Articles

“Sell Out With Me Tonight”: Popular Music, Commercialization and Commodification in Vineland, The Crying of Lot 49, and V.
“Sell Out With Me Tonight”: Popular Music, Commercialization and Commodification in Vineland, The Crying of Lot 49, and V.

George William Twigg

2014-08-18 Volume 2 • Issue 2 • 2014

V2 to Bomarc: Reading Gravity’s Rainbow in Context
V2 to Bomarc: Reading Gravity’s Rainbow in Context

Joshua Comyn

2014-07-11 Volume 2 • Issue 2 • 2014

V2 to Bomarc: Reading Gravity’s Rainbow in Context

Joshua Comyn

2014-07-11 Volume 2 • Issue 2 • 2014

Music in Thomas Pynchon’s Mason & Dixon
Music in Thomas Pynchon’s Mason & Dixon

John Joseph Hess

2014-07-04 Volume 2 • Issue 2 • 2014

A Note on Bleeding Edge’s “Unsheltered”
A Note on Bleeding Edge’s “Unsheltered”

Albert Rolls

2014-05-28 Volume 2 • Issue 2 • 2014

“Something More Than a Rifle”: Firearms in and around Thomas Pynchon’s Mason & Dixon
“Something More Than a Rifle”: Firearms in and around Thomas Pynchon’s Mason & Dixon

Umberto Rossi

2014-03-23 Volume 2 • Issue 2 • 2014

“For every They there ought to be a We”: The (Almost) Equivalence of Power and Resistance in Mason & Dixon and Against the Day
“For every They there ought to be a We”: The (Almost) Equivalence of Power and Resistance in Mason & Dixon and Against the Day

Georgios Maragos

2014-03-19 Volume 2 • Issue 2 • 2014

All Maps Were Useless - Resisting Genre and Recovering Spirituality in Pynchon's Against the Day
All Maps Were Useless - Resisting Genre and Recovering Spirituality in Pynchon's Against the Day

Jared Smith

2014-02-23 Volume 2 • Issue 2 • 2014

Attenuated Realities: Pynchon's Trajectory from V. to Inherent Vice
Attenuated Realities: Pynchon's Trajectory from V. to Inherent Vice

Kathryn Hume

2013-12-12 Volume 2 • Issue 1 • 2013

William Gaddis’s Immortality: Celebration, Cartoon, or Corruption?
William Gaddis’s Immortality: Celebration, Cartoon, or Corruption?

Crystal Alberts

2013-11-24 Volume 2 • Issue 1 • 2013