineland papers: critical takes on Pynchon's novel},
	publisher = {Dalkey},
	author = {Porush, David},
	editor = {Green, Geoffrey and Greiner, Donald J. and {McCaffery}, Larry},
	date = {1994},
}

@incollection{green_pynchons_1994,
	location = {Fairchild Hall, Ill},
	edition = {1. ed},
	title = {Pynchon's World and Its Legendary Past: Humor and the Absurd in a Twentieth-Century Vineland},
	isbn = {978-1-56478-038-6 978-1-56478-039-3},
	pages = {46--67},
	booktitle = {The Vineland papers: critical takes on Pynchon's novel},
	publisher = {Dalkey},
	author = {Safer, Elaine B.},
	editor = {Green, Geoffrey and Greiner, Donald J. and {McCaffery}, Larry},
	date = {1994},
}

@incollection{green_communication_1994,
	location = {Fairchild Hall, Ill},
	edition = {1. ed},
	title = {Communication, Group Theory, and Perception in Vineland},
	isbn = {978-1-56478-038-6 978-1-56478-039-3},
	pages = {68--88},
	booktitle = {The Vineland papers: critical takes on Pynchon's novel},
	publisher = {Dalkey},
	author = {Slade, Joseph W.},
	editor = {Green, Geoffrey and Greiner, Donald J. and {McCaffery}, Larry},
	date = {1994},
}

@incollection{green_pynchons_1994-1,
	location = {Fairchild Hall, Ill},
	edition = {1. ed},
	title = {Pynchon's Groundward Art},
	isbn = {978-1-56478-038-6 978-1-56478-039-3},
	pages = {89--100},
	booktitle = {The Vineland papers: critical takes on Pynchon's novel},
	publisher = {Dalkey},
	author = {Tabbi, Joseph},
	editor = {Green, Geoffrey and Greiner, Donald J. and {McCaffery}, Larry},
	date = {1994},
}

@incollection{green_pynchons_1994-2,
	location = {Fairchild Hall, Ill},
	edition = {1. ed},
	title = {Pynchon's "Elaborate Game of Doubles" in Vineland},
	isbn = {978-1-56478-038-6 978-1-56478-039-3},
	pages = {101--118},
	booktitle = {The Vineland papers: critical takes on Pynchon's novel},
	publisher = {Dalkey},
	author = {Strehle, Susan},
	editor = {Green, Geoffrey and Greiner, Donald J. and {McCaffery}, Larry},
	date = {1994},
}

@incollection{green_when_1994,
	location = {Fairchild Hall, Ill},
	edition = {1. ed},
	title = {When You're a (Nin)jette, You're a (Nin)jette All the Way—or Are You?: Female Filmmaking in Vineland},
	isbn = {978-1-56478-038-6 978-1-56478-039-3},
	pages = {119--134},
	booktitle = {The Vineland papers: critical takes on Pynchon's novel},
	publisher = {Dalkey},
	author = {Olster, Stacey},
	editor = {Green, Geoffrey and Greiner, Donald J. and {McCaffery}, Larry},
	date = {1994},
}

@incollection{green_feminist_1994,
	location = {Fairchild Hall, Ill},
	edition = {1. ed},
	title = {Feminist Theory and the Politics of Vineland},
	isbn = {978-1-56478-038-6 978-1-56478-039-3},
	pages = {135--153},
	booktitle = {The Vineland papers: critical takes on Pynchon's novel},
	publisher = {Dalkey},
	author = {Hite, Molly},
	editor = {Green, Geoffrey and Greiner, Donald J. and {McCaffery}, Larry},
	date = {1994},
}

@incollection{green_good-bye_1994,
	location = {Fairchild Hall, Ill},
	edition = {1. ed},
	title = {"Good-bye, Columbus": Postmodernist Satire in Vineland},
	isbn = {978-1-56478-038-6 978-1-56478-039-3},
	pages = {154--160},
	booktitle = {The Vineland papers: critical takes on Pynchon's novel},
	publisher = {Dalkey},
	author = {Grim, William E.},
	editor = {Green, Geoffrey and Greiner, Donald J. and {McCaffery}, Larry},
	date = {1994},
}

