Articles

Review of Freedom and the Self: Essays on the philosophy of David Foster Wallace, Edited by Cahn, S. M. and Eckert, M., New York: Columbia University Press, 2015
Review of Freedom and the Self: Essays on the philosophy of David Foster Wallace, Edited by Cahn, S. M. and Eckert, M., New York: Columbia University Press, 2015

Stuart J. Taylor

2017-03-21 Volume 5 • Issue 1 • 2017

White Guys: Questioning Infinite Jest’s New Sincerity
White Guys: Questioning Infinite Jest’s New Sincerity

Joel Roberts and Edward Jackson

2017-03-21 Volume 5 • Issue 1 • 2017

Review of The End of the Tour, 2015. [Film] Directed by James Ponsoldt. USA: A24
Review of The End of the Tour, 2015. [Film] Directed by James Ponsoldt. USA: A24

Matthew Darling

2017-03-21 Volume 5 • Issue 1 • 2017

“I Kept Saying Her Name”: Naming, Labels and Power in the Early Writing of David Foster Wallace
“I Kept Saying Her Name”: Naming, Labels and Power in the Early Writing of David Foster Wallace

Clare Hayes Brady

2017-03-21 Volume 5 • Issue 1 • 2017

Embodied Vision in Against the Day
Embodied Vision in Against the Day

abdel raouf Fahim

2017-02-19 Volume 5 • Issue 1 • 2017

Novelty, Pattern, and Force in Richard Powers’s Orfeo
Novelty, Pattern, and Force in Richard Powers’s Orfeo

Kathryn Hume

2017-01-17 Volume 5 • Issue 1 • 2017

“A Shorthand of Stars”: From John to Thomas Pynchon
“A Shorthand of Stars”: From John to Thomas Pynchon

Mark Sussman and Martin Paul Eve

2016-09-08 Volume 4 • Issue 2 • 2016

A Phenomenology of the Present: Toward a Digital Understanding of Gravity’s Rainbow
A Phenomenology of the Present: Toward a Digital Understanding of Gravity’s Rainbow

David Letzler

2016-08-07 Volume 4 • Issue 2 • 2016

“On Deleuze and Guattari’s Italian Wedding Fake Book: Pynchon, Improvisation, Social Organisation, and Assemblage”
“On Deleuze and Guattari’s Italian Wedding Fake Book: Pynchon, Improvisation, Social Organisation, and Assemblage”

Jeeshan Gazi

2016-07-17 Volume 4 • Issue 2 • 2016

Gothic Traces in the Metaphysical Detective Story: The Female Sleuth in Pynchon’s The Crying of Lot 49 and Gibson’s Pattern Recognition
Gothic Traces in the Metaphysical Detective Story: The Female Sleuth in Pynchon’s The Crying of Lot 49 and Gibson’s Pattern Recognition

Susan Elizabeth Sweeney

2016-07-07 Volume 4 • Issue 2 • 2016