Articles

The Empowering Paradox of “1 = 2.” Mark Z. Danielewski’s Arithmopoetics

Burak Sezer

2022-04-01 Volume 10 • Issue 2 • 2022 • Mark Z. Danielewski's The Familiar

Forget-me-not: Giving Voice to Memory in Mark Z. Danielewski's "The Familiar" and Elsa Morante's "La Storia"

Corey Flack

2022-04-01 Volume 10 • Issue 2 • 2022 • Mark Z. Danielewski's The Familiar

The Worst of Both Worlds: The Familiar's E-Books and Their Unhandy Limitations.

Ian Ezerin

2022-04-01 Volume 10 • Issue 2 • 2022 • Mark Z. Danielewski's The Familiar

Introduction: Becoming Familiar with The Familiar, or, The Imaginary Novel and the Imagination

Sascha Pöhlmann

2022-04-01 Volume 10 • Issue 2 • 2022 • Mark Z. Danielewski's The Familiar

‘Questionable + Intelligence’: Inter + Legere

Mark Z. Danielewski

2022-04-01 Volume 10 • Issue 2 • 2022 • Mark Z. Danielewski's The Familiar

Reading Novels, Reading Networks: Mark Z. Danielewski’s The Familiar, Social Media, and the Digital Literary Sphere

Julia Panko

2022-04-01 Volume 10 • Issue 2 • 2022 • Mark Z. Danielewski's The Familiar

.Compostmodernism: Textual Machinery Through Typography and Materiality in Mark Z. Danielewski’s The Familiar

Aislinn McDougall

2022-04-01 Volume 10 • Issue 2 • 2022 • Mark Z. Danielewski's The Familiar

Danielewski's The Familiar and the Concept of the Bibliotrope

Brian Davis

2022-04-01 Volume 10 • Issue 2 • 2022 • Mark Z. Danielewski's The Familiar

Becoming-Signiconic: Emergence and Territory in The Familiar

Luka Bekavac

2022-04-01 Volume 10 • Issue 2 • 2022 • Mark Z. Danielewski's The Familiar

Review of Albert Rolls, Thomas Pynchon: The Demon in the Text (Edward Everett Root Publishers, 2019). 156 pp.

Diana Benea

2022-01-12 Volume 10 • Issue 1 • 2022