@incollection{green_argument_1994,
	location = {Fairchild Hall, Ill},
	edition = {1. ed},
	title = {Argument by Anachronism: The Presence of the 1930s in Vineland},
	isbn = {978-1-56478-038-6 978-1-56478-039-3},
	pages = {161--166},
	booktitle = {The Vineland papers: critical takes on Pynchon's novel},
	publisher = {Dalkey},
	author = {Solomon, Eric},
	editor = {Green, Geoffrey and Greiner, Donald J. and {McCaffery}, Larry},
	date = {1994},
}

@incollection{green_smoking_1994,
	location = {Fairchild Hall, Ill},
	edition = {1. ed},
	title = {Smoking Dope with Thomas Pynchon: A Sixties Memoir},
	isbn = {978-1-56478-038-6 978-1-56478-039-3},
	pages = {167--178},
	booktitle = {The Vineland papers: critical takes on Pynchon's novel},
	publisher = {Dalkey},
	author = {Gordon, Andrew},
	editor = {Green, Geoffrey and Greiner, Donald J. and {McCaffery}, Larry},
	date = {1994},
}

@collection{green_vineland_1994-2,
	location = {Fairchild Hall, Ill},
	edition = {1. ed},
	title = {The Vineland papers: critical takes on Pynchon's novel},
	isbn = {978-1-56478-038-6 978-1-56478-039-3},
	shorttitle = {The Vineland papers},
	pagetotal = {191},
	publisher = {Dalkey},
	editor = {Green, Geoffrey and Greiner, Donald J. and {McCaffery}, Larry},
	date = {1994},
}

@incollection{claro_derriere_2008,
	location = {Paris},
	title = {Derrière les gravats et le désordre de ce monde},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {11--47},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Jelinek, Elfriede},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_thomas_2008,
	location = {Paris},
	title = {Thomas Pynchon \& ses ancêtres},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {51--90},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Pétillon, Pierre-Yves},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_chronologie_2008,
	location = {Paris},
	title = {Une chronologie pynchonienne},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {91--105},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Royster, Paul},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_vision_2008,
	location = {Paris},
	title = {Vision de Pynchon \#1},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {107--109},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Powers, Richard},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_maybe_2008,
	location = {Paris},
	title = {Maybe forget but never forgive},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {111--140},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Celmare, Étienne},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_lage_2008,
	location = {Paris},
	title = {L'Âge de la science populaire},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {141--148},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Moorcock, Michael},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_perluete_2008,
	location = {Paris},
	title = {La Perluète},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {149--165},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Matthieussent, Brice},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_repetition_2008,
	location = {Paris},
	title = {La Répétition des symboles},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {167--176},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Evenson, Brian},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_vision_2008-1,
	location = {Paris},
	title = {Vision de Pynchon \#2},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {178},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {{DeLillo}, Don},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_spath_2008,
	location = {Paris},
	title = {Le Spath, l'espace. À contre-jour},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {181--200},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Claro},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_oublier_2008,
	location = {Paris},
	title = {Oublier Pynchon},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {201--212},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Moody, Rick},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_utopie_2008,
	location = {Paris},
	title = {L'utopie est un ligne},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {213--230},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Larnaudie, Mathieu},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_alice_2008,
	location = {Paris},
	title = {Alice au pays des monstres. Archéologie cinématographique de l'espoir},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {231--243},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Colin, Fabrice},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_vision_2008-2,
	location = {Paris},
	title = {Vision de Pynchon \#3},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {244--245},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Everett, Percival},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_almost_2008,
	location = {Paris},
	title = {Almost but not quite me},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {247--275},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Pincio, Tommaso},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_vers_2008,
	location = {Paris},
	title = {Vers la grâce},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {277--292},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Claro},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_crying_2008,
	location = {Paris},
	title = {Crying for Lot 49},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {293--299},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Hunt, Laird},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_gravitys_2008,
	location = {Paris},
	title = {Gravity's Rainbow Illustrated},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {301--311},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Smith, Zak},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_vision_2008-3,
	location = {Paris},
	title = {Vision de Pynchon \#4},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {312},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Robbins, Tom},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_sa_2008,
	location = {Paris},
	title = {«Sa seule fonction étant de désirer»},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {315--338},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Bertina, Arno},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_coeur_2008,
	location = {Paris},
	title = {A cœur de la machine à remoter le temps},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {339--365},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Sante, Luc},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_under_2008,
	location = {Paris},
	title = {Under (over) the rainbow},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {367--383},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Gallet, Bastien and Lamm, Olivier},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_pynchon_2008,
	location = {Paris},
	title = {Pynchon Pop. Rapide tour de manège de la musique dans la galaxie Pynchon},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {385--392},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Claro},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_vision_2008-4,
	location = {Paris},
	title = {Vision de Pynchon \#5},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {394--395},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Scott, Joanna},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_visions_2008,
	location = {Paris},
	title = {«Visions de l'insoupçonné»},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {397--407},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {{LeClair}, Tom},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_homme_2008,
	location = {Paris},
	title = {L'Homme qui s'effaçait lentement},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {409--423},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Claro},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_geometres_2008,
	location = {Paris},
	title = {Les Géomètres des Lumières},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {425--442},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Moody, Rick},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{claro_demon_2008,
	location = {Paris},
	title = {Le Démon de Maxwell},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pages = {443--467},
	booktitle = {Face à Pynchon},
	publisher = {le Cherche midi Éd. Inculte},
	author = {Senges, Pierre},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@collection{claro_face_2008-1,
	location = {Paris},
	title = {Face à Pynchon},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pagetotal = {495},
	publisher = {le Cherche midi Éd. Inculte},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@collection{claro_face_2008-2,
	location = {Paris},
	title = {Face à Pynchon},
	isbn = {978-2-7491-1297-8},
	series = {Collection Lot 49},
	pagetotal = {495},
	publisher = {le Cherche midi Éd. Inculte},
	editor = {Claro, Christophe and Hofmarcher, Arnaud},
	date = {2008},
}

