Articles

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Nose-gaping: The Smells of Mason & Dixon

Mike Phillips

2019-07-30 Volume 7 • Issue 1 • 2019

Blood on the Tracks: Pynchon, Bleeding Edge, and (Un)popular Music from Britney to Black Metal

Samuel Thomas

2019-06-11 Volume 7 • Issue 1 • 2019

Book Reviews

Michael J Sanders, Jacob Singer, Georgios Maragos, Jade Matthia Becker, Kostas Kaltsas, Romina Kipouridou, Martin Brick, Stipe Grgas and Albert Rolls

2019-01-21 Volume 7 • Issue 1 • 2019

The Kairotic View of History in Thomas Pynchon's Novels

Gary Thompson

2019-01-11 Volume 7 • Issue 1 • 2019

Getting the Story: Joan Didion's Aesthetic Transformation

Sam Diamond

2018-10-01 Volume 6 • Issue 1 • 2018 • 1-22

Book Reviews

Eric Sandberg, Ryan Lackey, Martin Paul Eve, Todd Hoffman and Li Rongrui

2018-06-05 Volume 6 • Issue 1 • 2018

Mr. Pynchon Goes to Iowa: The Search for Community in the Later Novels

Michael Harris

2018-05-23 Volume 6 • Issue 1 • 2018

The Pynchon Playlist: A Catalog and Its Analysis

Christian Hänggi

2018-05-11 Volume 6 • Issue 1 • 2018

Doc, the Dude, and Marlowe: Changing Masculinities from The Long Goodbye to Inherent Vice

Sean Carswell

2018-03-22 Volume 6 • Issue 1 • 2018

The Momentum of Pynchon's Secret Formula: Gravity’s Rainbow’s Second Equation between Archival Sources and Fiction

Nina Engelhardt and Harald Engelhardt

2018-02-28 Volume 6 • Issue 1 • 2018

Book Reviews

Kostas Kaltsas, James M. Rankin, Edward William Jackson and Kathryn Hume

2017-11-23 Volume 5 • Issue 2 • 2017

Plutocratic Dystopia and Workers’ Utopias in Morris’s News from Nowhere and Pynchon’s Against the Day

Frank Palmeri

2017-08-30 Volume 5 • Issue 2 • 2017

David Foster Wallace and New Sincerity Aesthetics: A Reply to Edward Jackson and Joel Nicholson-Roberts

Adam Kelly

2017-08-08 Volume 5 • Issue 2 • 2017

Listen to the Sound of the Quiet American: John Williams's Stoner

Maureen Clark

2017-06-26 Volume 5 • Issue 2 • 2017

Response to Albert Rolls, and a Brief Institutional History of Literary Hermeneutics

David Letzler

2017-06-16 Volume 5 • Issue 2 • 2017

Pynchon’s Creative Misuse of Entropy

Albert Rolls

2017-06-16 Volume 5 • Issue 2 • 2017

The Importance of Habits in Meredith Rand and Shane Drinion’s ‘tête-à-tête’ in The Pale King

Alexander Moran

2017-03-22 Volume 5 • Issue 1 • 2017 • David Foster Wallace

Introduction – Supposedly Fun Things: A David Foster Wallace Special Issue

Edward William Jackson, Xavier Marco del Pont and Tony Venezia

2017-03-22 Volume 5 • Issue 1 • 2017 • David Foster Wallace

Review of The End of the Tour, 2015. [Film] Directed by James Ponsoldt. USA: A24

Matthew Darling

2017-03-22 Volume 5 • Issue 1 • 2017 • David Foster Wallace

‘The Realer, More Enduring and Sentimental Part of Him’: David Foster Wallace’s Personal Library and Marginalia

John Roache

2017-03-22 Volume 5 • Issue 1 • 2017 • David Foster Wallace

David Foster Wallace: Insights and Readings - Reviews of Coleman, P ed., 2015. Critical Insights: David Foster Wallace. Ipswich, MA: Salem Press/Grey House Publishing; and Nadell, B, Green, K, and Pietsch, M eds., 2014. The David Foster Wallace Reader. London: Hamish Hamilton).

Saul Leslie

2017-03-22 Volume 5 • Issue 1 • 2017 • David Foster Wallace

White Guys: Questioning Infinite Jest’s New Sincerity

Joel Roberts and Edward Jackson

2017-03-22 Volume 5 • Issue 1 • 2017 • David Foster Wallace

‘They All Sound Like David Foster Wallace’: Syntax and Narrative in Infinite Jest, Brief Interviews with Hideous Men, Oblivion and The Pale King

Simon de Bourcier

2017-03-22 Volume 5 • Issue 1 • 2017 • David Foster Wallace

Conjuring David Foster Wallace’s Ghost: Prosopopeia, Whitmanian Intimacy and the Queer Potential of Infinite Jest and The Pale King

Vincent Haddad

2017-03-22 Volume 5 • Issue 1 • 2017 • David Foster Wallace

Review of Hayes-Brady, C, 2016. The Unspeakable Failures of David Foster Wallace: Language, Identity, Resistance. London: Bloomsbury

Erin K. Reilly

2017-03-22 Volume 5 • Issue 1 • 2017 • David Foster Wallace

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