@incollection{alfano_scrivere_2003,
	location = {Napoli},
	title = {Scrivere sparire falsificare},
	isbn = {978-88-85414-83-9},
	series = {Virus},
	pages = {13--27},
	booktitle = {La dissoluzione onesta: scritti su Thomas Pynchon},
	publisher = {Cronopio},
	author = {Carratello, Mattia},
	editor = {Alfano, Giancarlo and Carratello, Mattia},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Congresses},
}

@incollection{alfano_paranoia_2003,
	location = {Napoli},
	title = {Paranoia e parodia: Thomas Pynchon e la complessità},
	isbn = {978-88-85414-83-9},
	series = {Virus},
	pages = {29--38},
	booktitle = {La dissoluzione onesta: scritti su Thomas Pynchon},
	publisher = {Cronopio},
	author = {Sinibaldi, Marino},
	editor = {Alfano, Giancarlo and Carratello, Mattia},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Congresses},
}

@incollection{alfano_non_2003,
	location = {Napoli},
	title = {Non illudersi di non sapere: note su "The Crying of Lot 49"},
	isbn = {978-88-85414-83-9},
	series = {Virus},
	pages = {39--54},
	booktitle = {La dissoluzione onesta: scritti su Thomas Pynchon},
	publisher = {Cronopio},
	author = {Portelli, Alessandro},
	editor = {Alfano, Giancarlo and Carratello, Mattia},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Congresses},
}

@incollection{alfano_lettura_2003,
	location = {Napoli},
	title = {Lettura de "L'incanto del lotto 49" assieme a Flaubert e Irigaray},
	isbn = {978-88-85414-83-9},
	series = {Virus},
	pages = {55--68},
	booktitle = {La dissoluzione onesta: scritti su Thomas Pynchon},
	publisher = {Cronopio},
	author = {Wolf, Susan},
	editor = {Alfano, Giancarlo and Carratello, Mattia},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Congresses},
}

@incollection{alfano_understanding_2003,
	location = {Napoli},
	title = {Understanding V.},
	isbn = {978-88-85414-83-9},
	series = {Virus},
	pages = {69--89},
	booktitle = {La dissoluzione onesta: scritti su Thomas Pynchon},
	publisher = {Cronopio},
	author = {Frasca, Gabriele},
	editor = {Alfano, Giancarlo and Carratello, Mattia},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Congresses},
}

@incollection{alfano_toilet_2003,
	location = {Napoli},
	title = {Toilet Bowls in "Gravity's Rainbow". Parallelismi con "Fountain" di Marcel Duchamp},
	isbn = {978-88-85414-83-9},
	series = {Virus},
	pages = {91--105},
	booktitle = {La dissoluzione onesta: scritti su Thomas Pynchon},
	publisher = {Cronopio},
	author = {Pincio, Tommaso},
	editor = {Alfano, Giancarlo and Carratello, Mattia},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Congresses},
}

@incollection{alfano_harmless_2003,
	location = {Napoli},
	title = {"The Harmless Yank Hobby". Mappe, giochi, missili e altre paranoie in "Tempo fuori luogo" di Philip Kindred Dick e "L'arcoba-leno della gravità" di Thomas Ruggles Pynchon},
	isbn = {978-88-85414-83-9},
	series = {Virus},
	pages = {107--117},
	booktitle = {La dissoluzione onesta: scritti su Thomas Pynchon},
	publisher = {Cronopio},
	author = {Rossi, Umberto},
	editor = {Alfano, Giancarlo and Carratello, Mattia},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Congresses},
}

@incollection{alfano_ipertesto_2003,
	location = {Napoli},
	title = {L'ipertesto e "L'arcobaleno della gravità"},
	isbn = {978-88-85414-83-9},
	series = {Virus},
	pages = {119--128},
	booktitle = {La dissoluzione onesta: scritti su Thomas Pynchon},
	publisher = {Cronopio},
	author = {Herman, Luc},
	editor = {Alfano, Giancarlo and Carratello, Mattia},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Congresses},
}

@incollection{alfano_tale_2003,
	location = {Napoli},
	title = {"A Tale of a Tube": sul transitare attraverso le finestre},
	isbn = {978-88-85414-83-9},
	series = {Virus},
	pages = {129--152},
	booktitle = {La dissoluzione onesta: scritti su Thomas Pynchon},
	publisher = {Cronopio},
	author = {Alfano, Giancarlo},
	editor = {Alfano, Giancarlo and Carratello, Mattia},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Congresses},
}

@incollection{alfano_draw_2003,
	location = {Napoli},
	title = {"Draw the Line, Hit the Spot": iscrizioni culturali, ferite traumatiche e la multiplessità della materia in "Mason \& Dixon"},
	isbn = {978-88-85414-83-9},
	series = {Virus},
	pages = {153--187},
	booktitle = {La dissoluzione onesta: scritti su Thomas Pynchon},
	publisher = {Cronopio},
	author = {Berressem, Hanjo},
	editor = {Alfano, Giancarlo and Carratello, Mattia},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Congresses},
}

@incollection{alfano_thomas_2003,
	location = {Napoli},
	title = {Thomas Pynchon: A Stranger in a W.A.S.T.E. Land},
	isbn = {978-88-85414-83-9},
	series = {Virus},
	pages = {189--202},
	booktitle = {La dissoluzione onesta: scritti su Thomas Pynchon},
	publisher = {Cronopio},
	author = {Prezzavento, Paolo},
	editor = {Alfano, Giancarlo and Carratello, Mattia},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Congresses},
}

@incollection{alfano_pynchon_2003,
	location = {Napoli},
	title = {Pynchon nostro postcontemporaneo},
	isbn = {978-88-85414-83-9},
	series = {Virus},
	pages = {203--224},
	booktitle = {La dissoluzione onesta: scritti su Thomas Pynchon},
	publisher = {Cronopio},
	author = {Briasco, Luca},
	editor = {Alfano, Giancarlo and Carratello, Mattia},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Congresses},
}

@incollection{alfano_thomas_2003-1,
	location = {Napoli},
	title = {Thomas Pynchon e Umberto Eco. Lo scrittore invisibile e lo scrittore ipervisibile},
	isbn = {978-88-85414-83-9},
	series = {Virus},
	pages = {225--246},
	booktitle = {La dissoluzione onesta: scritti su Thomas Pynchon},
	publisher = {Cronopio},
	author = {Costigliola, Giuseppe},
	editor = {Alfano, Giancarlo and Carratello, Mattia},
	date = {2003},
	keywords = {Criticism and interpretation, Pynchon, Thomas, Congresses},
}

@book{noauthor_notitle_nodate,
}

@book{letzler_cruft_2017,
	location = {Lincoln},
	title = {The cruft of fiction: mega-novels and the science of paying attention},
	isbn = {978-0-8032-9962-7},
	series = {Frontiers of narrative},
	shorttitle = {The cruft of fiction},
	abstract = {What is the strange appeal of big books? The mega-novel, a genre of erudite tomes with encyclopedic scope, has attracted wildly varied responses, from fanatical devotion to trenchant criticism. Looking at intimidating mega-novel masterpieces from The Making of Americans to 2666, David Letzler explores reader responses to all the seemingly random, irrelevant, pointless, and derailing elements that comprise these mega-novels, elements that he labels "cruft" after the computer science term for junk code. Letzler suggests that these books are useful tools to help us understand the relationship between reading and attention. While mega-novel text is often intricately meaningful or experimental, sometimes it is just excessive and pointless. On the other hand, mega-novels also contain text that, though appearing to be cruft, turns out to be quite important. Letzler posits that this cruft requires readers to develop a sophisticated method of attentional modulation, allowing one to subtly distinguish between text requiring focused attention and text that must be skimmed or even skipped to avoid processing failures. "The Cruft of Fiction" shows how the attentional maturation prompted by reading mega-novels can help manage the information overload that increasingly characterizes contemporary life},
	publisher = {University of Nebraska press},
	author = {Letzler, David},
	date = {2017},
}

@misc{tamai_reconciliatory_2020-1,
	title = {Reconciliatory Maternity: Resistance to Violence in Thomas Pynchon’s \textit{Bleeding Edge}},
	url = {https://doi.org/10.20687/englishalsj.2019.18_19},
	doi = {10.20687/englishalsj.2019.18_19},
	shorttitle = {Reconciliatory Maternity},
	number = {18},
	publisher = {The American Literature Society of Japan},
	author = {{TAMAI}, Junya},
	urldate = {2024-08-23},
	date = {2020},
	langid = {english},
}

@incollection{carvajal_pedraza_mason_2019,
	location = {Madrid},
	title = {Mason \& Dison: novela cervantina},
	pages = {165--183},
	booktitle = {Recepción e interpretación del Quijote},
	publisher = {Visor Libros},
	author = {Carvajal Pedraza, Pablo José},
	editor = {Martínez Mata, Emilio and Carvajal Pedraza, Pablo José},
	date = {2019},
}

@article{ortiz_reescritura_2003,
	title = {La Reescritura de los límites. Historia y Fantasía en Mason \& Dixon.},
	volume = {1},
	pages = {122--154},
	number = {1},
	journaltitle = {American@},
	author = {Ortiz, Manuel},
	date = {2003},
}

@incollection{schmitz-emans_nescire_2013,
	title = {Nescire aude?: Das Wagnis des Nichtwissens in Thomas Pynchons Inherent Vice},
	isbn = {978-3-11-028280-1},
	url = {https://www.degruyter.com/document/doi/10.1515/9783110282894.47/html},
	shorttitle = {Nescire aude?},
	pages = {47--70},
	booktitle = {Literatur als Wagnis / Literature as a Risk},
	publisher = {{DE} {GRUYTER}},
	author = {Godel, Rainer},
	editor = {Schmitz-Emans, Monika},
	urldate = {2024-08-24},
	date = {2013-10-16},
	doi = {10.1515/9783110282894.47},
}

@inbook{engelhardt_4_2018,
	title = {4 {MATHEMATICS} {AND} {FICTION}: {THOMAS} {PYNCHON}, {GRAVITY}’S {RAINBOW}},
	rights = {https://creativecommons.org/licenses/by-nc/4.0},
	isbn = {978-1-4744-1624-5},
	url = {https://www.degruyter.com/document/doi/10.1515/9781474416245-008/html},
	shorttitle = {4 {MATHEMATICS} {AND} {FICTION}},
	pages = {126--156},
	booktitle = {Modernism, Fiction and Mathematics},
	publisher = {Edinburgh University Press},
	bookauthor = {Engelhardt, Nina},
	urldate = {2024-08-24},
	date = {2018-06-06},
	doi = {10.1515/9781474416245-008},
}

@inbook{engelhardt_1_2018,
	title = {1 {MATHEMATICS} {AND} {POLITICS}: {THOMAS} {PYNCHON}, {AGAINST} {THE} {DAY}},
	rights = {https://creativecommons.org/licenses/by-nc/4.0},
	isbn = {978-1-4744-1624-5},
	url = {https://www.degruyter.com/document/doi/10.1515/9781474416245-005/html},
	shorttitle = {1 {MATHEMATICS} {AND} {POLITICS}},
	pages = {24--58},
	booktitle = {Modernism, Fiction and Mathematics},
	publisher = {Edinburgh University Press},
	bookauthor = {Engelhardt, Nina},
	urldate = {2024-08-24},
	date = {2018-06-06},
	doi = {10.1515/9781474416245-005},
}

@book{donoghue_mannerist_2014,
	location = {Toronto},
	title = {Mannerist fiction: pathologies of space from Rabelais to Pynchon},
	isbn = {978-1-4426-4801-2},
	shorttitle = {Mannerist fiction},
	pagetotal = {185},
	publisher = {University of Toronto Press},
	author = {Donoghue, William},
	date = {2014},
	note = {{OCLC}: ocn865495450},
	keywords = {English fiction, History and criticism, 18th century, Mannerism (Literature), Formalism (Literature), French fiction, Mannerism (Art), Space and time in literature},
}

@article{herman_negotiating_2016-1,
	title = {Negotiating the Paranoia Narrative: The Critical Reception of \textit{Bleeding Edge} (2013) by Thomas Pynchon},
	volume = {134},
	issn = {1865-8938, 0340-5222},
	url = {https://www.degruyter.com/document/doi/10.1515/ang-2016-0005/html},
	doi = {10.1515/ang-2016-0005},
	shorttitle = {Negotiating the Paranoia Narrative},
	pages = {88--112},
	number = {1},
	journaltitle = {Anglia},
	author = {Herman, Luc and Vervaeck, Bart},
	urldate = {2024-08-24},
	date = {2016-03-01},
	langid = {english},
}

@article{koch_warten_2011,
	title = {Das Warten auf den Herrensignifikanten oder: Die Verhandlung von Zufall, Zeichen und Notwendigkeit in Thomas Pynchons The Crying of Lot 49 als Kritik des Indizienparadigmas},
	volume = {45},
	issn = {0003-7982, 1613-0642},
	url = {https://www.degruyter.com/document/doi/10.1515/arca.2010.025/html},
	doi = {10.1515/arca.2010.025},
	shorttitle = {Das Warten auf den Herrensignifikanten oder},
	pages = {431--445},
	number = {2},
	journaltitle = {Arcadia - International Journal for Literary Studies},
	author = {Koch, Lars},
	urldate = {2024-08-24},
	date = {2011-01},
}

@book{aliaga_thomas_nodate,
	title = {Thomas Pynchon},
	author = {Aliaga, David},
}

@article{chetwynd_book_2021,
	title = {Book Reviews, Special Pynchon-Scholarship-in-Languages-Other-than-English Edition, 2020},
	volume = {9},
	rights = {https://creativecommons.org/licenses/by/4.0/},
	issn = {2398-6786},
	url = {https://orbit.openlibhums.org/article/id/3404/},
	doi = {10.16995/orbit.3404},
	pages = {1--40},
	number = {1},
	journaltitle = {Orbit: A Journal of American Literature},
	author = {Chetwynd, Ali and Brondino, Andrea and Bugno-Narecka, Dominika and Abe, Kodai and Ryckx, Michel and Kipouridou, Romina and Vanicek, Vit},
	urldate = {2024-10-30},
	date = {2021-01-15},
}

@article{herman_pynchon_2003-1,
	title = {Pynchon, postmodernism and quantification: an empirical content analysis of Thomas Pynchon’s Gravity’s Rainbow},
	volume = {12},
	rights = {https://journals.sagepub.com/page/policies/text-and-data-mining-license},
	issn = {0963-9470, 1461-7293},
	url = {https://journals.sagepub.com/doi/10.1177/096394700301200102},
	doi = {10.1177/096394700301200102},
	shorttitle = {Pynchon, postmodernism and quantification},
	abstract = {Thomas Pynchon’s Gravity’s Rainbow (1973) has been received as a canonical instance of postmodernism. The novel appears to subvert traditional definitions of plot and characterization, yet the narrative retains a nagging sense of order underneath the represented chaos. Simultaneously evoking and undoing patterns on all levels of its narrative structure, Gravity’s Rainbow surreptitiously evokes the presence of a night journey (Martindale, 1979). An empirical content analysis of the novel confirms this ambiguous attitude with respect to patterning in the novel, and thus constitutes a first and modest step towards the quantification of postmodernism. First, a thematic analysis, calculating the co-variations of words across the chapters, corroborates the idea of a connectedness that seems to belie, in part, the pervasive presence of a paranoid hermeneutic. Second, a dictionary-based analysis of narrative sequences reveals an inverse night journey pattern that differs markedly from other patterns found for modernist novels. The configurations that were obtained in these analyses show that content analysis can distinguish empirically between two literary - historical concepts.},
	pages = {27--41},
	number = {1},
	journaltitle = {Language and Literature: International Journal of Stylistics},
	shortjournal = {Language and Literature: International Journal of Stylistics},
	author = {Herman, Luc and Hogenraad, Robert and Van Mierlo, Wim},
	urldate = {2024-10-30},
	date = {2003-02},
	langid = {english},
}